scholarly journals MYKHAILO KRAWTCHOUK AND COMPUTING DEVICES. ON ETHIC OF INVESTIGATIONS IN HISTORY OF EXACT SCIENCES

2021 ◽  
Vol 9 (1) ◽  
pp. 264-272
Author(s):  
A. Prykarpatsky ◽  
A. Plichko

In this note, we focus on some aspects of the use of virtual ethics in the study of the scientific heritage of the outstanding Ukrainian mathematician Mykhailo Krawtchouk and its involvement in the invention of the first electronic computer by Atanasov and Berry. In particular, the biased and clearly propagandistic activity of the Canadian political scientist I. Kachanovsky is analyzed concerning the contrived contribution of Mykhailo Krawtchouk’s mathematical advice to an allegedly substantial solution of the designer G. Atanasov problems of implanting computational algorithms in his designed first electronic computing device. We also noted the ill-considered popularization of these false as well as harmful statements in scientific and popular science Ukrainian literature. Separately, we focused on the openly anti- Ukrainian propaganda activity of I. Kachanovsky, which concerns his clumsy efforts in investi- gating the activities of Ukrainian nationalists during World War II and the last events on the Maidan, and its aggressive dissemination in the press of insinuations, pseudo-historical and pseudo-scientific anti-Ukrainian insults.

Author(s):  
Andrzej Dębski Andrzej Dębski

The highest level of cinema attendance in Lower Silesia after World War II was recorded in 1957. It was higher than before the war and lower than during the war. In the years that followed it steadily declined, influenced by global processes, especially the popularity of television. This leads us to reflect on the continuity of historical and film processes, and to look at the period from the 1920s to the 1960s as the ‘classical’ period in the history of cinema, when it was the main branch of mass entertainment. The examples of three Lower Silesian cities of different size classes (Wroclaw, Jelenia Gora, Strzelin) show how before World War II the development from ‘the store cinema [or the kintopp] to the cinema palace’ proceeded. Attention is also drawn to the issue of the destruction of cinematic infrastructure and its post-war reconstruction. In 1958 the press commented that ‘if someone produced a map with the towns marked in which cinemas were located, the number would increase as one moved westwards’. This was due to Polish (post-war) and German (pre-war) cinema building. The discussion closes with a description of the Internet Historical Database of Cinemas in Lower Silesia, which collects data on cinemas that once operated or are now operating in the region.


2021 ◽  
pp. 202-225
Author(s):  
Элеонора Георгиевна Шестакова ◽  

The article discusses the main mechanisms of memory culture manipulation, observed in the Donetsk mass media from March to August 2014. The problem of the culture of remembrance is considered by the author in connection with the concepts and phenomena that are currently of interest to the European and American humanities, such as the memory industry, memory debt, memory abuse, oblivion traps, the cult of heroes and victims, memory as a drug social. The work also takes into account the relationship between the culture of memory and the term mediapolis, which is relatively new in the theory of mass communication. The review of the press material in the magazines „Donetskije novosti” („Донецкие новости”) and „Munitsipalnaja gazeta” („Муниципальная газета”) – publications, which have been creating various media, technical and various mechanisms for almost 20 years, indicate models of the memory industry for the formation of moods, views and behavior of recipients. By referring to the events of World War II, the fascist occupation of Donbas, as well as the Soviet episode in the history of the region, these titles do not show the horror, tragedy, and complexity of this period, but build the cult of the „glorious past”, its heroes and triumphs. This takes place at the cost of marginalizing the memory of the victims, war veterans, tragedies and social and personal losses, or a geopolitical catastrophe, leading to an increase in over-glaring patriotic feelings among readers. This, in turn, contributed to the intensification of social chaos and the need for military confrontation, and, as a result, abandoning the idea of a peaceful solution to the conflict in Donbas.


Author(s):  
B. Jack Copeland

The American ENIAC is customarily regarded as the first electronic computer. In this fascinating volume, Jack Copeland rewrites the history of computer science, arguing that in reality Colossus--the giant computer built in Bletchley Park by the British secret service during World War II--predates ENIAC by two years. Until very recently, much about the Colossus machine was shrouded in secrecy, largely because the code-breaking algorithms employed during World War II remained in use by the British security services until a short time ago. Copeland has brought together memoirs of veterans of Bletchley Park--the top-secret headquarters of Britain's secret service--and others who draw on the wealth of declassified information to illuminate the crucial role Colossus played during World War II. A must read for anyone curious about code-breaking or World War II espionage, Colossus offers a fascinating insider's account of the world's first giant computer, the great-great-grandfather of the massive computers used today by the CIA and the National Security Agency.


