scholarly journals Convictions and self-deception: attention and the fundamental vulnerability

2021 ◽  
Vol 48 (4) ◽  
pp. 40-52
Author(s):  
Robert Grzywacz

The present study focuses on the anthropological factors that constitute a kind of specifically human vulnerability. This typically human fragility can be expressed in many different ways that have something in common with fallibility, faultiness, which consists in an oscillation between greatness and finitude. As far as vulnerability itself is concerned, it means a susceptibility to being easily affected, an exposure to injury. Insofar as I speak, in the rest of this research, of the phenomenon of self-deception, it is a question, in the case being investigated, of making injury to oneself. In order to understand how it is possible to wound oneself in the analysed sense, it seems necessary to refer to some kind of maintaining a rupture, of an inconsistency within a set of convictions that one forms about oneself, other people, and the world. My investigation below is divided into four parts. First, I describe analytically, and from a rather epistemological perspective, the essential components that define the phenomenon of self-deception. To do so, I will rely mainly on Donald Davidson's well-known text Deception and Division. Secondly, I briefly review the more important solutions that have been proposed to deal with the difficulty in question. These proposals can be classified into two groups: the first contains the solutions that consider the conflicting beliefs in terms of their intentionality; the second group of solutions, on the contrary, includes the non-intentional solutions. The brief examination of them shows that the most philosophically promising views bear the mark of an insurmountable weakness and therefore require new approaches. Thirdly, I propose to take up some of the achievements of Paul Ricoeur's thought and I justify my choice. In addition, I try to establish a link between the problem of self-deception and the Ricoeurian theme of attention. Fourthly and finally, starting from the Ricoeurian phenomenology of attention, I present a possible understanding of self-deception that would keep both the intentionality of the opposing convictions (and thus the philosophical scope of the problem) and its rootedness in a real human experience (and thus a concrete, less abstract character of the approach than the one referring to mathematical models). As a result, the study offers a new understanding of vulnerability as a constituent of the human condition.

REFLEXE ◽  
2021 ◽  
Vol 2021 (60) ◽  
pp. 29-63
Author(s):  
Martin Rabas

The present article has two objectives. One is to elucidate the philosophical approach presented in the so-called Strahov Systematic Manuscripts of Jan Patočka in terms of consciousness and nature. The other is to compare this philosophical approach with Maurice Merleau-Ponty’s theses on nature, as elaborated in 1956–1961, and to point out some advantages and limitations of both approaches. In our opinion, Patočka’s philosophical approach consists, on the one hand, in a descriptive analysis of human experience, which he understands as a pre-reflective self-relationship pointing towards the consciousness of the world. On the other hand, on the basis of this descriptive analysis Patočka consequently explicates all non-human life, inorganic matter, and finally the whole of nature as life in its own right, the essence of which is also a certain self-relation with a tendency towards consciousness. The article then briefly presents Merleau-Ponty’s theses on nature, and finally compares them with Patočka’s overall theses on nature. The advantage of Patočka’s notion of nature as against Merleau-Ponty’s is that, in Patočka’s view, nature encompasses both the principle of unity and individuality. On the other hand, the advantage of Merleau-Ponty’s understanding of nature as against Patočka’s lies in the consistent interconnectedness of the infinite life of nature and the finite life of individual beings.


1968 ◽  
Vol 61 (2) ◽  
pp. 175-201 ◽  
Author(s):  
Gordon D. Kaufman

The concept, “act of God,” is central to the biblical understanding of God and his relation to the world. Repeatedly we are told of the great works performed by God in behalf of his people and in execution of his own purposes in history. From the “song of Moses,” which celebrates the “glorious deeds” (Ex. 15:11) through which Yahweh secured the release of the Israelites from bondage in Egypt, to the letters of Paul, which proclaim God's great act delivering us “from the dominion of darkness” (Col. 1:13) and reconciling us with himself, we are confronted with a “God who acts.” The “mighty acts” (Ps. 145:4), the “wondrous deeds” (Ps. 40:5), the “wonderful works” (Ps. 107:21) of God are the fundamental subject-matter of biblical history, and the object of biblical faith is clearly the One who has acted repeatedly and with power in the past and may be expected to do so in the future.


