РЕПРЕЗЕНТАЦІЯ АРТ-РИНКУ У ПОПУЛЯРНІЙ КУЛЬТУРІ

2020 ◽  
pp. 90-96
Author(s):  
Admink Admink ◽  
Сергій Русаков
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
Art Market ◽  
Interdisciplinary Approach ◽  
Contemporary Culture ◽  
Cultural Changes ◽  
Wide Audience ◽  
Artistic Process ◽  
Further Development ◽  
Constant Support

Автор досліджує репрезентацію арт-ринку в контексті популярної культури. Методологічною основою став міждисциплінарний підхід Cultural Studies, зокрема теорія «схема культури», що уможливлює вивчення динаміки сучасної культури. Популярна культура постає як знаковий чинник, що відображає сучасний культурно-мистецький процес та, водночас, впливає на подальший розвиток сфери культури і мистецтва. Репрезентація є важливою особливістю феномена арт-ринку, що потребує постійної підтримки свого дискурсу. Арт-ринок постає як смислотворчий простір для виникнення, презентації і споживання сучасного мистецтва. Для ілюстрації авторської думки аналізуються бестселери про мистецтво С. Торнтон, які розглядаються в якості посередника між арт-ринком і читачем, що сприяють поширенню культурно-мистецьких ідей серед широкої аудиторії і, будучи творами популярної культури, потребують інтелектуальної, емоційної і моральної активності читача. Твори популярної культури активно реагують на бажання людей розширювати свої обрії, пропонуючи все більше нових культурних текстів, що у свою чергу сприяють соціокультурному розвитку. The author investigates the representation of the art market in the context of popular culture. The methodological basis for the article was the interdisciplinary approach of Cultural Studies, in particular the theory of «circuit of culture», which makes it possible to study the dynamics of contemporary culture. Popular culture emerges as a important factor that reflects the contemporary cultural and artistic process. At the same time it influences the further development of the sphere of culture and art. The representation of the art market becomes an important feature of the art market phenomenon, which requires a constant support of its discourse. The art market emerges as a meaningful space for the emergence, presentation and consumption of contemporary art. Sarah Thornton's bestsellers about art are analyzed to illustrate the author's thoughts. Bestsellers about art are seen as a mediator between the art market and the reader. Readers promote the spread of cultural and artistic ideas among a wide audience and. These ideas, as works of popular culture, require intellectual, emotional and moral activity of the reader. Popular culture works are actively responding to people's desire to broaden their horizons. They are offering more and more new cultural pieces, which contribute to social and cultural changes themselves.

scholarly journals Contemporary Culture and the Undoing of Feminism: Review of Angela McRobbie's The Aftermath of Feminism: Gender, Culture and Social Change

1970 ◽  
Vol 16 (1) ◽  
Author(s):  
Margaret Henderson
Keyword(s):  
Popular Culture ◽  
Social Change ◽  
Cultural Studies ◽  
Everyday Life ◽  
Cultural Landscape ◽  
Contemporary Culture ◽  
Gender Culture ◽  
Corporate World ◽  
The Media ◽  
Feminist Cultural Studies

A
 couple
 of
 times
 a
 year
 (usually
 around
 International
 Women’s
 Day
 or
 the
latest
 gender
 controversy)
 there’ll
 be
 a
 journalist
 on
 the
 phone,
 asking
 me,
 ‘where
 is
 feminism
 now?’ 
Angela 
McRobbie’s
 The 
Aftermath 
of
 Feminism: Gender,
 Culture
 and
 Social
 Change
 provides
 the
 perfect
 answer,
 though
 one
 that
 probably
 won’t
 be
 dutifully
 reported
 in
 the
 pages
 of
 the
 Courier­ Mail.
 McRobbie
 has
 always
 been
 a
 preeminent
 figure
 in
 feminist
 cultural
 studies,
 and
 this
 work
 highlights
 her
 continuing 
importance.
Indeed, The 
Aftermath 
of 
Feminism
 reminds
 us 
of 
the 
power
 of 
feminist 
cultural
 studies 
to 
explain
 what’s 
going 
on,
whether
 this 
is 
in 
the
media,
 popular
 culture,
 everyday
 life,
 governmentality,
 the
 corporate
 world,
 or
 their
 interrelationships.
 And
 McRobbie’s
 diagnosis
 of
 ‘a
 social
 and
 cultural
 landscape
 which
 could
 be
 called
 post‐feminist’
 