Author(s):  
Serhiy Коzak

The main objective of this study is to review the journalistic and editorial activities of Ivan Bahrianyi from the perspective of articles of the newspaper “Ukrainski Visti”/”Ukrainian News”, a unique edition published in Germany and the United States after World War II (1945-2000). One of the several methods of research was to analyze the publications of I. Bahrianyi and about I. Bahrianyi, which we found on the pages of this newspaper. In particular, in the course of this task, a new valuable fact about Ivan Bahrianyi’s collaboration with the edition for eighteen years (1945 – 1963) was obtained, the publications of this period were analyzed and the peculiarities of the newspaper’s functioning when it was headed by Ivan Bahrianyi were ascertained. It is revealed that on the pages of this edition I. Bahrianyi acted in several posts: as the author of journalistic articles and works of art, as the editor-in-chief, and as a prominent political figure of the Ukrainian diaspora (the chairman of the URDP, the head of the Ukrainian National Council). However, in whatever role Ivan Bahriany appeared on the pages of the newspaper (publicist, author of art works, public figure, editor), each of them was important and each of them can be considered as a separate cultural and spiritual property, but at the same time they all make up the phenomenon, which undoubtedly deserves a separate section in the history of the press of Ukrainian political emigration in the mid and the second half of the twentieth century.


Author(s):  
C. Claire Thomson

This chapter traces the early history of state-sponsored informational filmmaking in Denmark, emphasising its organisation as a ‘cooperative’ of organisations and government agencies. After an account of the establishment and early development of the agency Dansk Kulturfilm in the 1930s, the chapter considers two of its earliest productions, both process films documenting the manufacture of bricks and meat products. The broader context of documentary in Denmark is fleshed out with an account of the production and reception of Poul Henningsen’s seminal film Danmark (1935), and the international context is accounted for with an overview of the development of state-supported filmmaking in the UK, Italy and Germany. Developments in the funding and output of Dansk Kulturfilm up to World War II are outlined, followed by an account of the impact of the German Occupation of Denmark on domestic informational film. The establishment of the Danish Government Film Committee or Ministeriernes Filmudvalg kick-started aprofessionalisation of state-sponsored filmmaking, and two wartime public information films are briefly analysed as examples of its early output. The chapter concludes with an account of the relations between the Danish Resistance and an emerging generation of documentarists.


Author(s):  
Odile Moreau

This chapter explores movement and circulation across the Mediterranean and seeks to contribute to a history of proto-nationalism in the Maghrib and the Middle East at a particular moment prior to World War I. The discussion is particularly concerned with the interface of two Mediterranean spaces: the Middle East (Egypt, Ottoman Empire) and North Africa (Morocco), where the latter is viewed as a case study where resistance movements sought external allies as a way of compensating for their internal weakness. Applying methods developed by Subaltern Studies, and linking macro-historical approaches, namely of a translocal movement in the Muslim Mediterranean, it explores how the Egypt-based society, al-Ittihad al-Maghribi, through its agent, Aref Taher, used the press as an instrument for political propaganda, promoting its Pan-Islamic programme and its goal of uniting North Africa.


Author(s):  
Charles S. Maier ◽  
Charles S. Maier

The author, one of the most prominent contemporary scholars of European history, published this, his first book, in 1975. Based on extensive archival research, the book examines how European societies progressed from a moment of social vulnerability to one of political and economic stabilization. Arguing that a common trajectory calls for a multi country analysis, the book provides a comparative history of three European nations—France, Germany, and Italy—and argues that they did not simply return to a prewar status quo, but achieved a new balance of state authority and interest group representation. While most previous accounts presented the decade as a prelude to the Depression and dictatorships, the author suggests that the stabilization of the 1920s, vulnerable as it was, foreshadowed the more enduring political stability achieved after World War II. The immense and ambitious scope of this book, its ability to follow diverse histories in detail, and its effort to explain stabilization—and not just revolution or breakdown—have made it a classic of European history.


2019 ◽  
Vol 20 (2) ◽  
pp. 37-41
Author(s):  
Maftuna Sanoqulova ◽  

This article consists of the politics which connected with oil in Saudi Arabia after the World war II , the relations of economical cooperations on this matter and the place of oil in the history of world economics


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