scholarly journals LINGUISTIC MEANS OF IRONY REALIZATION IN ETHNIC STEREOTYPES ARTISTIC REPRESENTATION (A CASE STUDY OF „LES CARNETS DU MAJOR THOMPSON“ BY PIERRE DANINOS)

2020 ◽  
pp. 53-59
Author(s):  
Malvina MARINASHVILI

The study of ethnic stereotypes from the linguistic standpoint involves their investigation on the basis of language material including their depiction in fictional texts. Of special interest is comic, in particular, ironic representation of national typical character features, one of the most striking examples in French literature is the novel „Les carnets du major Thompson“ („The Notebooks of Major Thompson“) by Pierre Daninos. The dominant comic means of the novel is humorous irony. This paper focuses on an analysis of linguistic peculiarities used by P. Daninos to create the effect of irony when describing the French and British stereotypes. Depicting national character peculiarities, the way of life, behaviour, habits and customs of the French in comparison with the British, Pierre Daninos uses a variety of lexico-semantic means (antonyms, evaluative adjectives, anglicisms), lexical and syntactic stylistic devices (metaphor, comparison, antiphrasis, hyperbole, oxymoron, chiasm, rhetorical questions, parenthetical constructions). Along with the special structure of narrative instances, integration of „character’s irony” and „author’s irony“, these linguistic means create an effect of irony in separate fragments and ironic tonality of the whole text. On the one hand, significant differences between the stereotypical features of two ethnoses are the source of irony of the novel, and on the other hand, it is the contradiction of the French national character himself. Irony is based mainly on exaggeration and opposition. The general comic tonality of the novel forms the effect of targeting irony not only on stereotypical images of French and British peoples, but also national stereotypes as such.

2021 ◽  
Vol 15 (1) ◽  
pp. 241-257
Author(s):  
Alexandr Savchenko ◽  
◽  
Mikhail Khmelevskiy ◽  

Images of national characters and humorous characters of the Balkan peoples of South Slavia through the prism of their stereotypical reflection in modern anecdotes. This article reviews one of the small forms of folklore – anecdote and, more specifically, ethno-anecdote (ethnic joke) as a way of reflecting national specifics, national colour, a form of expression of the most characteristic features of the mentality and way of life of a certain people, nation, social group. Based on texts of anecdotes that are most typical and widespread in the area of the Slavic Balkans, the characteristics of representatives of the so-called “Serbo-Croatian dialect continuum” are explored. National specific qualities reflected in ethnic jokes and stereotypes are discussed. It is concluded that ethnic jokes, as a special thematic kind of anecdote, contain, among other things, important extralinguistic information and can become an objective source when studying the ethnolinguistic and culturological characteristics of a particular country and its inhabitants. Keywords: anecdote, national stereotypes, view of the world, Serbs, Croats, Bosnians, Montenegrins, image, symbol, national character


2021 ◽  
Vol 9 (2) ◽  
pp. 145-157
Author(s):  
Devu M Suresh

A Hero is the one who stands unique as his own, based on the presumption that, he is someone who has given his or her life to something bigger than oneself. Throughout this research paper, there have been undertaken many references and probes to the realm of ‘Hero’, obviously that of ‘Mythical Hero’, as the ideology concerning hero dates back it’s root in ancient myths and legends all over the world. Myriads of attempts have been made to the ‘Hero Myth Cycle’ proposed by Campbell, to assert the novel conception, concerning the well renowned fictional character, Harry Potter as a ‘Modern Mythical Hero’.


