scholarly journals Report on the Symposium «The Contemporary Situation of the Orthodox Church in America» held on December 8, 2019 at St. Tikhon's Orthodox University for the Humanities

2020 ◽  
pp. 301-310
Author(s):  
Ярослав Геращенко
Keyword(s):  
Present Situation ◽  
Orthodox Church ◽  
25Th Anniversary ◽  
Main Building ◽  
Contemporary Situation ◽  
The Church

8 декабря 2019 г., по благословению Святейшего Патриарха Московского и всея Руси Кирилла, в Соборной палате Московского епархиального дома, где располагается главный корпус Православного Свято-Тихоновского гуманитарного университета, прошёл симпозиум под названием «Современное положение Православной Церкви в Америке». Данный симпозиум был приурочен к празднованию 25-летия учреждения в Москве подворья Православной Церкви в Америке (далее – П ЦА) в храме св. вмц. Екатерины на Всполье. On December 8, 2019, with the blessing of His Holiness Patriarch Kirill of Moscow and All Russia, a symposium entitled "The Present Situation of the Orthodox Church in America" was held in the Cathedral Chamber of the Moscow Diocesan House, which houses the main building of the Orthodox Svyato-Tikhonovsky University of Humanities. The symposium was timed to coincide with the 25th anniversary of the establishment of the Moscow Metochion of the Orthodox Church in America ("OCA") at the Church of St. Catherine in Vspolye.

scholarly journals Fundacje sakralne wojewody wołyńskiego Seweryna Józefa Rzewuskiego (po 1694–1755)

Artifex Novus ◽  
2019 ◽  
pp. 76-95
Author(s):  
Irena Rolska
Keyword(s):  
Orthodox Church ◽  
Close Link ◽  
Mary Magdalene ◽  
Main Building ◽  
Parish Church ◽  
City Hall ◽  
Local Parish ◽  
Northern Side ◽  
The Church ◽  
Main House

  SUMMARY Seweryn Józef Rzewuski was the son of Stanisław Mateusz Rzewuski (1662–1728), grand crown hetman and Belz voivode, and Ludwika Eleonora Kunicka (coat of arms: Bończa; d. 1749). He was the older brother of Wacław Piotr Rzewuski (1706–1779), grand crown hetman and castellan of Cracow. The main house of Seweryn Józef and Antonia from the Potocki Rzewuski was the castle in Olesko. Before 1745 the voivode carried out renovation works at the castle, decorating it with stuccos and sculptures. The main building Rzewuski founded was the church and Capuchin monastery located below the castle. The single-nave church has a double-span nave enclosed by two rows of lower, rectangular-shaped side chapels linked by narrow passages. The church has an austere, flat facade with one portal on the axis, typical for Polish Capuchin architecture. Monastery buildings were located on the northern side of the church. The wings of the monastery surrounded a rectangular inner viridary, uncommon for Capuchin monasteries. The monastery in Olesko was one of the most magnificent Polish Capuchin monasteries. Seweryn Józef and Antonina Rzewuski revered the blessed John of Dukla. This was manifested by their decision to found the building of a column dedicated to Blessed John of Dukla in Lviv in 1736. The Rzewuski kept good relations with the Greek Catholics from Chełm and the Chełm starosty. Rzewuski founded baroque side-altars for the orthodox church in Kanie, which are now in the local parish church. He was also one of the initiators of the coronation of the icon of Our Lady of Chełm. Seweryn Józef Rzewuski inherited Łęczna (1737), and as the city’s owner he began renovating the parish church of Saint Mary Magdalene, rebuilding the burned city hall, two market squares and establishing a third one. Rzewuski founded two new, baroque altars for the church. Two side-altars, the pulpit, baptismal font and two altars in side chapels remain until this day. The remains of the programme, that can be found on the altars, indicate a close link between the passion and eucharistic worship. In 1745 Seweryn Józef finished building and decorating a small, single-navechurch in Łuszczów. All aforementioned buildings and art founded by Seweryn Józef Rzewuski, except from the column dedicated to the blessed John of Dukla in Lviv, were located on territories which belonged to the voivode.

