Solidification: Certain Women

Author(s):  
E. Dawn Hall

This chapter is a close reading of the film Certain Women that explores lost and isolated characters who are content to remain outsiders or on the margins. Adapted from short stories by Maile Meloy, the film is divided into three episodes, and this chapter discusses the production methods, form, and content that focuses on working women and their relationships. Laura (Laura Dern) is a lawyer wrangling a volatile client; Gina (Michelle Williams) is a successful entrepreneur struggling to find balance within her family; and Jamie, a Native American rancher (Lily Gladtone) is battling isolation and infatuation with her teacher, Beth Travis (Kristen Stewart). Reichardt’s cinematic auteur characteristics are all showcased as is her thought-provoking social commentary. The expansive Montana landscapes and barren winter setting reflect the emotional state of the characters and Reichardt’s minimalism creates an authentic portrayal of a flawed, complex, and vulnerable humanity. The chapter also explores adaptation theory arguing that Reichardt creates a “new work of art” allowing audiences to add their own interpretations.

Author(s):  
Aileen Moreton-Robinson

In this issue of Kalfou, my book The White Possessive: Power, Property, and Indigenous Sovereignty receives attention from three scholars whose work I admire and respect. George Lipsitz’s The Possessive Investment in Whiteness: How White People Profit from Identity Politics was seminal in conceptualizing the possessive logics of patriarchal white sovereignty, while Fiona Nicoll’s From Diggers to Drag Queens: Configurations of Australian National Identity heavily influenced my work on the formation of white national identity. Kim TallBear’s Native American DNA: Tribal Belonging and the False Promise of Genetic Science has been instructive in shaping my new work on the possessive racial logics of Indigenous identity fraud. I am honored they ha


2020 ◽  
Vol 4 (4) ◽  
pp. 123-128
Author(s):  
Tri Niswati Utami ◽  
Nurhayati Nurhayati ◽  
Reni Agustina Harahap ◽  
Zuhrina Aidha

The trend of working women in Indonesia has increased. In 2017 the participation rate of women workers increased by 39.3%. This study aims to analyze the tendency of women to work in villages and cities, analyze the relationship of women who work with reproductive health, the relationship between marital status and reproductive health and Islamic perspectives on working women. The method used was quantitative, sourced from secondary data on Indonesia's Demographic and Health Data Survey 2017 Data were analyzed using the chi-square test. It was found that the tendency of women to work in villages was higher by 65.5%. The analysis found that the significant correlation between job status and marital status with reproductive health, with p-value of 0.0001 and 0.0001. It is not forbidden in Islam that women work outside the home, but must uphold a woman’s character, her role in her family and dignity. Considering women have a dual role, in the household and as workers, the company should give the right to maintain reproductive health such as menstruation leave, pregnancy, childbirth, and breastfeeding. Keywords: female workers; types of work; reproductive health; marital status; village


Author(s):  
Rebecca J. Holden

Octavia E. Butler (b. 1947–d. 2006), one of the first African American science fiction (sf) authors, remains the most prominent African American women science fiction author. She was born to Laurice and Octavia M. Butler in Pasadena, CA. Her father died when she was a toddler and she was raised an only child by her mother and grandmother. Her family called her “Junie” but most of her friends called her Estelle. An avid reader her entire life, Butler wrote her first sf story when she was about twelve years old after she watched sci-fi B-movie “The Devil Girl from Mars” and realized she could write a better story. She earned an associate’s degree from Pasadena City College and took classes at both Cal State and UCLA. At the behest of Harlan Ellison, whom she met at the “Open Door” Workshop, she attended the Clarion Science Fiction Writers Workshop in 1971, after which she sold her first two stories, one of which, “Crossover,” was published in 1971. She published her first novel, Patternmaster, in 1976, and went on to publish a total of twelve novels, seven short stories, and ten Essays. Two additional short stories, both written early in her career, were published posthumously in 2014. Butler also gave numerous Interviews and presentations at sf conventions and conferences. Her writings transformed the science fiction field by showing us futures—usually difficult futures—in which African American women play primary roles and futures in which being black was not exceptional. She brought together multiple genres—slave narrative, fantasy, science fiction, dystopia, historical narrative, and vampire literature—and transformed sf tropes—including alien invasion, first contact, post-apocalypse, cyborgs, genetic manipulations, and others—in her boundary-breaking sf. Butler often commented that her fiction addressed three sometimes overlapping audiences: those interested in feminism, African American literature, and science fiction. Her fiction was nominated for and won the top science fiction awards, including two Hugos, two Nebulas, two Science Fiction Chronicle awards, and a Locus award. Butler was the first sf author to receive a MacArthur “genius” grant (1995) and also won a Lifetime Achievement Award in Writing from the PEN American Center (2000). Butler’s fiction and life has had a significant influence on the sf genre and field. Teaching at Clarion West, participating in panel discussions, and offering advice and mentorship, Butler inspired many from the recent generation of sf writers of color and has been claimed by the Afrofuturism movement. Her untimely death rocked the sf world, depriving society of a necessary critical and intuitive voice.


