scholarly journals THE USE OF DEIXIS IN WONDER WOMAN MOVIE (Penggunaan Deiksis dalam Film Wonder Woman)

Sirok Bastra ◽  
2021 ◽  
Vol 9 (1) ◽  
pp. 35-44
Author(s):  
Didin Nuruddin Hidayat ◽  
Leny Hikmah Rentiana ◽  
Alek Alek ◽  
Yudi Septiawan
Keyword(s):  
Real World ◽  
Qualitative Method ◽  
Descriptive Analysis ◽  
First Person ◽  
Second Person ◽  
Wonder Woman ◽  
Third Person ◽  
Data Source ◽  
Analysis Design ◽  
Movie Script

This research analyzes the use of deixis in the Wonder Woman script. It describes the types and the deixis in the Wonder Woman script performed by both the actors and the actresses. A qualitative method employing a descriptive analysis design was utilized. The data source of this research was collected by downloading the movie script from YouTube. The data were observed, transcribed, and categorized into some types of deixis. The result showed five kinds of deixis performed in the Wonder Woman movie: first person, second person, third person, temporal, and discourse. The research concluded that the most performed deixis to the least one in the Wonder Woman movie is the first-person deixis, followed by second-person deixis, discourse deixis, third-person deixis, and temporal deixis. Substantially, this research had shown that film also used deixis as its speech type related to the communication done in the real world, although the film used in this study, Wonder Woman movie, was a fictional one. Penelitian ini menganalisis penggunaan deiksis dalam naskah film Wonder Woman. Penelitian bertujuan mendeskripsikan tipe dan deiksis dalam naskah film Wonder Woman yang diujarkan oleh aktor maupun aktris. Penelitian ini menggunakan metode kualitatif dengan desain analisis deskriptif. Sumber data dalam penelitian ini dikumpulkan dengan mengunduh naskah film dari YouTube. Data diamati, ditranskrip, dan dikategorikan ke dalam beberapa jenis deiksis. Hasil penelitian menunjukkan bahwa ada lima macam deiksis yang terdapat dalam film Wonder Woman: orang pertama, orang kedua, orang ketiga, temporal, dan wacana. Kesimpulan dari penelitian ini menunjukkan bahwa deiksis yang paling banyak muncul dalam film Wonder Woman adalah deiksis orang pertama, diikuti oleh deiksis orang kedua, deiksis wacana, deiksis orang ketiga, dan deiksis temporal. Secara substansial, penelitian ini menunjukkan bahwa film ini juga menggunakan deiksis sebagai jenis tuturannya terkait dengan komunikasi yang dilakukan di dunia nyata meskipun film yang digunakan dalam penelitian adalah film fiksi.

scholarly journals AN ANALYSIS OF DEIXIS USING “BEAUTY AND THE BEAST” MOVIE SCRIPT

2018 ◽  
Vol 1 (4) ◽  
pp. 413
Author(s):  
Elisa Fadlilah ◽  
Rika Septyani
Keyword(s):  
Qualitative Research ◽  
First Person ◽  
Second Person ◽  
Beauty And The Beast ◽  
Third Person ◽  
Movie Script ◽  
Descriptive Qualitative

This study deals with the English deixis. The objectives of this study are to analyze type of deixis and to find out the frequency of each deixis in the movie entitled Beauty and The Beast. This study was conducted by using descriptive qualitative research. The source of data was taken from the movie script of Beauty and The Beast. Documentary technique is used in collecting data. The findings showed that there are three types of deixis found in the Beauty and The Beast movie script and there are nine frequencies of deixis, namely person deixis in greater occurrences than another. Type of person deixis is used 128 times or (84,21%), which consists of first person used 53 times or (34,86 %), second person used 52 times or (34,21 %), and third person used 23 times or (15,13 %). The next, spatial (place) deixis is used 12 times or (7,89 %) and the last, temporal (time) deixis is used 12 times or (7,89 %) which consists of present used 5 times or (3,28 %), past used 5 times or (3,28 %), future used 2 times or (1,31 %). The least frequently used by the Beast in Beauty and the Beast Speech film`s dialogue was first person deixis used 53 times or (34,86 %). Keywords:  Pragmatic, Movie,  Deixis

scholarly journals ILLOCUTIONARY SPEECH ACTS ANALYSIS IN TOM CRUISE'S INTERVIEW

2020 ◽  
Vol 8 (1) ◽  
pp. 11 ◽  
Author(s):  
Ghasella Makhpirokh Haucsa ◽  
Abdul Gafur Marzuki ◽  
Alek Alek ◽  
Didin Nuruddin Hidayat
Keyword(s):  
Speech Acts ◽  
Qualitative Method ◽  
Descriptive Analysis ◽  
Written Form ◽  
Data Source ◽  
Analysis Design

