The CCP’s Social Construction Initiative and the History of Social Subjects

2021 ◽  
Vol 23 (2) ◽  
pp. 253-300
Author(s):  
Youn Mi Jang
Keyword(s):  
Social Construction ◽  
History Of

scholarly journals Humans created God in their image? An anthropomorphic projectionism in the Old Testament

2018 ◽  
Vol 74 (1) ◽  
Author(s):  
Ndikho Mtshiselwa ◽  
Lerato Mokoena
Keyword(s):  
Social Construction ◽  
Old Testament ◽  
Main Question ◽  
Human Beings ◽  
Social Construct ◽  
Ancient Israel ◽  
The World ◽  
Genesis 1 ◽  
History Of ◽  
Old Testament Studies

The Old Testament projects not only a Deity that created the world and human beings but also one that is violent and male. The debate on the depiction of the God of Israel that is violent and male is far from being exhausted in Old Testament studies. Thus, the main question posed in this article is: If re-read as ‘Humans created God in their image’, would Genesis 1:27 account for the portrayal of a Deity that is male and violent? Feuerbach’s idea of anthropomorphic projectionism and Guthrie’s view of religion as anthropomorphism come to mind here. This article therefore examines, firstly, human conceptualisation of a divine being within the framework of the theory of anthropomorphic projectionism. Because many a theologian and philosopher would deny that God is a being at all, we further investigate whether the God of Israel was a theological and social construction during the history of ancient Israel. In the end, we conclude, based on the theory of anthropomorphic projectionism, that the idea that the God of Israel was a theological and social construct accounts for the depiction of a Deity that is male and violent in the Old Testament.

The History of Unreason

2021 ◽  
pp. 1-19
Author(s):  
Samuel Teague ◽  
Peter Robinson
Keyword(s):  
Mental Health ◽  
Mental Illness ◽  
Social Construction ◽  
Mentally Ill ◽  
Historical Narrative ◽  
Individual Responsibility ◽  
Socially Constructed ◽  
The Social ◽  
Health And Illness ◽  
History Of

This chapter reflects on the importance of the historical narrative of mental illness, arguing that Western countries have sought new ways to confine the mentally ill in the post-asylum era, namely through the effects of stigma and medicalization. The walls are invisible, when once they were physical. The chapter outlines how health and illness can be understood as socially constructed illustrating how mental health has been constructed uniquely across cultures and over time. To understand this process more fully, it is necessary to consider the history of madness, a story of numerous social flashpoints. The trajectories of two primary mental health narratives are charted in this chapter. The authors argue that these narratives have played, and continue to play, an important role in the social construction of mental illness. These narratives are “confinement” and “individual responsibility.” Drawing on the work of Michel Foucault and Roy Porter, the authors describe how Western culture has come to consider the mentally ill as a distinct, abnormal other.

scholarly journals The Social Construction of Historical Traumas: The Polish Experience of the Uses of History in an Intelligentsia-dominated Polity

2020 ◽  
Vol 28 (6) ◽  
pp. 911-931
Author(s):  
Tomasz Zarycki ◽  
Tomasz Warczok
Keyword(s):  
Social Construction ◽  
Historical Narrative ◽  
The West ◽  
Specific Nature ◽  
Polish Experience ◽  
The Social ◽  
History Of ◽  
Historical Identity ◽  
And Control

The article argues that Poland’s mainstream national historical narrative, at least as far as the last two centuries of history of the country is concerned, is full of ‘traumatic’ motives which are regularly used and developed in diverse current political and intellectual contexts. Polish history is imagined to a large extent as an endless chain of 200 years of suffering, caused, among other things, by occupations, wars and exploitation, which are usually seen as not fully recognized in other countries, in particular in the West. The article attempts first of all to explain this specific nature of Poland’s historical identity by the privileged role of the intelligentsia, understood as a specific type of elite based on possession and control of cultural capital. It reconstructs the historical rise of the intelligentsia and its impact on the mainstream narrative in question, pointing to a selective choice of potential ‘traumas’ which are assigned a national status. They may be seen as tools to build positions in what can be called the Polish ‘field of power’, to use the notion coined by Pierre Bourdieu. The particular configuration and recent history of the field of power in Poland is reconstructed in order to explain different strategies of what can be called the social and political construction of historical traumas in Poland.

scholarly journals Os Jovens e o Imaginário da Aids: notas para uma construção social do risco

2003 ◽  
Vol 4 ◽  
Author(s):  
Leila Jeolás
Keyword(s):  
Social Construction ◽  
Common Sense ◽  
Gender Relations ◽  
Individual Behavior ◽  
The Social ◽  
History Of ◽  
Cultural Symbolism ◽  
Everyday Experiences ◽  
Social Construction Of Risk ◽  
The Way

