scholarly journals CRITICAL STUDY OF IRANIAN MOVIE »NASSEREDIN SHAH, ACTOR OF CINEMA «ON THE BASIS OF THEORIES OF THE POSTMODERN NOVELS

2019 ◽  
Vol 8 (3) ◽  
Author(s):  
Shirzad Tayefi ◽  
Mohammad Hossein Ramezani Fookulaee

Contrary to the French school of comparative literature, according to which it is merely possible to compare the two written texts in terms of conditions, in the American approach, the adaptation of literary texts to various arts, including cinema, is possible, which leads to a better understanding of literature. Since novels and films have many similarities, they are in many respects similar to each other, and two genres are considered analogous.These commons provide a good ground for discussing a movie from the perspective of a new literary theory and critique, and allow us to use the concepts and terminology we normally know as a tool for discussing the novel to critically explore the structure and art and the themes of the film. On the other hand, in recent years, the term "postmodernism" has been widely criticized about the novel in our country, and many new fiction writers also have a fascination with postmodern style fiction. Therefore, in this research, first, reviewing the views of some of the most important postmodern literature scholars, nineteen techniques used in postmodern novels are explored, and their qualitative method of applying them to Naser al-Dinshah film actor have been investigated.The results of the study show the relationship between literature and cinema (as a visual text) and the ability to compare the two written and visual texts; as many techniques used in the writing of postmodern novels are also with a high frequency have been used in the studied film

2020 ◽  
Vol 5 (2) ◽  
pp. 87-102
Author(s):  
Atika Pertiwi ◽  
Cita Hikmah Yanti

This study which entitled “Deixis in The Novel Murder on the Orient Express by Agatha Christie” Deixis described the relationship between language and context and the objectives of this study were (1) to find out the utterances of a major character, M. Poirot, and types of the deixis in The Novel Murder on the Orient Express by Agatha Christie. (2) to describe the reference of each type of deixis in the Novel Murder on the Orient Express. This study applied the descriptive qualitative method. The result of this study showed that there were three types of deixis found in the utterances of a major character, M. Poirot in the novel Murder on the Orient Express, namely personal deixis (73 data), temporal deixis (18 data), and spatial deixis (9 data). The referent of the personal deixis found referred to all passenger in the Orient Express, temporal deixis refers to the time of utterance was uttered and the murder of Ratchett occurred, spatial deixis referred to the Orient Express itself.


2018 ◽  
Vol 4 (1) ◽  
pp. 13
Author(s):  
Jameel Ahmed Alghaberi

The paper discusses the concepts of ‘home’, ‘cultural identity’, and ‘transnationalism’ in Randa Jarrar’s fiction. Being a diasporic Palestinian American, Randa Jarrar in her debut novel A Map of Home presents a particular view of ‘homeland’ and of what ‘historic Palestine’ means to her. The attempt in this paper is to critically analyze her fiction and to highlight the issues that she tackles as a writer of Palestinian origin. The paper also explores the way Randa Jarrar approaches the concept of ‘home’, and an examination of the relationship between Palestinian diasporas and their homeland-Palestine is presented. There is much wandering that Randa Jarrar is experimenting with in rather a creative space, and there is also a counter-narrative ideology embedded in the novel, a way to resist the stereotypes that have fixed the Middle Eastern female body as propagated in Orientalist discourse. 


Author(s):  
Amiur Nuruddin ◽  
Ahmad Qarib ◽  
Azwani L ◽  
Muhammad Faisal Hamdani

Relations between Muslims and non-Muslims will often experience disruption / friction if not addressed wisely, especially in terms of social politics, the order of social life. In Islam, Religion and Politics two things are difficult to separate. This often becomes a polemic to produce many interpretations and frictions in various regions and majority Muslim countries. Interpretation of the Qur'anic verses relating to religious and political relations also has a variety of colors and patterns which in the end can also produce identity theory in the practice of life. This paper aims to look at the opinion of Ibn Atsur in terms of the relationship / relationship between Islam and non-Islam, in what way and practice how Muslims and non-Muslims can work together and coexist and in terms of what and how they should be separated. Writing that uses this character qualitative method tries to look at the data based on Ibn Atsur's interpretation in his book "al-Tahr r wa al-Tanwir" and is combined with his political attitude described in his books and scientific books which tell him about him in facing the political situation in Tunisia. In interpreting the verses relating to interfaith relations, Ibn Atsur looks more broadly giving freedom to non-Muslims. For example in interpreting Qs. Al-Mumtahanah verse 8-9 he said the reason for the prohibition of doing good to non-Muslims was hostility and in conditions of war "Religion" not other than that. Reasons other than religion cannot be justified in not doing good to non-Muslims and may do good to non-Muslims in all forms of goodness that are related to muamalah and relations between people. Even in terms of this flexibility politics also caused Ibn Atsur to face mass slander by being considered a supporter of the invaders for supporting dual citizenship in Tunisia and not at all suspicious of the French-Catholic colonialism when he appointed him Shaykh al-Isla Christian development in Tunisa. In other cases, Ibn ‘Ashur also displays a different attitude with other interpreters. In an interpretation of QS. Al-Maidah: [54], he said that it was not permissible to appoint Christian and Jewish leaders because of their religious differences. He added that making Jews and Christians as leaders could cause someone to get out of Islam (apostasy). Even in his political stance, Ibn Atsur once said that non-Muslims should not be made members of Shura or Majilis (Parliament, a type of DPR-MPR) on the grounds that they would never think of the religious interests of Muslims. Thus Ibn Atsur has an ambiguous attitude and changes in interpretation and progressive attitude by some scientists call him seeing the situation and the condition of the people he faces (dialectic).


