Is Reality Enough for Us?

2021 ◽  
pp. 47-62
Author(s):  
Mikail Boz
Keyword(s):  
Content Analysis ◽  
20Th Century ◽  
Virtual Worlds ◽  
Social Life ◽  
Information Technologies ◽  
Qualitative Content Analysis ◽  
Steven Spielberg ◽  
Long Run ◽  
The Social ◽  
New Type

With the development of information technologies in the 20th century, a new type of space in which the social or individual life of the human being is exposed has emerged. More and more individuals are creating a representation of themselves through the avatars they have in these worlds, mostly designed as games. With the advancing technology, there is a possibility that people will be able to carry their entire existence to these spaces in the long run, and it is possible to see examples of this situation in the cinema texts. In Ready Player One, Steven Spielberg focuses on people trying to get rid of their realities and to exist in virtual worlds in a dystopic future. In this study, the related film will be subjected to qualitative content analysis within the framework of the concept of migration and representation to cyberspace. In this way, the migration of individuals to virtual worlds in an effort to get rid of their reality and the effects of this situation in social life as a phenomenon/possibility have been discussed through the film.

KAZAKH MUSIC CULTURE ON THE GLOBALIZATION CROSSROADS: ETHNIC TRADITIONS VERSUS COMPOSER SCHOOL IN INTERCULTURAL INTERACTION

2020 ◽  
Vol 384 (2) ◽  
pp. 185-193
Author(s):  
A. Raimkulova
Keyword(s):  
20Th Century ◽  
Cultural Policy ◽  
Information Technologies ◽  
Cultural Landscapes ◽  
Social Institutions ◽  
Music Culture ◽  
Oral Transmission ◽  
Intercultural Interaction ◽  
History Of ◽  
New Type

At the present stage, Kazakh musical culture is heterogeneous. It represents traditions coexisting at the same time and interacting with each other: Kazakh ethnic and newly established composer school (tradition). Examining changes in cultural landscapes of the 20th century I reveal the peculiarities of interaction and dialogue between two kinds of culture: ethnic and global (endogenous and exogenous). The procedures include the complex study of the history of Kazakh culture in the 20th century, stylistic analysis of traditional and composer’s music, semiotic approach to intercultural interaction, as far as a comparative analysis of oral and written music of 19th and 20th centuries. On one hand, dramatic changes in the structure of music culture were caused by external objective reasons: new industrial and postindustrial civilization phases (urbanization and information technologies); intensification of interaction with western (mainly Russian) cultures, etc. On the other hand, some changes were inspired by inner factors: diverse development of local song and kui (dombyra piece) traditions; Soviet cultural policy. As a result new type (or layer) of national culture – Kazakh composers’ music – appeared. It was connected with the formation of a national style based on transcriptions and borrowing. Traditional music was influenced by new social institutions (philharmonic halls, theatres, radio, conservatoire) that caused changes in the creative process (decrease of oral transmission, lack of traditional social context) as well as in the style (virtuoso performance, new genres of songs).

Upsettling Canada in 140 Characters: race relations in the Twittersphere

2021 ◽  
Author(s):  
Caroline Carter
Keyword(s):  
Content Analysis ◽  
Social Networking ◽  
Race Relations ◽  
Online Discussion ◽  
Qualitative Content Analysis ◽  
Vital Role ◽  
The Social ◽  
Colonial Theory ◽  
Networking Tool ◽  
A Site

This paper is a qualitative content analysis of public tweets made during the Indigenous social movement, Idle No More, containing the #upsettler and #upsettlers hashtags. Using settler colonial theory coupled with previous literature on Twitter during social movements as a guiding framework, this study identifies how settler colonial relations were being constructed on Twitter and how functions of the social networking tool such as the hashtag impacted this process. By examining and analyzing the content of 278 tweets, this study illustrates that Twitter is a site where conversations about race relations in Canada are taking place and that the use of the hashtag function plays a vital role in expanding the reach of this online discussion and creating a sense of solidarity or community among users.

scholarly journals VISUALISASI PEREMPUAN PADA LUKISAN TRADISIONAL TIONGHOA DI INDONESIA (Analisis karya-karya seni lukis Lee Man Fong dan Chiang Yu Tie)

