Virginia Woolf in German: The Hogarth Press, the Insel Verlag, and Early Translations

2018 ◽  
Vol 13 (1) ◽  
pp. 55-76
Author(s):  
Daniel Göske

As scholars have begun to explore the global reach of modernist literature, they have turned their attention towards understanding how texts move across and permeate linguistic and cultural boundaries. By exploring the networks, alliances, and interactions among those who facilitate the circulation and transmission of literature, scholars of modernist publishing are now able to offer a finer-grained analysis of where, how, and by whom those texts that we consider central to British literary modernism were first published elsewhere in the world. Marketing modernism on the international and, indeed, global level, in the 1920s and 1930s was a complex business, not least because of different structures in the publishing world of the Americas, Britain, and various European countries. My essay approaches this problem by focusing on the foreign reception of Virginia Woolf's work and, specifically, the contacts between the Hogarth Press and the Leipsic Insel Verlag. We need to understand how literary agents and translators negotiated issues of copyright and ownership and how they shaped her work in German. By drawing on archival material – particularly publishers' correspondence with translators and agents – I will cast new light on how Mrs Dalloway, To the Lighthouse and Orlando appeared in early German translations.

2020 ◽  
Vol 2 (1) ◽  
pp. 38-47
Author(s):  
Nasr-edine OUAHANI

This paper explores analytical and stylistic tools in the discourse of modernist literature as epitomized in three canonical works of three influential modernist literary figures: Virginia Woolf, T.S. Eliot and Samuel Beckett. The paper shows how, upon meditation on the lived reality of Europe in the second half of the nineteenth century and the first half of the twentieth century, modernist literature writers resort to fragmented language, mythical usages, and nonlinear structures to respond to the much ravaging and grotesque events witnessed by the world in general and Europe in particular in this epoch. Reflecting the compartmentalized and Balkanized reality of the world through its dazzling stylistic and figurative innovations, modernist literature sought to shock audiences, to lead bare the inconsistency of the human condition. This goes in parallel with an emerging philosophy that turned conventions upside down in different domains: ethics and morals, religion, history, economy, politics, aesthetics, arts, and language among others.  


2018 ◽  
pp. 7-21
Author(s):  
Mária Bátorová

The study analyzes the relation between religion and art in the world, and in Slovak modernist literature. It also examines religion and art from the point of view of its scholarly reception in the context of European literature. It builds on the division of artists of religious orientation based on Bernhard Rang’s two types:a) Claudelian and b) Green-ian. A part of the study provides new insights into Slovak literary modernism. Despite the expectation that modernism would exclude Christian works of literature, the opposite happened:modernism tested Christian works of art and emphasized their ability to capture the subtle aspects of human existence. In this way, a weakness of modernism was exposed: its degenerative function when it focuses only on material aspects. A historical overview has shown that Slovak intellectuals were used to living in an alternative cultural environment and nurturing an alternative culture. This experience proved useful to them in the 20th century, particularly after 1945. During communist rule, the underground church played a major role in Poland and in Slovakia. In Slovakia, Catholic dissidents were of great importance to the developments that led to theVelvet Revolution in November 1989.


Virginia Woolf and the World of Books examines Leonard and Virginia Woolf's Hogarth Press as a key intervention in modernist and women's writing and mark its importance to independent publishing, bookselling, and print culture at large. The research in this volume coincides with the centenary of the founding of Hogarth Press in 1917, thus making a timely addition to scholarship on the Woolfs and print culture.


2013 ◽  
Vol 7 (4) ◽  
pp. 456-474
Author(s):  
Beatrice Monaco

This paper explores some key texts of Virginia Woolf in the context of Deleuzian concepts. Using a close reading style, it shows how the prose poetry in Mrs Dalloway engages a complex interplay of repetition and difference, resulting in a remarkably similar model of the three syntheses of time as Deleuze understands them. It subsequently explores Woolf's technical processes in a key passage from To the Lighthouse, showing how the prose-poetic technique systematically undoes the structures of logical fact and rationality inscribed in both language and everyday speech to an extremely precise level.


