scholarly journals The Pioneers Get Shot: Music Video, Independent Production and Cultural Hierarchy in Britain

2019 ◽  
Vol 16 (4) ◽  
pp. 545-570 ◽  
Author(s):  
Emily Caston
Keyword(s):  
New Technologies ◽  
Music Video ◽  
Video Tape ◽  
Cultural Hierarchy ◽  
British Music ◽  
History Of ◽  
Cultural Status ◽  
Digital Film ◽  
Production Crew ◽  
Film Making

This article identifies and summarises the main findings of the AHRC research project ‘Fifty Years of British Music Video, 1966–2016’. It contextualises the history of music video as a film practice within an unspoken cultural hierarchy of screen arts widely shared in universities, policy circles and the British Film Institute. The article documents the main stages in the development of the music video industry and highlights the extent to which the pioneers served as early adopters of new technologies in videotape, telecine and digital film-making. The ACTT consistently lobbied against music video producers, as did the Musicians’ Union, and consequently music video producers emerged from the 1980s with virtually no protection of their rights. The ACTT's issue was new video technology which it opposed. It also opposed offline editing on video tape because it would lead to redundancies of film editors and potentially required fewer post-production crew. The MU's issue was royalty payments to session musicians and lip synch. The music video industry has functioned as a crucial R&D sector and incubator for new talent and new technologies in the British film and television industries as a whole, without experiencing any of the financial rewards, cultural status or copyright protections of the more esteemed ‘screen arts’.

Deities and Devotees

2018 ◽  
Author(s):  
Uma Maheswari Bhrugubanda
Keyword(s):  
New Technologies ◽  
Popular Religion ◽  
Religion And Politics ◽  
Media Theory ◽  
Political Theories ◽  
Theories Of Religion ◽  
History Of ◽  
Film Texts ◽  
Film Making ◽  
Affective Dimensions

If cinema has the power to possess people, persuade, or mesmerize them, how do we understand that compelling power? Is the display of devotion in the cinema hall the same as devotion in a temple? How have cinema and popular religion shaped each other? Through engaging with these questions, this book presents a genealogical study of the intersections between cinema, religion, and politics in South India. The first full-length study of the Telugu mythological and devotional films, this book combines a history of these genres with an anthropology of film-making and viewership practices. In the decades from the 1940s to the 2000s, it examines film texts, as well as methods of film-making and publicity, modes of film criticism as well as practices of viewership. The book draws on film and media theory to foreground the specificity of new technologies and the new kind of publics they create. Anthropological theories of religion, secularism, embodiment, and affect are combined with political theories of citizenship to complicate our understanding of the overlapping formations of film spectators, citizens, and devotees. It argues that the cinema offers a unique opportunity to explore the affective dimensions of citizenship and the formation of citizen–devotees.

LET'S GO TO FRENZY A Brief History of New Zealand Music TV and Music Video

Perfect Beat ◽  
2015 ◽  
Vol 1 (4) ◽  
pp. 111-121
Author(s):  
Bruce Sheridan ◽  
Philip Hayward
Keyword(s):  
New Zealand ◽  
Music Video ◽  
History Of

The Dilemma between Aligned Expectations and Diversity in Innovation

2018 ◽  
Author(s):  
Timur Ergen
Keyword(s):  
New Technologies ◽  
Historical Case ◽  
History Of Capitalism ◽  
Synthetic Fuel ◽  
The Us ◽  
History Of ◽  
The One ◽  
Technology Policies ◽  
Lock In ◽  
Innovation Processes

This chapter brings together arguments from economics, sociology, and political economy to show that innovation processes are characterized by a dilemma between the advantages of aligned expectations—including greater coordination and investment—and those of diversity, including superior openness to new technological possibilities. To illustrate the argument, the chapter discusses a historical case involving one of the largest coordinated peace-time attempts to hasten technological innovation in the history of capitalism, namely the US energy technology policies of the 1970s and 1980s. Close examination of the commercialization of photovoltaics and synthetic fuel initiatives illustrates both sides of the dilemma between shared versus diverse expectations in innovation: coordination but possible premature lock-in on the one hand, and openness but possible stagnation on the other. The chapter shows that even the exploration and interpretation of new technologies may be as much a product of focused investment as of trial-and-error search.

