scholarly journals ONLINE COMIC/CARTOONS (Covid-19) AS A MEDIUM OF SATIRE CONSCIOUSNESS

2021 ◽  
Vol 3 (8) ◽  
pp. 49-62
Author(s):  
Fazlina Mohd Radzi ◽  
Liza Marziana Mohammad Noh ◽  
Haslinda Abd Razak ◽  
Shaliza Dasuki ◽  
Nor Arseha Karimon
Keyword(s):  
Social Media ◽  
Art History ◽  
Visual Art ◽  
Contextual Analysis ◽  
Edmund Burke ◽  
Social Aspects ◽  
Use Of Technology ◽  
The World ◽  
History Of ◽  
Independence Era

This study aims to examine the meaning and style of satire delivery through comics and cartoons websites by making the theme of the Covid-19 pandemic uploaded through social media. Apart from that, the researcher will trace the history of the beginning of cartoons and comics in Malaysia starting from the pre-independence and post-independence era in brief until the era of digitization. The approach of this study and writing is to understand the appreciation of the form and meaning of the work and also the context of its production. Using art history methodology based on contextual analysis is the basis of this study. Includes aspects of description, analysis, interpretation, and consideration used as a guide in the research of the work. Apart from that, there are also themes related to cultural and social aspects which are very close to the souls of Malaysians by using Edmund Burke Feldman's method of analysis. The findings of this study indicate that advances in the use of technology do not ignore the link between the visual art of website cartoons and current issues plaguing the world.

Conditions of Visibility

2019 ◽  
Keyword(s):  
Art History ◽  
Visual Art ◽  
Fundamental Question ◽  
Ancient World ◽  
Work Of Art ◽  
History Of Art ◽  
Shared Objects ◽  
History Of ◽  
Modern Prejudice ◽  
Historical Past

We often assume that works of visual art are meant to be seen. Yet that assumption may be a modern prejudice. The ancient world - from China to Greece, Rome to Mexico - provides many examples of statues, paintings, and other images that were not intended to be visible. Instead of being displayed, they were hidden, buried, or otherwise obscured. In this third volume in the Visual Conversations in Art & Archaeology series, leading scholars working at the intersection of archaeology and the history of art address the fundamental question of art's visibility. What conditions must be met, what has to be in place, for a work of art to be seen at all? The answer is both historical and methodological; it concerns ancient societies and modern disciplines, and encompasses material circumstances, perceptual capacities, technologies of visualization, protocols of classification, and a great deal more. The emerging field of archaeological art history is uniquely suited to address such questions. Intrinsically comparative, this approach cuts across traditional ethnic, religious, and chronological categories to confront the academic present with the historical past. The goal is to produce a new art history that is at once cosmopolitan in method and global in scope, and in doing so establish new ways of seeing - new conditions of visibility - for shared objects of study.

A rare dance

2021 ◽  
pp. 101269022199365
Author(s):  
Ilan Tamir
Keyword(s):  
Social Media ◽  
Critical Discourse ◽  
Basketball Player ◽  
Global Media ◽  
Marketing System ◽  
Rare Phenomenon ◽  
The World ◽  
History Of ◽  
Media Event ◽  
Enormous Success

The enormous success of The Last Dance, the sports documentary on Michael Jordan’s career, and especially his last season, is the result of a rare confluence of factors, each of which is a unique and rare phenomenon in the history of sport. Their combination has already turned the mini-series into a global media event of the kind that is usually reserved for live broadcasts of extraordinary events. A basketball player with unusual personal and professional abilities, supported by a highly polished and well-oiled marketing system; the specific window of time in which his star shone – the late 1990s, when the era of media commercialization and globalization flourished, yet before the emergence of social media and their typical critical discourse; the rise in sports documentaries in recent years; and encasing all of these is the time of the documentary’s broadcast, when sports life across the world ceased due to the coronavirus. The mini-series, which seemingly deals with a single season in the career of a single player in a single sport, is actually so much more. It is a composition reflecting much wider social, sports and media phenomena.

scholarly journals On New Paths for the Exploration of the Armenian Art

2020 ◽  
Author(s):  
Levon Chookaszian
Keyword(s):  
Art History ◽  
Wall Paintings ◽  
State University ◽  
The World ◽  
History Of ◽  
History And Theory

During the last centuries, numerous books and papers were published on Armenian art in different collections of the world. Still there is an ocean of work to do in this field to fill in the gaps of the history of Armenian art. The members of the Chair of Armenian Art History and Theory at Yerevan State University were the first to carry out a systematic work in Romania in 2011-2017 and Iran in 2015-2019 exploring the Armenian miniatures, icons, wall paintings, silverwork, textiles etc. The results of this work were presented as papers during the conferences and published as articles.

