Creative and Critical Thinking, and Ways to Achieve It

2020 ◽  
Vol 9 (SI) ◽  
pp. 152-177
Author(s):  
Michèle De Gastyne
Keyword(s):  
Human Rights ◽  
Critical Thinking ◽  
Interdisciplinary Approach ◽  
Intercultural Dialogue ◽  
The Political ◽  
Major Objective ◽  
Multiple Contexts ◽  
The Arts ◽  
Art And Culture

This paper discusses creative and critical thinking across wide cultural and historical frameworks. It begins with an exploration of Socratic Dialectics in multiple contexts, highlighting the need for innovative views and investigative practices using Art and Culture. A major objective of this project is to use the Arts for finding the universal sources of culture through exploring diversity, with a particular focus on the role of Africa as the cradle of humanity and dynamic initiatives on the continent. Through collaborative advocacy and the interdisciplinary approach of Leonardo daVinci (1452-1519), relevant generalities for human rights education and humanitarian efforts, this paper contextualizes intercultural dialogue for universal equity in young people’s development. The paper also explores how education influences the political developments of learners. The paper then shows how humanistic and intercultural approaches to education are fostering creative and critical thinkers worldwide.  

DEMOCRACY AT THE SERVICE OF FOREIGN POLICY OF THE REPUBLIC OF SOUTH AFRICA

2019 ◽  
Author(s):  
A. FREDDIE
Keyword(s):  
South Africa ◽  
Human Rights ◽  
Foreign Policy ◽  
Transition To Democracy ◽  
The Political ◽  
Political Activities ◽  
Foreign Policy Change ◽  
The Republic ◽  
Apartheid Regime

The article examines the place and role of democracy and human rights in South Africas foreign policy. The author analyzes the process of South Africas foreign policy change after the fall of the apartheid regime and transition to democracy. He gives characteristics of the foreign policy under different presidents of South Africa from 1994 to 2018 and analyzes the political activities of South Africa in the area of peacekeeping and human rights on the African continent.

Modernism and American Ballet

2017 ◽  
Author(s):  
Andrea Harris
Keyword(s):  
Mass Culture ◽  
American Culture ◽  
Modern Dance ◽  
The Political ◽  
Cultural Conditions ◽  
The Arts ◽  
Wide Range ◽  
Political Economic

This chapter explores the international and interdisciplinary backdrop of Lincoln Kirstein’s efforts to form an American ballet in the early 1930s. The political, economic, and cultural conditions of the Depression reinvigorated the search for an “American” culture. In this context, new openings for a modernist theory of ballet were created as intellectuals and artists from a wide range of disciplines endeavored to define the role of the arts in protecting against the dangerous effects of mass culture. Chapter 1 sheds new light on well-known critical debates in dance history between Kirstein and John Martin over whether ballet, with its European roots, could truly become “American” in contrast to modern dance. Was American dance going to be conceived in nationalist or transnationalist terms? That was the deeper conflict that underlay the ballet vs. modern dance debates of the early 1930s.

The Role of Religious Force in the Wukan Incident

2013 ◽  
Vol 5 (1) ◽  
pp. 155-175 ◽  
Author(s):  
Hou Yuxin
Keyword(s):  
Human Rights ◽  
Religious Beliefs ◽  
The Political ◽  
The People ◽  
The World ◽  
History Of ◽  
The Media ◽  
Social Management ◽  
The Village

Abstract The Wukan Incident attracted extensive attention both in China and around the world, and has been interpreted from many different perspectives. In both the media and academia, the focus has very much been on the temporal level of the Incident. The political and legal dimensions, as well as the implications of the Incident in terms of human rights have all been pored over. However, what all of these discussions have overlooked is the role played by religious force during the Incident. The village of Wukan has a history of over four hundred years, and is deeply influenced by the religious beliefs of its people. Within both the system of religious beliefs and in everyday life in the village, the divine immortal Zhenxiu Xianweng and the religious rite of casting shengbei have a powerful influence. In times of peace, Xianweng and casting shengbei work to bestow good fortune, wealth and longevity on both the village itself, and the individuals who live there. During the Wukan Incident, they had a harmonizing influence, and helped to unify and protect the people. Looking at the specific roles played by religion throughout the Wukan Incident will not only enable us to develop a more meaningful understanding of the cultural nature and the complexity of the Incident itself, it will also enrich our understanding, on a divine level, of innovations in social management.

Conservative Anti-HRA Rhetoric, the Bill of Rights ‘Solution’ and the Role of the Bill of Rights Commission

2013 ◽  
Author(s):  
Helen Fenwick
Keyword(s):  
Human Rights ◽  
Constitutional Reform ◽  
The Political ◽  
Coalition Government ◽  
Bill Of Rights ◽  
Conservative Government ◽  
European Court ◽  
Human Rights Act ◽  
Advisory Role

This chapter considers proposals for changes that might be made by a British Bill of Rights, as compared with the Human Rights Act, under the Coalition government, or a future Conservative government. It considers views expressed by Conservative spokespersons prior to and after the 2010 general election, and answers given by members of the Bill of Rights Commission to the Political and Constitutional Reform Committee in 2011. This chapter also touches on the second aspect of the Commission's remit — its advisory role on reform of the European Court of Human Rights. It questions whether adopting a Bill of Rights on the lines favoured by the Conservative leadership, combined with the Strasbourg reforms recently determined on, would be likely to realise Conservative aims of creating divergence from Strasbourg and enhancing parliamentary autonomy.