2020 ◽  
Vol 2 (2) ◽  
pp. 77-86
Author(s):  
Nurtia Pratiwi Siahaan ◽  
Sri Wulan

This study was conducted to give an overview to all people about the portrayal of teenager relationship and its negative impact in the novel. This study applies  qualitative method which collects the data taken from the novel that have been read. The result shows that the relationship in the novel is portrayed as an unhealthy relationship. It is described as if it were an adult relationship. Their relationship is too romantic and too intimate. Such relationship is, of course, not suitable for their age as the protagonist and her lover are still teenagers. Consequently, the relationship result in negative impacts. The negative impacts which can be found in the novel are opposition, carelessness, and lying. These impacts happen to the protagonist after she has the love relationship. On the basis of the result of this study, it can be concluded that having an unhealthy relationship during adolescence may cause a negative impact on themselves and family.


2021 ◽  
Vol 12 (4) ◽  
pp. 30
Author(s):  
Md. Shafiqul Islam

This paper attempts a cybercritical reading of William Gibson’s novel Neuromancer (1984) to explore the genesis of cyborgs in the novel, address issues pertaining to cyberpunks and scrutinize the portrayal of a cyberculture set in the futuristic dystopian city of Chiba. The relationship between humans and machines has gone through multiple phases of changes in the recent past. That is why instead of satirizing machinized-humans, science fiction writers have embraced different dimensions of man-machine relationships during the past few decades. ‘Cyborg’ is no longer represented as the ‘mutation of human capabilities’, but as ‘machines with Artificial Intelligence’. Gibson’s Neuromancer, a landmark piece of literary work in the sphere of Sci-Fi literature, specifically predicts a new height of man-machine relationship by employing both human and cyborg characters at the center of his story line. This paper shows how Gibson accurately prophesizes the matrix of machine-human relationship in his novel. It also explores Gibson’s depiction of female characters through the lens of cyberfeminist theories. In view of that, this paper uses contemporary critical and cultural theories including Donna Haraway’s idea of cyberfeminism, Baudrillard’s simulation and simulacra, Foucauldian discourse analysis, Jeremy Bentham’s concept of tabula rasa and other relevant theoretical ideas to examine and evaluate the transformative changes.


2017 ◽  
Vol 1 (1) ◽  
pp. 80
Author(s):  
Indro Moerdisuroso

This article outlines a visual text reading based on social semiotics approach, that is the visual grammar. It is an account of the explicit and implicit knowledge and practices around a resource, consisting of the elements and rules underlying a culture-specific form of visual communication. It required a general comprehension of social semiotics to obtain a deeply understanding to visual grammar. The differences between social semiotics and general semiotics expressed to accomplish its purpose. The concern of visual grammar is the relationship between ‘drawn participants’ and social life. Visual grammar can be positioned as a contemporary approach to visual texts meaning-making. Study of visual arts seems to entail visual grammar to play a more important role amid the phenomenon of visual culture that increasingly characterizes the lives of today’s society.