The Theological Dialogue Between the Orthodox and the Non-Chalcedonians (Past - Present - Future): An Athonite Critique. Part 1: Prologue. Introduction, ch. 1, nn. 1-3

2019 ◽  
pp. 109-144
Author(s):  
Михаил Андреевич Вишняк
Keyword(s):  
Orthodox Church ◽  
Modern Greek ◽  
History Of ◽  
The Church

Вниманию русскоязычного читателя предлагается первая часть перевода с новогреческого на русский язык книги Ὁ Θεολογικός Διάλογος Ὀρθοδόξων καί Ἀντιχαλκηδονίων (παρελθόν - παρόν - μέλλον): Μία ἁγιορειτική συμβολή. Ἅγιον Ὄρος: Ἱερά Μονή Ὁσίου Γρηγορίου, 2018 (841 σ.). Это издание посвящено богословскому диалогу между Православной Церковью и антихалкидонитами и включает в себя все тексты соответствующей тематики, составленные на Святой Горе Афон в период 1991-2015 гг. Настоящая публикация включает перевод предисловия архим. Христофора, игумена монастыря Григориат, и части введения (гл. 1, пп. 1-3). Перевод снабжён также предисловием переводчика, в котором кратко изложена история богословского диалога, цель издания и его перевода на русский язык, которая заключается в содействии плодотворному и согласному со Священным Преданием воссоединению антихалкидонитов с Церковью. The Russian-speaking reader is presented with the first part of the translation into Russian from the modern Greek of the book Ὁ Θεολογικός Διάλογος Ὀρθοδόξων καί Ἀντιχαλκηδονίων (παρελθόν - παρόν - μέλλον): Μία ἁγιορειτική συμβολή. Ἅγιον Ὄρος: Ἱερά Μονή Ὁσίου Γρηγορίου, 2018 (841 p.). This edition is devoted to the Theological Dialogue between the Orthodox Church and the non-Chalcedonians and includes all texts of the relevant topics, published on the Holy Mount Athos in the period 1991-2015. This publication includes a translation of the Prologue of archim. Christophoros, the abbot of the monastery of St. Gregory, and of a part of the Introduction (Chapter 1, paragraphs 1-3). The translation is also provided with a preface of the translator, which summarizes the history of the Theological Dialogue, the purpose of the publication and its translation into Russian, which is to contribute to the fruitful and consistent with the Holy Tradition reunification of the non-Chalcedonians with the Church.

Mesyatseslovs memory of the Russian Orthodox Church

2020 ◽  
pp. 160-198
Author(s):  
Макарий Веретенников
Keyword(s):  
Russian Orthodox ◽  
Orthodox Church ◽  
Russian Orthodox Church ◽  
Analysis And Synthesis ◽  
Liturgical Texts ◽  
History Of ◽  
Complete Form ◽  
Characteristic Features ◽  
Heaven And Earth ◽  
The Church

Статья посвящена содержанию, общим принципам построения и характерным особенностям календаря, или месяцеслова, Русской Православной Церкви. Автор использует методы анализа и синтеза. В итоге делаются нижеследующие обобщения. Месяцеслов был принесён на Русь из Византии в достаточно завершённом виде, однако в процессе исторического развития он дополнился особенными русскими праздниками. Календарь-месяцеслов - это грандиозный собор святых, подвизавшихся в разных местах на протяжении веков, единение Церкви Небесной и земной, история святости и история нашей Церкви. Месяцесловным памятям посвящены составленные гимнографами богослужебные тексты, которые поются и читаются в храмах. Традиционно почитается день кончины угодников Божиих, память открытия мощей святых, перенесения их святых мощей или же день канонизации угодников Божиих, реже - день их рождения. Фенологические наблюдения русского народа связаны с повседневной деятельностью и увязаны с месяцесловом, что свидетельствует о его проникновении в повседневную жизнь русского человека. The article is devoted to the content, General principles of construction and characteristic features of the calendar, or mesyatseslov, of the Russian Orthodox Church. The author uses methods of analysis and synthesis. As a result, the following generalizations are made. The mesyatseslov was brought to Russia from Byzantium in a fairly complete form, but in the course of historical development it was supplemented with special Russian holidays. The calendar-mesyatseslov is a grandiose council of saints who have labored in different places over the centuries, the unity of the Church of Heaven and earth, the history of holiness and the history of our Church. Liturgical texts composed by hymnographers, which are sung and read in churches, are dedicated to the mesyatseslovs memory. Traditionally, the day of the death of saints, the memory of the discovery of the relics of saints, the transfer of their Holy relics, or the day of the canonization of saints, less often - the day of their birth are honored. Russian people’s phenological observations are related to their daily activities and are linked to mesyatseslov, which indicates its penetration into the daily life of the Russian people.

