Tools of the Trade

2013 ◽  
pp. 43-60
Author(s):  
Terri Gustafson
Keyword(s):  
Digital Media ◽  
Visual Media ◽  
Media Content ◽  
End User ◽  
Lecture Capture ◽  
Software And Hardware ◽  
Media Creation

Visual media can be created using a plethora of software and hardware tools, including enterprise-wide deployed lecture capture system. Tools can be as simple as single click record software or require extensive knowledge of options, formats, or end-user devices. While this chapter does not cover all of the visual media creation tools available, it does give a brief overview of the tools for creating, editing, and delivering digital media content to enhance instruction.

scholarly journals An ethnography of deletion: Materializing transience in Solomon Islands digital cultures

2021 ◽  
Vol 23 (4) ◽  
pp. 750-765
Author(s):  
Geoffrey Hobbis ◽  
Stephanie Ketterer Hobbis
Keyword(s):  
Digital Media ◽  
Mobile Phones ◽  
Management Practices ◽  
Solomon Islands ◽  
Visual Media ◽  
Tropical Ecology ◽  
Digital Storage ◽  
Object Biography ◽  
Historical Pattern ◽  
Digital Cultures

This article demonstrates the fragility of digital storage through a non-media-centric ethnography of data management practices in the so-called Global South. It shows how in the Lau Lagoon, Malaita Province, Solomon Islands, the capacity to reliably store digital media is curtailed by limited access to means of capital production and civic infrastructures, as well as a comparatively isolated tropical ecology that bedevils the permanence of all things. The object biography of mobile phones, including MicroSD cards, typically short, fits into a broader historical pattern of everyday engagements with materializations of transience in the Lau Lagoon. Three types of visual media are exemplary in this regard: sand, ancestral material cultures and digital visual media (photographs and videos). Ultimately, Lau experiences of transience in their visual media are located in their visual technological history and the choices they make about which materials to maintain or dispose of.

scholarly journals ‘Wife, Mommy, Pastor and Friend’: The Rise of Female Evangelical Microcelebrities

Religions ◽  
2021 ◽  
Vol 12 (9) ◽  
pp. 758
Author(s):  
Katie Christine Gaddini
Keyword(s):  
Social Media ◽  
Digital Media ◽  
Media Analysis ◽  
Media Content ◽  
Religious Authority ◽  
Social Media Analysis ◽  
The Social ◽  
Prosperity Theology ◽  
Evangelical Women ◽  
Ethnographic Data

The popularity of digital media has spurred what has been called a “crisis of authority”. How do female evangelical microcelebrities figure in this crisis? Many of these women belong to churches led by male pastors, have amassed a large following online, and are sought-after speakers and teachers. This paper analyses how gender, religious authority, and the digital sphere collide through the rise of female evangelical microcelebrities. Bringing together ethnographic data, textual analysis, and social media analysis of six prominent women, I emphasize the power of representation to impact religious practices and religious meaning. This article examines how evangelical women are performing and negotiating their legitimacy as the Internet and fluid geographical boundaries challenge local models of religious authority. Moving away from a binary perspective of “having” or “not having” authority, this paper considers the various spheres of authority that evangelical microcelebrities occupy, including normative womanhood, prosperity theology, and politics. Finally, by examining the social media content put forth by female evangelical microcelebrities, I interrogate the political stakes of evangelical women’s authority.

scholarly journals Media aesthetic component of communication and its manifestation in infographic content

Lumina ◽  
2020 ◽  
Vol 14 (1) ◽  
pp. 84-96
Author(s):  
Svetlana Simakova
Keyword(s):  
Visual Image ◽  
Integrated Approach ◽  
Visual Media ◽  
Media Culture ◽  
Media Content ◽  
Case Study Method ◽  
History Of ◽  
The Media