is
 uncompromising,
 far‐reaching 
in
 scope,
 and 
deeply 
disturbing.

‘You [still] have to fight for your right to party’: music television as billboards of post-modern difference

Popular Music ◽  
1988 ◽  
Vol 7 (3) ◽  
pp. 315-332 ◽  
Author(s):  
Lawrence Grossberg
Keyword(s):  
Popular Culture ◽  
Popular Music ◽  
Rock Music ◽  
Economic Conditions ◽  
Rock And Roll ◽  
Contemporary Culture ◽  
Cultural Changes ◽  
Political Struggles ◽  
Music Television ◽  
Contemporary Life

Rock music has not only provided the soundtrack of our lives, but a large part of the image repertoire as well. Neither the conjunction of popular music and other media (including television and film) nor the inseparable relation between rock and roll and visual iconographies, styles and attitudes is new. Nevertheless, it is clear that the force of these conjunctures in our cultural lives is rapidly spreading, viral-like, across media, genres, contexts, interests and generations. This is neither surprising nor necessarily bad; as rock and roll generations have grown up and asserted their plurality and influence, it is their music which is taken for granted, offered as capitalist entertainment and sometimes exploited for marketing purposes. This reconfiguration, often described as rock ‘moving into the mainstream of contemporary culture’ has been enabled and even engendered by technological, social and economic conditions. But it is the speed with which this is being accomplished, the particular ways it is inserted into broader contexts, and the effects it is having that interest me. The topography of popular culture is obviously changing; how rock and roll has come to define the dominant forms of cultural enjoyment and even legitimacy, offers us an opportunity to map out some of the cultural changes of contemporary life, and their relations to ideological and political struggles.

Jumbos and Jumping Devils

2020 ◽  
Author(s):  
Nisha P R
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
South Asia ◽  
Social History ◽  
Post Colonial ◽  
The Social ◽  
Wide Range ◽  
History Of

Jumbos and Jumping Devils is an original and pioneering exploration of not only the social history of the subcontinent but also of performance and popular culture. The domain of analysis is entirely novel and opens up a bolder approach of laying a new field of historical enquiry of South Asia. Trawling through an extraordinary set of sources such as colonial and post-colonial records, newspaper reports, unpublished autobiographies, private papers, photographs, and oral interviews, the author brings out a fascinating account of the transnational landscape of physical cultures, human and animal performers, and the circus industry. This book should be of interest to a wide range of readers from history, sociology, anthropology, and cultural studies to analysts of history of performance and sports in the subcontinent.

Publishing in Bible and American Popular Culture

2020 ◽  
pp. 536-552
Author(s):  
Robert Paul Seesengood
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
Academic Publishing ◽  
American Popular Culture ◽  
The Bible ◽  
Biblical Scholarship ◽  
Future Work

This essay is an examination of scholarship on the Bible and (American) popular culture. It reviews the history and assumptions of cultural studies and maps how this body of work influenced biblical scholarship after 1990. It surveys an array of examples of scholarship on the Bible and popular culture and concludes with some suggestions for future work. Specifically, this essay asks the following: How has interest in Bible and popular culture affected academic publishing? How did these trends emerge, and what assumptions prompt them? What new journals or series or reference works have appeared that are specifically devoted to this broad topic, and what are some ways that the Bible and popular culture have been treated therein?

scholarly journals Long Hours, Uneasy Feelings: Parliamentary Work in Denmark, Finland and Sweden