Study of Painting Materials and Techniques in the 18th Century St.Athanasius Church in Moschopolis, Albania

2007 ◽  
Vol 1047 ◽  
Author(s):  
Eleni Pavlidou ◽  
N. Civici ◽  
E. Caushi ◽  
L. Anastasiou ◽  
T. Zorba ◽  
...  
Keyword(s):  
18Th Century ◽  
Orthodox Church ◽  
Wall Paintings ◽  
Cultural Center ◽  
Green Earth ◽  
Almost All ◽  
The City ◽  
The Church ◽  
Compositional Characterization

AbstractIn this paper are presented the studies of the paint materials and the technique used in 18th century wall paintings, originated from the orthodox church of St Athanasius, in the city of Maschopolis, a flourishing economical and cultural center, in Albania. The church was painted in 1745 by Konstantinos and Athanasios Zografi, and during the last years, restoration activities are being performed at the church. Samples that included plasters and pigments of different colors were collected from important points of the wall paintings. Additionally, as some parts of the wall-paintings were over-painted, the analysis was extended to the compositional characterization of these areas. The identification of the used materials was done by using complementary analytical methods such as Optical Microscopy, Fourier Transform Infrared spectroscopy (FTIR), Scanning Electron Microscopy (SEM-EDS) and X-ray fluorescence (TXRF).The presence of calcite in almost all the pigments is indicative for the use of the fresco technique at the studied areas, while the detection of gypsum and calcium oxalate, indicates an environmental degradation along with a biodegradation. Common pigments used in this area at 15-16th centuries, such as cinnabar, green earth, manganese oxide, carbon black and calcite were identified.

Synodal Liturgical Commission

2020 ◽  
pp. 269-274
Author(s):  
Сергей Забелич
Keyword(s):  
Russian Orthodox ◽  
Orthodox Church ◽  
Russian Orthodox Church ◽  
History Of ◽  
The Church

В статье рассказывается об истории создания Синодальной Богослужебной комиссии, основных направлениях ее деятельности, задачах. На заседаниях обсуждаются вопросы и принимаются предварительные решения по сложным календарным вопросам, а также введение новых текстов в богослужебную практику Русской Православной Церкви на основе церковного Устава (Типикона) и литургической традиции Русской Церкви. The article is devoted to the history of establishing the Synodal Liturgical Commission, the main fields of its work and the essential tasks. The Commission raises a number of important liturgical questions, takes preliminary decisions on the complicated calendar issues and introduces the new texts of divine services into the worship practice of the Russian Orthodox Church following the Church statutes (Typikon) and the liturgical tradition of the Russian Church.

Relations between the Russian Empire and the Orthodox Church of the East as Exemplified in the Collection of Greek Engravings of The Church Archaeological Museum at the Moscow Theological Academy

2020 ◽  
pp. 61-77
Author(s):  
Анна Леонидовна Краснова
Keyword(s):  
Russian Empire ◽  
Orthodox Church ◽  
Church Of The East ◽  
Holy Places ◽  
The Subject ◽  
The Russian Empire ◽  
The 19Th Century ◽  
The Relationship ◽  
The Church ◽  
Made In

В XVIII в. на основании общего интереса к святыням Востока, а также единой тенденции для крупных монастырей изготавливать гравюры на память для паломников, многие греческие гравюры свидетели русско-афонских отношений попадают на территорию Российской Империи. Сохранились такие гравюры и в Церковноархеологического кабинете Московской духовной академии, собрание которых насчитывает 29 эстампов. Пять гравюр из этого собрания имеют надписи на греческом и на славянском языке. Надписи свидетельствуют о месте и времени создания гравюры, о граверах и заказчиках, являются источниками кратких исторических сведений. В статье приведены выявленные дополнительные факты об этих гравюрах, которые свидетельствуют о наличии церковных, экономических и политических отношений на базе культурных связей между Российской Империей и странами православного Востока. The Russ has always been supporting the relationship with the Orthodox Church of the East. As a result of these connections, we have a lot of icons and other gifts from The Mount Athos, The Saint Catherine’s Monastery and others holy places. There are five Greek engravings in the collection of The Museum of Church Archaeology at the Moscow Theological Academy, which have inscriptions in Greek and Slavic. These engravings were to be spread in Slavic countries. They are dated from the 17th to the 19th century. Some of them were made in Moscow. The images and the inscriptions of the engravings are the subject of a research presented in this article.

