Art Market and Its Investment Capacity

2010 ◽  
pp. 65-78
Author(s):  
A. Sarkisyants
Keyword(s):  
Art Market ◽  
Rate Of Return ◽  
Russian Art ◽  
The World ◽  
Market Trends ◽  
Russian Art Market ◽  
Investment Capacity ◽  
Comparative Rate

The article investigates the world art market trends. It considers the main market indicators, comparative rate of return and the prospects of the market as well as the problems of art banking. Special attention is paid to the Russian art market.

scholarly journals Additional Education In The Context Of Modern Art Market Development And The Formation Of Strong Cultural Brands

2020 ◽  
Vol 13 (32) ◽  
pp. 1-15
Author(s):  
Natalia Anatolyevna Pashkus ◽  
Vadim Yurievich Pashkus ◽  
Polina Aleksandrovna Bavina ◽  
Elena Vladimirovna Yegorova ◽  
Anna Vladimirovna Volkova
Keyword(s):  
Art Market ◽  
Global Market ◽  
Education Programs ◽  
Global Competitiveness ◽  
Russian Art ◽  
Marketing Education ◽  
Political Risks ◽  
Lack Of Information ◽  
Russian Art Market ◽  
Additional Education

This article is devoted to the issue of promoting strong local cultural brands in the art market by means of additional education programs. Globalization, increased competition in the global market, high economic and political risks, and development and implementation of strong cultural brands strategy provide opportunities to improve global competitiveness of local destinations. However, the art market in Russia is underdeveloped. Thus, it requires additional education programs. Social marketing education programs, aimed at the promotion and development of the Russian art market, are in fact being implemented. According to foreign examples, the development of the art market (in terms of image) is worthwhile for the state. However, the lack of information and understanding about the transactions in the art market contribute to a low economic level of investment in this area in Russia. Therefore, we cannot significantly influence the cultural brand of the territory. The authors offer a model for positioning additional education programs to break through in the art market, which can help to identify effective promotion strategies and significantly improve the effect of state support for such programs. This model can help local decisionmakers avoid the high risks that come with implementing additional education programs. The authors of the work studied the positioning of additional education programs in the framework of the art market based on a modified Cagan-Vogel matrix. In addition, typical examples of programs from various areas are examined to identify the advantages of these programs that successfully influence the development of the art market and how they strengthen the cultural brand of their territory.

PERSPECTIVE DEVELOPMENT OF WORLD PRODUCTION OF FEEDS FOR AQUACULTURE: ALTERNATIVE SOURCES OF RAW MATERIALS

2017 ◽  
pp. 67-78
Author(s):  
Lina Yurievna Lagutkina
Keyword(s):  
Raw Materials ◽  
Limiting Factors ◽  
Current Status ◽  
Feed Production ◽  
The World ◽  
Market Trends ◽  
Alternative Sources ◽  
World Industry ◽  
First Time ◽  
A Current

The author of the article discloses the prospects of development of the world feed production for aquaculture based on the analysis of key innovative technological and market trends. The author specifies that shortage, high cost, low ecological compatibility of traditional raw materials - fish flour - are among major limiting factors in the development of production of feeds for aquaculture. This fact, in turn, limits sustainable development of aquaculture both in Russia, and in the world in general. The article presents the overview of a current status of the world industry of feed production in aquaculture, where the regional situation is studied, as well. For the first time, there is given the outlook of innovative technologies in feed production based on the alternative sources of protein (on the example of projects of leading aquabiotechnological companies) which will determine industry’s objectives for the mid-term perspective.

scholarly journals Painting as a prayer of the spirit

2020 ◽  
Vol 16 (4) ◽  
pp. 113-132
Author(s):  
Petr Dobrolyubov
Keyword(s):  
Fine Arts ◽  
Work Of Art ◽  
General Process ◽  
Russian School ◽  
Russian Art ◽  
Short Period ◽  
The World ◽  
Artistic Images ◽  
Moscow School ◽  
Artistic Image