The goal of the present study is to demonstrate the media-aesthetic potential of infographic messages on particular cases. This can be done due to an integrated approach to the analysis of the visual content of media content. That indicates the case study method implementation as well as description and generalization. The theoretical basis of the research is represented by scientific studies of various directions. That includes the history of media and visual media culture; features of the concepts of media culture and media language, media aesthetics; infographics as a tool of media language. The empirical basis of the study is journalistic materials containing infographic content of such publications as by RIA Novosti (ria.ru), TASS (tass.ru). The examples of visual image implementation in the transmission of information — media content containing infographics — are given and analyzed. Considering media aesthetics as the formation of a sensory perception of the proposed media content, the author turns to the philosophical and aesthetic foundations of visual practices in the media and post-humanistic trends in journalism. As a result of the analysis of the theoretical and practical basis of the research, the author comes to the conclusion that today the role of the media aesthetic component of messages is most relevant. And infographics, as the connecting link of language and consciousness, is its most striking tool.

Social Media in DMSS System Development and Management

2013 ◽  
pp. 104-116
Author(s):  
Daniel E. O’Leary
Keyword(s):  
Social Media ◽  
Digital Media ◽  
Support System ◽  
System Development ◽  
Media Content ◽  
Project Development ◽  
Media Technologies ◽  
Use Of Social Media ◽  
Project History ◽  
Development And Management

This paper surveys and extends the use of social media technologies as part of decision making support system (DMSS) development and management. In particular, this paper investigates how social media technologies, such as wikis, blogs, micro-blogs and tagging, have been and can be used to facilitate development and management of DMSS, through communication and collaboration. However, the author suggests going beyond simply communication and collaboration. The particular focus is on using an analysis of digital media content to address a range of issues, including using social media content to facilitate capturing project history, doing an analysis of that content to facilitate documentation development, and monitoring content from social media to provide insights into project development. Domain-based characteristics of the text are investigated to discover meaning in social media content.

Birthdays, anniversaries, and temporalities: Or how the past is represented as relevant through on-this-date media

2020 ◽  
Vol 22 (9) ◽  
pp. 1663-1679 ◽  
Author(s):  
Lee Humphreys
Keyword(s):  
Digital Media ◽  
Social Aspects ◽  
Media Content ◽  
Journalism Studies ◽  
The Past ◽  
Memory Work ◽  
Exact Date ◽  
Media Institutions

This article explores the mediatization of birthdays and anniversaries through the concept of “on-this-date” media as a way to understand the representation and circulation of media content that occurred in previous years, on that exact date. Drawing on journalism studies and mediated memory work, I argue that past events are made relevant and then irrelevant through a frame of on-this-date media. By juxtaposing Facebook Birthdays and Memories with the Associated Press’s “Today In History” feed, I analyze the multiple temporalities at work across analog and digital media platforms. Drawing on Keightley’s zones of intermediacy, I examine how time is mediated through the textual, technological, and social aspects of media, in sometimes conflicting ways. Thus, this article seeks to contribute to our understanding of mediatization by examining how media institutions structure, organize, and represent mediated temporalities.

From vagueness to clarity? Articulating legal criteria of digital content regulation in China

2016 ◽  
Vol 12 (3) ◽  
pp. 211-227 ◽  
Author(s):  
Dong Han
Keyword(s):  
Digital Media ◽  
Legal Order ◽  
The Body ◽  
Digital Content ◽  
The Political ◽  
Media Content ◽  
State And Society ◽  
Chinese State ◽  
Content Regulation ◽  
Laws And Regulations

This research examines China’s laws and regulations on digital media content, which have developed and transformed along with the market-oriented media reform and Internet growth. It argues that there has been a continuous effort to articulate legal criteria of content regulation since the early 1980s. The body of laws regulating digital content today does not show across-the-board vagueness, but an ‘unbalanced’ development with elaborated rules in some legal areas, yet ambiguous stipulations in some others. The ‘vagueness’ of the law is part of the political and ideological ambiguity of China’s reform and development and will not be resolved independently of larger and more profound transformations of the Chinese state and society. The development of digital content laws in China can only make sense in specific historical contexts rather than by comparing against an idealized Western legal order.

