scholarly journals FASHION PEDAGOGY IN INDIA: THE LINKAGE BETWEEN FORMAL AND INFORMAL PEDAGOGY

2021 ◽  
Vol 5 (11) ◽  
Author(s):  
Reetu Singh
Keyword(s):  
Professional Development ◽  
Fashion Industry ◽  
Industry Development ◽  
Fashion Designers ◽  
Indian Scenario

The purpose of this study is to explore how “Fashion Professional’s capabilities and creative skills are developed and the development of one’s skills as a creative profession includes the crux process of designing which gives rise to fashion industries”. The research briefs about ‘fashion pedagogy ecosphere’ that has transpired from the bond between fashion pedagogy and professional development, which uplifts the industry through the amplified creative skills of the designers which defines the competencies with respect to growth. This is in the reference of “Fashion education and Fashion industry development” based on based on the professional development of individuals via direct or indirect aspects of education. This article discusses the proficiency, dexterity and adroitness of fashion designers developed within Indian scenario

scholarly journals Fashion industry: Resources for online research

2018 ◽  
Vol 79 (9) ◽  
pp. 516
Author(s):  
Helen Taylor Lane
Keyword(s):  
Professional Development ◽  
Online Research ◽  
Degree Programs ◽  
Fashion Industry ◽  
Post Secondary ◽  
The Past ◽  
Design Students ◽  
Fashion Designers

More post-secondary institutions than ever before are offering fashion degree programs, and, according to Sara Kozlowski, director of education and professional development at the Council of Fashion Designers of America, enrollment in such programs has nearly tripled over the past decade. Moreover, one of the issues facing fashion programs is whether design students are receiving proper support for the business, trade, and entrepreneurial aspects of fashion research.

Color Trend Analysis using Machine Learning with Fashion Collection Images

2021 ◽  
pp. 0887302X2199594
Author(s):  
Ahyoung Han ◽  
Jihoon Kim ◽  
Jaehong Ahn
Keyword(s):  
Machine Learning ◽  
Trend Analysis ◽  
Image Data ◽  
Fashion Industry ◽  
Color Palette ◽  
Web Scraping ◽  
Design Variables ◽  
Sales Organizations ◽  
Fashion Designers ◽  
Selection Of

Fashion color trends are an essential marketing element that directly affect brand sales. Organizations such as Pantone have global authority over professional color standards by annually forecasting color palettes. However, the question remains whether fashion designers apply these colors in fashion shows that guide seasonal fashion trends. This study analyzed image data from fashion collections through machine learning to obtain measurable results by web-scraping catwalk images, separating body and clothing elements via machine learning, defining a selection of color chips using k-means algorithms, and analyzing the similarity between the Pantone color palette (16 colors) and the analysis color chips. The gap between the Pantone trends and the colors used in fashion collections were quantitatively analyzed and found to be significant. This study indicates the potential of machine learning within the fashion industry to guide production and suggests further research expand on other design variables.

scholarly journals DEVELOPMENT OF FASHION INDUSTRY IN UKRAINE IN THE XX CENTURY: RETROSPECTIVE ANALYSIS

2018 ◽  
Vol 64 ◽  
Author(s):  
Ju.R. Kirichenko
Keyword(s):  
National Identity ◽  
Retrospective Analysis ◽  
Fashion Industry ◽  
Industry Development ◽  
Research Education ◽  
The Social ◽  
The Way

Retrospective of fashion industry development in Ukraine has been research education in the article. The scientific positions of researchers about the preconditions of the development of the fashion industry in Ukraine have been analyzed. The social and economic peculiarities of the development of Ukrainian fashion industry in the XX century have been characterized. The way of fashion industry development was difficult, but it was able to keep its characterological trait, national identity in a unique ethnos style.