AI Narratives

2020 ◽  
Keyword(s):  
Artificial Intelligence ◽  
New Technologies ◽  
Ancient Greece ◽  
Historical Overview ◽  
Intelligent Machines ◽  
Narrative History ◽  
History Of ◽  
Imaginative Thinking ◽  
The Relationship ◽  
Insight Into

This book is the first to examine the history of imaginative thinking about intelligent machines. As real artificial intelligence (AI) begins to touch on all aspects of our lives, this long narrative history shapes how the technology is developed, deployed, and regulated. It is therefore a crucial social and ethical issue. Part I of this book provides a historical overview from ancient Greece to the start of modernity. These chapters explore the revealing prehistory of key concerns of contemporary AI discourse, from the nature of mind and creativity to issues of power and rights, from the tension between fascination and ambivalence to investigations into artificial voices and technophobia. Part II focuses on the twentieth and twenty-first centuries in which a greater density of narratives emerged alongside rapid developments in AI technology. These chapters reveal not only how AI narratives have consistently been entangled with the emergence of real robotics and AI, but also how they offer a rich source of insight into how we might live with these revolutionary machines. Through their close textual engagements, these chapters explore the relationship between imaginative narratives and contemporary debates about AI’s social, ethical, and philosophical consequences, including questions of dehumanization, automation, anthropomorphization, cybernetics, cyberpunk, immortality, slavery, and governance. The contributions, from leading humanities and social science scholars, show that narratives about AI offer a crucial epistemic site for exploring contemporary debates about these powerful new technologies.

Tradition and Innovation in Cataloguing Medieval Manuscripts

2021 ◽  
Vol 139 (1) ◽  
pp. 32-58
Author(s):  
Orietta Da Rold
Keyword(s):  
New Technologies ◽  
New Technology ◽  
Early Career ◽  
Digital Environment ◽  
Digital Form ◽  
Postgraduate Students ◽  
Medieval Manuscripts ◽  
Early Career Researchers ◽  
History Of ◽  
And Training

Abstract In this essay, I offer a brief history of manuscript cataloguing and some observations on the innovations this practice introduced especially in the digital form. This history reveals that as the cataloguing of medieval manuscripts developed over time, so did the research needs it served. What was often considered traditional cataloguing practices had to be mediated to accommodate new scholarly advance, posing interesting questions, for example, on what new technologies can bring to this discussion. In the digital age, in particular, how do digital catalogues interact with their analogue counterparts? What skills and training are required of scholars interacting with this new technology? To this end, I will consider the importance of the digital environment to enable a more flexible approach to cataloguing. I will also discuss new insights into digital projects, especially the experience accrued by the The Production and Use of English Manuscripts 1060 to 1220 Project, and then propose that in the future cataloguing should be adaptable and shareable, and make full use of the different approaches to manuscripts generated by collaboration between scholars and librarians or the work of postgraduate students and early career researchers.

National Library of Uzbekistan: from the history of formation and the current stage of development

Infolib ◽  
2020 ◽  
Vol 24 (4) ◽  
pp. 2-8
Author(s):  
Umida Teshabaeva ◽  
Keyword(s):  
New Technologies ◽  
Public Library ◽  
National Library ◽  
Stage Of Development ◽  
The World ◽  
History Of ◽  
The Republic ◽  
Favorable Conditions ◽  
History Of Formation ◽  
Current Stage

The article is devoted to the history of the Tashkent Public Library, at the origins of which were prominent scientists of that time, to the present day of the National Library of Uzbekistan. The library fund has more than 7.5 million items in 75 languages of the world. The National Library is the main methodological center of information and library institutions of the Republic. Creation of favorable conditions for readers is one of the priority tasks of the library, which is improved every year by the introduction of new technologies for obtaining information in an operational way. Thanks to membership in the International Consortium «eIFL», users have access to 38 foreign educational databases, 12 of which are licensed. Also, library readers get access to national and world educational collections in different languages of the world.

Modernization and multipurpose arenas: providing context for tomorrow

2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Benjamin Joseph Downs ◽  
Chad Stephen Seifried
Keyword(s):  
Sport Management ◽  
New Technologies ◽  
Modernization Theory ◽  
Design History ◽  
Managerial Decision ◽  
Content Type ◽  
Historical Factors ◽  
History Of ◽  
Corporate Customers ◽  
Design And Construction

PurposeThe purpose of this paper is to identify the historical factors that influenced the design and construction of modern National Hockey League and National Basketball Association arenas between 1990 and 2018. Additionally, this paper seeks to index the characteristics of those modern arenas while forwarding reasonable, informed propositions for future multipurpose arena design.Design/methodology/approachThe historical methodology was applied to the design and construction of modern multipurpose arenas between 1990 and 2018. Modernization theory was utilized as an organizing construct to understand the intentional managerial actions to capitalize on consumer expectations by responding to economic and technological changes.FindingsSport managers responded to decreased median family incomes during the period of the study by building arenas with increasingly commodified spaces and amenities targeting wealthy and corporate customers. New technologies were adopted within facilities to meet the needs and expectations of in-venue and remote consumers.Practical implicationsIn addition to demonstrating the practical utility of modernization theory and applied history for sport management scholars and practitioners, particularly in the Western context, the present study provides a series of propositions for future sport managers to consider to maintain or establish institutional advantage in the arena marketplace.Originality/valueThe paper contributes to the sport management literature by demonstrating the utility of modernization theory and applied history for sport management. In examining the design history of modern multipurpose arenas, the paper identifies the characteristics of modern multipurpose arenas while demonstrating the importance of understanding context and intentionality in managerial decision making.