The article is devoted to the work of the Russian painter Dobrolyubov Vladimir Petrovich, who in 2020 marks the centenary of his birth. Special attention is paid to the presentation of his ideals, which inspired the artist to create wonderful paintings depicting the world around him, landscapes and landscapes, urban environment, monuments of ancient Russian architecture, decoration and interiors of the oldest churches from Moscow to Yaroslavl, Pereslavl Zalessky, Staraya Ladoga. From the Russian North to the Crimean mountains and Tsemeskiy Bay. Vladimir Petrovich Dobrolyubov (05.07.1920-24.02.1975) - a student of I.I. Mashkov, N.P. Krymov, G.G. Ryazhskiy, K.F. Yuon, V.V. Krainev, P.I. Kotov, V.I. Finogeev, K.G. Dorokchov. Dobrolyubov V.P., was the veteran of the Great Patriotic war (1941-1945), - the 75th anniversary of the Victory which we celebrate this 2020 year. The author analyzes the paintings of V.P. Dobrolyubov - a natural colorist, nugget, artist, philosopher and citizen of his country. His thoughts on the art of painting based on the beauty and traditions of the Russian school of iconography were the Foundation, the spiritual platform, for all of his painting, created in a short period of life. The author's paintings Dobrolyubov V.P. is of well-deserved interest for art studies and make a worthy, significant contribution to it not only by their high appreciation of color, color spot, and lyrical appearance, but also as works of the history of Russian painting and in particular, the Moscow school of painting, 30-60-ies of XX century, of which he was a representative. Also noteworthy is his understanding of art, his creative pictorial, original, author's handwriting, and also an amazing vision of color and color spot, his own, individual. As well as the interpretation of personal perception, the attitude and understanding of the fundamental foundations of realism in the domestic and world fine arts, expressed and approved in their own, no one repeats, coloristic pictorial language. Dobrolyubov V.P. considered icons, the Russian icon, as a work of art, which following the tradition of Byzantine masters of iconography, undoubtedly constitutes the core of the soul of the artistic creative process, and especially the work of iconographers such as Andrei Rublev, Theophanes the Greek, Vladimir-Suzdal, Moscow, Yaroslavl school of icon-painting as an objective reality of the world of spiritual images in their own work. Artistic creativity, in his opinion, as a representative of the Moscow school of painting, is not an abstract search and self-expression of the artist's beliefs and ideas, but the result of a deep, divine transformation of the soul, its path to truth and to the foundations of realistic art, through the perception of artistic images. Russian iconography of the XIV-XVII centuries, brought to Russia from Byzantium, Dobrolyubov V. P. considered the Russian school of iconography the main, unsurpassed, imperishable Foundation and a masterpiece of Russian fine art. Everywhere in his memories, in his understanding of the basics of art, the artist renounces the concept of copying the image and the icon for him is like a conditional historical symbol, indicating the spiritual image of past centuries. An artistic image is born in the soul of the painter and of course exists outside of iconography, but then it can appear in the minds of other people who contemplate the master's canvases, in which the image of the universal universe and the beauty of the universe is encoded, if you want, encrypted in the very deep images of Russian iconography. Therefore, the icon itself, its image and composition, as a work of art created once in the depths of past centuries, is personified in the mind of the author, as grace and inspiration sent from heaven. Dobrolyubov V.P. confirms the aesthetic and spiritual platform created for any person. Therefore, Russian icons created as spiritually and artistically perfect, self-sufficient works of Russian culture are inextricably linked to the General process for Russian art history, its ability to testify to its highest level in the hierarchy of world art. For the artist Dobrolyubov, Russian iconography is an inseparable part of his spiritual platform, and his works of painting – and, temple art, in conjunction with ancient Russian architecture, with the interiors of churches and their decoration, as well as the sacrament of divine services, baptisms, weddings and funerals, and are the most essential foundation, being, as the very artistic image of all his art work and now, in 2020. Today, 45 years after his death in 1975, his artistic paintings are just as beautiful and heartfelt.

scholarly journals The Valuation of Environmental Assets

Conservation ◽  
2021 ◽  
pp. 140-158
Author(s):  
Charles Perrings
Keyword(s):  
Environmental Economic ◽  
Total Factor Productivity ◽  
Natural Capital ◽  
Rate Of Change ◽  
Rate Of Return ◽  
Factor Productivity ◽  
Natural Resource Use ◽  
The World ◽  
United Nations System ◽  
Nations System

Chapter 6 examines the value of environmental assets, which lies in the discounted stream of services they offer. Their conservation depends on the expected rate of change in their value, if conserved, relative to the rate of return on alternative assets. This chapter considers how the portfolio of environmental assets—natural capital—has been valued at the national scale. The two main approaches adopted are the United Nations’ System of Environmental-Economic Accounts (SEEA), and the World Bank’s (Inclusive) Wealth Accounts. The authors consider both approaches, and what they mean for the sustainability and the efficiency of natural resource use. Particular attention is paid to the residual left over after taking account of all marketed inputs in production: total factor productivity.

scholarly journals Tourism Market Trends 1994 - South Asia (English version)

1994 ◽  
Keyword(s):  
South Asia ◽  
Present Report ◽  
Asia Pacific ◽  
International Tourism ◽  
The World ◽  
Similar Report ◽  
Growth Prospects ◽  
Market Trends ◽  
Tourism Flows ◽  
Tourism Arrivals

The present report on Tourism Market Trends in South Asia has been prepared as an information paper to the 31st meeting of the WTO Commission for South Asia. It follows a similar report which was completed in June 1994 and submitted to the 30th session of the South Asia Commission. The main objectives of this report are as follows: ?to analyze the latest trends of international tourism arrivals and receipts worldwide and in each of the six WTO regions; ?to highlight the performance of the various countries of South Asia Pacific as tourism destinations, earners and spenders; ?to analyze pattern and size of inbound tourism flows to selected destinations in South Asia from the main generating regions of the world; ?to show the latest trends in outbound tourism flows from selected generating markets within South Asia and from other regions of the World; ?to show the growth prospects of international tourism arrivals and receipts in selected South Asia destinations for 1995.

Book Reviews

2016 ◽  
Vol 54 (4) ◽  
pp. 1405-1406
Keyword(s):  
Art Market ◽  
Art Markets ◽  
The World ◽  
Structural Mechanisms ◽  
Global Art

David Throsby of Macquarie University reviews “Understanding Art Markets: Inside the World of Art and Business,” by Iain Robertson. The Econlit abstract of this book begins: “Updated second edition of textbook analyzes technical and structural mechanisms that create value in the global art market; addresses how each of the four major art markets generate value; and considers private, public, and nonpecuniary value.”

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