scholarly journals Roma Expulsions and Discrimination: The Elephant in Brussels

2011 ◽  
Vol 13 (4) ◽  
pp. 361-388 ◽  
Author(s):  
Helen O’Nions
Keyword(s):  
Human Rights ◽  
European Commission ◽  
Political Institutions ◽  
Western Europe ◽  
The Political ◽  
Full Participation ◽  
The Eu

Abstract This article will critically examine the treatment of migrant Roma in Western Europe, particularly Italy and France, in the light of the obligations under the EU Citizenship Directive 2004/38. The role of the political institutions will be considered, especially the European Commission, who have yet to take a decisive position on the Roma expulsions and on the wider issue of Roma discrimination in Europe. It is argued that the focus on non-discrimination cannot address the entrenched inequality which characterises the Roma’s situation in Europe. Furthermore, that the comparative disadvantage experienced by Europe’s Roma communities constitutes a major human rights crisis which has so far been sidelined by Brussels. A European strategy is urgently required, which demands leadership from the Commission and the full participation of Roma representatives.

scholarly journals Prospects for the use of an interdisciplinary approach to the study of human rights (psychology and law)

2020 ◽  
pp. 42-53
Author(s):  
Христина СОЛОДОВНІКОВА
Keyword(s):  
Human Rights ◽  
Legal System ◽  
Interdisciplinary Approach ◽  
Psychology And Law

The article analyzes the prospects of using an interdisciplinary approach to clarify and deepen the understanding of the place and role of a person and personality in the legal system of Ukraine.

scholarly journals Culture(s) in conflict. Youth participation in the European cooperation project "4Cs: from Conflict to Conviviality through Creativity and Culture"

INYI Journal ◽  
1969 ◽  
pp. 5-11
Author(s):  
Luísa Santos
Keyword(s):  
Youth Participation ◽  
Intercultural Dialogue ◽  
Cultural Institutions ◽  
Training And Education ◽  
European Cooperation ◽  
Cooperation Project ◽  
Intercultural Encounters ◽  
Art And Culture ◽  
Audience Development

From Conflict to Conviviality through Creativity and Culture is a transnational cooperation project, in Portugal, Sweden, Denmark, Spain, Lithuania, France, England and Germany, that responds to a need amongst European cultural institutions that share a common challenge: to explore how training and education in art and culture can constitute powerful resources to reflect on emerging forms of conflict, as well as to envision creative ways to deal with conflictual phenomena, while contributing to audience development. As the title of the project suggests, it aims to look into the passage of conflictual situations into conviviality through the use of creativity and culture. In other words, it demands for the action of creativity and culture in a world characterised by conflict. In this article, the aim is to reflect on the project’s wishes to advance the conceptual framework of intercultural dialogue and enhance the role of public arts and cultural institutions in the promotion of togetherness through cultural diversity and intercultural encounters particularly focus on active participation and co-production with youngsters.

1. Context, Background, and Institutions

2020 ◽  
pp. 3-16
Author(s):  
Bernadette Rainey ◽  
Pamela McCormick ◽  
Clare Ovey
Keyword(s):  
European Union ◽  
Human Rights ◽  
Secretary General ◽  
The Other ◽  
European Convention ◽  
The Political ◽  
The European Union ◽  
Council Of Europe ◽  
The Relationship

This chapter examines the history and institutions associated with the European Convention on Human Rights (ECHR). It discusses the political context in which the European Convention was drafted and both the political developments and philosophies which shaped its content. It also examines the system of protection provided by the different organs of the Council of Europe; the relationship between those organs and other international courts and tribunals, including the European Union; and the role of the Secretary-General of the Council of Europe, the Commissioner for Human Rights, and the other human rights instruments of the Council of Europe in the enforcement of the human rights provisions.

Evolving Perspectives on the Arts, Place, and Development

2012 ◽  
pp. 372-391
Author(s):  
Elizabeth Currid-Halkett
Keyword(s):  
Economic Development ◽  
Urban Planning ◽  
Skilled Labor ◽  
Cultural Industries ◽  
Industrial Activities ◽  
The Arts ◽  
Art And Culture ◽  
Innovative Techniques

This article discusses the evolving role of art and culture in urban planning and economic development. It explains that the cultural industries attract skilled labor, generate tourist dollars, and produce jobs and revenue in their own right. The article argues that while the use of unconventional modes and institutions in the industrial activities of the arts hinder research, they also enable us to apply innovative techniques and theories from other disciplines in our efforts to study art and culture.

The Need to Reform the Political Role of the African Union in Promoting Democracy and Human Rights in Domestic States: Making States More Accountable and Less Able to Avoid Scrutiny at the United Nations and at the African Union, Using Swaziland to Spotlight the Issues

2018 ◽  
Vol 26 (1) ◽  
pp. 84-107 ◽  
Author(s):  
Jeremy Sarkin
Keyword(s):  
Human Rights ◽  
United Nations ◽  
The Political ◽  
African Union ◽  
Periodic Review ◽  
Political Role ◽  
Universal Periodic Review ◽  
The United Nations ◽  
Do So

This article examines how effective the African Union (AU) has been in pushing states to be more democratic in nature and to respect, protect, fulfil and promote the human rights of their inhabitants. It reviews the political role of the AU in this regard using the situation in Swaziland to do so. The article also examines Swaziland at the United Nations’ Universal Periodic Review (UPR) process as a comparative tool.

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