2020 ◽  
Vol 15 (1) ◽  
Author(s):  
Dragana Antonijević

This paper analyzes the novel Twilight in the Viennese Hallway 2 (Old Boska) (2013) by Darko Markov, a migrant-writer from Vienna. The novel describes the way of life and culturological characteristics of Serbian immigrants in Austria through two generations – the gastarbeiter as the older immigrant stratum of migrant workers  in the 1970s and 1980s, and the younger, well-educated people who immigrated in the 1990s, fleeing the wars in the former Yugoslavia and the dire economic situation in Serbia due to inflation and international sanctions. Through the seemingly simple storyline about the marital and romantic problems of the protagonist – a young intellectual from Belgrade who arrived in Vienna in the 1990s, the author constructs a dense narrative network of the main character's various experiences, describing the difficulties of adjusting and coping in a foreign country. The protagonist simultaneously comes up against two worlds with different value systems – on the one hand, that of the gastarbeiter, his compatriots, whose way of life, attitudes and behaviors he often finds strange and unacceptable, sometimes even irrational, and on the other hand, the prejudices, intolerance and lack of understanding exhibited by Austrians not only towards him but also towards other immigrants. His path crossing that of various other characters, the protagonist himself undergoes changes in his search for meaning and for his place in a foreign land. In his description of characters and their actions Darko Markov uses the literary technique of realism, relying to a great extent, by his own admission, on real-life persons and events. His mimetic narrative technique can thus be characterized as faction – a blend of fiction and facts, enriched with numerous ethnographic descriptions of the traits, behavior, appearance, speech and value system of the gastarbeiter and other migrants in the Austrian capital. In that sense Markov's novel belongs to the genre of ethnographic prose as it abounds in anthropologically and ethnologically relevant themes and motifs. In a wider sense, the novel belongs to migrant literature defined in terms of the theme, characters and content relating to the life of migrants, and, secondly, the author who is himself an immigrant. The paper first provides a literary-ethographic analysis through the structural elements of its composition – the plot, the characters (attributes, actions and motivation), the narrative time frame and the space that Serbian immigrants in Vienna inhabit and move around in. It then proceeds to analyze through anthropological interpretation some of the novel' motifs and themes, specifically, the problems of ethnic prejudice, integration into the host society, the marginal position of immigrants through two types of marginalization – exterior marginalization in the form of their socio-economic status, and interior marginalization through exoticization and stigmatization, and also the question of language as an important ethnic and cultural marker.


10.23856/3706 ◽  
2020 ◽  
Vol 37 (6) ◽  
pp. 63-70
Author(s):  
Oksana Babelyuk ◽  
Andrii Galaidin

The article is focused on main characteristics of a new postmodern genre  ̶ chick lit, namely on the image of a wise woman in modern literature. The analysis is based on the novel “The Devil Wears Prada” by Lauren Weisberger, as well as on the classification of literary images that occur in contemporary Poetics. The authors assume that chick lit presents a new type of a woman in postmodern literature - a wise woman. It is defined that lexical means and stylistic devices, such as metaphors, personifications, hyperboles, and rhetorical questions create the image of wise woman as the one who is aspiring to a career, realising herself not only in the area of family, but mainly in the area of professional life, and at the same time does not forget to take care of herself in the struggle of different duties. It is stressed that this image has not always meant an independent feminist woman, but has in fact undergone great transformations from a feminine stereotype of a devoted woman to a wise woman due to rapid changes that have taken place recently in women's lives.


2021 ◽  
Vol 03 (04) ◽  
pp. 286-293
Author(s):  
Hachani LOUIZA

French-speaking Algerian writers find themselves forced to situate themselves in relation to French literature and their representation of Algerian reality. They are writers who have been specific in their distinction from the literature of the West because they have allowed the reader to discover the national heritage as well as the culture of their country. In order to highlight the richness and the multiplicity of the romantic forms of Africa, our major concern will be center on the sociocritical study of the novel of Dib "The Fire" with the aim of highlighting the social anchoring of the text and extract traces of Algerian culture. This cultural richness is manifested through the anchoring of Islam, the use of expressions referring to the culture of Algerians. Originality is also reflected in the picture he paints of his society in his daily life. The structure of Dib's work reveals close relations with Algerian culture, on the one hand, on the other hand, this orientation of the writing gives it an aesthetic particularity, The return to the sources and the valuation of its identity gives to the Dibien text its authenticity and originality.


Author(s):  
Mariana Hirniak

The paper deals with the novel “Paternal Lantern” by Roman Fedoriv, namely with the symbolic meanings the light acquires according to its material representation in the work. The writer interprets this symbol, common for the cultures of the whole world, in a rather original way. In the novel, the sunlight is associated with the human internal strength and power of nature; it is a precondition for life as well as evidence of righteous existence on earth. The sunset symbolizes approaching death and thereby manifests the man’s need to rethink his way of life. The fire is a source of light and heat, and even, in accordance with ancestral beliefs, an abode of the deity; therefore it is frequently treated as a guarantee of family’s happiness and longevity, as a patron of the house. The fire has the power to clear evil and passions out; however, it also symbolizes love, which needs care not less than a bonfire. The ambivalence of the fire, namely the fire of life and the one of death, caused by its origin and destination, represents opposite principles of the universe. The ‘free’ fire, lit in the open air due to the community’s will, resembles the lantern of Halychyna land for the novel’s characters. Hidden in the depths of human being, the outbursts of anger, the experience of happiness and joy, and still untapped potential, which makes a person capable of making great things, are also associated with fire. The candle symbolizing “light that enlightens everyone” accompanies characters’ good thoughts and actions, it can be a prophetic sign or guide to the afterlife. The function of ‘lantern’ in the novel is also performed by the things related not to the physical light but the shine of life, insight, and true understanding. These are home (native land), a righteous person, art and texts, minstrels, scholars and teachers that bring enlightenment to the people, help them search for truth and pass it on to the next generations leaving the trace of light in their descendants’ memory.


