scholarly journals المنهج البنيوي النفسي: التحولات والأبعاد والإشكالات/ Psychoanalytic Structuralism Method; Transformation, Dimensions and Problems

Author(s):  
ʽUmar ʽAbdullah Al-ʽAnbar

ملخص البحث:  تشكل البنيويات نظريات نقدية غربية سيطرت على الساحات النقدية منذُ بدايات القرن التاسع عشر، وقدمت البنيوية النفسية كثيراً الأفكار والأدوات والنماذج والمحاولات المفيدة في معاينة النصوص الأدبية وتحليلها، وتحتاج البنيوية المعاصرة إلى مراجعة شاملة لتحولاتها؛ ولذلك اختار هذا البحث البنيوية النفسية موضوعاً له، واتبع الباحث المنهج الوصفي والتحليلي، وتهدف الدراسة إلى بيان تحولات البنيويات، والبنيوية النفسية، وإشكالات البنيوية النفسية. من نتائج الدراسة ما يأتي: أظهر البحث تطبيق البنيوية النقدية والنفسية جملة من الأدوات القادرة على وعي أبعاد النص الأدبي وتجلياته، وأظهرت الأدوات المنهجية التي يعتمدها المنهج البنيوي النفسي قدرة تحليلية للنصوص الأدبية، وتقوم المناهج النقدية البنيوية وما بعدها على فكرة الدمج والتعديل؛ حيث يتم الدمج بين الجوانب البنيوية والأبعاد النفسية لتخرج لنا البنيوية النفسية مؤلفة منهجاً نقدياً نفسياً جديداً ذا أبعادٍ خاصة ومهمة. الكلمات المفتاحية: تحولات البنيويات-البنيوية النفسية-الأبعاد-العلاقات-الإشكاليات.   Abstract Structural approaches are Western theories of literary criticism which prevailed since it first appeared in the 19th century. Psychoanalytic structuralism, discussed in this paper, tends to offer multifarious conceptions, tools, models, and disciplines for scrutinizing and analyzing literary works. Therefore, contemporary structuralism requires a comprehensive review to investigate their transformations. For this reason, psychoanalytic structuralism is the focus of this paper. The researcher uses the analytical descriptive method. The study aims to explain the transformation of structuralisms, psychoanalytic structuralism, and its problems. Among the conclusions of the study are; the application of critical psychoanalytic structuralism has proven the benefit of a number of tools able to bring awareness about the dimensions and manifestations of a literary text. The methodological tools that are used by the psychoanalytical structuralism method have the analytical ability on literary texts. This method is based on the idea of combination and amendment; combining the aspects of structuralism and the psychological dimensions to give us psychoanalytical structuralism as a critical psychological method that has significant and specific dimension. Keywords: Psychoanalytic structuralism, the transformation of structuralisms, psychoanalytic structuralism, problems.   Abstrak Pendekatan Strukturalis adalah merupakan teori-teori kirik kesusasteraan yang telah timbul semenjak kurun ke 19. Strukturalisma psikoanaltik yang dibincangkan di dalam kertas ini menawarkan pelbagai konsep, peralatan, acuan dan disiplin untuk mendekati dan menganalisa kerja-kerja kesusasteraan. Oleh kerana itu, struktularisma semasa memerlukan ulasan yang komprehensif untuk disingkap perubahannya. Untuk tujuan ini, strukturalisma psikoanalitik akan diberikan tumpuan di dalam kertas kajian ini. Pengkaji menggunakan metod analitik dan deskriptif untuk menerangkan perubahan strukturalisma, strukturalisma psikoanalitik dan permasalahannya. Di antara rumusan kajian ialah: penggunaan strukturalisma psikoanalitik secara kritikal telah terbukti dapat memberi manfaat kepada beberapa wadah yang dapat memberikan kesedaran tentang dimensi dan manifestasi sesuatu teks sastera itu. Alatan metodologi yang digunakan oleh metod strukturalisma psikoanalitikal mempunyai potensi menganalisa teks kesusasteraan. Metod ini adalah berdasarkan kepada ide penggabungan dan perubahan; yang menggabungkan aspek-aspek strukturalisma dan dimensi psikoanalitik yang memberikan kita strukturalisma psikoanalitik sebagai satu metod psikologikal yang kritikal yang mempunyai kepentingannya dan dimensinya yang tersendiri. Kata kunci: Strukturalisme psikoanalitik, transformasi struktur struktur, struktur struktural psikoanalitik, masalah.