TOURISM ATTRACTION IN RUSSIAN REGIONS IN CYBERSPACE: NEW TENDENCIES OF TOURISM MEDIA MARKETING

2019 ◽  
Vol 7 (4) ◽  
pp. 1313-1318
Author(s):  
Elena V. Frolova ◽  
Olga V. Rogach ◽  
Tatyana M. Ryabova
Keyword(s):  
Visual Media ◽  
Research Field ◽  
Tourism Industry ◽  
Easy Access ◽  
Media Content ◽  
Russian Regions ◽  
Sources Of Information ◽  
Tourist Attractions ◽  
The Media ◽  
Relationship Of

Purpose: The present study was aimed at investigating the characteristics of tourist media content in cyberspace. The characteristics regarding the reflection and survey of tourist attractions in the Russian regions were also analyzed. Methodology: Data on the empirical research field was collected through tourist feedback on the Internet, as well as other social studies studied the wide-ranging relationship of users with media space. Visual media and contemporary time were identified among the most well-known sources of information about services and tourist facilities. Available sentiments with a variety of information available in cyberspace included: inclusive communication, comprehensiveness, pragmatism and using literal communication and providing easy access. In this paper, the outcomes of the outlook for tourism advancement by the help of the media were also discussed. Result: Tourism media, as well as the expansion flow and evolution regarding receiving and construction and increasing the information to respond to the key questions of the development of the tourism industry, were studied such as infrastructure equipment and services and the potential of the tourist industry. The content of cyber media was found to be helpful in consolidating the issues and modes and practical cases of various tourist groups, as well as representing the expectations and interests of tourism industry consumers. The popularity of media content has created vast opportunities for creators and users of information including personalization of demands, flexible communication, and the feasibility of introducing characters by presenting in virtual online space about the time spent on holidays. Applications: This research can be used for the universities, teachers and education students. Novelty/Originality: In this research, the model of the tourist attraction in Russian regions in cyberspace: new tendencies of tourism media marketing is presented in a comprehensive and complete manner.

scholarly journals Afterword: Visual Research in Migration. (In)Visibilities, Participation, Discourses

2021 ◽  
pp. 327-343
Author(s):  
Patricia Prieto-Blanco
Keyword(s):  
Digital Media ◽  
Digital Technologies ◽  
Information And Communications Technology ◽  
Communications Technology ◽  
Top Down ◽  
Early Adopters ◽  
Software And Hardware ◽  
And Migration ◽  
The One ◽  
Media Practices

AbstractProfound developments in terms of scale, diversity of digital media and prosumerism (García-Galera & Valdivia, 2014; Madianou, 2011) in the last decade have resulted in vast monitoring of movement, migratory or otherwise. While migrants have been outlined as digital natives, early adopters and heavy users of digital technologies (Ponzanesi & Leurs, 2014); the intersection of ICT (Information and Communications Technology) and migration is still under-researched (Oiarzabal & Reips 2012), Madianou’s (2011) work being a notable exception. As Leurs and Prabhakar highlight (2018, p. 247), the implications of the rise of ubiquitous and pervasive technologies (software and hardware) for the migration experience can be grouped in two sets of media practices. On the one hand, these technologies are used to reproduce and (forcefully) enforce top-down control by (state) authorities. On the other, they enable migrants - both voluntary and forced - to connect (dis)affectively, manage kinship and other relationships (Cabalquinto, 2018; Madianou, 2012; Prieto-Blanco, 2016), participate in collective processes (Siapera & Veikou, 2013; Martínez Martínez, 2017; Özdemir, Mutluer & Özyürek, 2019), establish a sense of belonging (Yue, Li, Jin, & Feldman, 2013; Budarick, 2015; Gencel-Bek & Prieto-Blanco, 2020), and move money across borders (Aker, 2018; Batista & Narciso, 2013). “[T]he transformed epistolary base and the communication infrastructure of the migrant experience” (Hedge 2016, p. 3), with their distinct affordances, impact on how migration is currently understood via a focus on connectivity and presence. Stay in touch. Remain within reaching distance. Leave, but let your presence linger.

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