Towers on the Earthen Foundation: New Insights by the Excavation and Boring Survey at the Bayon Temple

Heritage ◽  
2021 ◽  
Vol 4 (4) ◽  
pp. 2835-2852
Author(s):  
Ichita Shimoda

Bayon temple, built in the latter half of the 12th century, is one representative temple of the Angkor monuments. To shed light on the foundation structure of the central towers that stand on the elevated terrace, archaeological excavation and boring tests were conducted. Based on these surveys, a unique foundation structure was revealed under the central towers. It was confirmed that there is no laterite or sandstone support structure directly beneath the upper structure, and that there is only compacted soil at a thickness of approximately 16 m above the natural sedimentary soil. On the other hand, a laterite masonry 6 m thick and 7–9 m wide was confirmed from around the compacted soil. In other words, the heavy load of the central towers is supported by compacted soil that is constrained from the sides by a laterite structure. In addition, the boring surveys provided new insights into the low structural property of the backfilled soil after the past excavation survey below the central tower and the extension process of the elevated terrace supporting the central towers. Delivered information about the foundation structure and material of central towers, including soil property, water table, water contents, and bearing capacity will be valuable for the future structural assessment of this temple.

ΠΗΓΗ/FONS ◽  
2017 ◽  
Vol 2 (1) ◽  
pp. 177
Author(s):  
Francesca Iurlaro

Riassunto: Il presente contributo cercherà di gettare luce sulla ricezione della Repubblica di Platone (e, insieme, della Poetica di Aristotele) nel dibattito sulla poesia che in Età moderna vide protagonisti, fra gli altri, due importanti giuristi: i fratelli Alberico (1552-1608) e Scipione Gentili (1563-1616). Come giustificano questi autori l’affinità fra poesia e diritto? A quali auctoritates del passato fanno riferimento? Si mostrerà, in primo luogo, in che modo concepiscano tale rapporto; poi, attraverso quali fonti del dibattito cinquecentesco sulla poesia ne articolino gli estremi concettuali e, infine, come la lezione della Repubblica platonica possa chiarire la natura di tale dibattito, generalmente definito di matrice aristotelica piuttosto che platonica. Si vedrà come il rapporto fra poesia e diritto sia articolato, da un lato, attraverso una qualificazione dell’atto poético come analogo al procedimento retorico, proprio in aperta polemica con Platone; e dall’altro, come il rifiuto omerico espresso da Platone nella Repubblica apra una breccia ai due fratelli Gentili per affermare il primato di un altro poeta: Virgilio. Si concluderà suggerendo che l’analogia fra giustizia e poesia presente nella Repubblica costituisca una possibile chiave interpretativa del rapporto fra diritto e poesia, poiché è la presenza (non dichiarata) di un criterio platonico di giustizia a conferire validità normativa all’exemplum poetico.Parole chiave: poesia, ius gentium, retorica, Repubblica di Platone, Alberico Gentili, Scipione GentiliAbstract: The present contribution will shed light on the reception of Plato’s Republic (as well as of Aristotle’s Poetics) within the context of the early modern debate concerning poetry and poetic theory. Among the protagonists of this vivid debate, the two brothers and jurists Alberico (1552-1608) and Scipio Gentili (1563-1616) played a significant role in vindicating the existence of a strong relationship between law and poetry. In order to address this question, it has first to be assessed to which auctoritates of the past they relied upon to justify this relationship (and how they conceive of it); secondly, this article will read this phenomenon within the context of the 16th century debate concerning poetic theory. In this respect, Plato’s Republic plays a fundamental role in clarifying the conceptual stakes of such debate. In this perspective, I will argue that the relationship between law and poetry is addressed by both the Gentili brothers in terms of an analogy between poetry and rhetoric, and between rhetoric and law (in an anti-Platonic vein); on the other hand, the Gentilis seem to support Plato’s rejection of Homeric poetry in order to assess the primacy of another poet: Virgil. To conclude with, I will suggest that the parallel between poetry and justice (drawn by Plato in his Republic) might provide a possible interpretation of the relationship between law and poetry in the thoughts of Alberico and Scipio Gentili, where an implicit platonic criterion of justice seems to validate the legitimacy of the poetic exemplum.Keywords: poetry, ius gentium, rhetoric, Plato's Republic, Alberico Gentili, Scipio Gentili


2019 ◽  
Vol 46 (04) ◽  
pp. 760-784
Author(s):  
Lu Yao LIANG ◽  
Dandan WU ◽  
Hui LI