Panggung ◽  
2017 ◽  
Vol 27 (2) ◽  
Author(s):  
Ariesa Pandanwangi ◽  
Nuning Damayanti
Keyword(s):  
20Th Century ◽  
Visual Arts ◽  
Social Life ◽  
Research Method ◽  
Qualitative Method ◽  
The Social ◽  
In The Beginning ◽  
Social Area

ABSTRACT Both Lee Man Fong - a male painter - and Chiang Yu Tie - a female painter - are Chinese who migrated to Indonesia. In the beginning of the 20th century, Lee Man Fong lived in Bali while Chiang Yu Tie lived in Java. Many of their artworks were collected by the National Palace and many government officers. The questions of this research are visualization of the women as the object of paintings of both artists and gesture of the women in the paintings of both artists. The purpose of the research is to enrich the documentary infrastructure about women as object in the social area of visual arts which has not been studied much. The research method that will be used is qualitative method with purpose sampling. The result of the research will show that both artists are very familiar with a particular social life during their stay in a certain place, so that their perceptions are focused in excavating the women object in their artworks.Keywords: Chiang Yu Tie, Chinese, Lee Man Fong, Painting, Woman.ABSTRAK Lee Man Fong adalah pelukis laki-laki dan Chiang Yu Tie adalah pelukis perempuan. Keduanya adalah orang Tionghoa yang merantau ke Indonesia. Pada tahun 1900 an Lee Man Fong tinggal di Bali sedangkan Chiang Yu Tie tinggal di Jawa Barat. Karya keduanya banyak dikoleksi oleh Istana Negara juga oleh pejabat pemerintahan. Penelitian ini untuk mengetahui visualisasi perempuan yang dijadikan objek pada lukisan tradisional tionghoa dan gestur perempuan pada objek karya seni lukis kedua seniman tersebut. Tujuan penelitian ini adalah untuk melengkapi infrastruktur pendokumentasian tentang objek perempuan dalam medan sosial seni rupa yang belum banyak dibahas. Metode penelitian ini adalah metode kualitatif dengan purpose sampling. Hasil penelitian ini memperlihatkan bahwa kedua seniman tersebut sangat akrab dengan lingkungan sosial ketika mereka tinggal disuatu daerah, sehingga pengamatannya banyak di fokuskan pada penggalian objek perempuan dalam karya seni lukisnya.Kata kunci: Chiang Yu Tie, Lee Man Fong, Perempuan, Seni lukis, Tionghoa. 

scholarly journals КАРАКАЛПАКСКИЙ ПОСТОЯЛЫЙ ДВОР ШАРБАҚ

2021 ◽  
pp. 287-293
Author(s):  
Г.А Акимниязова
Keyword(s):  
20Th Century ◽  
Social Life ◽  
Urban Infrastructure ◽  
Short Stay ◽  
The Social ◽  
Economic Ties ◽  
The City

Развитие торговли и экономических связей привело к необходимости строительства специальных заведений, предназначенных для торговцев, путников, с помещениями для вьючных животных. Это в свою очередь привело к появлению постоялых дворов. У каракалпаков постоялый двор назывался шарбақ. Он были двух видов: для кратковременного пребывания, расположенный в черте города недалеко от базара, и долговременного пребывания, устанавливавшийся при въезде в город. Второй из них предпочитали путешествующие издалека. Посетители же первых постоялых дворов останавливались в нем для разгрузки привезенного для продажи товара, реализовав который в течение дня, покидали заведение. Функции шарбақ заключались не только в предоставлении приюта, возможности отдыха, размещения товаров и животных, но и в общении, обмене новостями. В базарные дни сюда стекались жители со всей округи для того, чтобы узнать последние новости. Для старшего поколения шарбақ был, в первую очередь местом проведения досуга. Постоялый двор играл важную роль в жизни каракалпаков. Об этом свидетельствует их количество. К середине XX века постоялый двор начинает терять свою значимость в связи с развитием городской инфраструктуры и появлением гостиниц. The development of economic ties entailed arranging special establishments for traders and travelers, with premises for beasts of burden. This resulted in the construction of hostelries. The Karakalpaks called them sharbak. There were two types of sharbaks: located within the city near the bazaar, intended for a short stay, and installed at the entrance of the city for the long-term visitors. Travelers from far away preferred the second type. Guests of the first type of hostelries usually stayed there just to unload the goods and sell them at the bazaar during the day. The sharbaks not only provided shelter, recreation, and accommodation of goods and animals, but also served as a place for communication and news exchange. On market days, residents from all over the area flocked there to find out the latest news. For the older generation, sharbak was a place of leisure. The hostelry played an important role in the social life of the Karakalpaks, which is evidenced by their large number. By the middle of the 20th century, the sharbak began to lose its significance due to the development of urban infrastructure and modern hotels

