scholarly journals Wanci dan Binongko sebagai Dialek yang Berkerabat dalam Bahasa Wakatobi

2018 ◽  
Vol 3 (3) ◽  
pp. 90-97
Author(s):  
Nila Puspita Sari

Sound change happens in a language even a dialect sincronically or diachronically will create one or more language or dialect variations. This study aims at:1) to determine the relationship between Wanci and Binongko dialect, 2) to descibe lingistic eviedences which suppoort act of determining the relationship between those dialect. This study is a dialectology research by using quantitative and qualitative method. The source of data in this study was based on field  data by doing a direct interview to 487 basic words, 37 possessive phrases dan 16 both transitive and question clauses. The end of this research shows that based on statistic measure by using dialectometry, Wanci and Binongko isolects have relationship in sub-dialect level with percentage about 46.65%. Besides, qualitative analysis by identifying retention and innovation in linguistics features, there is no significant differences between those sub-dialects. Furthermore, linguistics features, they are phonology, morphology and syntax can be applied as evidence in determining the relationship between or among dialects and sub-dialects.

2019 ◽  
Vol 16 (2) ◽  
pp. 219
Author(s):  
Febrina Athylata Purba ◽  
S Slamet

<p>Penelitian yang berjudul “Makna Simbolik <em>Tor-torsombah </em>Dalam Upacara Adat Kematian <em>Sayur Matua </em>Pada Masyarakat Suku Batak Simalungun” merupakan bentuk pertunjukan tari yang terkait dalam upacara adat kematian <em>sayur matua</em>. Penelitian ini bertujuan untuk menggali makna simbolik <em>Tor-tor Sombah </em>dalam upacara adat kematian <em>sayur matua, </em>bagaimana hubungan antara <em>Tor-tor Sombah Sombah </em>dengan upacara adat kematian <em>sayur matua </em>pada masyarakat suku Batak Simalungun, serta bentuk pertunjukan <em>Tor-tor Sombah Sombah </em>dalam upacara adat kematian <em>sayur matua. </em>Permasalahan dalam penelitian ini diungkapkan dengan mendeskripsikan bentuk dari <em>Tor-tor Sombah Tor-tor Sombah </em>yang dilihat dari elemen-elemen koreografi dengan dibantu oleh notasi laban dan dianalisis dengan memakai teori dari Laban yaitu <em>effort </em>dan <em>shape</em>. Selain itu juga dalam penelitian ini bertujuan untuk menganalisis makna simbolis <em>Tor-tor Sombah </em>yang dilihat dari dua bagian yaitu aspek dalam dan aspek luar dengan konsep dari Allegra Fuller Synder. Adapun metode yang digunakan dalam pengumpulan data ini adalah metode kualitatif dengan pendekatan etnokoreologi. Teknik pengumpulan data lapangan menggunakan model dari Kurath dengan metode etnografi tari. Hasil penelitian menunjukan bahwa <em>Tor-tor Sombah Tor-tor Sombah </em>dalam upacara adat kematian <em>sayur matua </em>bagi masyarakat suku Batak Simalungun dilaksanakan sebagai penyampaian rasa hormat anak kepada orang tua yang sudah meninggal. <em>Tor-tor Sombah </em>dalam kehidupan masyarakat suku Batak Simalungun saling berkaitan dan merupakan bagian dari adat yang digerakkan secara simbolis pada upacara adat<em>. Tor-tor Sombah </em>memiliki makna dan simbol dalam unsur sajian yang ditampilkan yaitu: dalam gerak tangan, iringan musik, busana, tata rias, properti, dan <em>umpasa</em>. Gerakan pada tangan yang terdapat dalam <em>Tor-tor Sombah </em>mempunyai tiga</p><p>bentuk, yaitu :<em>sombah</em>, <em>mangalo-alo</em>, <em>mamasu-masu. </em>Selain menunjukkan bahwa <em>Tor-tor Sombah </em>memiliki makna simbolik, berkaitan juga sebagai media komunikasi, dan melalui gerak yang disajikan terjadi interaksi antar peserta upacara. <em>Tor-tor Sombah </em>menjadi bagian dari kebudayaan yang berfungsi untuk menjaga serta mempertahankan kelangsungan sistem sosialnya pada masyarakat suku Batak Simalungun.</p><p> </p><p><strong>Kata kunci: </strong><em>or-tor Sombah, </em>Upacara Adat Kematian <em>Sayur Matua </em>Batak Simalungun, Koreografi, Makna Simbolik.</p><p> </p><p><strong><em>ABSTRACT</em></strong></p><p><strong><em> </em></strong></p><p><em>The study entitled “Makna Simbolik Tor-tor Sombah Dalam Upacara Adat Kematian Sayur Matua Pada Masyarakat Suku Batak Simalungun” is a form of dance performance concerning the traditional ceremony of Sayur Matua death. This study aims to explore the symbolic meaning of Tor-tor Sombah in Sayur Matua death ceremony, how the relationship between Tor-tor Sombah and the traditional ceremony of Sayur Matua death in Batak Simalungun tribe, as well as the form of Tor-tor Sombah performance at the ceremony of Sayur Matua death. The problems in this study are expressed by describing the form of Tor-tor Sombah Tor-tor Sombah which is seen from the choreographic elements through Laban notation and is analyzed by using Laban theories, namely </em>effort <em>and </em>shape<em>. In addition, this study also aims to analyze the symbolic meaning of Tor-tor Sombah based on the inner and outer aspects with the concept of Allegra Fuller Synder. The data is collected by using qualitative method with an ethnochoreological approach. The Field data collection uses models from</em></p><p><em>Kurath through dance ethnographic methods. The results of the study show that Tor-tor Sombah in Sayur Matua death ceremony in Batak Simalungun tribe represents the delivery of children’s respect towards their deceased parents. The Tor- tor Sombah is interrelated with the life of Batak Simalungun tribe and is part of the custom that is symbolically presented in traditional ceremonies. Tor-tor Sombah has meanings and symbols in the elements of presentation, namely: hand gestures, musical accompaniment, costume, make-up, property, and </em>umpasa<em>. There are three forms of hand gestures in the Tor-tor Sombah, namely: sombah, mangalo alo, mamasu-masu. Besides the symbolic meaning contained in Tor-tor Sombah, it also represents a medium of communication. The presented movement causes an interaction among the participants of the ceremony. The Tor-tor Sombah is part of a culture that serves to maintain the continuity of its social system in Batak Simalungun tribe.</em></p><p><em> </em></p><p><strong><em>Keywords: </em></strong><em>Tor-tor Sombah, Traditional Ceremony of Sayur Matua Death of Batak Simalungun, Choreography, Symbolic Meanings.</em></p>