Author(s):  
Catherine Rainwater

Ellen Glasgow (b. 1873–d. 1945) was born in Richmond, Virginia. She enjoyed a career spanning nearly half a century as the author of poetry, short stories, novels, and nonfiction. The majority of her nineteen novels are set in Virginia, where she grew up as the ninth of ten children born to a severe, Calvinist father and a mild-mannered, Episcopalian mother who died when Ellen was twenty. A variety of emotional and intellectual conflicts traceable back to childhood trauma, especially the untimely loss of her mother, are reflected in her writing. At twenty Glasgow also began to suffer from hearing loss; from then on increasing deafness interfered with her social life. As a young child Glasgow refused to attend school owing to shyness, but she became impressively self-educated and was a voluminous reader. Her first novel, The Descendant (1897), examines political and philosophical issues that engaged her throughout her life. Although she wrote about the South, she objected vigorously to being labeled a regionalist. Repeatedly, she sought recognition as a modernist, and indeed her works explore epistemological questions concerning personal identity, history, and artistic expression from a markedly 20th-century perspective. Among writers she most admired were Joseph Conrad and Thomas Hardy. With Hardy she shared a great compassion for animals that is reflected in her fiction. For twenty years she served as president of the Richmond Society for the Prevention of Cruelty to Animals. Her best-known novels are Virginia (1913), Barren Ground (1925), The Sheltered Life (1932), and Vein of Iron (1935). She also published a collection of poems, a volume of short stories, an autobiography (The Woman Within, 1954), a book of literary critical statements, and miscellaneous nonfiction pieces in newspapers and magazines. Glasgow traveled widely throughout her life, but she always returned to her family home at 1 West Main, where she did most of her writing. Her house—restored and maintained to appear as it did when she lived there—is open to visitors in Richmond. Founded in Richmond in 1974, the Ellen Glasgow Society has maintained steady membership that includes both academics and a lay readership.


1993 ◽  
Vol 67 (4) ◽  
pp. 869
Author(s):  
Alan R. Velie ◽  
Craig Lesley ◽  
Kenneth Rosen ◽  
Clifford Trafzer

2016 ◽  
Vol 3 (3) ◽  
pp. 329-343 ◽  
Author(s):  
Nedine Moonsamy

Given the centrality of utopia to the African literary and postcolonial imaginary, science fiction by African writers offers a unique opportunity to explore and critique the sociopolitical salience of imagined African futures. Through a close reading of three short stories in theAfroSF: Science Fiction by African Writers Vol I(2012) anthology, I illustrate how generic science fiction utopias prove to be much too sterile when applied to an African context and thus do not amount to a viable and sustainable future. Making use of tropes of contagion, there is a clear desire to demonstrate that the human impulse is, in many ways, contrary to the objectives of neat utopias and these stories subsequently seek to “contaminate” the notion of utopia itself. Overall, I suggest that this is indicative of a shifting postcolonial landscape that needs to more carefully weigh the price of its utopias.