scholarly journals Constructing the emotions of childhood: an analysis of Margaret Mahy’s use of emotion in her literary contribution to the School Journal

2021 ◽  
Author(s):  
◽  
Gemma Amy Helleur Hiscock
Keyword(s):  
Content Analysis ◽  
Social Construction ◽  
Research Study ◽  
Qualitative Content Analysis ◽  
School Librarians ◽  
Reader Responses ◽  
Analysis Methodology ◽  
The Social ◽  
School Journal ◽  
Margaret Mahy

<p>This qualitative content analysis research study examines how Margaret Mahy used emotion in the School Journal to form insights into reader appeal, reader response and the social construction of childhood. This research study examines Mahy’s contribution to the School Journal. The study explores this body of work in terms of how its author uses emotion to captivate readers by evoking the feelings associated with childhood. The underlying objective of the study was to provide insights into why Mahy’s work is so treasured and memorable; to explain how she uses emotion to captivate readers, and how this contributes to the social construction of childhood. The prose and poetry Mahy contributed to the School Journal prove to be a significant, rich and uncharted resource for the purposes of this research investigation. Analysis of this body of work has allowed for greater insights and understanding into Mahy’s contribution to children’s literature. It has also allowed for a greater appreciation of how Mahy’s use of emotion contributes to the social construction of childhood. This type of content analysis research study proves to be invaluable in the development of reader’s advisory services to young people. The employment of a content analysis methodology, underpinned by a discourse analysis approach, enabled the emotional narratives of Mahy’s text to be explained and understood. The study’s findings, that lightness and aliveness are the most prevalent and persuasive emotions operating within Mahy’s text, was substantiated through analysis of actual reader responses. This investigation is most applicable to school librarians, children’s librarians and educators. The study has broader implications for the improvement of client interaction and collection development in youth library services</p>

scholarly journals Navigating identity within the context of culture & community: an examination of creative engagement among black 2SLGBTQ Caribbean-Canadian artists

2021 ◽  
Author(s):  
Shaniqua (Nika) Smith
Keyword(s):  
Content Analysis ◽  
Qualitative Content Analysis ◽  
Community Building ◽  
Secondary Data ◽  
Creative Expression ◽  
Data Sources ◽  
The Social ◽  
Secondary Data Sources ◽  
And Gender ◽  
Equity And Inclusion

This research examines some of the ways Black 2SLGBTQ Caribbean-Canadian artists engage with creative expression to navigate their sexual and gender identities. This study also highlighted the intersection of race, gender, sexual identity, and immigration. The secondary data sources collected were a photography series produced by Jamaican-Canadian photographer Brianna Roye; and a 2015 interview featuring Michèle Pearson Clarke, a Trinidadian-Canadian artist. These secondary data sources were analyzed using multi-textual analysis and qualitative content analysis tools. The findings highlight the potential for art and creative expression to address issues of anti-Black racism and heterosexism, in addition to fostering healing and community building. This study aims to present insight that will contribute to ongoing efforts within the social work profession to promote Black 2SLGBTQ equity and inclusion.

