Figure of Speech Stylistic Analisys on Song Liryc in Sami Yusuf’s Albums

This research aimed to analyze figure of speech Stylistic in Sami Yusuf’s song lyrics. The author is intrigued by the songwriter's lyrics that may occur in the life we live. The purpose of this study is to determine whether or not there are any figure of speech features in Sami Yusuf's song lyrics, as well as to examine the meaning of the song lyrics found in Sami Yusuf's song lyrics. Content analysis was a part of this study. The method used in this study is descriptive qualitative research, and the design is qualitative research. The data was gathered through library research. The researcher is the research instrument since he or she is the main instrument in this study who collects and evaluates the data. After finishing the investigation, the researcher discovered that the most common figure of speech is personification, which has 14 data, and the least common figure of speech is paradox, which has one data. Metaphor (4 data), simile (7 data), synecdoche (10 data), metonymy (5 data), symbol (4 data), and hyperbole (5 data) are some of the other data collected. In other cases, the researcher found no figures of speech like allegory, apostrophe, understatement, or linguistic irony. The connotations of figure of speech utilized in Sami Yusuf's song lyrics are varied. Keywords: figure of speech, song lyric, stylistic

Gaya Bahasa Dalam Lirik Lagu Kaze Wo Hamu Karya N-Buna

Music is a work of art in the form of a song that expresses the feelings of its creator through the main elements of music, namely rhythm, melody, harmony and others. The purpose of this study was to determine the style of language in the lyrics of the song kaze wo hamu by n-buna. The method uses stylistics. Based on the results of research and discussion on the lyrics of the song kaze wo hamu by n-buna, it is found that there is a style of language. Hyperbole is 6, repetition is 3, personification is 2, synesthesia is 2, and tautology is 1. The existence of language style in a song lyric further enhances the meaning to be conveyed to music lovers.

ALAN WALKER’S “LILY” SONG LYRICS TO DEPICT SATANIC TRICKS: A GENERIC STRUCTURE ANALYSIS AS RHETORIC

The current study investigated a song lyric entitled “Lily” in terms of its generic structure to come up with the rhetorical strategies—how satanic tricks influence people through human greed. Lily belongs to a lyric considered a narrative poem. It is theorized that a narrative poem is a poem or possibly a lyric which consists of orientation, complication and resolution. In other words, a lyric is structured as such to produce rhetorical strategies (goals) which were analyzed employing Aristotle’s ethos, logos and pathos. Meanwhile, in the complication analysis of Lily, not only did the study employ psychological theory but was also supported by social contexts to describe how satanic tricks were made use through human greed engineering in achieving the goal of negative thoughts generating. The findings indicate that human minds are in fact guided by both angels and satans. Angels guide any individual (Lily) to stay in track of the positive values while Satan whispers tricks to divert from the positive path toward the negative values by means of human greed. To confirm the findings, a survey was administered to 90 purposefully-selected teenagers in Semarang Municipality only to find that “Lily“ song lyrics failed to give any answer to the question whether or not she (Lily) can be saved despite her frequent calls for help.

