Dance Technique

2021 ◽  
pp. 199-219
Author(s):  
Nefeli Tsiouti
Keyword(s):  
Range Of Motion ◽  
Technical Analysis ◽  
The Body ◽  
Art Form ◽  
Four Levels

Dance technique includes the movement vocabulary used by each dance form to deliver a message, embody the style, reach its highest potential when performed at a representative level. The Breaking body's dance technique will be discussed along with the body of the dancer who performs the Breaking style. Breaking as a dance genre creates a platform, providing its practitioner bboys/bgirls with many positive aspects. It is an art form rich in content, possibilities, movement vocabulary fundamentals, opportunities for creativity and individuality. However, the fact that Breaking is physically demanding, with some extremes in range of motion in joints and some ‘unnatural' movement pathways, may be problematic for dancers, causing pain and/or injuries, which in severe cases can become chronic. The four levels of Breaking are presented through a technical analysis of their movements and possible risks the movements may cause.

Effect of prosthetic ankle units on the gait of persons with bilateral trans-femoral amputations

2008 ◽  
Vol 32 (1) ◽  
pp. 111-126 ◽  
Author(s):  
Lexyne L. McNealy ◽  
Steven A. Gard
Keyword(s):  
Power Generation ◽  
Range Of Motion ◽  
Ankle Joint ◽  
Lower Limb ◽  
Stance Phase ◽  
Sagittal Plane ◽  
The Body ◽  
Control Group ◽  
Initial Contact ◽  
Ankle Motion

In able-bodied individuals, the ankle joint functions to provide shock absorption, aid in foot clearance during the swing phase, and provides a rocker mechanism during stance phase to facilitate forward progression of the body. Prosthetic ankles currently used by persons with lower limb amputations provide considerably less function than their anatomical counterparts. However, increased ankle motion in the sagittal plane may improve the gait of persons with lower limb amputations while providing a more versatile prosthesis. The primary aim of this study was to examine and quantify temporal-spatial, kinematic, and kinetic changes in the gait of four male subjects with bilateral trans-femoral amputations who walked with and without prosthetic ankle units. Two prosthesis configurations were examined: (i) Baseline with only two Seattle LightFoot2 prosthetic feet, and (ii) with the addition of Endolite Multiflex Ankle units. Data from the gait analyses were compared between prosthetic configurations and with a control group of able-bodied subjects. The amputee subjects' freely-selected walking speeds, 0.74 ± 0.19 m/s for the Baseline condition and 0.81 ± 0.15 m/s with the ankle units, were much less than that of the control subjects (1.35 ± 0.10 m/s). The amputee subjects demonstrated no difference in walking speed, step length, cadence, or ankle, knee, and hip joint moments and powers between the two prosthesis configurations. Sagittal plane ankle range of motion, however, increased by 3–8° with the addition of the prosthetic ankle units. Compared to the control group, following initial contact the amputee subjects passively increased the rate of energy storage or dissipation at the prosthetic ankle joint, actively increased the power generation at the hip, and increased the extension moment at the hip while wearing the prosthetic ankle configuration. The amputee subjects increased the power generation at their hips, possibly as compensation for the reduced rate of energy return at their prosthetic ankles. Results from subject questionnaires administered following the gait analyses revealed that the prosthetic ankle units provided more comfort during gait and did not increase the perceived effort to walk. The subjects also indicated that they preferred walking with the prosthetic ankle units compared to the Baseline configuration. The results of the study showed that the prosthetic ankle units improved sagittal plane ankle range of motion and increased the comfort and functionality of the amputee subjects’ prostheses by restoring a significant portion of the ankle rocker mechanism during stance phase. Therefore, prosthetic ankle mechanisms should be considered a worthwhile option when prostheses are prescribed for persons with trans-femoral amputations.

Body Image and its Disorders

1974 ◽  
Vol 5 (4) ◽  
pp. 461-472 ◽  
Author(s):  
Franklin C. Shontz
Keyword(s):  
Body Image ◽  
Behavioral Treatment ◽  
Interpersonal Relations ◽  
The Body ◽  
Body Experience ◽  
Psychotherapeutic Techniques ◽  
Body Organ ◽  
Body Image Disorder ◽  
Four Levels ◽  
The Individual

The body image is not a body organ, a psychological picture, or a little-person-in-the-head. It is best described in terms of the functions it serves and the levels at which it is experienced. The body functions as a sensory register, an instrument for action, a source of drives, a stimulus to the self and others, a private world, and an expressive instrument. The four levels of body experience are schemata, self, fantasy, and concept. A complete description of a body image disorder identifies the source of the disorder and its effects on the functions and levels of experience. Behavioral treatment for body image disorder may develop basic sensory-motor capacities, teach specific skills, promote interpersonal relations with others having similar problems, or use traditional psychotherapeutic techniques, depending upon the needs of the individual patient.