INLAY OF THE TAJ MAHAL: AN INSPIRATION FOR SURFACE ORNAMENTATION ON HIGH FASHION GARMENTS

2021 ◽  
pp. 13-16
Author(s):  
Falguni Patel ◽  
Komal Thakkar
Keyword(s):  
Cultural Heritage ◽  
Fashion Industry ◽  
Surface Ornamentation ◽  
Fashion Designers ◽  
Design Motifs ◽  
Taj Mahal

India has a rich cultural heritage of costume, art and crafts. Since decades highly developed civilizations continue to produce remarkable, eminent and ornate textiles with its distinct patterns, designs and motifs having different placements and layouts. However, escalating demands of consumers requires modication in the fashion industry with respect to design, motifs, colours, style and technique. Fashion designers used to take their inspiration from architectural buildings normally to create new clothing silhouettes. The researcher attempts to connect between 'fashion' and 'architecture', which can serve as fashion element for designers. The research attempts to document and digitize of the motifs of this architectural wonders. The purpose of the study was an attempt to interpret the technique of the beautiful inlay work of the Taj Mahal and its application to the textiles for high fashion garments. In process of designing various pictures of inlay work were documented which were classied into three categories, namely cut-away lattice, inlay and embossed carving.

Changing the face of retail: Where fashion meets technology

2016 ◽  
Author(s):  
Nadire Cavus ◽  
Rudo Muriel Munyavi
Keyword(s):  
Online Shopping ◽  
Online Marketing ◽  
Mobile Technologies ◽  
The Internet ◽  
Fashion Industry ◽  
Brick And Mortar ◽  
The Face ◽  
Similar Area ◽  
Fashion Designers ◽  
Technology Specialists

Prior to the introduction of mobile technologies and the internet, the manual system of going to a brick-and-mortar store to buy clothing was boring and tiresome as customers would spend hours moving from shop to shop trying to find the exact type of outfit they are looking for. The assimilation of technology in fashion designing and online marketing of clothing is marking an incredible venture in the fashion industry. Due to improved security features of online purchasing a lot of people now prefer buying clothing online since it saves time and online shopping provides variety at a click. This paper reviews several ways in which technology is transforming the fashion industry.  However this subject has not been researched in detail therefore there is a missing gap in the literature. We hope that this paper will fill the gap in the literature in order to review the role that technology is playing in the fashion industry. Information provided in this paper is beneficial to fashion designers, entrepreneurs in the fashion industry, information technology specialists as well as other researchers interested in a similar area of study.Keywords: Technology, fashion, virtual fitting room, wearable technology, virtual wardrobe.

Toward economic sustainability: how to shape fashion industry development in Taipei

2021 ◽  
Vol 12 (1) ◽  
pp. 83
Author(s):  
Hai Ping Lin ◽  
Su Li Chang ◽  
Tai Shan Hu ◽  
Ssu Chi Pan ◽  
Hao Teng Cheng
Keyword(s):  
Economic Sustainability ◽  
Fashion Industry ◽  
Industry Development

scholarly journals Artisanal Fashion Design: Entrepreneurs on Thinking, Process, and Decision Making

2021 ◽  
Author(s):  
Robert Ott
Keyword(s):  
Decision Making ◽  
Design Process ◽  
Design Thinking ◽  
Fashion Design ◽  
Small Scale ◽  
Fashion Industry ◽  
Structured Interviews ◽  
Manufacturing Enterprises ◽  
Thinking Process ◽  
Fashion Designers

This thesis examines the ways in which fashion designers think about themselves, the design process, and the fashion industry. Recent interest in design thinking has brought decision making to the forefront in an effort to resolve conflicts between creative individuals and managers during the design process. Within the fashion design literature there are studies of processes in large fashion manufacturing enterprises but very little has focused on small-scale fashion design entrepreneurs. In this inductive, qualitative study, I use grounded theory as the methodology in the analysis of semi-structured interviews of twelve Canadian fashion design entrepreneurs. The findings explore their perceptions of their identity as designers, their perceptions of design process, and their relationship to their business. This research has developed the concept of “artisanal fashion design” as a distinct subset of design for further study and for consideration by organizations, the fashion industry, and educators.

scholarly journals Formation and development of the fashion industry in Ukraine

2020 ◽  
Author(s):  
Lilya Derman
Keyword(s):  
National Identity ◽  
National Culture ◽  
Critical Analysis ◽  
Fashion Industry ◽  
Methodological Basis ◽  
Doing Business ◽  
Key Players ◽  
Methodological Principles ◽  
Fashion Designers