2003 ◽  
Vol 9 ◽  
Author(s):  
Boldizsár Fejérvári

It is a common fashion in literary criticism, or 'Lit Crit,' to treat reality, human behaviour, communication, and everything else as though they were 'texts to be read.' This paper proposes to go the other way: it interprets literature (or, more precisely, one literary text, Tom Stoppard's Rosencrantz and Guildenstern Are Dead) as a part of reality in which several other layers of the real combine, such as linguistics, science, or other literary texts, most notably Hamlet. While Edward II is not generally considered a direct source for Stoppard's play, this paper shows how, in the wider perspective of 'interreality,' Marlowe's tragedy might interact with Rosencrantz and Guildenstern. At the same time it is proved that Rosencrantz and Guildenstern Are Dead, contrary to the critical conception of many, is not a parasitic work 'feeding off' Elizabethan playwrights, but a play that enters a symbiotic relationship with its host (as defined by Hillis Miller).


2021 ◽  
Vol 27 (3) ◽  
pp. 92-101
Author(s):  
Valeria G. Andreeva

The article examines the concept of an epic novel – a special historical genre phenomenon that arose as a result of the successful implementation by Russian classics of the second half of the 19th century. The author discusses the pseudo-names that appeared in Soviet literary criticism due to its politicisation and ideologisation back in the 1920s –30s and she shows that the terms of epic novel and epopee novel were used at the indicated time for the sake of the Communist party tasks, but contrary to their true meanings. As noted in the article, this required a rejection of the traditions of Russian classical literature, a rejection of the genetic memory of the universal vision of the world and human inherent in the epic novel. Analytical comprehension of the polemics of literary critics of different generations made it possible to show that a number of researchers who rightly saw the problem, forgot to “rehabilitate” the above concepts and transferred the line of denial of Soviet ideology to the terms themselves. The author of the article explains the importance of using the concept of an epic novel in its true meaning, in relation to the voluminous works of Russian classical literature.


2021 ◽  
Vol 4 (6) ◽  
pp. 561-570
Author(s):  
Nur Habibah Asri ◽  
Dwi Wulandari

Sukuk or Sharia bonds are one of the investment instruments in Indonesia. Since the 19th century, Sukuk has become popular with investors. Several previous studies found contradictory results that macroeconomic variables have a relationship and influence on Sukuk by observing the year before the pandemic. This study uses a quantitative descriptive method with a Vector Autoregression (VAR) approach. Through the optimum lag value, namely, lag 3, statistically it was found that there was a significant relationship between the variables of GDP, interest rates, and the exchange rate on Sukuk. In addition, several analysis results found a causal relationship between these variables.


2021 ◽  
pp. 188-203
Author(s):  
Elena A. Tacho-Godi ◽  
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The paper considers the methodological principles of Yu.I. Aykhenvald’s literary criticism. Attention is drawn to the relationship between Aykhenvald’s declared “immanent method” and “principled impressionism” and his own “philosophy of life”. It is proved that Aykhenvald’s version of “impressionism” is much closer to the theory of symbolism than it seemed to contemporaries and researchers. The analysis takes into account both the aesthetic “sympathies” (Apollon Grigoryev, Vladimir Solovyov, Oscar Wilde, Remy de Gourmont, Émile Faguet) and “antipathies” (Vissarion Belinsky, Vasily Rozanov), that influenced Aykhenvald’s interpretation of the heritage of literary critics, philosophers, and writers of the 19th century — Pushkin, Tolstoy, Chekhov.


Author(s):  
Djordje Peric

The paper discusses a little-known Serbian poetess from the second half of the 19th century, Danica-Zorka Raskovic (1849-1910). Based on archival research and a lot of new information, it also features her compiled biography. All her poetical works which she wrote between ages 17 and 19 are presented in the text. They include: Eulogy (Slavopoj, two collections, 1866, 1867), Euphony (Milosplet, 1868) and Elegy (Tugospev, 1868). The last book, Elegy, composed as an integral work, is an attempt at writing an epic. Eulogy celebrates the 50th anniversary of the Principality of Serbia (1815-1865), glorifies the Obrenovic dynasty, especially Prince Mihailo, Anka Obrenovic and other persons. Literary criticism judged the seventeen-year-old poetess? work too harshly (S. Novakovic, V. Jagic). However, her appearance on the 1870s Serbian literary scene is interesting, because she is one of the oldest Belgrade poetesses.