This study is an analysis of illocutionary speech acts performed in Tom Cruise's interview in promoting his movie. This study aims to describe the types as well as the functions of illocutionary speech acts performed by both the interviewer and the interviewee. Moreover, this study also describes the most and the least used illocutionary speech acts performed in the interview. This study uses qualitative method employing descriptive analysis design. The data source of this study is collected by downloading the video of the interview from YouTube. The data are observed and transcribed into written form. Furthermore, the data are categorized into some types of illocutionary speech acts. The result showed that there are four kinds of illocutionary speech acts which are performed in Tom Cruise's interview which are representative, commissive, directive, and expressive. Here, the representative speech acts was categorized as the most performed speech in that interview. The result of the present study showed that Tom Cruise tended to convey his utterance to give statements of fact or to describe things that he believed to be true. Meanwhile, the percentage of the most performed or the most used speech acts to the least one in Tom Cruise's interview is: representative (48.7%), expressive (38.5%), commissive (7.7%), directive (5.1%), and declarative (0%).

scholarly journals ANALYZING THE DEIXIS OF SONG LYRICS IN ADELE ENTITLED ALL I ASK

2021 ◽  
Vol 4 (1) ◽  
pp. 134
Author(s):  
Rian Abdus Salamudin ◽  
Efransyah Efransyah
Keyword(s):  
Qualitative Method ◽  
First Person ◽  
Second Person ◽  
The Third ◽  
Spatial Deixis ◽  
Third Person ◽  
Song Lyric ◽  
Song Lyrics ◽  
The Third Person ◽  
Descriptive Qualitative

The title of this research is analyzing the Deixis of Song Lyrics in Adele entitled “All I Ask”. The researchers used a descriptive qualitative method in this research. This research are aimed to find out the types of deixis (Personal, Spatial, and Temporal) and the most dominant deixis which found in the lyrics of Adele's song. Based on the results and discussion, the researchers concluded that all deixis which proposed by Yule are found in Adele’s song lyrics. Personal deixis is mostly found in 38 occurrences dominate in this song. The words are “I, me, we, our, ours, us, and my” as the first person deixis, “you, and your” as the second person deixis, and “they and it” as the third person deixis. In the second position is spatial deixis, this, and in your eyes which found in 5 occurrences. The third position is temporal deixis, coming next, tomorrow, and last night which found in 3 occurrences. Keywords:  Deixis, Song, Lyric 

scholarly journals DEIKSIS PERSONA DALAM FILM DUA GARIS BIRU KARYA GINA S. NOER PRODUKSI STARVISION DAN WAHANA KREATOR

2020 ◽  
Vol 21 (2) ◽  
pp. 103
Author(s):  
Nida Fahrunisa ◽  
Asep Purwo Yudi Utomo
Keyword(s):  
Qualitative Method ◽  
First Person ◽  
Pragmatic Approach ◽  
Second Person ◽  
Person Plural ◽  
Plural Form ◽  
Third Person ◽  
Observation Method ◽  
The Third Person ◽  
Speech Situation

Person deixis can be found in various speeches, both located in everyday speech and dialogue between characters in a film, including Dua Garis Biru. This study aims to classify and analyze the kinds of person deixis and their functions in the movie Dua Garis Biru. This study used descriptive qualitative method. The data analysis in this study used a pragmatic approach. They are collecting data using the observation method with note-taking techniques. The results showed that the types of personal deixis used in the film Dua Garis Biru are single and plural form. They are singular and plural first person deixis, singular and plural second-person deixis, and third single and plural third person deixis. Each type of person deixis has a different function according to its context and reference. The singular first-person deixis is saya, aku (English: I/me),gue and gua (English:I/me in informal style),-ku (English: my). The first person deixis in the plural is kita and kami (English: we/us). The single second person deixis used in the film Dua Garis Biru is kamu (English: you), -mu (English: your), loe and lu (English: you), while the second person plural deixis is kalian (English: you). The third person deixis consists of singular third-person deixis, namely he/her or his/her, and the plural third-person deixis, namely they/their/them and everybody. The use of deixis is influenced by familiarity, age, social status, and speech situation.