2021 ◽  
Author(s):  
Mona Mannevuo ◽  
Jenni M Rinne ◽  
Isak Vento
Keyword(s):  
Cultural Studies ◽  
Interdisciplinary Approach ◽  
Nordic Countries ◽  
Political Agency ◽  
Work Culture ◽  
Vicious Cycle ◽  
Structured Interviews ◽  
Psychological Strain ◽  
Work Pressure ◽  
The World

AbstractPoliticians’ work pressure is gaining more attention in parliamentary studies. To participate in the discussion about governing under pressure, this article offers an interdisciplinary approach to investigate how representatives navigate within a flexible, limitless work culture. This article presents a new inquiry to re-examine contemporary political agency by combining cultural studies theories with empirical insights in Nordic countries. By analysing 52 semi-structured interviews with MPs in Denmark, Finland and Sweden, the study finds that politics attracts people who want to change the world, but these attributes may initiate a vicious cycle, taking the form of psychological strain.

scholarly journals The politics of a ‘Poncy Pillowcase’: Migration and borders in Coronation Street’

Politics ◽  
2016 ◽  
Vol 37 (3) ◽  
pp. 273-287 ◽  
Author(s):  
Alexandria J Innes ◽  
Robert J Topinka
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
Everyday Life ◽  
Soap Opera ◽  
Race Ethnicity ◽  
And Gender

This article examines the ways in which popular culture stages and supplies resources for agency in everyday life, with particular attention to migration and borders. Drawing upon cultural studies, and specific insights originating from the Birmingham Centre for Contemporary Cultural Studies, we explore how intersectional identities such as race, ethnicity, class, and gender are experienced in relation to the globalisation of culture and identity in a 2007 Coronation Street storyline. The soap opera genre offers particular insights into how agency emerges in everyday life as migrants and locals navigate the forces of globalisation. We argue that a focus on popular culture can mitigate the problem of isolating migrant experiences from local experiences in migrant-receiving areas.

Culture and the popular: Introduction to essays in memory of Brian Rigby

2018 ◽  
Vol 29 (4) ◽  
pp. 293-299
Author(s):  
Michael Kelly
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
Cultural History ◽  
Rapid Expansion ◽  
Daily Lives ◽  
The Us ◽  
The 1960S ◽  
The Uk ◽  
French Cultural Studies

This article introduces the special number of French Cultural Studies commemorating the role of Brian Rigby as the journal’s first Managing Editor. It situates his contribution in the emergence of cultural history and French cultural studies during the rapid expansion of higher education from the 1960s in France, the UK, the US and other countries. It suggests that these new areas of study saw cultural activities in a broader social context and opened the way to a wider understanding of culture, in which popular culture played an increasingly important part. It argues that the study of popular culture can illuminate some of the most mundane experiences of everyday life, and some of the most challenging. It can also help to understand the rapidly changing cultural environment in which our daily lives are now conducted.

‘ROCK SPECTRALE’: THE CULTURAL IDENTITY OF THE ELECTRIC GUITAR IN TRISTAN MURAIL'S vampyr!

Tempo ◽  
2015 ◽  
Vol 69 (274) ◽  
pp. 22-32
Author(s):  
Ben Jameson
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
Cultural Identity ◽  
Popular Music ◽  
Musical Instruments ◽  
New Music ◽  
Electric Guitar ◽  
Concert Music ◽  
Analytical Approaches

AbstractThe electric guitar is one of the most iconic musical instruments of the twentieth and twenty-first centuries and, due to its ubiquitous use in much rock and popular music, it has developed a strong cultural identity. In recent years, as the electric guitar has become increasingly common in contemporary concert music, its cultural associations have inevitably shaped how composers, performers and listeners understand music performed on the instrument. This article investigates various issues relating to the electric guitar's cultural identity in the context of Tristan Murail's Vampyr! (1984), in the hope of demonstrating perspectives that will be useful in considering new music for the electric guitar more generally. The article draws both on established analytical approaches to Murail's spectral oeuvre and on concepts from popular music and cultural studies, in order to analyse the influence that the electric guitar's associations from popular culture have in new music.