2016 ◽  
Vol 5 (1) ◽  
pp. 35
Author(s):  
Karyono Karyono

Cerpen “Perempuan dalam Perang” merupakan salah satu cerpen yang terdapat dalam Kumpulan Cerpen Afrika: Kenapa Tidak Kau Pahat Binatang Lain. Kumpulan cerpen terbit tahun 2005 dan diterjemahkan oleh Sapardi Djoko Damono. Cerpen ini menceritakan  masa keterpurukan Negara Afrika yang  menjadi sorotan para kolonialis untuk menjajahnya. Masyarakat Afrika diperlakukan sebagai golongan inferior di tanah mereka oleh pihak Barat, akibat  konflik yang terjadi berkenaan dengan sosiologis dan psikologis penderitaan wanita pribumi dalam kolonialisme. Salah satu penderitaan psikologis yang dialami oleh masyarakat pribumi, yaitu perubahan ideologi yang menuju kemerosotan moral. Banyak dari mereka yang berpindah tempat, berpindah pola pikir, dan berubah dalam tindakan.  Metode yang digunakan adalah close reading, dengan menggunakan pendekatan teori poskolonialisme yang akan dihubungkan dengan prespektif feminisme  karena dalam cerita ini terkandung isu gender yang cukup kental.  Yang terjadi dalam cerpen “Perempuan dalam Perang” adalah perubahan pola pikir seorang wanita yang berjuang melawan penjajah, berubah menjadi seorang yang berjuang untuk dirinya. Wanita itu berusaha memertahankan hidupnya dengan menjual harga dirinya. Isu gender juga melekat dalam cerpen ini. Dilihat dari sudut pandang feminisme, ada hal-hal yang dibenarkan dalam pola pikir feminis dan ada  penyimpangan-penyimpangan yang mengakibatkan perspektif feminis tidak dihargai.Abstract:The short story of “Perempuan dalam Perang” is one of the short stories in Kumpulan Cerpen Afrika (A collection of African short stories) entitled Kenapa Tidak  Kau Pahat Binatang Lain. The collection of the short stories published in 2005 and translated by Sapardi Djoko Damono. The story told us about the downturn of African countries that became the attraction of imperialism to colonize them. African society is treated as an inferior class of their own land by the West, due to the conflict regarding the sociological and psychological suffering of native women in colonialism. One of the psychological suffering experienced by the native  is the change in ideology leading  to moral degradation. Many of them  change  their mindset and action.The applied method is close reading, using a theoretical approach post-colonialism linked to the perspective of feminism because  this story contained the strong gender issue. What happened in the story was a change in a woman mindset who fought against the colonialist, turned into a struggle for herself. She was trying to survive by selling her own esteem. The gender issues are also inherent in this short story. From feminism point of view, there are things justified in feminist mindset and there are deviations resulting in a feminist perspective that is not appreciated.


Ritið ◽  
2018 ◽  
Vol 18 (2) ◽  
pp. 139-158
Author(s):  
Bergljót Soffía Kristjánsdóttir

Alda Björk Valdimarsdóttir’s book of poetry, We Who Are Blind and Nameless, was published in 2015. The first part of the book, titled „The course of signs“, lays the groundwork for the conceptual basis of the work through five poems. These five poems will be examined through close reading and scholarly materials from various sources, such as cognitive literary studies, philosophy, psychology, social studies and neurological research. There is particular focus on how the poems stimulate the imagination of readers and ruffle their feelings; there is a discussion on (conceptual) metaphors, irony, humor, paradox, geometrical shapes, enumeration, anaphora and, not least, silence which is a common theme in Alda’s poetry and also defines the structure of her poems in various ways. This analysis shows how Alda convinces readers to think about the „course of signs“ in both a narrow and wider context. She not only causes readers to think about the paradoxical interplay of silence and signs – and thus man’s ingrained need to both speak and be silent – but also woman’s position within her family/world history and the encroachment of man upon his own environment. Through clever humour and irony, Alda Björk shows how apathetic people often are when faced with signs; how without thinking they give themselves over to them, even though they have other options; how people contribute for the signs to be isolating instead of connecting us with each other – and how they misuse silence or are not able to make use of it.


2021 ◽  
Author(s):  
Zoë Antonia Lepiano

Over her forty-year career photographer Sally Mann (b. 1951) has become synonymous with black-and white large format photography and nineteenth-century processes, used to depict her family, their environment, and the landscapes of the southern U.S.A. Yet Mann has worked with a variety of processes including colour. This thesis focuses on the printed Cibachromes and unprinted colour transparencies, taken between 1990 and 1994, that make up Mann’s Family Color collection, part of Family Pictures series, the well-known black-and-white photographs of her three children. It outlines work done in situ in the artist’s archive, the consequent discovery of a number of unprinted colour transparencies, and their integration into Mann’s studio through digitization and organization of the collection. An exploration of the production and exhibition history of Family Color is followed by a close-reading of a selection of printed colour photographs from the series, as well as the newly discovered, unprinted images. These comparisons enable the series to be situated within Mann’s larger practice opening up areas for future research.


2017 ◽  
Vol 6 (1) ◽  
pp. 198-208
Author(s):  
Naylane Araújo Matos ◽  
Leide Daiane de A. Oliveira

This paper brings a brief analysis of the English works: “Hills like white elephants” (1927) and “One reader writes” (1933) by Ernest Hemingway and “The sisters” (1914) by James Joyce, in order to illustrate the features that emerged with the modernist movement, considering changes related to the ways of making literature. To this end, this work provides a close reading of the three short stories bearing in mind the relation between fact and fiction and how fiction depicts social, historical, and/or political facts. Hemingway‟s texts and Joyce‟s “The sisters” are powerful examples of the literary changes raised by modernism. The works of both writers are only the tip of the iceberg to provoke a reflection in the reader about the changes in the ways of making literature and how language is used in order to depict social events through fiction.


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