Pengubahan Bunyi dalam Lirik Lagu Bahasa Jawa

Sound Change in Javanese Song Lyrics ABSTRAKArtikel ini ditulis dengan tujuan mendeskripsikan pengubahan bunyi dalam lirik lagu bahasa Jawa. Data dalam penelitian bahasa ini adalah kata atau frasa yang mengandung pengubahan bunyi bahasa Jawa. Sumber data adalah lirik lagu dari 41 judul lagu dalam enam album Video Compact Disk Dangdut Koplo. Penelitian bahasa ini dilakukan dengan mengandalkan metode introspeksi dan metode simak untuk mengumpulkan data. Data dianalisis dengan metode padan intralingual dan teknik hubung banding menyamakan atau disebut HBS. Teknik pengecekan keabsahan hasil penelitian menggunakna teknik introspeksi. Hasil penelitian yaitu pengubahan bunyi dalam lirik lagu bahasa Jawa meliputi empat hal yaitu : (1) pengubahan bunyi {-ipun} menjadi {-nyo} karena tuntutan guru lagu; (2) pengubahan secara sinkope, kontraksi, epentesis, dan paragoge karena tuntutan guru wilangan; (3) penambahan bunyi untuk mengindahkan dalam wujud puitisasi ragam; dan (4) informalisasi ragam dengan cara penanggalan suku pertama, penanggalan bunyi awal, penanggalan vokal /a/ pada {-ake}, penanggalan vokal /e/, penghilangan bunyi di tengah, dan pemendekan dalam frase.Kata kunci: pengubahan bunyi, lirik lagu, bahasa Jawa ABSTRACTThe aim of this article is describing sound changes in Javanese song lyrics. The data in this language research are words or phrases that contain sound changes in Javanese. The data source is the song lyrics from 41 song titles in the six albums of the Dangdut Koplo Video Compact Disk. This linguistics research was conducted by relying on the introspection method and scrutinize method to collect data. The data were analyzed by using intralingual matching method and equalizing comparison technique or called HBS. The technique of checking the the research results validity uses introspection techniques. The results of the study were sound change in Javanese song lyrics covering four things, namely: (1) changing the sound {-ipun} to {-nyo} because of the demands of the song teacher; (2) changes in syncope, contraction, epenthesis, and paragoge due to the demands of the sylablle; (3) sound addition to heed in the form of variety poetry; and (4) variety informalization use first syllable dismantlement, dismantlement the initial sound, dismantlement the vowel /a/ in {-ake}, dismantlement the vowel /e/, removing the middle sound, and shortening the phrase.Keyword: sound change, song lyric, Javanese language

Analisis Gaya Bahasa dalam Lirik Lagu Lenka Kripac Album Lenka

The aims of this research are to describe figurative language and meaning of figurative language.The method of this research is descriptive qualitative method which analyzes figurative language.The result of this research is to find the figurative language song lyric Lenka Kripac. The results are repetisi with percentage 22,7%. Antisipasi, koreksio, sinisme, and koreksio are 2,3%.

FIGURATIVE MEANING FOUND IN QUEEN’S ALBUM

The phenomenon of miss interpretation and the mismatch of the desired meaning in a song's lyrics results in the wrong use of the song in an event. This study discusses the types of figurative meaning and their meaning related to each type. The data of this study were taken from the song lyrics of Queen’s album. Data were collected by analyzing base on the theoretical concepts and the data were analyzed using the observation method. Data were obtained from listening and reading the song lyrics repeatedly. Based on the result of the analysis, it was found that there are nine types of figurative meaning that are used in twelve songs from Queen’s Album. The figurative meaning that are used are metaphor, metonymy, overstatement/hyperbole, paradox, simile, symbol, synecdoche, euphemism, and idiom. Metaphor, metonymy, overstatement/hyperbole, simile, symbol, and idiom are the dominant type appeared the most with each 5 data, following by euphemism with 4 data, and the last are paradox and synecdoche with each 1 data. Thus, the total of all the data are 36 of the figurative meaning found in Queen’s album. Metaphor, metonymy, overstatement/hyperbole, simile, symbol, and idiom are the dominant typed found in the song lyric because Queen’s mostly uses substitutes and imagery in their songs.

Figurative language used in Blackpink featuring Selena Gomez's song lyric "Ice Cream": A discourse analysis

A pop song is one of the popular genres widespread in society. The label 'popular' is used as it covers a diverse range of masses, started from pre-dominantly youth to adult, that target them as the market. To the extent of the popular meaning, a song is supported with alluring music video clips, entertaining musical instruments, and lyrics that make an addiction by turning the repeat mode on a music player. Regardless, no all of the songs carried by singers incorporate lyric meanings of what they indeed seem. They thus frequently embed figurative features of the language to fit the context of a song. The figurative language feature is a variety of language that authors operate to convey out of the comprehension of literal meaning. It then involves no surface context instead of a deep one. Therefore, this descriptive qualitative analysis study was conducted to investigate how figurative language features carry and influence the meaning behind BLACKPINK-Selena Gomez's song Ice Cream. The findings showed that metaphor (48%) was the most frequent figure spotted in the musical discourse, followed respectively by simile (28%), hyperbole (12%), and repetition (12%). It indicated the song was intended to convey the lyrics contained no real-context meanings that can cause misleading or even be puzzlement if the listeners cannot comprehend the song as a whole. Therefore, further research may comprehensively consider this issue with different perspectives to broaden the language field.