2021 ◽  
Vol 18 (2) ◽  
pp. 400-416
Author(s):  
Ekaterina V. Sharapova ◽  

The article discusses the idiolectic features of the adjective reshitel’nyi and the adverb reshitel’no in Fedor Dostoevskii’s writing style. Conceived as one lexical item, reshitel’nyi and reshitel’no have a semantic structure that includes three blocks of meanings: quality/mode of action; discursive meaning; intensity (corresponding to the lexical function Magn). The dictionary definitions suggest that all of them were common to reshitel’nyi/reshitel’no in Russian language of the 19th century. Ноwever, a corpus-based study shows that reshitel’nyi/reshitel’no in discursive or intensifying use is one of Dostoevskii’s idiolectic patterns. The study comprises 1219 contexts from Dostoevskii’s five great novels and from Leo Tolstoy’s, Mikhail Saltykov Shchedrin’s, Ivan Turgenev’s and Ivan Goncharov’s literary texts accessible in the Russian National Corpus. The analysis reveals the closeness of intensification tо discursive meanings up to nondistinction. Almost half of the contexts extracted from Dostoevsky’s texts are discursive or intensifying uses of reshitel’nyi/reshitel’no. This share is much smaller for the texts of other authors (12%, 22%, 15% and 14% respectively). The article considers some types of contexts and constructions that refer to discursive or intensifying uses of reshitel’nyi/reshitel’no in Dostoesvskii’s literary texts.


Author(s):  
Galina Bezkorovaynaya

The article concerns identification of semantic potential of lexical units with a Germanic origin joined into thematic group "English titles of nobility", and actualization of their meanings in the literary texts of the 19 th century. The sources of language material were the works of early Victorian period writers. The undertaken semantic and functional analysis of lexemes earl, knight, lord / lady enabled the author to conclude that when they indicate social status of the character depicted in the work of art or are used as an etiquette form of address, they implement direct meaning. It has been noted that alongside with lord / lady, the French loanwords sir / madame are used as forms of polite address in dialogues between the characters. The lexemes-titles can function in figurative meaning, i.e. knight maybe used to indicate valour as one of the main qualities of a noble person of high social status, Lord is used to denote the Creator, lady – to speak about any woman, as well as a wife, a mistress. The analysis of the data obtained resulted in deduction that in literary texts of the 19 th century the meanings of lexemes-titles, comprising thematic group English Nobility Titles, can express the following: the noble origin in the name of a person, a polite form of address in communication, nomination of a social status as well as some commonly shared character traits inherent to an aristocratic class representative; nomination of people in accordance with a family status or gender.


Author(s):  
Yelena N. Belyakova

In terms of newspaper-magazine reviews of Alexander Ostrovsky's works, published in the 1850s-70s, the problem of artistic text literary-critical evaluation is examined in the article. The author of the article assumes that artistic text evaluation is directly related to ideology and to the main request of time in terms of which, the text receives this assessment. According to Georgiy Fridlender, one of the most important tasks that Russian public life of the second half of the 19th century set for literature was to create an image of a viable and still positive hero. Alexander Ostrovsky in his work was oriented to answers to the most pressing social requests. Nevertheless, his works often did not satisfy his contemporaries, and sometimes insulted their moral feelings. An attempt to trace how the negative moral and ethical assessment of the playwright's creative work was conditioned and the role that newspaper and magazine criticism played in shaping the literary process is undertaken in the article.


2020 ◽  
Vol 3 (2) ◽  
pp. 214-218
Author(s):  
Desy Nur Indrasari ◽  
Fathu Rahman ◽  
Herawaty Abbas

The aim of this research is to describe middle class women role in the 19th century in Bronte’s novel, Wuthering Heights, and induce a deeper understanding of effect each role on two characters in society. This research is a qualitative descriptive method using sociological approach. By using sociology of literature, a literary work is seen as a document of social. The data of this research collected from the descriptions and utterances of the characters and narrator in the novel. The result in this research shows that the role of women from the middle class were represented by the characters of the novel known as Catherine Earnshaw Linton, the main female protagonist and the motherless child and also Catherine (Cathy) Linton, daughter of Catherine Earnshaw Linton.


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