The Orthodox Preference for Democracy: An American Response to “The Church in the Public Square” (Section II), in For the Life of the World: Toward a Social Ethos of the Orthodox Church

2021 ◽  
Vol 78 (4) ◽  
pp. 418-430
Author(s):  
Jonathan Tobias
Keyword(s):  
Orthodox Church ◽  
The Public ◽  
Clear Preference ◽  
Public Square ◽  
Modern Age ◽  
The World ◽  
The Church ◽  
Social Ethos

In For the Life of the World: Toward a Social Ethos of the Orthodox Church, there is a clear preference for the “democratic genius of the modern age.” This preference for democracy is due, in part, to the long experience of the Orthodox Church with other governmental forms, especially autocratic and authoritarian states.

scholarly journals SOCIO-CULTURAL INTERACTION FORMS OF CHURCH AND STATE ON THE EXAMPLE OF THE RUSSIAN ORTHODOX CHURCH

2019 ◽  
Vol 7 (6) ◽  
pp. 60-64
Author(s):  
Evguenia Alexandrovna Belyaeva ◽  
Elena Aleksandrovna Venidiktova ◽  
Dilbar Valievna Shamsutdinova
Keyword(s):  
Church And State ◽  
Well Being ◽  
The State ◽  
Russian Orthodox ◽  
Russian Society ◽  
Orthodox Church ◽  
Cultural Interaction ◽  
Russian Orthodox Church ◽  
Teachers And Students ◽  
The Church

Purpose: the aim of the undertaken study is to consider the dynamics of the church-state relationship in the context of Russian new cultural tendencies at the turn of the century. Methodology: Thus, The methodological basis of the research was formed by philosophical analysis of the church-state relationship, historicism and comparison principles. The following tasks were being solved: defining the interaction ways between the religious organizations and the state on the modern stage of the Russian society development; pointing out the prospects of consolidation of both the сhurch and the state around the democratic civil society fostering program in XXI century; revealing the need to promote respectful attitude towards human values as an integral part of spiritual culture. Result: The authors achieved the following results within the study: A wider notions of church and state were introduced demonstrating the similarity of some of their functions: offering moral guidance for social well-being; historic doctrinal models “caesaropapism”, “papocaesarism” and “symphony(concordance) of powers” were identified and characterized alongside with their secular counterparts - separation and cooperation models of church-state relationship. In conclusion of the article the urgent need for the transition of church-state relationship from political to social and cultural spheres was justified. Applications: This research can be used for the universities, teachers, and students. Novelty/Originality: In this research, the model of Socio-Cultural Interaction Forms of Church and State on the Example of the Russian Orthodox Church is presented in a comprehensive and complete manner.

scholarly journals Communion songs not regulated by the typicon in the recent tradition of Serbian church singing

Muzikologija ◽  
2004 ◽  
pp. 121-152
Author(s):  
Vesna Peno
Keyword(s):  
20Th Century ◽  
Fundamental Question ◽  
Orthodox Church ◽  
Liturgical Texts ◽  
Historical Themes ◽  
19Th And 20Th Century ◽  
The Church ◽  
The Way

In notated collections of Serbian church hymns from the 19th and 20th century there are, among others, communion songs with texts that were not regulated by the Typicon. These so-called "arbitrary communion songs" have been very popular in the recent tradition of Serbian church chanting. They have been gradually pushing out the hymns that are regulated for singing on concrete days and feasts during the church year. Analysis of possible influences that determined the way texts and the melodies delved into the recent Serbian church chanting follows two possible directions. The first commenced from late-Byzantine singing tradition; more specifically, from a group of songs that although based on liturgical texts, were performed in extra-liturgical occasions. These are calophonic irmoi which were composed by a great number of known late-Byzantine masters of singing. The second direction had its beginning in Russian spiritual music that generated a new melodic genre kant, based on western models. The majority of those compositions have freely written spiritual texts, too, and not part of the liturgy. Kanti were, namely, singing numbers in liturgical dramas - theatrical pieces with Christian historical themes. The majority of arbitrary communion hymns from Serbian collections have texts from the psalms or use texts for irmoi of specific canons. There is only one text that does not belong to the output of church hymnography. In spite of that, the melodies of the analyzed hymns reflect the presence of traditional compositional procedures characteristic of late-Byzantine and Serbian traditions. On either side, they possess atypical musical phrases that relate them to the the kanti. The usage of paraliturgical songs instead of communion hymns is commentated upon from the liturgic aspect also. That song belongs to the central part of the Liturgy and most fundamental during the service of the Orthodox church. Therefore the deviation in Serbian practice from the rules that define its place and role demonstrate the distancing from the tradition, raises a fundamental question: is liturgical meaning being compromised.

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