The Discourse on the Relationship of Power between the State and the People in Indonesian Indie Band Song

This research focuses on analyzing the discourse of the power relation between the state and the people in Indonesia in the lyrics of the songs "Kami Belum Tentu" and "Padi Milik Rakyat" by Feast (group band). Intolerance became Indonesia main concern in 2018 especially Surabaya’s church bombing, which then elaborated on other issues related to the socio- economic and political phenomena in Indonesia. The two songs were chosen because they adequately describe the socio-economic and political conditions in Indonesia and related to various sectors of government.This study uses Normal Fairclough's critical discourse analysis method to read the discourse on power relations between the state and the people which is articulated in the lyrics of the two songs. The results of this study conclude that the discourse on power relations with the form of Governmentality is spread in various areas of government, including in the leadership of a democratic country, the education system in Indonesia, the law constitution of UU ITE, towards farm workers through Reforma Agraria, and also in the management of tax money in Indonesia. The people will always be in a repressive state power system and the state uses its political power to carry out hegemonic submissions that are detrimental to the people structurally and economically through the ISA (Ideological State Apparatus) and RSA (Repressive State Apparatus) which critized in Indonesian indie song lyric.

The Discourse on the Relationship of Power between the State and the People in Indonesian Indie Band Song

This research focuses on analyzing the discourse of the power relation between the state and the people in Indonesia in the lyrics of the songs "Kami Belum Tentu" and "Padi Milik Rakyat" by Feast (group band). Intolerance became Indonesia main concern in 2018 especially Surabaya’s church bombing, which then elaborated on other issues related to the socio- economic and political phenomena in Indonesia. The two songs were chosen because they adequately describe the socio-economic and political conditions in Indonesia and related to various sectors of government.This study uses Normal Fairclough's critical discourse analysis method to read the discourse on power relations between the state and the people which is articulated in the lyrics of the two songs. The results of this study conclude that the discourse on power relations with the form of Governmentality is spread in various areas of government, including in the leadership of a democratic country, the education system in Indonesia, the law constitution of UU ITE, towards farm workers through Reforma Agraria, and also in the management of tax money in Indonesia. The people will always be in a repressive state power system and the state uses its political power to carry out hegemonic submissions that are detrimental to the people structurally and economically through the ISA (Ideological State Apparatus) and RSA (Repressive State Apparatus) which critized in Indonesian indie song lyric.

AN INTERPRETING ANALYSIS OF IU’S HIT SONGS THAT ACHIEVE PERFECT ALL-KILL

Nowadays, all about K-Pop (Korean Pop) widely known in the world, South Korea’s music industry is known to have a music chart system that is very influential on the career and achievement of a singer. The system is to measure the success of a group or solo singer when they release a song. Some of the terms that are known by most K-Pop fans are real-time all-kill (RAK) certificates, certified all-kill (CAK), and perfect all-kill (PAK). Songs that receive RAK, CAK, or PAK certificates, can be interpreted as best-selling songs played on digital music services in Korea. This is an interpreting analysis of IU’s hit songs taken from 2011 until 2020, aimed to see what linguistic factors that makes them hit and achieve PAK. This research used a qualitative method. This research concluded 8 from 15 of IU songs make it achieve PAK because of numerous factors such as: the music, the instrument, the singing style, and the lyric with figurative languages. In academic environments, teacher may teach the students how to analyze song lyric because it is useful to teach vocabulary, idiom, and also elements of poetry. Keywords: Analysis, Interpreting, Music, IU