AbstractThis study investigated the development of temporal adverbs in early childhood Mandarin. All cases of temporal adverbs indicating the past, present, and future were extracted from the Early Child Mandarin Corpus (168 children in four age groups: 2;6, 3;6, 4;6, 5;6). Data analyses indicated: (1) Mandarin-speaking children produced a repertoire of 21 types of temporal adverbs, and the children in the first age group (M = 2;6) were capable of using temporal adverbs to denote past, present, and future events; (2) within each age group, the children produced significantly more future temporal adverbs than the other two subtypes; and (3) there was a significant age effect that, with increased age, more children were able to produce all subtypes of temporal adverbs. Overall, findings of this corpus-based investigation shed light upon Chinese children's early-attained ability to express the three fundamental notions of time by resorting to the appropriate linguistic devices.


2015 ◽  
Vol 46 ◽  
pp. 145-150
Author(s):  
Philip Ciantar

AbstractThe importance of memory in music is both central and multifarious; therefore, it deserves to be preserved and closely scrutinised on a level of importance equal to that of the sound itself and all the other data that go with it. Such preservation should take into consideration both memories coming from ‘inside’ the musical tradition under investigation, mainly as expressed by informants, and those from the ‘outside’, such as those assimilated by the ethnographer in the course of onsite fieldwork. Whilst the former may contribute towards the construction and eventual documentation of the tradition's history, the latter may shed light on the terrain between the self and otherness, as well as the researcher's changing consciousness through which so much evaluation takes place both in the field and at a distance in terms of place and time. This article explores the values ingrained in both categories of memory and the benefits attained in their documentation and preservation, using as its case study the Libyan maʾlūf musical tradition. The article will show how diverse memories have illuminated continuities between the past and present, kindled nostalgia which was eventually transformed into history, provided additional information when immediate information from the sound source was insufficient, and generated reflections and rethinking about the tradition in question in the context of a new social order.


2018 ◽  
Vol 6 (2) ◽  
pp. 160
Author(s):  
Halide Gamze İnce Yakar

Seeking the solution to the problems of contemporary man and approaching the social events through mythology is the other way to use the healing power of literature education. Having served as a guide for people in the past, mythology is the mirror of the past, which indicates the reasons and possible results of the events that have experienced today. The communities, which internalize the information well through myths, can direct their future, as well. In this study, we aim to examine the child education and the social problems that arise as a result of this education through the protagonist of Duca Kocaoğlu Deli Dumrul story, his relation with his parents and his life told in one of the twelve texts in the Book of Dede Korkut, which is an epic of Oghuz Turks. To this end, Suphi Altındöken, which had sparked a debate by killing Özgecen Aslan, a university student in Mersin in 2015, and Deli Dumrul, who shows relatively different characteristics from the other protagonists in the Book of Dede Korkut will be compared by their education that they receive from their parents and the environment that they grew up. In this comparison, we have used two tragedia; of Alcestis and of Antigone by Euripides and Sophocles, two playwrights from 5th and 4th centuries B.C. respectively, and used the story of Dumrul and Azrael, published by Murathan Mungan in 2000. In the context of a mythological story from the 12th century and an event from the 21st century, the main elements of child education, especially the parents' attitude, will be included.


2012 ◽  
Vol 132 ◽  
pp. 23-40 ◽  
Author(s):  
Jonas Grethlein
Keyword(s):  
The Past ◽  
The One ◽  

AbstractXenophon participated in the March of the Ten Thousand, but in the Anabasis, instead of parading his autopsy, he keeps his narratorial persona separate from his character. This separation, however, is subtly blurred when, on the one hand, the narrator adopts the perspective of the character, who is by far the most prominent focalizing instance in the narrative, and, on the other hand, the character appropriates narratorial functions: Xenophon the character comes to the fore as embedded narrator and commentator of the events. Furthermore, his references to the past can be read as meta-historical, i.e. they shed light on the commemorative act of the Anabasis. While the choice of a hetero-diegetic narrator helps Xenophon to enhance the credibility of the account of his deeds, the intricate entanglement of narrator and character contributes to the characterization of himself as the privileged agent in the March of the Ten Thousand.