Author(s):  
Sudhir Mehra ◽  

In his 1936 essay “The Work of Art in the Age of Mechanical Reproduction”, Walter Benjamin establishes that it is the ‘aestheticization of politics’ or ‘politicization of art’ which streamlines the cultural discourse of a nation at a given moment. The present paper attempts to critically analyze the ‘politics of visuality’ vis-à-vis ‘visuality of politics’ as an elemental framework in the making of Indian national discourse. To understand or rationalize this elemental framework, the paper postulates its hypothesis, that the politicization of art is a valid inquiry into how a certain ideological discourse is pre-selected and pre-programmed with a certain grid of features and structures of perception. It is this ideological discourse that needs to be exposed through a visual text namely, Vijay Pawar’s Bhim Garjana. This visual text broadly represents what Kancha Illaiah terms the Ambedkarite phase of Dalit history spanning over two decades – 1936-1956[i]. Bhim Garjana is an aesthetic artifact directed by a Dalit himself – an ‘insider’s’[ii] document on Ambedkar’s life and philosophy. There have so far been three films on Ambedkar including Bhim Garjana, one directed by Jabbar Patel titled Dr. Babasaheb Ambedkar (2000) and second by Anand Patwardha titled Jai Bhim Comrade (2011). All the visual texts though do not follow the definition of biopic strictly, but more or less, the paper places them in the category of biopics. Each text focuses on the life and struggle, both in historical and ideological terms, of Ambedkar.


2021 ◽  
Vol 11 (1) ◽  
pp. 195-212
Author(s):  
Ömer Faruk YÜCEL

This study deals with the relationship between memory and space in Peyami Safa's novels. Literary texts are a field of memories by means of imagination or directly from life itself. The author, who can only imagine what he has experienced, takes advantage of memory while writing his text. Therefore, literature constitutes an important resource for studies related to memory. The concept of space that indicates a place where memory is held is an important research object of this study. Because memories, knowledge, experience and life experiences that make an impression in memory always take place in a space. For this, space, besides being a concept that supports memory, actually has a memory itself. Memory spaces emerge as a result of this approach. Memory spaces have a great influence on the formation of social identity. This study also tries to reveal how the memory-space relationship constructs the concept of "identity". Identities which are laid foundation with the world of thought of the society from which the individual comes gain continuity through the memory space. Fatih Harbiye, Peyami Safa’s novel, is a literary work that reflects the east-west, new-old and modern-tradition dualities and reveals the concept of identity in the light of these dualities. This study examines how the relationship between memory and space constructs an identity in Fatih Harbiye's novel. In this study, which draws attention to the direct relationship of memory and space in the shaping of psychological life, the novel Dokuzuncu Hariciye Koğuşu – Ninth Surgical Ward- is an important example for the relationship between personal memory and space.


LETS ◽  
2020 ◽  
Vol 1 (2) ◽  
pp. 71-79
Author(s):  
Anugrah Murtini

The aims of this research were to find the implementation of government policies toward the African-American slaves in America and act of resistance against slavery system as reflected in the novel Uncle Tom’s Cabin. The research employs a descriptive qualitative method by applying sociological approach in analyzing Uncle Tom’s Cabin with reference to Wellek and Warren on the relationship between literary work and social context in which it was written. Data sources are primary and supporting data. The primary data are taken from Uncle Tom’s Cabin, and supporting data are taken from the books, journals, articles, and some sources from internet. In this novel, the researcher found that; 1) Government policies toward the African-American slaves reflected in Uncle Tom’s Cabin are Slave Codes 1705 and Fugitive Slave Act 1850 2) the act of resistence by the slaves against slavery system reflected in this novel is passive resistence. Passive resistences are shown by the characters of the slave such as runnaway, tell a lie, and protesting the authority of their owner.


2020 ◽  
Vol 3 (2) ◽  
pp. 17-31
Author(s):  
Helmita Helmita ◽  
Elsa Mayora Putri

The problem in this thesis is Devotion and commitment in a contradictory conditions in the relationship between Noah and Allie who have differences in social status. Until their relationship was opposed by Allie's mother, even so Allie remained devotion to choose Noahh. Devotion and commitment to the contradictory conditions between Noah and Allie also occur when they are old. Noah remained loyal to Allie when she suffered from Alzheimer's disease. The object of this study was The Notebook novel by Nicholas Sparks. This research uses Sigmund Freud's theory of personality psychology. The results of this study are the figures Noah and Alli have personality aspects that refer to Sigmund Freud's theory of id, ego, superego. The writer uses descriptive analysis method and qualitative method. The author carries out a systematic procedure with an understanding of the novel, figures Noah and Allie, and also structural theory. This research aims : (1) to analyze the importance of loyalty and commitment in contradictory conditions. (2) to describe the loyalty and commitment contained in the Novel The notebook. (3) to explain the loyalty and commitment shown by Noah and Allie after marriage. Based on the results of this analysis it can be concluded that the problem faced by the main character is his deep love and loyalty to his wife, Noah did everything for Allie, including writing to him for two years even though his letter was never responded by Allie. But when they met for the first time after being separated for quite a long time their love for each other was still there. Until they married and aged together and Allie contracted Alzheimer's disease, but Noah remained faithful with her.


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