scholarly journals Sliding and Lower Limb Mechanics during Sit-Stand-Sit Transitions with a Standing Wheelchair

2014 ◽  
Vol 2014 ◽  
pp. 1-8
Author(s):  
Yu-Sheng Yang ◽  
Ming-De Chen ◽  
Wei-Chien Fang ◽  
Jyh-Jong Chang ◽  
Chang-Chih Kuo
Keyword(s):  
Body Weight ◽  
Range Of Motion ◽  
Lower Limb ◽  
Careful Consideration ◽  
The Body ◽  
Shear Displacement ◽  
Standing Up ◽  
Resultant Forces

Purpose.This study aimed to investigate the shear displacement between the body and backrest/seat, range of motion (ROM), and force acting on the lower limb joints during sit-stand-sit transitions by operating an electric-powered standing wheelchair.Methods and Materials.The amounts of sliding along the backrest and the seat plane, ROM of lower limb joints, and force acting on the knee/foot were measured in twenty-four people with paraplegia.Results.Without an antishear mechanism, the shear displacement was approximately 9 cm between the user’s body and the backrest/seat surfaces. During standing up, the user’s back slid down and the thigh was displaced rearward, but they moved in opposite directions when wheelchair sat back down. A minimum of 60 degrees of ROM at the hip and knee was needed during sit-stand-sit transitions. The maximal resultant forces acting on the knee restraints could reach 23.5% of body weight.Conclusion.Sliding between the body and backrest/seat occurred while transitioning from sitting to standing and vice versa. A certain amount of ROM at lower limb joints and force acting on the knee was necessitated during sit-stand-sit transitions. Careful consideration needs to be given to who the user of the electric powered standing wheelchair is.

scholarly journals Technical Analysis of Close Quarter Combat with Rifle

2014 ◽  
Vol 7 (1) ◽  
pp. 49-52 ◽  
Author(s):  
José Juan Robles-Pérez ◽  
José Antonio Aguirre-Puig ◽  
Pedro Montañez-González ◽  
Domingo Jesús Ramos-Campos ◽  
Vicente Javier Clemente-Suárez
Keyword(s):  
Technical Analysis ◽  
The Body ◽  
Basic Training ◽  
Body Area ◽  
Training Systems ◽  
Actual Operation ◽  
Close Quarter ◽  
New Recruits ◽  
Short Time ◽  
Direct Attack

The present study aimed to analyze the characteristics of close quarter combat with rifle and to analyze the most effective rifle fencing techniques used in combat. Fourteen professional soldiers were analyzed in 24 random combats with a rifle replica. Results showed that direct attack was the most used technique, the combat action more executed was the attack and the body area most impacted was the trunk. It has also been proved that combat rifle is a maneuver that takes place in a short time, most of the combats being developed in durations less than 20s. This data could help improve current training systems for the troops who have to serve in actual operation zones and also could be used in the basic training for new recruits.

scholarly journals The Importance of Body Language in Costume Shows

2019 ◽  
Vol 3 (3) ◽  
pp. 220
Author(s):  
Jingran Qi
Keyword(s):  
Performing Arts ◽  
Body Language ◽  
Emotion Expression ◽  
The Body ◽  
The Core ◽  
Art Form ◽  
The Times ◽  
The Right ◽  
The Way

<p align="justify">With the development of the times, costume show has become a common art form. As the core of the fashion show, the fashion model not only shows the characteristics of the clothing itself, but also represents the fashion trend. There are also many categories of clothing models, depending on the style of clothing. As an art show, clothing models need to present the intrinsic qualities and perfect external image. Beautiful appearance is not enough just for models. If models don't have the right body language to show the unique temperament vividly, the clothing models will not have new attainments in clothing for the performing arts. In view of this situation, this paper fully discusses the necessity of the body language of the fashion model in the fashion show and the way of personalized emotion expression.</p>

scholarly journals Fan-Shaped Application of Local Abdominal Wall Analgesia in Abdominoplasty Patients: Does the Technique Lead to Better Recovery?