Technology and the Historian

2021 ◽  
Author(s):  
Adam Crymble
Keyword(s):  
Social Media ◽  
Case Studies ◽  
Digital Humanities ◽  
Teaching And Learning ◽  
Scholarly Communication ◽  
Approaches To Teaching ◽  
The World ◽  
Digital Work ◽  
History Of ◽  
The Many

After nearly a decade of scholars trying to define digital work, this book makes the case for a need instead to understand the history of technology’s relationship with historical studies. It does so through a series of case studies that show some of the many ways that technology and historians have come together around the world and over the decades. Often left out of the historiography, the digital age has been transformative for historians, touching on research agendas, approaches to teaching and learning, scholarly communication, and the nature of the archive itself. Bringing together histories and philosophies of the field, with a genre of works including private papers, Web archives, social media, and oral histories, this book lets the reader see the digital traces of the field as it developed. Importantly, it separates issues relevant to historians from activities under the purview of the much broader ‘digital humanities’ movement, in which historians’ voices are often drowned out by louder and more numerous literary scholars. To allow for flexible reading, each chapter tackles the history of a specific key theme, from research, to communication, to teaching. It argues that only by knowing their field’s own past can historians put technology to its best uses in the future.

Student Athlete Activism in a Millennial World

2019 ◽  
pp. 167-182
Author(s):  
Myron L. Pope ◽  
Darnell Smith ◽  
Shanna Pope
Keyword(s):  
Social Media ◽  
College Student ◽  
Student Athletes ◽  
Student Athlete ◽  
University Administration ◽  
Political Issues ◽  
The Past ◽  
The World ◽  
History Of ◽  
College Student Athletes

College student athletes are among the most recognized students in their communities, across the country, and in some cases around the world. Their voices hold a significant esteem, and they can impact many societal and political issues. Some have postulated that college student-athletes are hesitant to be a part of these politics, but during the past few years, many have taken stands through social media and through protests on their campuses that have been in opposition to the stances of their coaches, their university's administration, and their teammates. Many, however, challenge the role that student athletes have in these protests. This chapter will explore the history of student athlete activism and its developmental aspects, highlight the more recent instances of such activism, and finally discuss how university administration and others can support and be responsive to the concerns that are expressed by this unique set of students.

scholarly journals Analisis Kritik Sastra Feminis dalam Cerpen Catatan Hati Yang Cemburu Karya Asma Nadia

2020 ◽  
Vol 15 (4) ◽  
pp. 535-545
Author(s):  
Suaibatul Aslamiyah ◽  
Suci Nadilla ◽  
Cindy Aprilia Pratami
Keyword(s):  
Social Media ◽  
Literary Criticism ◽  
Value Of Life ◽  
Feminist Literary Criticism ◽  
The People ◽  
The World ◽  
History Of ◽  
Qualitative Descriptive ◽  
Universal Values ◽  
The Subject

Art has opened the eyes of the world throught literary works that record the history of a writing. Also the subject of women’s affairs is subject to an author’s reference to the problem of a sense of injustice. Such views have been discussed to voice gender equality and to seek efforts to overcome those problems. Nadia’s asthma is one of the authors who attempt to awaken women to the patriarchate system that has been going on. His works consistently incorporate such universal values as equality in various fields, human freedom, and tolerance so that his readers can adopt the value of life. In addition, she was actively involved in social media as a means of channeling her mind. The twitter feed says some of the people were repressed. Seeing the account encourage him to make a book and then be poured into a storybook of several different stories and in which one of the women’s true account t with the tittle of a jealous heart note. The study used qualitative descriptive methods with the theory of feminist literary criticism.

scholarly journals Connected Material Histories: A response

2016 ◽  
Vol 50 (1) ◽  
pp. 61-74 ◽  
Author(s):  
CRAIG CLUNAS
Keyword(s):  
Art History ◽  
First Year ◽  
The West ◽  
Hard Drive ◽  
Social Facts ◽  
History Of Art ◽  
The World ◽  
History Of ◽  
Act Up ◽  
The Way

In giving the very first lecture that first-year History of Art undergraduates at Oxford will hear, I usually employ the practice of giving them a sheet of paper with nothing on it but the outlines of the land masses of the globe, and ask them to draw a line round ‘the West’. The idea was inspired by a reading of Lewis and Wigen's 1997 bookThe Myth of Continents(‘justly celebrated’, as Sanjay Subrahmanyam says), and remains a useful pedagogic act, up to a point, for the reasons so clearly laid out in that book; also, it breaks the ice, it gets a buzz of conversation going in the room, it certainly foregrounds the topic, central now to art historical enquiry, of the way in which ‘representations are social facts’. But the reason I do not ask them to draw a map round ‘the East’ is that I suspect it would be too easy, or at least done too quickly, and indeed the boundaries of both ‘East’ and ‘Orient’, as ‘Europe's Other’, can be shown to have fluctuated much less than have the boundaries of what, for most Oxford students, is still, if somewhat tenuously, ‘us’ or ‘here’. Wherever ‘the East’ is, it all lies (as Subrahmanyam points out in his lecture) in that assuredly -etic part of the world called Asia. I might, in the privacy of my own hard drive, choose to categorize those European images which I need for teaching as ‘Non-Eastern’ (to balance the ‘Non-Western’ rubric on which my specialist options appear in the syllabus). But that is not a category widely used, or at least not in my own discipline of art history.