scholarly journals AN ANALYSIS OF DEIXIS AND ITS REFERENCE USED BY MAIN CHARACTER IN “A THOUSAND WORDS” MOVIE SCRIPTBY STEVE KOREN

2018 ◽  
Vol 2 (1) ◽  
pp. 68-75
Author(s):  
Raty Sasmita ◽  
Mei Hardiah ◽  
Elfrida .
Keyword(s):  
Qualitative Research ◽  
First Person ◽  
Main Character ◽  
Second Person ◽  
Personal Time ◽  
Third Person ◽  
Movie Script ◽  
Social Deixis ◽  
Descriptive Qualitative

The type of this research is Descriptive Qualitative research. It is aimed to find out the types of Personal, Time, Place, Discourse and Social Deixis and its reference by the main character in “A Thousand Words” movie script based on the theory that proposed by Levinson. The object of this study is “A Thousand Words” movie script by Steve Koren. This research found the five types of deixis in a movie script, they are person deixis (515 occurrences), time deixis (20 occurrences), place deixis (34 occurrences), discourse deixis (104 occurrences) and social deixis (1 occurrence). Besides that, the references found in this research were in person deixis were I, Me, We, Us, My as first person deixis; You, Your as second person deixis; He, She, It, They, Them, Him, Her as third person deixis which belongs to personal deixis (149 utterances); time deixis found were Now, Today, On a Tuesday, Three days, Two days, Then (19 utterances); place deixis found was Here, There, In (22 utterances); discourse deixis found was This, That, Those, These (60 utterances); ands the last, social deixis found were Mr (1 utterance).

scholarly journals PERSON DEXIS IN FROZEN MOVIE SCRIPT BY SORROW

2020 ◽  
Vol 1 (02) ◽  
pp. 28-44
Author(s):  
Ayu Meita Puteri Siregar
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Research Finding ◽  
Data Type ◽  
First Person ◽  
Second Person ◽  
Third Person ◽  
Movie Script ◽  
Descriptive Qualitative

This study aims at describing the types of personal deixis and finding the reference of personal deixis. The object to be analyzed is personal deixis in the form of words. The data in this study was obtained from Frozen Movie Script was taken from dialogue 0:03:39.94 to dialogue 0:11:12.82. The type of the research is descriptive qualitative research. In clarifying the types of personal deixis the researcher uses pragmatics analysis especially deixis theory. Then, the technique of analyzing data are finding the types of personal deixis used in Frozen movie script, describing the reference of the use of personal deixis in movie script of Frozen, drawing the conclusion and suggestion based on the data analysis. The research finding of the study shows that there are three types of personal deixis first personal deixis, second personal deixis and third personal deixis and three kinds of the reference on Frozen Movie include that reference that refers to first person, the reference which refers to second person and the reference which refers to third person. The data of this research consists of 85 personal deixis include that 43 data type of first personal deixis, 22 data type of second personal deixis and 12 data type of third personal deixis.

AN ANALYSIS DEIXIS IN “NOM NOM’S ENTOURAGE” MANUSCRIPT ON WE ARE BARE BEARS MOVIE SEASON

2021 ◽  
Vol 4 (1) ◽  
pp. 80
Author(s):  
Arni Rahmah Wasdili ◽  
Iman Santoso
Keyword(s):  
Qualitative Method ◽  
Second Person ◽  
Social Differences ◽  
The Social ◽  
Third Person ◽  
Social Deixis ◽  
Descriptive Qualitative

The tittle of this research is An AnalysisDeixis in “Nom nom’s Entourage” Manuscript on We are Bare BearsMovie Seaso. Deixis is one of branch from pragmatics that shown relation between language and context in that language it self. The aim from this research is to know and identify the type of deixis in Nom nom’s Entourage movie season. That have some steps to collecting the data firs is watching the We Are Bare Bears movie season with Nom nom’s Entourage title. Second is reading the script of that movie. Third, selecting and collect the data. Fourth is classifying the type of deixis and the last is produce the conclution. This research using descriptive qualitative method to analyze the data. The result from this research is that have five type of deixis there are person deixis, time deixis, place deixis, social deixis and discourse deixis. Person deixis divided to three part there are firs person as speaker, second person as hearer and third person as other, with 195 word in that movie. Time deixis shows a certain period of time, consist of 10 word in that movie. Place deixis describe the location in a conversation, consist of  26 word in that movie. Social deixis is show how the social differences when talking with other, consist of 18 word in that movie. Discourse deixis is show deitic expressions which point to prior succeeding parts of the discourse with 4 word in that movie. Keywords:  Pragmatics, Deixis, Movie