Author(s):  
Marin Terpstra

Abstract In this article I explore different ways of imagining distinctions in the form of borders and on the attitudes that people assume towards them. A distinction is primarily a cognitive operation, but appears as such in human communication (people talking about differences and identities), and in constructions that shape the material space people live in (borders, buildings, and the like). I explore two extreme positions, the one de-intensifying distinctions by focusing on their logical and contingent forms, the other intensifying distinctions by making them a potential cause of conflict. The first one is exemplified by Spencer Brown’s and Niklas Luhmann’s reflection on the logical and sociological aspects of distinctions; the second one by Carl Schmitt’s theory of ‘the political’ and its key notion of the distinction between friend and enemy. Both positions are relevant to understand a major debate and struggle in the world of today between liberal cosmopolitans and authoritarian nationalists. I show in what way both positions are aspects of the human condition, and what makes that alternately the one or the other is stressed.


Author(s):  
Conrad Scott

Raymond Holmes Souster has been described as a poet of place who invests Toronto, the city of his life-long residence, deeply into his writing. Having worked for some forty-five years at the downtown Canadian Imperial Bank of Commerce, Souster’s immersion in a particular place certainly informed his poetic output; however, Souster the poet also ponders the human condition. On the one hand, he writes from a basis of experience: the destruction of war and the changes imposed by the rise of the modern era. On the other, his work seeks out and highlights that which is still precious despite the weight of the world he feels. Moreover, he clearly values poetry as a salve to the cacophonous imposition of modernity, and continually encourages poetic development: in addition to his substantial body of work, he has supported Canadian poetry by editing several anthologies, and as a creator of Direction (editor 1943–6); a founder of Contact (editor 1952–4); an editor of Combustion (1957–60); and a founding member of the League of Canadian Poets (president 1967–71).


sjesr ◽  
2021 ◽  
Vol 4 (2) ◽  
pp. 295-298
Author(s):  
Dr. Samina Begum ◽  
Dr. Hafiz Muhammad Ibrar Ullah ◽  
Dr. Hashmat Begum

The contemplation of God’s creation is one of the greatest forms of worship in Islam  every human being, when he observes the different scenes of this universe of colors and smells, enjoys seeing some of them so much that he longs to repeat this pleasure۔  It is not amazing, therefore, that countless Quranic verses give confidence this action and do so using a range of methods to appeal to every temperament and religious state. The mean is to switch people away from their dulled senses, awful habits, and monotonous familiarity, and encourage them to observe the signs of their Lord in the world with insight and vulnerable hearts. True Islamic contemplation can only spring from a mind that believes in God and a mind that submits to Him and His glorious Attributes. This is the unwavering faith of oneness (tawhÏd), which is to bear witness that the Almighty is the One and only God Who created, governs, and maintain the universe. Any other form of contemplation of the attractiveness and brilliance of the heavens and the earth would be measured atheism or polytheism (shirk) because the contemplator would not be distinguished, let alone admiring and express thanks to the Creator. In all religions, after beliefs, the highest importance is given to worship. Worship and contemplation are inseparable.


wisdom ◽  
2021 ◽  
Vol 18 (2) ◽  
pp. 153-160
Author(s):  
Oleh SOKOLOVSKYI ◽  
Andrii KOBETIAK ◽  
Maksym MELNYCHUK ◽  
Oksana CHAPLINSKA

The article analyzes the process of rethinking the inherited content of human experience, established views on philosophy and religion as ideological phenomena, which are inherent in the creation and transmission of the integrity of the picture of the world. Such integrity is accomplished under the conditions of preservation of each work and the pursuit of philosophical thought. It is established that the secularization and eclecticism of religious consciousness against the background of globalization processes determine the transformation of the modern religious paradigm. This is expressed, on the one hand, in the need for religion to acquire adaptability to crisis phenomena and in the need for special flexibility in conditions of instability and adequate perception of external variability of socio-cultural, natural and technical systems. On the other hand, in its renewed religion seeks to appeal to stable guidelines, ideals and the strengthening of the influence of fundamentalism as a result of the belief in the need for certain traditional religious and cultural foundations. These efforts are aimed not only at preserving cultural and religious identity, but also at facilitating survival in a world that is not structured by a single expediency, ambiguous, spiritually and socially nonlinear.