2021 ◽  
Vol 6 (1) ◽  
pp. 17-23
Author(s):  
Aliefaryudha Aliefaryudha ◽  
Tajudin Noor ◽  
Sayan Suryana

Abstract This study aims to describe the implementation of learning supervision by the headmaster in Madrasah Aliyah Ghoyatul Jihad Karawang Regency viewed from aspects: 1. Planning learning supervision, 2. Implementation of learning supervision, 3. The relationship between planning and implementing learning supervision. Supervision of Madrasah Principal Learning is basically a servant activity for teachers conducted by madrasah principals for coaching teachers especially to improve the quality of learning. As an impact of increasing the quality of learning can certainly also increase student learning achievement and that means increasing the quality of madrasah graduates themselves. So that supervision of learning of teachers is expected to be carried out on an ongoing basis so that the teacher's pedagogical competence can increase. The research method used by researchers in conducting this research is descriptive qualitative method, in which the researcher describes and analyzes the data obtained in the field. Data collection techniques are done through observation, interviews and documentation. The purpose of this study is to find out and analyze the implementation of learning supervision conducted by the headmaster in Madrasah Aliyah Ghoyatul Jihad. From the results of the study it can be concluded that the implementation of learning supervision has been effective because the headmaster of madrasas when supervising learning refers to the planning program that has been created to improve teacher pedagogical competence. Key words: Learning Supervision, Madrasah Head Learning Supervision, Teacher's Pedagogical Competencies   Abstrak Penelitian ini bertujuan untuk mendeskripsikan pelaksanaan supervisi pembelajaran oleh kepala madrasah di Madrasah Aliyah Ghoyatul Jihad Kabupaten Karawang dilihat dari aspek: 1. Perencanaan supervisi pembelajaran, 2. Pelaksanaan supervisi pembelajaran, 3. Hubungan antara perencanaan dan pelaksanaan supervisi pembelajaran. Supervisi Pembelajaran Kepala Madrasah pada dasarnya suatu kegiatan pelayan untuk guru yang dilakukan kepala madrasah untuk pembinaan kepada guru khususnya agar kualitas pembelajarannya meningkat. Sebagai dampak meningkatnya kualitas pembelajaran tentu dapat meningkat pula prestasi belajar siswa dan itu berarti meningkatlah kualitas lulusan madrasah itu sendiri. Sehingga supervisi pembelajaran terhadap guru diharapkan dapat terlaksana secara berkelanjutan agar kompetensi pedagogik guru dapat meningkat. Metode penelitian yang peneliti gunakan dalam melakukan penelitian ini yaitu metode kualitatif deskriptif, dimana peneliti mendeskripsikan dan menganalisis data-data yang diperoleh di lapangan. Teknik pengumpulan data dilakukan melalui observasi, wawancara dan dokumentasi. Tujuan dari penelitian ini adalah untuk mengetahui dan menganalisa implementasi supervisi pembelajaran yang dilakukan oleh kepala madrasah di Madrasah Aliyah Ghoyatul Jihad. Dari hasil penelitian dapat disimpulkan bahwa pelaksanaan supervisi pembelajaran sudah efektif karena kepala madrasah ketika melakukan supervisi pembelajaran mengacu pada program perencanaan yang sudah di buat untuk meningkatkan kompetensi pedagogik guru. Kata Kunci: Supervisi Pembelajaran, Supervisi Pembelajaran Kepala Madrasah, Kompetensi Pedagogik Guru


