The Male Body in the Spanish Erotic Films of the 1980s

Author(s):  
Alejandro Melero

This chapter studies the performances of Tony Fuentes in two popular destape films: Deseo carnal/Desire of the Flesh aka Carnal Desire (dir. Manuel Iglesias, 1978) and Jóvenes viciosas/Dirty Young Ladies (dir. Manuel Iglesias, 1980), as well as the evolution of Fuentes’ star persona. The analysis reveals both how the films projected onto the actor’s body stage some of the social anxieties of the time, and how, in turn, these and other historical traces are carried forward into his roles in other films.

2017 ◽  
Vol 13 (26) ◽  
pp. 1
Author(s):  
María Leticia Bautista-Díaz ◽  
Ana Karen Galván-Juárez ◽  
Itzel Esmeralda Martínez-Fernández ◽  
Alan Javin Álvarez-Ríos ◽  
Rubén García-Cruz

Body image is a dynamic entity that includes three components: perceptive, cognitive-affective and behavioral; It is constructed of characteristics such as age, sex and educational level, as well as the ideas established by the context. The interaction between the psychological and the social can lead to the development of clinically relevant behaviors. Thus, the objective of the present investigation was to know the perceptions on the male body ideal of the college students of nutrition. Through a focus group, since the qualitative-phenomenological approach and based on the participants discourse, four categories of analysis were derived. It was found that media (including social networks), cultures, stereotypes and beliefs are predominant factors in the construction of the male body ideal, which is reflected in self-esteem, health, economic, occupational or professional opportunities, and to achieve it, can be developed eating disorders symptoms or muscular dimorphic disorder symptoms. It is conclude that the focus group allows knowing the perceptions related to male body ideal by college students of nutrition, where it was showed that, also the society pressures to achieve that ideal, for example, participants express body satisfaction, but wish to modify their composition, so their beliefs determine what must be done to reach such ideal. Therefore, it is evident the importance of carrying out intervention programs at the primary level in college students, from health psychology.


2019 ◽  
Vol 36 (2) ◽  
pp. 216-241 ◽  
Author(s):  
Henry Jones

Abstract With its connotations of superior moral integrity, exceptional leadership qualities and expertise in the science of government, the modern ideal of statesmanship is most commonly traced back to the ancient Greek concept of πολιτικός (politikos) and the work of Plato and Aristotle in particular. Through an analysis of a large corpus of modern English translations of political works, built as part of the AHRC Genealogies of Knowledge project (http://genealogiesofknowledge.net/), this case-study aims to explore patterns that are specific to this translated discourse, with a view to understanding the crucial role played by translators in shaping its development and reception in society. It ultimately seeks to argue that the model of statesmanship presented in translations from ancient Greek is just as much a product of the receiving culture (and the social anxieties of Victorian Britain especially) as it is inherited from the classical world.


1998 ◽  
Vol 58 (1) ◽  
pp. 22-43 ◽  
Author(s):  
Pippa Brush

The metaphor of inscription on the body and the constitution of the body through those inscriptions have been widely used in recent attempts to theorize the body. Michel Foucault calls the body the ‘inscribed surface of events’ (Foucault, 1984: 83) and Elizabeth Grosz argues that the ‘female (or male) body can no longer be regarded as a fixed, concrete substance, a pre-cultural given. It has a determinate form only by being socially inscribed’ (Grosz, 1987: 2). The body becomes plastic, inscribed with gender and cultural standards. While Foucault assumes the existence of a pre-inscriptive body, many theorists reject that idea and argue that ‘there is no recourse to a body that has not always already been interpreted by cultural meanings’ (Butler, 1990: 8). The constitution of the body rests in its inscription; the body becomes the text which is written upon it and from which it is indistinguishable. Starting from Catherine Belsey's suggestion that to ‘give the metaphor literal significance … is to … isolate it for contemplation’ (Belsey, 1988: 100), I discuss this metaphor of inscription, using cosmetic surgery as one literal example. While some theorists reject the pre-inscriptive body, the popular discourses advocating changing one's body assume unproblematically the existence of a body prior to these ‘elective’ procedures and reinforce the mind/body dualism which recent theory has sought so insistently to reject. I examine how popular discourses of body modification enforce a disciplinary regime (in Foucault's sense) and impose degrees of both literal and figurative inscription. Juxtaposing these two perspectives, I explore how both discourses efface the materiality of the body and the social contexts within which bodies are experienced and constructed. While the rhetoric surrounding cosmetic surgery denies the physical process and the economic constraints, so theories of the body which stress the body's plasticity also deny the materiality of that process and the cultural and social contexts within which the body is always placed.


2020 ◽  
Vol 71 (3) ◽  
pp. 109-114
Author(s):  
I.S. Duisenova ◽  

The study of social anxieties requires careful research due to the development of modern society. Modern Kazakh society is unique in its own way,and besides, it is not without causes of social anxiety. Moreover, a comprehensive study of social anxieties provides a person with broad opportunities for knowledge and creativity. On the other hand, the coronavirus pandemic has made its own adjustments to the modern world, which is unstable in its development, it remains uncertain and unpredictable, which does not allow a person to feel completely protected, and this all creates anxiety.