2019 ◽  
Vol 20 (35) ◽  
pp. 51-60
Author(s):  
Monica Matei-Chesnoiu

This essay looks at the 2001 Romanian production of Hamlet directed by Vlad Mugur at the Cluj National Theatre (Romania) from the perspective of geocriticism and spatial literary studies, analysing the stage space opened in front of the audiences. While the bare stage suggests asceticism and alienation, the production distances the twenty-first century audiences from what might have seemed difficult to understand from their postmodern perspectives. The production abbreviates the topic to its bare essence, just as a map condenses space, in the form of “literary cartography” (Tally 20). There is no room in this production for baroque ornaments and theatrical flourishing; instead, the production explores the exposed depth of human existence. The production is an exploration of theatre and art, of what dramatists and directors can do with artful language, of the theatre as an exploration of human experience and potential. It is about the human condition and the artist’s place in the world, about old and new, about life and death, while everything happens on the edge of nothingness. The director’s own death before the opening night of the production ties Shakespeare’s Hamlet with existential issues in an even deeper way than the play itself allows us to expose.


Ecclesiology ◽  
2009 ◽  
Vol 5 (3) ◽  
pp. 276-298
Author(s):  
Frances Young

AbstractThe aim of this paper is to explore the theme of Mary as 'type' of the Church, and to do so with a bifocal ecumenical perspective. The first section of this paper focuses on the persisting reasons for the Protestant critique of Mariology. Mary's ambiguous role as a model for virginity shifts the focus to the second section, which directs the gaze on Mary as a pattern for all believers, the one who typifies the Church's calling – to bring Christ into the world. Protestants are challenged to take seriously the theological logic underlying Marian devotion; Orthodox and Catholics are invited to consider Mary's priestly role and its implications for the ordination of women.


Mulata Nation ◽  
2018 ◽  
pp. 214-216
Author(s):  
Alison Fraunhar
Keyword(s):  
The Past ◽  
The Us ◽  
The One ◽  

Returning to Antonio Benitez Rojo’s notion of the sea as the force that continually shapes and reshapes the islands and their people, the conclusion turns to Cuban diasporic artists, particularly those relocated in the US, to look at ideas of nation, exile, and identity. Exile is no longer the one–way turnstile it was in the past, especially for artists; many artists come and go, to and from the island, and participate in marquee events like the Havana Biennial, the world international famous art exhibit. Through the analysis of key artworks produced by diasporic artists and artists of Cuban descent in the diaspora, the conclusion considers the further deployment of stereotypes, prominently that of the mulata. These artists typically use familiar imagery to interrogate and contest the conventional interpretations they bear. The conclusion concludes by suggesting that as images of mulatas and the performance of mulataje have undergone continual shifts, they continue to do so, on the island and in the diaspora.


In medias res ◽  
2021 ◽  
Vol 10 (18) ◽  
pp. 2913-2938
Author(s):  
Nenad Vertovšek

Suspended between theories of manipulation and the public health catastrophe that continues to shake our world, there is a whole range of answers to the questions posed by scientists, doctors, politicians and ordinary folk – when, where, how and why did it all begin? Given the various concepts and ideas on the future corona world, it is important to keep asking and (still) avoid simple and mind-numbing answers. The world of media has also reached or surpassed a tipping point – can we even shake the illusion we deserve some “new normal”? Or perhaps the future holds a “new abnormal” world, alongside the “old abnormal”. On the one hand the pandemic has changed our behavioural patterns, and will continue to do so, but it has also changed our way of thinking, reaching conclusions and perceiving the external world and the world within us. On the other hand, are we in part historically regressing through our acceptance of half-dictatorship, lockdowns, immovability, blandness and hiding our smiles? Why and how might the philosophy of the media help with this challenge of views in some new techno-feudalism? Will we adopt any new lessons? We must first remember the legendary children’s show Sesame Street and its revolutionary insight – you can teach children only if you attract their attention first...


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