Conclusion: Sincerity Dreams

2017 ◽  
Author(s):  
Ellen Rutten
Keyword(s):  
United States ◽  
Popular Culture ◽  
Western Europe ◽  
The United States ◽  
First Century ◽  
Contemporary Culture ◽  
Cultural Paradigms ◽  
Twenty First Century ◽  
Inclusive Analysis

This conclusion reflects on today's dreams of renewing or revitalizing sincerity and rejects the notion that they are outdated or do not deserve any of our attention. It cites the work of several scholars to show that sincerity is anything but obsolete in twenty-first-century popular culture. Indeed, today's strivings to renew sincerity have not been neglected by scholars such as R. Jay Magill Jr., Epstein, and Yurchak. The rhetoric on new sincerity has been addressed in thoughtful analyses of contemporary culture that have helped the author in crafting a comprehensive and geographically inclusive analysis of present-day sincerity rhetoric. In post-Communist Russia, debates on a shift to late or post-postmodern cultural paradigms are thriving with at least as much fervor as—and possibly more than—in Western Europe or the United States. This conclusion discusses the newly gained insights which the author's sincerity study offers.

scholarly journals CULTURE-BASED STUDIES’ TOPOGRAPHY IN THE MODERN FRENCH SOCIAL SCIENCE

2019 ◽  
pp. 14-17
Author(s):  
B. E. Nosenok
Keyword(s):  
Social Sciences ◽  
Cultural Studies ◽  
Cultural History ◽  
Interdisciplinary Approach ◽  
The Body ◽  
Social Knowledge ◽  
History Of Culture ◽  
Critical Turn ◽  
Definition Of ◽  
First Time

Cultural studies as a humanities researcher takes the place of an expert. The relevance of this topic is due to the lack of development of the issues of “culture-based studies” in Ukrainian culturology. There is a lack of translated into French or Ukrainian languages of French sources published since 1975. French culturological science, which developed after 1975, is almost not represented in Ukrainian culturology. The present stage of the development of French historiography, which lies at the heart of cultural history, and cultural studies, is associated with increased attention to social knowledge. This stage is characterized by the deployment of a “critical turn”, which proceeds from the following principles: the interdisciplinary approach, the significance of cultural expertise, the severity of publications and the multiplicity of their forms, multidisciplinarity. The “critical turn” affects the following spheres of knowledge: la Culturologie, les Études culturelles, les Sciences de la Culture. The article substantiates the relevance of the use of the concept of “culture-based studies” to the definition of processes that are unfolding within the framework of French humanities and are associated exclusively with the theoretical formations in the context of the social sciences. The purpose of the article is to outline a map of culture-based studies in the field of French humanitaristics. The methodology of the article is based on the application of interdisciplinary and multidisciplinary approaches to research in the field of culturology. Also, methodological developments in the field of “critical turn” and the achievements of the sociological circle and the interdisciplinary discussion club “Eranos” were applied. The scientific novelty of the article is to substantiate the appropriateness of the use of the concept of “culture-based studies” on the definition of processes that are unfolding within the framework of French humanitaristics and relate exclusively to theoretical formations in the context of social sciences. This concept to the field of Ukrainian culturology is introduced for the first time. Also, for the first time, the place and forms of culturology in French humanities were clarified. Conclusions. Working with a source base and methodology is one of the points that are compulsory on the way to the solution of the tasks, the main of which is the formation of the body of fundamental works for French history (including the history of culture) and historiography of the period since 1975 year to the present day. On the basis of this building, there is the prospect of building an alternative national cultural history project addressed to the vector of the French historiographical, historical-anthropological and cultural-related issues in the field of social knowledge. The article presents the arguments why it is appropriate to use the concept of “culture-based studies” in the context of conducting research in relation to French humanitaristics, in particular, the modern period of its development.

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