scholarly journals New pages of the history of national librarianship

Bibliosphere ◽  
2018 ◽  
pp. 79-88
Author(s):  
I. V. Lizunova ◽  
A. S. Metel'kov
Keyword(s):  
Social Media ◽  
Book Publishing ◽  
Russian Regions ◽  
Central Topic ◽  
The World ◽  
History Of ◽  
International Publishing ◽  
Points Of View ◽  
Further Development

The paper includes speeches of the participants of discussion platform «Independent book publishing: realities, prospects for the future»: theorists and practitioners of books-publishers - writers, poets, editors, kulturträgers, bibliologists. This article describes different points of view on the problems and prospects of developing the independent book publishing in various Russian regions and in the world. It emphasis on the history of the independent book publishing in Russia and Germany, new opportunities emergence for independent authors’ expressions: online publications, electronic publications, etc. Particular attention is paid to discussing the definitions, what is meant by «independent publishing», «self-publication», «self-edition», «self-printing», «self-editor», «kulturträge», «zine culture». The central topic of discussion was the problem of determining the quality of literature, self-promoting publications and distribution of professionals’ published books: bookselling network, social media, activity profitability, etc. Participants attempted to identify the place of Siberian independent publishers in the all-Russian and international publishing space, prospects for further development of independent book publishing in Siberia.

scholarly journals BLOCKCHEEN: DEVELOPMENT PROSPECTS AND IMPLEMENTATION CHALLENGES

2018 ◽  
Vol 22 (3) ◽  
pp. 120-127 ◽  
Author(s):  
Ya. Yu. Radyukova ◽  
E. A. Kolesnichenko ◽  
S. O. Epifanova
Keyword(s):  
Information System ◽  
Technology Development ◽  
Basic Principles ◽  
Implementation Challenges ◽  
Use Of Technology ◽  
The World ◽  
History Of ◽  
Study Perspective ◽  
Development Prospects

The technology of blocking has emerged not so long ago, but has already become known due to such advantages as security, reliability and openness. It is believed that the block is most often used in the economy, namely, to work with crypto-currencies. Nevertheless, technology can be useful in various industries. The article is devoted to the review of blockade technology, the study of the basic principles of its operation and the ways of applying the technology in various fields. In the course of the study, the history of the appearance of blocking technology was briefly studied and the concept of technology was defined, which is a multifunctional information system distributed throughout the world designed to account for various assets. An analysis was also made of the main advantages, which include: the absence of intermediaries, the unchanged data, as well as the decentralization and openness of information. Along with the advantages, a number of disadvantages inherent in the technology of blocking are revealed. The paper discusses the prospects for applying technology in the economy and in financial spheres; analysis of the use of blocking technology in accounting, reporting, reconciliation of accounts and in the implementation of operations with objects of value. Particular attention is paid to the use of technology in various spheres of life, not related to the economy. On the basis of the study, perspective directions of technology development in Russia and abroad are determined.

scholarly journals Artistic stylization as the main means of expression in different genres of fine arts

2021 ◽  
pp. 165-169
Author(s):  
Veronika Zaitseva
Keyword(s):  
Art History ◽  
Visual Art ◽  
Fine Arts ◽  
Fine Art ◽  
Scientific Methods ◽  
The World ◽  
Analysis And Synthesis ◽  
General Scientific ◽  
Artistic Images ◽  
Comprehensive Study

The purpose of the article is to analyze the essence of the method of stylization and determine its creative and expressive role in various genres of fine arts. Based on the experience of the world and domestic visual art to explore the practical use of methods and techniques of artistic stylization. The methodology consists of the application of general scientific methods (analysis and synthesis, induction and deduction) and methods of art history (comparative, typological, descriptive). The scientific novelty of the work consists in a comprehensive study and identification of the features of expressive means of artistic stylization of a pictorial composition in different genres of modern fine art. Conclusions. Exploring the expressive means of artistic stylization of composition in various genres of fine arts, it can be noted that leading foreign and domestic artists in their work have widely used a variety of techniques and methods of creative stylization of artistic images. The analysis of the experience of the world and domestic visual art of fine stylization should promote better visual perception and creation of subject-spatial stylized compositions and is, therefore, an extremely fruitful object of research.

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