Este artigo, baseado em pesquisa sobre o imaginário da aids entre jovens, busca compreender a noção de risco como uma categoria sociocultural, cujos significados se acumulam nos conceitos de várias áreas do conhecimento e nos usos de senso comum. O perigo, o mal e o infortúnio sempre foram moralizados e politizados nas diversas culturas humanas e a história da aids não poderia ser diferente. Os simbolismos culturais sobre contágio, doenças transmitidas pelo sexo e pelo sangue e os valores atuais da sexualidade, incluindo as relações de gênero, estão presentes na forma como os jovens representam o risco do HIV. Além disso, não se pode desconsiderar a ambivalência que os riscos assumem atualmente para os jovens: alguns negados e afastados, outros aceitos e valorizados. No caso da aids, a busca pela vertigem e pelo êxtase, componentes do sexo e das drogas, distancia o discurso dos jovens sobre risco do discurso preventivo, baseado na racionalidade do comportamento individual, assumindo valores distintos ligados a experiências cotidianas. Youngsters and the imagery of AIDS: notes for the social construction of risk This article, based on research about the imagery of AIDS among youth, aims to understand the notion of risk as a social-cultural category, whose meanings are piled upon concepts of several areas of both knowledge and common sense usages. Danger, evil and misfortune have always been moralized and politicized in the different human cultures and it could not be different in the history of aids. Cultural symbolism about infection, sexually and blood transmitted diseases, as well as sexuality’s current values, including here gender relations, are present in the way the youth represents HIV´s risks. Besides, the ambivalence these risks assume for the youth nowadays cannot be disregarded: some are denied and put aside, others are accepted and valorized. In the case of AIDS, the search for vertigo and ecstasy, components of sex and drugs, distances the youth’s discourse about risk from the preventive discourse, based on the rationality of individual behavior, assuming distinct values linked to everyday experiences.

Art and its Objects: William Ivins and the Reproduction of Art

1987 ◽  
Vol 35 (1_suppl) ◽  
pp. 65-98
Author(s):  
Gordon Fyfe
Keyword(s):  
Social Construction ◽  
Social History ◽  
Visual Communication ◽  
Fine Art ◽  
Modes Of Representation ◽  
The Social ◽  
Photographic Reproduction ◽  
History Of ◽  
Art Reproduction ◽  
The Relationship

This paper is a critique of the contribution of William Ivins's Prints and Visual Communication (1953) to an understanding of the meaning of fine art reproductions. Ivins showed that photographic reproduction was constructed in relation to, and displaced, older ways of reproducing art which were carried out by handicraft engravers. His analysis alerts us to the fact that ambiguity characterized art reproduction before photographs. Art reproductions, then, were interpretations in line based on conventional modes of representation – what Ivins calls a visual syntax. In this respect he enhances our understanding of the social construction of the artist. For Ivins the social history of reproduction seems to end with the camera. This completed an individuation of creativity ushered in with the Renaissance, but which was always qualified by the interfering visual syntax of craftsmen-interpreters. It is argued that the value of Ivins's account resides in its reconstruction of the relationship between handicraft engraving, fine art reproduction and aesthetic objects that have long since slipped from our consciousness.

scholarly journals Energy and Culture, The Social Construction of the Myanmar-China Pipelines

2021 ◽  
Author(s):  
◽  
Jeremy Todd
Keyword(s):  
Social Construction ◽  
International Institutions ◽  
Oil And Gas ◽  
Energy Resources ◽  
Political Situation ◽  
The Social ◽  
Resource Ownership ◽  
History Of ◽  
The Military ◽  
Shed Light

<p>Transnational oil and gas pipelines have a troublesome history of disagreements and disputes that in many cases have led to a cessation of supply. While geopolitics and weak international institutions are often pointed to as explanations, considering pipelines as social as well as material constructs can also shed light on why disputes emerge. This paper will consider the social construction of the Myanmar-China pipelines. In China, the pipelines are seen as the solution to China’s ‘Malacca dilemma’. In Myanmar, the changing political situation has allowed new actors to contest the military junta’s narrative of economic development and the pipelines have become a lightning rod for national conversations about local resource ownership, social and environmental norms and Chinese exploitation of Myanmar’s energy resources.</p>

scholarly journals Canada's spousal sponsorship process: challenges of cross-national couples

2021 ◽  
Author(s):  
Sophie Qu
Keyword(s):  
Social Construction ◽  
Well Being ◽  
Family Reunification ◽  
Information Communication ◽  
Refugee Protection ◽  
Inadequate Information ◽  
History Of ◽  
The Government ◽  
Key Words Family ◽  
Cross National

Family reunification is a key objective of Canada’s Immigration and Refugee Protection Act. Despite this, cross-national couples continue to experience challenges during the spousal sponsorship process. The spousal sponsorship regime must be situated in the context of Canada’s history of racist immigration policies, and consider the nature of neo-racism, and the function of securitization. It is evident in the negative social construction of foreign spouses, and the conflation of cross-national couples with marriage fraud, that the government prioritizes fraud detection over family reunification. Interviews with ten individuals of cross-national marriages revealed challenges related to finances, emotional well-being, power imbalances, and the stigmatization of marrying a foreign spouse. The process was made more difficult by the government due to inadequate information, communication, and transparency. While processes of racialization can be seen to inform practices and policies of the spousal sponsorship system, other factors such as bureaucracy and socioeconomic status also appeared to play a role. Key words: family; spousal sponsorship; cross-national; racism; marriage fraud

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