Introduction to the Special Issue on First-Person Methods in HCI

2021 ◽  
Vol 28 (6) ◽  
pp. 1-12
Author(s):  
Audrey Desjardins ◽  
Oscar Tomico ◽  
Andrés Lucero ◽  
Marta E. Cecchinato ◽  
Carman Neustaedter
Keyword(s):  
Human Computer Interaction ◽  
First Person ◽  
Special Issue ◽  
Second Person ◽  
Third Person ◽  
The Difference ◽  
Future Work ◽  
Computer Interaction

In this introduction to the special issue on First-Person Methods in (Human-Computer Interaction) HCI, we present a brief overview of first-person methods, their origin, and their use in Human-Computer Interaction. We also detail the difference between first-person methods, second-person, and third-person methods, as a way to guide the reader when engaging the special issue articles. We articulate our motivation for putting together this special issue: we wanted a collection of works that would allow HCI researchers to develop further, define, and outline practices, techniques and implications of first-person methods. We trace links between the articles in this special issue and conclude with questions and directions for future work in this methodological space: working with boundaries, risk, and accountability.

scholarly journals Referential hierarchies: A new look at some historical and typological patterns

Linguistics ◽  
2016 ◽  
Vol 54 (3) ◽  
Author(s):  
Spike Gildea ◽  
Fernando Zúñiga
Keyword(s):  
First Person ◽  
Historical Sources ◽  
Second Person ◽  
Case Marking ◽  
Asymmetrical Pattern ◽  
Third Person ◽  
Grammatical Change ◽  
Formal Properties ◽  
Constituent Ordering ◽  
Person Marking

AbstractThis paper proposes a diachronic typology for the various patterns that have been referred to as Hierarchical Alignment or Inverse Alignment. Previous typological studies have tried to explain such patterns as grammatical reflections of a universal Referential Hierarchy, in which first person outranks second person outranks third person and humans outrank other animates outrank inanimates. However, our study shows that most of the formal properties of hierarchy-sensitive constructions are essentially predictable from their historical sources. We have identified three sources for hierarchical person marking, three for direction marking, two for obviative case marking, and one for hierarchical constituent ordering. These sources suggest that there is more than one explanation for hierarchical alignment: one is consistent with Givón’s claim that hierarchical patterns are a grammaticalization of generic topicality; another is consistent with DeLancey’s claim that hierarchies reflect the deictic distinction between present (1/2) and distant (3) participants; another is simply a new manifestation of a common asymmetrical pattern, the use of zero marking for third persons. More importantly, the evolution of hierarchical grammatical patterns does not reflect a consistent universal ranking of participants – at least in those cases where we can see (or infer) historical stages in the evolution of these properties, different historical stages appear to reflect different hierarchical rankings of participants, especially first and second person. This leads us to conclude that the diversity of hierarchical patterns is an artifact of grammatical change, and that in general, the presence of hierarchical patterns in synchronic grammars is not somehow conditioned by some more general universal hierarchy.

scholarly journals Figurative Language Used by Characters in the Sherlock Holmes 1 Movie Script “The Study in Pink”

HUMANIS ◽  
2018 ◽  
pp. 190
Author(s):  
I Gusti Ngurah Agung Yustina ◽  
I Wayan Suardhana ◽  
Putu Lirishati Soethama
Keyword(s):  
Qualitative Method ◽  
Figurative Language ◽  
The Internet ◽  
Sherlock Holmes ◽  
Documentary Method ◽  
Data Source ◽  
Movie Script

The title of this study is Figurative Language Used By Characters in the Sherlock Holmes 1 Movie Script “The Study in Pink”. The aims of this study are to discover the types of figurative languages and their meanings used in the movie. The data source was taken from the internet website and this movie script was purely from the Sherlock movie in season one. In collecting data, the method used for this study was documentary method. In analyzing the data, the study used qualitative method. The major theory used is the theory of figurative language proposed by Knickerbocker and Reninger (1963), and the supporting theory about the meaning proposed by Leech (1974). The result shows that there are four types from ten types of figurative language appearing in the movie. In addition, there are three types that are used from seven types of meaning.

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