2019 ◽  
Vol 3 (1) ◽  
pp. 82
Author(s):  
Mhd Alfahjri Sukri

This research was conducted to see how Mohammad Natsir thought about the relationship between Islam and Pancasila. This study also explains the causes of Natsir's change of mind which initially supported Pancasila as part of Islam and later turned into an opponent of Pancasila in Konstituante on 11 November to 6 December 1957. The methodology used was a qualitative method by describing the results of the analysis carried out. The research data is obtained through a review of documents and scientific literature. The results of the study show that Mohammad Natsir's change of mind regarding the relationship between Islam and Pancasila was influenced by Mohammad Natsir's political socialization which began from Natsir's view of Islam influenced by the childhood environment (conditional and socio-cultural) in Minangkabau; direct influence from national figures such as Ahmad Hassan, H. Agus Salim, Sheikh Ahmad Syurkati and H. O Tjokroaminoto; the indirect influence of international figures throughout reading book such as Hassan Al-Banna, Amir Syakib Arselan, Rashid Ridha and Muhammad Abduh; the influence of Natsir's organization and political parties, namely Jong Islamieten Bond (JIB), Islamic Unity (Persis), and Masyumi political parties; and the influence of the political conditions at that time which made Natsir's views change, which initially accepted Pancasila and then became an opponent of the Pancasila. This research shown there are two patterns of Natsir's relationship with Pancasila, namely (1) Natsir accepted Pancasila and, (2) Natsir opposed Pancasila.


2011 ◽  
Vol 55 (3) ◽  
pp. 383-405 ◽  
Author(s):  
Felicitas Kleber ◽  
Jonathan Harrington ◽  
Ulrich Reubold

2021 ◽  
Vol 16 (2) ◽  
pp. 105-116
Author(s):  
Harmanto Harmanto ◽  
Suyoto Suyoto ◽  
Jody Diamond

This study aimed to reveal the concept of Tumbuk in Javanese gamelan tuning, namely gamêlan agêng with Sléndro and Pélog. This study used a qualitative method with an ethical emic perspective. The data collection was done by conducting literature review, observation, interviews, and studio work, then processed with data analysis. The data analysis then was followed up through data interaction by interpreting the relationship reactions of the three elements of analysis consisting of data collection, data reduction, and data presentation. The interpretation of the data was done inductively, so that the conclusion was drawn entirely from the development of the data according to the realities of the field. The results showed that tumbuk was not only limited to a note that has the same high and low, but it is a musical concept that integrates the Sléndro and Pélog scales in the tuning of a set of gamelans. There are basically only two types of tumbuk: nêm tumbuk and lima tumbuk. Other than those, it means that they are the strut. The thing is,tumbuk has a central tone that serves as a benchmark and a supporting tone whose position strengthens the integration of each type of tumbuk. As a concept, it was found that tumbuk plays several important roles including equalizing the highs and lows of certain notes, equalizing the range of certain notes, and conditioning the range of notes or the addition of the tune.


