scholarly journals Corona Angelica Pannoniae: ‘...ecce Angelus Domini’

Arts ◽  
2019 ◽  
Vol 8 (4) ◽  
pp. 141
Author(s):  
Eszenyi

The article examines the Hungarian corona angelica tradition, according to which the Holy Crown of Hungary was delivered to the country by an angel. In order to embed Hungarian results into international scholarship, it provides an English language summary of previous research and combines in one study how St. Stephen I (997–1038), St. Ladislaus I (1074–1095), and King Matthias Corvinus (1458–1490) came to be associated with the tradition, examining both written and visual sources. The article moves forward previous research by posing the question whether the angel delivering the Crown to Hungary could have been identified as the Angelus Domini at some point throughout history. This possibility is suggested by Hungary’s Chronici Hungarici compositio saeculi XIV and an unusually popular Early Modern modification of the Hartvik Legend, both of which use this expression to denote the angel delivering the Crown. While the article leaves the question open until further research sheds more light on the history of early Hungarian spirituality; it also points out how this identification of the angel would harmonize the Byzantine and the Hungarian iconography of the corona angelica, and provides insight into the current state of the Angelus Domini debate in angelology.

2018 ◽  
pp. 1-36
Author(s):  
Laura Kounine

This Introduction sets out the intentions of this book: to use the rich witch-trial records from the early modern duchy of Württemberg in south-western Germany to explore the central themes of emotions, gender, and selfhood. It provides an overview of the key historiographical debates on witchcraft persecutions in the early modern period, and suggests new questions that need to be asked. It also provides a methodological and theoretical framework in which to address these questions, and provides an overview of the current state of the field of the history of emotions, and, by drawing on psychological approaches to listening to self-narratives, it suggests ways in which historical studies of emotions can be pushed further by incorporating the body and subjective states. It also sets out the legal, political, and religious framework of the Lutheran duchy of Württemberg, in order to put the witch-hunts in this region into context.


Author(s):  
Simon Carrington ◽  
Jason Vodicka

This chapter provides an overview of the history of professional choruses and offers insight into the structure, choral pedagogy, history of choral music, and current state of professional choral ensembles in the United States. The authors first provide an historical overview of the professional choir, demonstrating that professional choral choruses have been a staple of Western society since the medieval era. They then report on the limited body of research dealing with the rehearsal pedagogy of professional ensembles. Data were gleaned from scholarly publications and from information provided by Chorus America. Additional data comes from personal interviews with conductors of professional choirs, from singers who perform as professional choristers, and from one co-author’s experience as a founding member of The King’s Singers. The authors note the need for further research into this rapidly expanding field.


2003 ◽  
Vol 32 (5) ◽  
pp. 741-744
Author(s):  
Matthew J. Gordon

This is the sixth and presumably final volume in an ambitious series. The first four volumes were distinguished chronologically according to the traditional paradigm for the history of English: Old English, Middle English, Early Modern English, and Present Day English. The other two volumes are organized geographically. Volume 5 examined English outside England in most of the expected places (e.g., Scotland, Ireland, Australia), with the exception of North America, to which the present volume is devoted. As the general editor, Richard Hogg, writes (p. xi), the series is designed to offer “a solid discussion of the full range of the history of English” to anglicists and general linguists alike. Readers of the latter category will certainly find this volume accessible. In fact, the inclusion of a glossary of terms extends that accessibility to readers outside linguistics as well. Specialists, however, are likely to be disappointed by the unevenness of the collection.


2017 ◽  
Vol 21 (2) ◽  
pp. 227-250 ◽  
Author(s):  
PETER PETRÉ

This article combines methodologies from corpus linguistics with an experimental-like setup more affiliated to psycholinguistic research. The resulting methodology allows us to gain more insight into cognitive motivations of language use in speakers from the past, and consequently to better assess their similarity to present-day speakers (the Uniformitarian Principle). One such cognitive motivation thought to be relevant in the early stages of grammatical constructionalization (grammaticalization) is covered by the evasive concept of ‘extravagance’ (i.e. the desire to talk in such a way that one is noticed). The methodology is tested on the Early Modern English extension of the [be Ving]-construction to progressive uses in present-tense main clauses. It is argued, on the basis of recurrent contextual clues, that [be Ving] in this novel use is motivated by extravagance. Interestingly, a comparison of two speaker/writer generations that are among the earliest to use this innovation with some frequency suggests that the encoding of extravagance shifted between them. At first, extravagance was signalled by coercion of the still stative semantics of [be Ving] into a progressive reading. In the second generation it had become an entrenched characteristic of the construction itself.


Author(s):  
Elizabeth A. Hobson

Dominance hierarchies have been studied for almost 100 years. The science of science approach used here provides high-level insight into how the dynamics of dominance hierarchy research have shifted over this long timescale. To summarize these patterns, I extracted publication metadata using a Google Scholar search for the phrase ‘dominance hierarchy’, resulting in over 26 000 publications. I used text mining approaches to assess patterns in three areas: (1) general patterns in publication frequency and rate, (2) dynamics of term usage and (3) term co-occurrence in publications across the history of the field. While the overall number of publications per decade continues to rise, the percent growth rate has fallen in recent years, demonstrating that although there is sustained interest in dominance hierarchies, the field is no longer experiencing the explosive growth it showed in earlier decades. Results from title term co-occurrence networks and community structure show that the different subfields of dominance hierarchy research were most strongly separated early in the field’s history while modern research shows more evidence for cohesion and a lack of distinct term community boundaries. These methods provide a general view of the history of research on dominance hierarchies and can be applied to other fields or search terms to gain broad synthetic insight into patterns of interest, especially in fields with large bodies of literature. This article is part of the theme issue ‘The centennial of the pecking order: current state and future prospects for the study of dominance hierarchies’.


