scholarly journals Intoxication and Laughter in Japanese Buddhism: based on Konjaku monogatari shū, maki 28

2020 ◽  
Vol 3 (1) ◽  
pp. 51-69
Author(s):  
N. N. Trubnikova
Keyword(s):  
Everyday Life ◽  
Conflict Of Interest ◽  
The Other ◽  
Japanese Buddhism ◽  
The Everyday ◽  
Main Motive ◽  
The One ◽  
Common Understanding

The Konjaku monogatari-shū (1120s) is a Buddhist  setsuwa collection especially interesting when being put into the context of concepts, which go back to the texts of the Canon. These concepts are considered to the everyday life of the Japanese sangha. One of these concepts is yoi, “intoxication”(Skt. mada). Traditionally, it is being interpreted literally (an intoxication achieved by an intake of alcohol, dope etc.) and in a figurative sense (a human’s consciousness obsessed by a passion). In Konjaku, the intoxication is the main motive for the maki 28. This text is usually read as a set of stories, which are considered as comic regardless of their quite serious end. By succumbing to passion, a person not only acts to his detriment, but also looks ridiculous to others. This means that by getting inebriated he puts himself into such a circumstance when other people start making fun of him. An emotional relationship between a drunk person and the society looks ambiguous: on the one hand, it is harmful for an individual (mocking, people lie, commit cruel acts, etc.), and on the other, it is useful if it reveals a common understanding of the concept of funny. This is a constant value, which is one of the few things to be relied upon in the volatile world. The article includes translations of several stories from the 28th maki of Konjaku.The author declares that there is no conflict of interest.

Everyday Life as Critique in Late Colonial Korea: Kim Namch'ŏn's Literary Experiments, 1934–43

2009 ◽  
Vol 68 (3) ◽  
pp. 861-893 ◽  
Author(s):  
Sunyoung Park
Keyword(s):  
Everyday Life ◽  
The Other ◽  
Colonial Korea ◽  
Modern Life ◽  
Urban Modernity ◽  
Utopian Vision ◽  
The Everyday ◽  
Aesthetic Principle ◽  
The One ◽  
Aesthetic Sensibility

Perhaps the most renowned leftist writer of late colonial Korea, Kim Namch'ŏn left a complex body of work that has so far defied an encompassing interpretation. On the one hand, in his theoretical writings, Kim consistently advocated realism as his aesthetic principle. On the other hand, within his fictional writings, Kim also displayed an antithetical interest in the fragmentary scenes of modern life, which he often depicted through experimental techniques of a modernist aesthetic sensibility. In this essay, an attempt is made to provide a unified account of Kim's works. Special attention is given to Kim's early theorization of the everyday as a proper literary space for a materialist critique of society. This focus on everyday life, it is argued, enabled Kim to critique both the teleological outlook of dogmatic socialism and the utopian vision of pan-Asianism, but it did not shelter him from a fascination with the daily spectacles of urban modernity.

scholarly journals Everyday communications in religious practices

2019 ◽  
Vol 72 ◽  
pp. 02002
Author(s):  
Lidiia Gazniuk ◽  
Irina Soina ◽  
Gennadiy Goncharov ◽  
Pavel Chervony
Keyword(s):  
Everyday Life ◽  
Social Relationships ◽  
Religious Life ◽  
Religious Language ◽  
The Other ◽  
Religious Practices ◽  
The Everyday ◽  
Internet Forums ◽  
The One ◽  
Main Factor

It has been determined that understanding everyday life as a socially determined sphere of religious life makes it possible to explore the religious practices of the Orthodox believer, on the one hand, as a component of social relationships and a way of incorporating into religious relations, on the other, as a means of objectifying religious experience. Within the framework of various scientific areas, communication is explored as a way to transfer information in interpersonal, group and social interaction. Communication is considered as a way of being of everyday life, a universal form of sociality, reproduced in intersubjective interaction. The everyday relations of Orthodox believers are characterized by common linguistic meanings and processes of interpretation. The identification of religious individuals and communities takes place through communication. Daily life is the basis of the communication of believers, the religious language is the main factor in the nature of everyday life level. The influence on the development of religious relations of the newest means of communication, including Internet forums, providing the opportunity for communion of the laity, clergy, monastics, believers of other faiths and religions is shown.

Introduction

2021 ◽  
pp. 1-18
Author(s):  
Laura Carter
Keyword(s):  
Everyday Life ◽  
Social History ◽  
Methodological Approach ◽  
The Other ◽  
Origin Stories ◽  
The Everyday ◽  
History Of ◽  
The 1960S ◽  
The One

The introduction proposes the key argument that the twentieth century was Britain’s educational century. It discusses how the democratization of historical knowledge in Britain between 1918 and 1979 occurred as a process of negotiation between policymakers, elites, and educationists on the one hand, and ordinary people on the other. The concept of the ‘history of everyday life’ is introduced and defined. The introduction then discusses the important role of women in the making of popular social history, and its relationship to classed, gendered, racial, imperial, and national categories. The ‘history of everyday life’ is briefly discussed in relation to other ‘origin stories’ of British social history, especially the new academic social history of the 1960s and the importance of the ‘everyday’ in mid-century social science. Finally, the introduction discusses the book’s methodological approach and provides an overview of each of the chapters.