Purpose of the article. Based on a critical analysis of the material and analysis of the origin and formation of the fashion industry in Ukraine to determine its components and characterize the principles of their work. Methodology. The specifics of the study logically affected its methodological principles. Accordingly, methods such as analysis, synthesis, analogy, as well as comparative-historical and systemic approaches were used. Such a methodological basis allowed us to compare the formation and development of the fashion industry in Ukraine and abroad in historical, cultural, and fashion discourses. The scientific novelty of the work is to determine the components of the fashion industry of Ukraine, its development, and its role in the development of national culture and preservation of national identity. Conclusions. The birth of the fashion industry has taken place in Ukraine since the 1990s. In Ukraine, doing business with key players in the market of the fashion industry, those who actually perform the function of fashion designers differ from the world's traditional forms. It can be concluded that in Ukraine it is possible to distinguish between companies that position themselves as a trademark, as well as companies that act as design brands that often work on tolling schemes.

scholarly journals Catwalking the Nation: Challenges and Possibilities in the Case of the Danish Fashion Industry

2011 ◽  
Vol 3 (1) ◽  
pp. 55-70 ◽  
Author(s):  
Marie Riegels Melchior
Keyword(s):  
Collective Identity ◽  
Fashion Design ◽  
Design Practice ◽  
Fashion Industry ◽  
Nationalist Discourse ◽  
Potential Market ◽  
Public Debates ◽  
Fashion Designers ◽  
Post Industrial ◽  
The Relationship

This article discusses the mobilization of the nation for fashion, based on how the relationship between fashion and nation unfolds in the case of fashion design practice and the fashion industry in Denmark. The otherwise globalized fashion industry is equally involved in what I term “catwalking the nation,” both as a way to construct a cosmopolitan nationalist discourse for the post-industrial nation and as a strategy for local fashion industries to promote collective identity in order to strengthen potential market share, which is the focus of this article. What may at first appear in the Danish case as an absurd and non-productive relationship is actually significant, I would argue, despite its complexity. It has the potential to stimulate critical fashion design practice and give fashion designers a voice, allowing them to take an active part in contemporary public debates on important issues such as nationalism and cosmopolitanism in the age of globalization.

Practices of cultural collectivity: Style activism, Miromoda and Māori fashion in Aotearoa New Zealand

2021 ◽  
Vol 12 (1) ◽  
pp. 131-149 ◽  
Author(s):  
Harriette Richards
Keyword(s):  
New Zealand ◽  
World View ◽  
Fashion Industry ◽  
Fashion History ◽  
Aotearoa New Zealand ◽  
The Pacific ◽  
The Status ◽  
History Of ◽  
Fashion Apparel ◽  
Fashion Designers

Familiar narratives of fashion history in Aotearoa New Zealand recount the successes of Pākehā (New Zealand European) designers who have forged a distinctive fashion industry at the edge of the world. This narrative overlooks the history of Māori fashion cultures, including the role of ‘style activism’ enacted by political figures such as Whetu Tirikatene-Sullivan and collectives such as the Pacific Sisters who advanced the status of Māori and Pasifika design in the twentieth century. It also ignores the changing nature of the New Zealand fashion industry today. One of the most significant recent initiatives to alter perceptions of fashion in Aotearoa New Zealand has been Miromoda, the Indigenous Māori Fashion Apparel Board (IMFAB), established in 2008. By championing the work of Māori fashion designers and prioritizing the values of te ao Māori (the Māori world-view), Miromoda is successfully contributing to the ‘decolonization’ of the New Zealand fashion industry. This article foregrounds practices of cultural collectivity, including that of style activists such as Tirikatene-Sullivan and the Pacific Sisters, and Māori fashion designers such as Kiri Nathan, Tessa Lont (Lontessa) and Bobby Campbell Luke (Campbell Luke), to explore the expansion of a more affirmative fashion future in Aotearoa New Zealand.

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