Author(s):  
K. T. Tokuyasu

During the past investigations of immunoferritin localization of intracellular antigens in ultrathin frozen sections, we found that the degree of negative staining required to delineate u1trastructural details was often too dense for the recognition of ferritin particles. The quality of positive staining of ultrathin frozen sections, on the other hand, has generally been far inferior to that attainable in conventional plastic embedded sections, particularly in the definition of membranes. As we discussed before, a main cause of this difficulty seemed to be the vulnerability of frozen sections to the damaging effects of air-water surface tension at the time of drying of the sections.Indeed, we found that the quality of positive staining is greatly improved when positively stained frozen sections are protected against the effects of surface tension by embedding them in thin layers of mechanically stable materials at the time of drying (unpublished).


Author(s):  
Prakash Rao

Image shifts in out-of-focus dark field images have been used in the past to determine, for example, epitaxial relationships in thin films. A recent extension of the use of dark field image shifts has been to out-of-focus images in conjunction with stereoviewing to produce an artificial stereo image effect. The technique, called through-focus dark field electron microscopy or 2-1/2D microscopy, basically involves obtaining two beam-tilted dark field images such that one is slightly over-focus and the other slightly under-focus, followed by examination of the two images through a conventional stereoviewer. The elevation differences so produced are usually unrelated to object positions in the thin foil and no specimen tilting is required.In order to produce this artificial stereo effect for the purpose of phase separation and identification, it is first necessary to select a region of the diffraction pattern containing more than just one discrete spot, with the objective aperture.


2017 ◽  
Vol 11 (4) ◽  
pp. 498-517
Author(s):  
Yuk Hui ◽  
Louis Morelle

This article aims to clarify the question of speed and intensity in the thoughts of Simondon and Deleuze, in order to shed light on the recent debates regarding accelerationism and its politics. Instead of starting with speed, we propose to look into the notion of intensity and how it serves as a new ontological ground in Simondon's and Deleuze's philosophy and politics. Simondon mobilises the concept of intensity to criticise hylomorphism and substantialism; Deleuze, taking up Simondon's conceptual framework, repurposes it for his ontology of difference, elevating intensity to the rank of generic concept of being, thus bypassing notions of negativity and individuals as base, in favour of the productive and universal character of difference. In Deleuze, the correlation between intensity and speed is fraught with ambiguities, with each term threatening to subsume the other; this rampant tension becomes explicitly antagonistic when taken up by the diverse strands of contemporary accelerationism, resulting in two extreme cases in the posthuman discourse: either a pure becoming, achieved through destruction, or through abstraction that does away with intensity altogether; or an intensity without movement or speed, that remains a pure jouissance. Both cases appear to stumble over the problem of individuation, if not disindividuation. Hence, we wish to raise the following question: in what way can one think of an accelerationist politics with intensity, or an intensive politics without the fetishisation of speed? We consider this question central to the interrogation of the limits of acceleration and posthuman discourse, thus requiring a new philosophical thought on intensity and speed.


2010 ◽  
Vol 51 (1-2) ◽  
pp. 215-224
Author(s):  
Alexander Carpenter

This paper explores Arnold Schoenberg’s curious ambivalence towards Haydn. Schoenberg recognized Haydn as an important figure in the German serious music tradition, but never closely examined or clearly articulated Haydn’s influence and import on his own musical style and ethos, as he did with many other major composers. This paper argues that Schoenberg failed to explicitly recognize Haydn as a major influence because he saw Haydn as he saw himself, namely as a somewhat ungainly, paradoxical figure, with one foot in the past and one in the future. In his voluminous writings on music, Haydn is mentioned by Schoenberg far less frequently than Bach, Mozart, or Beethoven, and his music appears rarely as examples in Schoenberg’s theoretical texts. When Schoenberg does talk about Haydn’s music, he invokes — with tacit negativity — its accessibility, counterpoising it with more recondite music, such as Beethoven’s, or his own. On the other hand, Schoenberg also praises Haydn for his complex, irregular phrasing and harmonic exploration. Haydn thus appears in Schoenberg’s writings as a figure invested with ambivalence: a key member of the First Viennese triumvirate, but at the same time he is curiously phantasmal, and is accorded a peripheral place in Schoenberg’s version of the canon and his own musical genealogy.


1996 ◽  
Vol 10 ◽  
pp. 1 ◽  
Author(s):  
Jay Hall ◽  
Jonathan Prangnell ◽  
Bruno David

The Tower Mill, Brisbane's oldest extant building, was excavated by the University of Queensland to determine for the Brisbane City Council the heritage potential of surrounding subsurface deposits.  Following the employment of GPR, excavation revealed interesting stratifications, features and artefacts.  Analysis permits an explanation for these deposits which augment an already fascinating history of the site's use over the past 170 years or so.


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