Author(s):  
Christia Mercer

Anne Conway (1631–79) was an English philosopher whose only work, The Principles of the Most Ancient and Modern Philosophy, was published posthumously in 1690. Conway’s arguments against Descartes’s account of matter constitute a cutting criticism of his views and offer significant insight into an important and under-studied anti-Cartesian trend in the second half of the seventeenth century. Conway’s response to Descartes helps us discern some of the more original and radical ideas in her philosophy. Like so many other significant early modern women, Conway was left out of the history of philosophy by later thinkers.


2019 ◽  
Vol 95 (5) ◽  
pp. 1055-1073 ◽  
Author(s):  
Barry J. Ryan

Abstract This article details the evolution of maritime security from the perspective of its impact on the historical architecture of sea space. It argues that, as the fundamental unit of governance, zoning provides keen insight into the mechanics of maritime security. The article observes that Britain's Hovering Acts in the late eighteenth century represent the earliest example of modern zonation at sea and that they exhibit a shift from early modern territorial claims based on imperium and dominium. The article explores the way these hovering zones shaped the rationale underlying contemporary maritime security. It finds that maritime security has effectively relegated national security to a minor spatial belt of state power, while elevating non-traditional understandings of security to the level of global existential threat. The future of maritime security is under construction. Increasingly segmented by interconnecting, overlapping, multi-functional zones that seek to regulate all free movement and usage of the sea, security developments are reorganizing the maritime sphere. Nonetheless, the article argues, despite the novelty of this development, a historical military logic persists in new formations of security-oriented practices of maritime governance.


Author(s):  
Kit Heyam

This introduction discusses the reputation of King Edward II (1307–1327) in medieval and early modern England, and the implications of this reputation beyond its immediate relevance to scholars of Edward II’s reign and afterlife: as a case study for the history of sex and the changing vocabulary of sexual transgression; as a source of positive depictions of love between men; as a paradigmatic exemplum for discussions of favouritism and deposition, and thereby a case study providing insight into the early modern use of medieval history; as a means of developing our understanding of literary texts such as Marlowe’s Edward II; and as a process that illuminates the literary nature of medieval and early modern historical narratives.


The acclaimed French auteur behind the mind-bending modern classic Eternal Sunshine of the Spotless Mind (2004), for which he won an Academy Award for Best Original Screenplay, Michel Gondry has directed innovative, ground-breaking films and documentaries, episodes of the acclaimed television show Kidding and some of the most influential music videos in the history of the medium. In this book, a range of international scholars offers a comprehensive study of this significant and influential figure, covering his French and English-language films and videos, and framing Gondry as a transnational and transcultural auteur whose work provides insight into both French/European and American cinematic and cultural identity. With detailed case studies of films such as Eternal Sunshine of the Spotless Mind (2004), Dave Chappelle’s Block Party (2005), The Science of Sleep (2006), Be Kind Rewind (2008), Mood Indigo (2013) and Microbe & Gasoline (2015), the book examines significant themes throughout Gondry’s filmography including surrealism, adaptation, memory, dreams, play and African-American identity. The book compares Gondry to other filmmakers including Wes Anderson and Jean Vigo, allowing for an understanding of how Gondry’s films might compare with both his global contemporaries and his predecessors in French and international cinema. Furthermore, the book demonstrates how Gondry’s work in narrative film, documentary and music video represents significant innovation in narrative, visual aesthetic, and genre.


This overview of the history of Canadian comics explores not only the few Canadian cartoonists who have received study, but many who have not. Contributors look at the myriad ways that English-language, Francophone, indigenous, and queer Canadian comics and cartoonists pose alternatives to American comics, to dominant perceptions, even to gender and racial categories. Specific works covered range from the earliest Canadian comic books to the work of contemporary creators. In contrast to the United States’ melting pot, Canada has been understood to comprise a social, cultural, and ethnic mosaic, with distinct cultural variation as part of its identity. This volume reveals differences that often reflect in highly regional and localized comics such as Paul MacKinnon’s Cape Breton-specific Old Trout Funnies, Michel Rabagliati’s Montreal-based Paul comics, and Kurt Martell and Christopher Merkley’s Thunder Bay-specific zombie apocalypse. The collection also considers some of the conventionally “alternative” cartoonists, such as Seth, Dave Sim, and Chester Brown. It offers alternate views of the diverse and engaging work of two very different Canadian cartoonists who bring their own alternatives into play: Jeff Lemire in his bridging of Canadian/US and mainstream / alternative sensibilities and Nina Bunjevac in her own blending of realism and fantasy as well as of insider / outsider status. Despite an upsurge in research on Canadian comics, there is still remarkably little written about most major and all minor Canadian cartoonists.This volume provides insight into some of the lesser-known Canadian alternatives still awaiting full exploration.


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