2017 ◽  
Vol 4 (2) ◽  
pp. 172-193
Author(s):  
Nyssa Janice

Virtually zero room is afforded in everyday speech, let alone in formal ecclesiastical doctrine, for talk (discourse) concerning the Christ as Female, or even as feminist. This essay considers contingencies concerning a multiplicity of identity regarding the Christ figure, particularly the notion of a womanized Christ. In doing so, this paper aims to minimize the historical contradiction of even having such a conversation, as such pertains to the incarnation of God in the (male) body of Jesus, by first making an appeal to the Creative Christology line of inquiry developed by Muriel Orevillo-Montenegro. Following this initial contingency [concerning Christ], I forward a second contingency [concerning Jesus] by appealing to the perspective of Elizabeth Johnson concerning a multiplicity of identity regarding the prophet of Nazareth, thereby envisaging the womanly face of Jesus. Finally, in order to forward a third contingency [concerning the (social) Trinity], I investigate the notion of a multiplicity of identity regarding the divine Triunity in tandem with the articulation of perichoresis put forth by Miroslav Volf and Catherine Mowry LaCugna. All the while, I interrogate the act of naming God from within a feminist critical frame, thereby drawing upon the linguistic theory of Brian Wren; as well, I engage the constructive ecclesiology of Elisabeth Schüssler-Fiorenza (concerning household of God). This essay thus envisages the relationality within the Triune Godhead by virtue of engaging with a robustly trinitarian ecclesiology serving as portrait for gendered, mutual, interpersonal relationality.


2021 ◽  
Vol 9 (1) ◽  
pp. 51-59
Author(s):  
V S Anita

In their attempt at gender identity assertion, the transgendered simultaneously subvert the gender binary norm. The reclamation of one’s gender identity aids the transgender individual to correct the biological mishap that results in a female psyche trapped in a male body and vice versa. The intense psychological conflict and the horrific transphobic violence from family and society, often drives the transgendered to suicide. Lisa R Miller and Eric Anthony Grollman in “The Social Costs of Gender Non-Conformity  for Transgender Adults: Implications for Discrimination and Health” claim that the 2008 NTDS (the National Transgender Discrimination Survey) proves that frequent stigmatization and assault often drives the identity minorities towards substance abuse, alcoholism and/or suicide (Sociological, 826). However, the accomplishment of gender identity transforms the hitherto diffident individual to express oneself fully and  articulate his/her personality in its entirety. Manobi Bandyopadyay’s A Gift of Goddess Lakshmicharts her struggle to become the woman in her mind in the face of ridicule and harassment from the academic circle. Her determination and persistence to assert herself paved her way to become the first transgender principal in India. Therefore it may be assumed that the subversion of normative dichotomy of gender results in the establishment of the transgendered’s true gender, which assists in the expression of one’s personality.  


2017 ◽  
Vol 6 (1) ◽  
pp. 1 ◽  
Author(s):  
Abu Saleh Mohammad Sowad

Back in history, muscular and strong male body has always been used to promulgate masculinity. This idealized male figure was proliferated mainly for spreading the notion of male superiority in relation to power and to give a strong base to the social construction of masculinity. This study targets to disclose the perception about the attributes masculinities among the male students of Dhaka city regarding male beautification. It attempts to unveil young men’s perspectives regarding their masculinities and beauty. From history we can see men have always been assumed as the ambassador of roughness but in recent time the emergence of fashion-conscious men can be seen, who are slowly occupying a handsome position in the society. Concerning study attempts to bring out the way in which such changing trend of male beauty is perceived among the male students of Dhaka city. What could be the ideologies of these young men who are being involved with it? What is influencing them to be part of such arena which, to a great extent, is still considered as female domain? Is their perception about construction of masculinity is shifting from the so called idealized masculinity? The study tries to find out the answers.


2017 ◽  
Vol 6 (4) ◽  
pp. 223-228
Author(s):  
Nevena Stojanovic

The nineteenth century American trend of identifying and classifying human bodies arose from the simultaneous development of several complex historical processes: “greater geographic and class mobility; urbanization, colonialism and expansion; the beginnings of the welfare state; and challenges to racial and gendered hierarchies” (1). Since the 1800s, “fantasies of identification” have been marked by a unifying characteristic—a tendency to “claim a scientific, often medical framework and function to consolidate the authority of medicine,” even though they “often exceed or contradict any actual scientific basis” (2-3). In Fantasies of Identification: Disability, Gender, Race, Ellen Samuels examines various ailments that unified “under the modern signifier of disability” in the 1800s (20). She uses the social model of disability, which highlights how differences from and exceptions to standards of normalcy caused social anxieties regarding the standardization and classification of human bodies (21).  


Author(s):  
Marc DiPaolo

Examines case studies of fictional heroes as analogues of real-life working-class figures to encourage greater empathy between members of different classes. Doing so will help scholar, undergraduate, and fan readers understand the very contemporary context of America through the lens of fictional characters who are understandably resonant with a broad swath of the public during this politically divided time. The essays in this anthology contemplate the social anxieties that attend class conflict in the United States and Great Britain, and consider how fictional comic book narratives depict these cultural anxieties.


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