2019 ◽  
Vol 8 (3) ◽  
Author(s):  
Shirzad Tayefi ◽  
Mohammad Hossein Ramezani Fookulaee

Contrary to the French school of comparative literature, according to which it is merely possible to compare the two written texts in terms of conditions, in the American approach, the adaptation of literary texts to various arts, including cinema, is possible, which leads to a better understanding of literature. Since novels and films have many similarities, they are in many respects similar to each other, and two genres are considered analogous.These commons provide a good ground for discussing a movie from the perspective of a new literary theory and critique, and allow us to use the concepts and terminology we normally know as a tool for discussing the novel to critically explore the structure and art and the themes of the film. On the other hand, in recent years, the term "postmodernism" has been widely criticized about the novel in our country, and many new fiction writers also have a fascination with postmodern style fiction. Therefore, in this research, first, reviewing the views of some of the most important postmodern literature scholars, nineteen techniques used in postmodern novels are explored, and their qualitative method of applying them to Naser al-Dinshah film actor have been investigated.The results of the study show the relationship between literature and cinema (as a visual text) and the ability to compare the two written and visual texts; as many techniques used in the writing of postmodern novels are also with a high frequency have been used in the studied film


2020 ◽  
Vol 5 (2) ◽  
pp. 87-102
Author(s):  
Atika Pertiwi ◽  
Cita Hikmah Yanti

This study which entitled “Deixis in The Novel Murder on the Orient Express by Agatha Christie” Deixis described the relationship between language and context and the objectives of this study were (1) to find out the utterances of a major character, M. Poirot, and types of the deixis in The Novel Murder on the Orient Express by Agatha Christie. (2) to describe the reference of each type of deixis in the Novel Murder on the Orient Express. This study applied the descriptive qualitative method. The result of this study showed that there were three types of deixis found in the utterances of a major character, M. Poirot in the novel Murder on the Orient Express, namely personal deixis (73 data), temporal deixis (18 data), and spatial deixis (9 data). The referent of the personal deixis found referred to all passenger in the Orient Express, temporal deixis refers to the time of utterance was uttered and the murder of Ratchett occurred, spatial deixis referred to the Orient Express itself.


JURNAL BASIS ◽  
2020 ◽  
Vol 7 (2) ◽  
pp. 435
Author(s):  
Tomi Arianto ◽  
Melly Siska Suryani

This study aimed to explore the harmonious relationship between human and nature that is still maintained by the Malay people of Kampong Tua Nongsa in Batam. Everyone who visited Batam will have perception that Batam is an industrial city with various metropolis conditions. It cannot be denied that it is true. The industrialization magnet in Batam has attracted the attention of many immigrants from various regions to try their luck to be better. The effects of rapid immigration and the many industrialization of Batam have had quite an impact on environmental conditions, especially this island which is bordering with Malaysia and Singapore. The amount of industrial pollution, deforestation, settlements, and reclamation has a bad impact on the natural situation. But behind all of that, Batam has uniqueness. The government still maintains there are 37 points of Kampong Tua Malay scattered throughout Batam. Behind the glamor of Batam's industrialization, there are still remnants of Malay culture that have a close relationship with the environment. In the research conducted, researchers analyzed three of cultural objects that are still preserved, namely the Sacred of Bunbun, the Sacred of Puak, and the Sacred of Batu Belah. In this article, researchers focused on the Myths behind the Sacred of Batu Belah, which still reflected the harmonious relationship between humans and nature. By using an ecocritic approach, the researcher answers the variable related with the relationship between man and nature behind the myth. The method used is a qualitative method with in-depth interviews and observation as data collection techniques. Using critical analysis techniques, the results of this study indicated that the ecocritic representation behind the Batu Belah myth is reflected from the existence prohibitions behind it. These prohibitions show how the Malay community is still able to maintain a harmonious relationship between humans and nature.


2020 ◽  
Vol 22 (3) ◽  
Author(s):  
Rd. Ahmad Buchari ◽  
Ivan Darmawan ◽  
Kurnia Muhamad Ramdhan

Disaster may occur anytime and anywhere, and is generally unpredictable. Therefore, the most important to do is disaster management to minimize any harmful impacts of disaster. To be more effective and efficient, it needs to involve all related parties. In regions, the relationship between village institutions is of high importance in disaster mitigation. This is because it is village administration (government) that is in direct relationship with community, and that the latter is one directly impacted by disasters in regions. Thus, in the context of disaster mitigation, the relationship between village institutions should be strengthened. Accordingly, the problem studied in the present research was, how is the strengthening of institutional relationships of villages in Garut Regency?. The research method used was a qualitative method. The data collection techniques used were interview and observation. Interview was conducted with village officials and Destana volunteers. And observation was performed in the field on the activities conducted relating to disaster mitigation measures in the four villages which were the research objects, namely, Pasawahan, Rancabango, Mekarjaya, and Karyamekar.The research result revealed that the institutions in the four villages have been good enough but still need to be strengthened in the context of disaster management. The four villages were vulnerable to disasters and have had Destana instrument as a guard of disaster management at village level. In view of the research result, it is suggested that village officials improve their disaster management by, among others, conducting socialization on disaster risks, ways of lessening disaster occurrences, and ways of minimizing losses in case a disaster really occurs. 


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