2021 ◽  
Author(s):  
Dinko Bagatin ◽  
Tomica Bagatin ◽  
Judith Deutsch ◽  
Katarina Sakic ◽  
Johann Nemrava ◽  
...  
Keyword(s):  
Plastic Surgery ◽  
Enhanced Recovery ◽  
Postoperative Recovery ◽  
The Body ◽  
Duration Of Action ◽  
Art Form ◽  
Pain Receptors ◽  
Great Pain ◽  
General Aspects ◽  
Improve Patient

Plastic surgery can be considered an art form, molding and shaping areas of the body to provide enhancement and visual improvements. During this process, anesthesia is a key role player, for both local and general aspects. Proper combinations of local and general anesthesia can provide not only great pain relief and the ability to perform the artwork of plastic surgery, but can also lead to better and faster postoperative recovery of patients. Take a moment to imagine doing our skills without anesthesia, not only would it be barbaric, but also unethical. The method of using fan-shaped anesthesia application will be explored as a technique to improve patient recovery. This, instead of the classic straightforward areal injection application, seems to provide improved anesthetic distribution, penetrates layers better, and offers a swifter and more efficient way of blocking pain receptors. Choosing an appropriate anesthetic from the various ones available today is very important for pain control and postoperative recovery, as well as combining it with other drugs to increase its duration of action. This medley of drug combinations provides patient satisfaction and enhanced recovery.

scholarly journals Comparison of the Effect of Bicarbonate, Hyaluronidase, and Lidocaine Injection on Myofascial Pain Syndrome

2020 ◽  
Vol 10 (3) ◽  
Author(s):  
Mahshid Ghasemi ◽  
Faramarz Mosaffa ◽  
Behnam Hoseini ◽  
Faranak Behnaz
Keyword(s):  
Range Of Motion ◽  
Repeated Measures ◽  
Myofascial Pain ◽  
Trigger Point ◽  
Trapezius Muscle ◽  
Pain Syndrome ◽  
Myofascial Pain Syndrome ◽  
The Body ◽  
Lidocaine Injection ◽  
Permanent Effect

Background: Myofascial pain syndrome is a chronic syndrome that occurred in a local or focal part of the body. The basis for myofascial pain syndrome is the presence of myofascial trigger point or points, producing pain in clinical examinations. Objectives: This study aimed to compare the effect of injection of bicarbonate, hyaluronidase, and lidocaine on myofascial pain syndrome. Methods: The patients were randomly allocated to three groups of bicarbonate, hyaluronidase, and lidocaine. The injection was done at two painful regions of trapezius muscle with a sonography guide for each patient. The values of visual analogue scale (VAS), pre-injection range of motion (ROM), immediately after injection, second and fourth week were measured. Results: The analysis showed that there were no significant differences between the three groups for age, gender, BMI, and height (P > 0.05). Repeated measures one-way ANOVA (week * group) 4 * 3 was used to compare the effect of bicarbonate, hyaluronidase, and lidocaine on VAS and range of motion (ROM) before injection, immediately after injection, second and fourth week. The results showed that the main effect of group and week is significant for VAS (P < 0.05). This study showed that the values of VAS were significantly different between the three groups during the fourth weeks of the study. Moreover, the patients experienced more pain decline in the hyaluronidase group during weeks before injection, after injection, second and fourth week, which indicated the permanent effect of this medication on pain decline. Conclusions: Injection of lidocaine leads to a significant reduction in pain immediately after injection; however, the decline was not permanent and disappeared in the following four weeks. But VAS reduction in hyaluronidase group more than bicarbonate and lidocaine groups.

Privileging Embodied Experience in Feminist Screendance?

2016 ◽  
pp. 368-388
Author(s):  
Frances Hubbard
Keyword(s):  
The Body ◽  
Embodied Experience ◽  
Creative Practice ◽  
Art Form ◽  
Creative Art ◽  
Feminist Phenomenology

This chapter takes an approach grounded in feminist phenomenology to consider the work of four screendance filmmakers: Maya Deren, Yvonne Rainer, Amy Greenfield, and Sally Potter. With particular attention given to Deren’s Meshes of the Afternoon and Greenfield’s Tides, the chapter contends that their creative practice is grounded in a cinema of the body, attempting to create ritualistic and creative-art form/experiences showing emotion and transcendence through the body. In contrast, Rainer’s Lives of Performers, influenced by a poststructuralist distrust of language and narrative, uses film as an alienation technique, even with regard to screendance, in order to dissect rather than indulge in emotions and affect. Potter’s The Tango Lesson attempts to bridge the gap between these two approaches. However, particularly in terms of their desire to not evoke a cathartic response and elicit kinesthetic identification, all four are inspired by a similar feminist sensibility.