scholarly journals A Simple Porcine Model of Inducible Sustained Atrial Fibrillation

2016 ◽  
Vol 11 (1) ◽  
pp. 76-78 ◽  
Author(s):  
Anson M. Lee ◽  
Jacob R. Miller ◽  
Rochus K. Voeller ◽  
Andreas Zierer ◽  
Shelly C. Lall ◽  
...  
Keyword(s):  
Atrial Fibrillation ◽  
Animal Model ◽  
Cycle Length ◽  
Porcine Model ◽  
New Technologies ◽  
Median Sternotomy ◽  
Manual Stimulation ◽  
History Of ◽  
Cycle Lengths ◽  
Rapid Pacing

The surgical management of atrial fibrillation (AF) is an evolving field with a history of testing various lesion sets and ablation technologies. Previous animal models of AF require a chronic intervention to make AF reliably inducible. Our objective was to create an acute, reliable, and reproducible porcine model of sustained AF. To accomplish this, 21 adult domestic pigs underwent median sternotomy. Methods to induce AF were then performed sequentially: manual stimulation, rapid pacing (200 beats per minute), and then rapid pacing of 8 beats with a cycle length of 300 milliseconds, followed by an extra stimulus at decreasing cycle lengths. If AF was not induced, burst pacing was performed at a cycle length of 90 milliseconds for 30 seconds. If AF was still not induced, intravenous neostigmine was administered, and the process was repeated. Atrial fibrillation was considered sustained after 1 minute. Attempts at AF induction were successful in 18 (86%) of 21. Atrial fibrillation was induced during manual stimulation in four (19%), during rapid pacing in five (24%), during burst pacing in five (24%), and after the administration of neostigmine in four (19%). Mean (SD) duration of AF was 3.6 (2.6) minutes. Of the 18, 14 (78%) reverted to sinus rhythm spontaneously and 4 (22%) required an antiarrhythmic. This technique of inducing AF can easily be used to evaluate new technologies and lesion sets without the need for creating a chronic animal model.

scholarly journals On the Question of Medieval Artillery in the Muslim Regions of Contemporary Russia

Islamovedenie ◽  
2021 ◽  
Vol 12 (1) ◽  
pp. 30-40
Author(s):  
Nabiev Rustam Fanisovich ◽  
Keyword(s):  
Western Europe ◽  
New Technologies ◽  
Northern Eurasia ◽  
Sources Of Information ◽  
Islamic Culture ◽  
The West ◽  
Muslim Countries ◽  
History Of ◽  
The Russian Federation ◽  
Relationship Of

The article deals with the problem of the spread of artillery weapons from the East to the West through the territory of the Eurasian steppes. Among the regions important for the devel-opment of firearms were countries with Islamic culture, which are currently part of the Russian Federation and the CIS. They were one of the most important links in the movement of new technologies from the East to Europe. Evidence of the development of artillery in the northern Muslim countries is not only written sources, but also finds of genuine medieval weapons. The author shows that the Muslim peoples of northern Eurasia have contributed to the world process of the development and spread of firearms. The article substantiates the view that in the territory of Russia powder technologies, the newest at that time, began to be used much earlier than in Western Europe. The author also identifies a number of areas of research into the history of powder technologies in the medieval Muslim world, such as sources of information, regions, landscapes, the main ways of spreading technologies, as well as terminology from the standpoint of cultural relationship of languages

scholarly journals The Practice and Theory of China's National Image in Hong Kong Region* A Case Study of Film and Television

2021 ◽  
Vol 236 ◽  
pp. 05058
Author(s):  
Zhu Guangyao ◽  
Wang Yandong
Keyword(s):  
Hong Kong ◽  
Strong Impact ◽  
Image Construction ◽  
National Image ◽  
Film And Television ◽  
History Of ◽  
National Ideology ◽  
Anglo American ◽  
Digital Film ◽  
The Cold War

Since Hong Kong was once considered to be the front line of the Cold War against China in the Anglo-American world, its film and television productions have been a significant ideological battlefield. Especially at that time, the western digital film and television production had a strong impact on the construction of national ideology in Hong Kong. It is evident that the artistic strategy of China's national image formation in the region, as viewed through film and television productions, has a targeted cultural and strategic orientation value. In this regard, this paper presents the viewpoints from the perspective of the development history of Hong Kong's film and television productions as well as the successful experience of image construction in Europe and America since the mid-twentieth century.

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