Trictrac ◽  
2016 ◽  
Vol 9 ◽  
Author(s):  
Alina Bako

The parallel between the history of real medicine and the one of real literature embraces the linking point of the two fundamental fields, existing in both directions, by the relation they establish with humankind’s historical evolution. The first level we are considering in the analysis of the novel – case study – for the narrative forms at the intersection of the two kinds of reality where knowledge is constructed from the identification of the diseases that touch the human being and their relationship with the myth in which the individual is included. Eliade’s novel becomes a way of finding an explanation for this intersection between myth, narcotics and dream.


Heritage ◽  
2021 ◽  
Vol 4 (4) ◽  
pp. 4629-4646
Author(s):  
Antonio Formisano ◽  
Generoso Vaiano

The safety of the built heritage of our cities towards environmental factors and seismic actions is a pressing need for designers and researchers. The actual trend is to setup effective solutions to reduce thermal dispersions through the building envelope. Contrarily, combined systems able to enhance the resistance of constructions to earthquakes, on the one hand, and, on the other hand, to increase the energetic efficiency of existing buildings are scarcely diffused on the market and are rarely investigated in the scientific literature. In this framework, the seismic design of the new envelope DUO system for seismic-environmental requalification of existing masonry constructions is illustrated in the present paper with reference to a case study in the Neapolitan area. After the geometrical and mechanical characterization of the investigated building is performed, an FEM model of the masonry construction is setup by the SAP2000 analysis program, which has allowed performing pushover analyses. Based on the non-linear seismic response of the construction, an appropriate upgrading design mainly based on the innovative seismic envelope DUO system has been made. The static non-linear analyses applied to the upgraded FEM model of the building have shown a clear increase in performance in terms of strength, stiffness and ductility, thus confirming the effectiveness of the proposed envelope system.


TAPPI Journal ◽  
2012 ◽  
Vol 11 (10) ◽  
pp. 9-17
Author(s):  
ALESSANDRA GERLI ◽  
LEENDERT C. EIGENBROOD

A novel method was developed for the determination of linting propensity of paper based on printing with an IGT printability tester and image analysis of the printed strips. On average, the total fraction of the surface removed as lint during printing is 0.01%-0.1%. This value is lower than those reported in most laboratory printing tests, and more representative of commercial offset printing applications. Newsprint paper produced on a roll/blade former machine was evaluated for linting propensity using the novel method and also printed on a commercial coldset offset press. Laboratory and commercial printing results matched well, showing that linting was higher for the bottom side of paper than for the top side, and that linting could be reduced on both sides by application of a dry-strength additive. In a second case study, varying wet-end conditions were used on a hybrid former machine to produce four paper reels, with the goal of matching the low linting propensity of the paper produced on a machine with gap former configuration. We found that the retention program, by improving fiber fines retention, substantially reduced the linting propensity of the paper produced on the hybrid former machine. The papers were also printed on a commercial coldset offset press. An excellent correlation was found between the total lint area removed from the bottom side of the paper samples during laboratory printing and lint collected on halftone areas of the first upper printing unit after 45000 copies. Finally, the method was applied to determine the linting propensity of highly filled supercalendered paper produced on a hybrid former machine. In this case, the linting propensity of the bottom side of paper correlated with its ash content.


2018 ◽  
Vol 18 (1) ◽  
pp. 46-54
Author(s):  
Irmala Sukendra ◽  
Agus Mulyana ◽  
Imam Sudarmaji

Regardless to the facts that English is being taught to Indonesian students starting from early age, many Indonesian thrive in learning English. They find it quite troublesome for some to acquire the language especially to the level of communicative competence. Although Krashen (1982:10) states that “language acquirers are not usually aware of the fact that they are acquiring language, but are only aware of the fact that they are using the language for communication”, second language acquisition has several obstacles for learners to face and yet the successfulness of mastering the language never surmounts to the one of the native speakers. Learners have never been able to acquire the language as any native speakers do. Mistakes are made and inter-language is unavoidable. McNeili in Ellis (1985, p. 44) mentions that “the mentalist views of L1 acquisition hypothesizes the process of acquisition consists of hypothesis-testing, by which means the grammar of the learner’s mother tongue is related to the principles of the ‘universal grammar’.” Thus this study intends to find out whether the students go through the phase of interlanguage in their attempt to acquire second language and whether their interlanguage forms similar system as postulated by linguists (Krashen).


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