Carnivalesque Theory and Social Networks

2020 ◽  
pp. 270-288
Author(s):  
Sefer Kalaman ◽  
Mikail Batu
Keyword(s):  
Social Networks ◽  
Content Analysis ◽  
Social Life ◽  
Research Data ◽  
Analysis Technique ◽  
The Social

Carnivalesque theory has been used as a model and a structure in the works carried out in many fields such as communication, literature, and sociology. In fact, Carnivalesque appears in many environments/areas, particularly in the social networks, which are the manifestation of social life. This chapter examines social networks in the context of carnivalesque theory to reveal facts of carnivalesque in Twitter. Content analysis technique was used in the research. Research data came from 10 Twitter accounts which have a maximum number of followers in Turkey. These data were analyzed and examined in terms of grotesque, dialogism, carnival laughter, upside-down world, marketplace, and marketplace speech belonging to the carnivalesque theory. According to the findings, the structure of Twitter, which is one of the most popular social networks in Turkey, is largely similar to the structure of the carnival and features of carnivalesque theory.

Thematic Analysis

2021 ◽  
pp. 283-288
Author(s):  
Jean-Frédéric Morin ◽  
Christian Olsson ◽  
Ece Özlem Atikcan
Keyword(s):  
Social Sciences ◽  
Content Analysis ◽  
Thematic Analysis ◽  
Qualitative Data ◽  
Qualitative Content Analysis ◽  
Analytic Method ◽  
The Social ◽  
Distinct Method

This chapter evaluates thematic analysis (TA), which is one of the oldest and most widely used qualitative analytic method across the social sciences. TA is a flexible method for identifying and analysing patterns of meaning — ‘themes’ — in qualitative data, with wide-ranging applications. The method has a long, if indeterminate, history in the social sciences, but seems likely to have evolved from early forms of (qualitative) content analysis. TA is now more likely to be demarcated and acknowledged as a distinct method; however, confusion remains about what TA is. The popularity of TA as a distinct method received a considerable boost from the publication of Using Thematic Analysis in Psychology by social psychologists Virginia Braun and Victoria Clarke in 2006, which has become one of the most cited academic papers of recent decades.

scholarly journals Degrees of Freedom: Exploring Agency, Narratives, and Technological Affordances in the #TakeAKnee Controversy

2019 ◽  
Vol 5 (2) ◽  
pp. 205630511982612 ◽  
Author(s):  
Judith E. Rosenbaum
Keyword(s):  
Social Media ◽  
Content Analysis ◽  
Degrees Of Freedom ◽  
Qualitative Content Analysis ◽  
Structuration Theory ◽  
The Social ◽  
American National Identity ◽  
Social Media Platforms ◽  
Media Narratives ◽  
Technological Affordances

This study extends current research into social media platforms as counterpublic spaces by examining how the social media narratives produced by the #TakeAKnee controversy negotiate technological affordances and existing discourses surrounding American national identity. Giddens’ Structuration Theory is used to explore the nature of user agency on social media platforms and the extent to which this agency is constrained or enabled by the interplay between the systems and structures that guide social media use. Exploratory qualitative content analysis was used to analyze and compare tweets and Instagram posts using the #TakeAKnee hashtag shared in September 2017. Results showed that narratives are dominated by four themes, freedom, unity, equality and justice, and respect and honor. Users actively employ technological affordances to create highly personalized meanings, affirming that agency operates at the intersection of reflexivity and self-efficacy.

Charitable Activities of German Settlers Representatives in the Social Life of the Crimea (Mid-19th - Early 20th Century)

2020 ◽  
pp. 72-77
Author(s):  
S.P. Shendrikova ◽  
N.E. Vishnyakova
Keyword(s):  
20Th Century ◽  
Social Life ◽  
Positive Role ◽  
The Social ◽  
The Crimea ◽  
History Of ◽  
The Russian Empire ◽  
German People ◽  
Charitable Activities ◽  
The 19Th Century

The article reveals the main issues of charitable activities of German landowners of the Tauride province of the 19th century, who not only created large model farms, but also devoted themselves to the social life of the Peninsula. The events of the Second World War (1939-1945) provoked the formation of negative public opinion about the German people, although the positive role of representatives of this nation is known in the history of Russia. However, today, the topic of charitable activities, patronage and philanthropy among the Ger-mans of the Crimea in the 19th - beginning of the 20th century is very inquisitive. The authors focus on the social activities of the German ethnic group in the territory of the Tauride province. Charitable activities in the Russian Empire initially did not have a sufficiently clear legal basis, however, with the adoption of the necessary legislative aspects, this direction became popular among a wealthy group of interested persons.

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