Author(s):  
Emma Simone

Virginia Woolf and Being-in-the-world: A Heideggerian Study explores Woolf’s treatment of the relationship between self and world from a phenomenological-existential perspective. This study presents a timely and compelling interpretation of Virginia Woolf’s textual treatment of the relationship between self and world from the perspective of the philosophy of Martin Heidegger. Drawing on Woolf’s novels, essays, reviews, letters, diary entries, short stories, and memoirs, the book explores the political and the ontological, as the individual’s connection to the world comes to be defined by an involvement and engagement that is always already situated within a particular physical, societal, and historical context. Emma Simone argues that at the heart of what it means to be an individual making his or her way in the world, the perspectives of Woolf and Heidegger are founded upon certain shared concerns, including the sustained critique of Cartesian dualism, particularly the resultant binary oppositions of subject and object, and self and Other; the understanding that the individual is a temporal being; an emphasis upon intersubjective relations insofar as Being-in-the-world is defined by Being-with-Others; and a consistent emphasis upon average everydayness as both determinative and representative of the individual’s relationship to and with the world.


Author(s):  
Khaled Asfour

In Vitruvius’ treatise, what makes good architecture is its ability to communicate to the public particular messages that reflects the program of the building with spaces and components arranged in an orderly way. According to Vitruvius these messages when acknowledges by the public the building posses strong character. This research discusses this idea by reflecting on the 1895 competition of the Egyptian Museum project. Marcel Dourgnon, the French architect of the winning scheme, showed profound understanding of character resulting in a building that had positive vibe with the local community.  Today Vitruvius’ idea is still living with us. Norman Foster succeeded in upgrading the British Museum in a way that addressed all cultures of the world through his grand atrium design.  Similarly, Emad Farid and Ramez Azmy revived the presence of the Egyptian Museum in public cognition.  Spatial experience that evokes similar perceptions to all its visitors is a timeless piece that transcends cultural boundaries.


2020 ◽  
Author(s):  
Johann Johann And Devika

BACKGROUND Since November 2019, Covid - 19 has spread across the globe costing people their lives and countries their economic stability. The world has become more interconnected over the past few decades owing to globalisation and such pandemics as the Covid -19 are cons of that. This paper attempts to gain deeper understanding into the correlation between globalisation and pandemics. It is a descriptive analysis on how one of the factors that was responsible for the spread of this virus on a global scale is globalisation. OBJECTIVE - To understand the close relationship that globalisation and pandemics share. - To understand the scale of the spread of viruses on a global scale though a comparison between SARS and Covid -19. - To understand the sale of globalisation present during SARS and Covid - 19. METHODS A descriptive qualitative comparative analysis was used throughout this research. RESULTS Globalisation does play a significant role in the spread of pandemics on a global level. CONCLUSIONS - SARS and Covid - 19 were varied in terms of severity and spread. - The scale of globalisation was different during the time of SARS and Covid - 19. - Globalisation can be the reason for the faster spread in Pandemics.


Author(s):  
Fred Leventhal ◽  
Peter Stansky

This is a wide-ranging biography of Leonard Woolf (1880–1969), an important yet somewhat neglected figure in British life. He is in the unusual position of being overshadowed by his wife, Virginia Woolf, and his role in helping her is part of this study. He was born in London to a father who was a successful barrister but whose early death left the family in economic difficulty. Though he abandoned his Judaism when young, being Jewish was deeply significant in shaping Leonard’s ideas, as well as the Hellenism imbibed as a student at both St Paul’s and Trinity College, Cambridge. Despite his secularism, there were surprisingly spiritual dimensions to his life. At Cambridge he was a member of the secret discussion group, the Apostles, as were his friends Lytton Stracheyand John Maynard Keynes, thus becoming part of the later Bloomsbury Group. He spent seven years as a successful civil servant in Ceylon, which later enabled him to write brilliantly about empire as well as a powerful novel, The Village in the Jungle. Returning to London in 1911, he married Virginia Woolf the next year. In 1917 they founded the Hogarth Press, a successful and significant publishing house. During his long life he became a major figure, a prolific writer on a range of subjects, most importantly international affairs, especially the creation of the League of Nations, a range of domestic problems, and issues of imperialism, particularly in Africa. He was a seminal figure in twentieth-century British life.


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