“German speakers, step forward!”

2013 ◽  
Vol 8 (1) ◽  
pp. 1-22 ◽  
Author(s):  
Michaela Wolf
Keyword(s):  
Everyday Life ◽  
The Other ◽  
Concentration Camps ◽  
Official Language ◽  
Hierarchical Order ◽  
Mediating Role ◽  
The Everyday ◽  
Polish Jews ◽  
The One

In Nazi concentration camps the prisoners were frequently of 30 to 40 different nationalities, and German and Polish Jews were in the majority. With German as the only official language in the lager, communication was vital for the prisoners’ survival. In the last few decades, there has been extensive research on the language inmates used (referred to as “lagerszpracha,” “lagerjargon,” or “Krematorium-Esperanto”); investigation, however, of the mediating role of interpreters between SS guards and prisoners, on the one hand, and among inmates, on the other, has been nearly inexistent. This paper claims that the different kinds of interpreting activities shaped the everyday life in concentration camps considerably. In what way has interpreting contributed to the survival of the deported? Did interpreting have an impact on the hierarchical order imposed on the prisoners? What metaphors can best describe the interpreting activity in order to convey the extreme terror the lager prisoners experienced? These questions will be explored through a series of survivor accounts.

Ruler Visibility and Popular Belonging in the Ottoman Empire, 1808-1908

2018 ◽  
Author(s):  
Darin Stephanov
Keyword(s):  
Public Space ◽  
Ottoman Empire ◽  
The Other ◽  
Group Consciousness ◽  
Central Question ◽  
Point Model ◽  
The Everyday ◽  
National Movements ◽  
Tanzimat Reforms ◽  
The One

‘What do we really speak of when we speak of the modern ethno-national mindset and where shall we search for its roots?’ This is the central question of a book arguing that the periodic ceremonial intrusion into the everyday lives of people across the Ottoman Empire, which the annual royal birthday and accession-day celebrations constituted, had multiple, far-reaching, and largely unexplored consequences. On the one hand, it brought ordinary subjects into symbolic contact with the monarch and forged lasting vertical ties of loyalty to him, irrespective of language, location, creed or class. On the other hand, the rounds of royal celebration played a key role in the creation of new types of horizontal ties and ethnic group consciousness that crystallized into national movements, and, after the empire’s demise, national monarchies. The book discusses the themes of public space/sphere, the Tanzimat reforms, millet, modernity, nationalism, governmentality, and the modern state, among others. It offers a new, thirteen-point model of modern belonging based on the concept of ruler visibility.

Conclusion

2017 ◽  
Author(s):  
Detlef Pollack ◽  
Gergely Rosta
Keyword(s):  
Eastern Europe ◽  
Western Europe ◽  
The Other ◽  
Market Model ◽  
Economic Prosperity ◽  
Economic Market ◽  
The Everyday ◽  
Economic Market Model ◽  
The One ◽  
Religious Landscape

The most important conclusions of this summarizing chapter are the following: The religious landscape of Eastern Europe is more diverse than that of Western Europe. The cases of Poland and the GDR confirm the hypothesis that there is a link between the diffusion of functions and the growth in the importance of religion. The strong processes of biographical individualization that occurred in the post-communist states did not necessarily intensify individual religiosity. The economic market model cannot be confirmed for Eastern Europe. There is in Eastern and Central Europe a demonstrable link between economic prosperity and the loosening of religious and church ties. What can act as a bulwark against the eroding effects of modernization is church activity on the one hand, and the everyday proximity, visibility, and concreteness of religious practices and rituals, symbols, images, and objects on the other.

„Staunest Fremdling / Diese Stein an?“ Das Außen des Innen in Tourismus und Idylle

2021 ◽  
Vol 50 (1) ◽  
pp. 17-33
Author(s):  
Jan Gerstner
Keyword(s):  
Everyday Life ◽  
19Th Century ◽  
The Other ◽  
Specific Difference ◽  
Early 19Th Century ◽  
Tourist Gaze ◽  
Structural Analogy ◽  
The One

Abstract This article examines the structural analogy between the literary idyll and tourism that lies in the specific difference between idyllic and touristic spaces on the one hand and those of a modern, functionally differentiated, and rational everyday life on the other. The peak in the production of literary idylls as well as the onset of tourism in the late 18th and early 19th century can thus be conceptualized as a reaction to experiences of alienation due to emerging processes of modernization. An analysis of Goethe’s Der Wandrer shows however how literary idylls not only helped to shape the tourist gaze, but also reflected on the touristic and idyllic experience as an experience between foreignness, alienation and belonging.

scholarly journals Certainty and Uncertainty in Tax Law: Do Opposites Attract?