Self-Injuring Body Art

2019 ◽  
Vol 46 (2) ◽  
pp. 151-170
Author(s):  
Rosemarie Brucher
Keyword(s):  
Vietnam War ◽  
Past Research ◽  
The Body ◽  
The Self ◽  
Body Art ◽  
Self Injury ◽  
Art Form ◽  
History Of ◽  
The Will ◽  
Artistic Self

AbstractArtistic self-injury, established as an art form since the late 1960s, polarizes the audience and still raises questions about the motivations behind such actions as well as about the narrative contexts in which they occur. While past research has focused on either specific performers or specific trajectories of violence in the contexts in which each artist was working, for instance, the Vietnam War (Kathy O’Dell), this article localizes artistic self-injury within the larger coherencies of the history of mind with respect to aesthetic theories. Questions of subjectivation and desubjectivation seem especially productive for such a discussion. Read against the backdrop of the aesthetics of the Kantian sublime as a strategy of self-empowerment that sets the independence of the will against the powerlessness of the body, the self-wounding act can also be understood with Georges Bataille as a purposeful desubjectivation, in which the artist strives for a radical disempowerment through pain. A consideration of selected artists sounds out the range between these two theoretical references.

Literature Review : Pengaruh Latihan Rom (Range Of Motion) Terhadap Peningkatan Kekuatan Otot Pada Pasien Stroke

2021 ◽  
Vol 1 ◽  
pp. 1407-1413
Author(s):  
Dwi Haryati ◽  
Nuniek Nizmah Fajriyah ◽  
Firman Faradisi
Keyword(s):  
Muscle Strength ◽  
Literature Review ◽  
Blood Vessel ◽  
Range Of Motion ◽  
Scientific Paper ◽  
The Body ◽  
Before And After ◽  
Motion Exercise ◽  
The Mean ◽  
The Brain

AbstractStroke is an acute neurocological disease caused by blood vessel disorders in the brain that occur suddenly and can cause symptoms according to areas in the brain that occur suddenly and can cause symptoms of paralysis, difficulty speaking, numbness of one side of the body and other disorders. ROM (Range of Motion) exercise is the maximum number of movements performed by the joints under normal conditions where a person moves each joint according to normal movements either actively or passively.The purpose of this scientific paper is to determine the effect of giving Range Of Motion (ROM) on increasing muscle strength in stroke patients.There is a difference in the mean (mean) before giving Range Of Motion therapy is 2.65 and after giving Range Of Motion is 3.62, there is an effect of giving Range Of Motion (ROM) therapy. Most of the respondents were male with a partial presentation (70%) and (30%) female, the age of the respondent in this study was >56 years old. Prior to ROM therapy, the degree of muscle strength was categorized as 0 to degree 2 and after ROM therapy, the degree of muscle strength was categorized as grade 2 to degree 4. The conclusion was that there was an increase in muscle strength before and after Range Of Motion (ROM) therapy. ROM therapy is effective for increasing muscle strength in stroke patients.Keywords: Muscle Strength, Range Of Motion (ROM), Stroke AbstrakStroke merupakan suatu penyait neurokologis akut yang disebabkan oleh gangguan pembulu darah otak yang terjadi secara mendadak dan dapat menimbulkan gejala yang sesuai dengan daerah di otak yang terserang terjadi secara tiba-tiba dan dapat menimbulkan gejala kelumpuhan, kesulitan bicara,mati rasa sebelah badan dan gangguan lainnya. Latihan ROM (Range of Motion) adalah jumlah maksimum gerakan yang yang dilakukan oleh sendi dalam keadaan normal dimana seseorang menggerakan masing-masing persendiannya sesuai gerakan normal baik secara aktif ataupun pasif. Tujuan karya tulis ilmiah ini adalah untuk mengetahui pengaruh pemberian Range Of Motion (ROM) Terhadap peningkatan kekuatan otot pada pasien stroke.Terdapat perbedaan rata-rata (mean) sebelum pemberian terapi Range Of Motion adalah 2,65 dan sesudah pemberian Range Of Motion adalah 3,62, terdapat pengaruh pemberian terapi Range Of Motion (ROM). Responden terbanyak berjenis kelamin laki-laki dengan presentasi sebagian (70%) dan (30%) perempuan, umur respoden pada penelitian ini berusia >56 tahun. Sebelum dilakukan terapi ROM derajat kekuatan otot termasuk katagori 0 hingga derajat 2 dan sesudah dilakukan terapi ROM derajat kekuatan otot termasuk kategori derajat 2 hingga derajat 4. Simpulan terdapat peningkatan kekuatan otot sebelum dan sesudah dilakukan terapi Range Of Motion (ROM). Terapi ROM efektif untuk meningkatkan kekuatan otot pada pasien stroke. Kata kunci : Kekuatan Otot, Range Of Motion (ROM), Stroke

Sign in / Sign up

Export Citation Format

Share Document