Laws ◽  
2020 ◽  
Vol 9 (4) ◽  
pp. 30
Author(s):  
Alexander V. Demin
Keyword(s):  
Law Enforcement ◽  
Everyday Life ◽  
International Organizations ◽  
Good Faith ◽  
The Other ◽  
Tax Law ◽  
General Requirement ◽  
Law Enforcement Agencies ◽  
The One ◽  
Effective Channel

The principle of certainty of taxation is the dimension of a general requirement of certainty in the legal system. The purpose of this article is to argue the thesis that uncertainty in tax law is not always an absolute evil, sometimes it acts as a means of the most optimal (and in some cases the only possible) settlement of relations in the field of taxes. On the contrary, uncertainty and fragmentation in tax law are colossal problems subject to overcome by the efforts of scientists, legislators, judges, and practicing lawyers. Uncertainty in tax law is manifested in two ways: on the one hand, negatively—as a defect (omission) of the legislator and, on the other hand, positively—as a set of specific legal means and technologies that are purposefully used in lawmaking and law enforcement. In this context, relatively determined legal tools are an effective channel for transition from uncertainty to certainty in the field of taxation. A tendency towards increased use of relatively determined legal tools in lawmaking processes (for example, principles, evaluative concepts, judicial doctrines, standards of good faith and reasonableness, discretion, open-ended lists, recommendations, framework laws, silence of the law, presumptive taxation, analogy, etc.), and involving various actors (courts, law enforcement agencies and officials, international organizations, citizens, organizations and their associations) allow making tax laws more dynamic flexible, and adequate to changing realities of everyday life.

Role Inversion and Its Function in the Iphigeneia at Aulis

Ramus ◽  
1986 ◽  
Vol 15 (2) ◽  
pp. 83-92
Author(s):  
Dale Chant
Keyword(s):  
Everyday Life ◽  
Crucial Role ◽  
Final Analysis ◽  
The Other ◽  
The Subject ◽  
The One ◽  
Pyrrhic Victory

In the Iphigeneia at Aulis role and role inversion are paramount concerns. Indeed it could be contended that in this play we find Euripides' clearest and best defined account of human (and divine) variability. Agamemnon, Menelaos, Achilleus, Iphigeneia, and even, in the final analysis, Artemis, all take positions and attitudes diametrically opposed to those initially adopted. Moreover, the basic thrust behind these movements in position and attitude is the same for each of these characters. All are concerned, in one way or another, with the saving or destruction of Iphigeneia, a situation which most emphatically includes Iphigeneia herself. For on the one hand she wildly supplicates to be saved, while on the other she gladly offers her body to the blade. In addition, Iphigeneia plays a crucial role in greater destructions. If she is destroyed by Agamemnon's and the army's actions, then Greece is destroyed in turn by her (Agamemnon's and the Greeks' final triumph is a ‘Pyrrhic’ victory at best), a situation made all the more ironic by her affected stance of saviour to the fatherland. In Iphigeneia's case, however, the discrepancy between intention and the consequences of action is innocent enough. The play gives no hint that she is at all aware of the irony implicit in her actions. But such lack of awareness is not postulated with regard to Agamemnon, Menelaos and Achilleus. The duplicities and hypocrisies of these three have been the subject of much analysis, and it is at least a critical commonplace to observe that they are characterised in a way more reminiscent of the sour end of everyday life than of the due proprieties associated with heroic, or Homeric, behaviour.

scholarly journals Poetic Storytelling in Contemporary Photography. Relation to Nature and the Poesis of Everyday Life in Works of Selected Artist in Iceland and Other Nordic Countries

Arts ◽  
2020 ◽  
Vol 9 (4) ◽  
pp. 129
Author(s):  
Sigrún Alba Sigurðardóttir
Keyword(s):  
Everyday Life ◽  
Nordic Countries ◽  
The Other ◽  
The Past ◽  
The World ◽  
Phenomenological Perspective ◽  
The One ◽  
Climate Crisis ◽  
The Relationship ◽  
Narrative Medium

The past 20 years have seen a shift in Icelandic photography from postmodern aesthetics towards a more phenomenological perspective that explores the relationship between subjective and affective truth on the one hand, and the outside world on the other hand. Rather than telling a story about the world as it is or as the photographer wants it to appear, the focus is on communicating with the world, and with the viewer. The photograph is seen as a creative medium that can be used to reflect how we experience and make sense of the world, or how we are and dwell in the world. In this paper, I introduce the theme of poetic storytelling in the context of contemporary photography in Iceland and other Nordic Countries. Poetic storytelling is a term I have been developing to describe a certain lyrical way to use a photograph as a narrative medium in reaction to the climate crisis and to a general lack of relation to oneself and to the world in times of increased acceleration in the society. In my article I analyze works by a few leading Icelandic photographers (Katrín Elvarsdóttir, Heiða Helgadóttir and Hallgerður Hallgrímsdóttir) and put them in context with works by artists from Denmark (Joakim Eskildsen, Christina Capetillo and Astrid Kruse Jensen), Sweden (Helene Schmitz) and Finland (Hertta Kiiski) artists within the frame of poetic storytelling. Poetic storytelling is about a way to use a photograph as a narrative medium in an attempt to grasp a reality which is neither fully objective nor subjective, but rather a bit of both.

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