Research on a Characteristic Extraction Algorithm Based on Analog Space-Time Process for Off-Line Handwritten Chinese Characters

2012 ◽  
Vol 433-440 ◽  
pp. 3649-3655
Author(s):  
Cheng Hui Zhu ◽  
Wen Jun Xu ◽  
Jian Ping Wang ◽  
Xiao Bing Xu

On the absence of space-time information, it is difficult to extract the character stroke feature from the off-line handwritten Chinese character image. A feature extraction algorithm is proposed based on analog space-time process by the process neural network. The handwritten Chinese character image is transformed into geometric shape by different types, different numbers, different locations, different orders and different structures of Chinese character strokes. By extracting fault-tolerant features of the five kinds of the off-line handwritten Chinese characters, the data-knowledge table of features is constructed. The parameters of process neural networks are optimized by Particle Swarm optimization (PSO). The handwritten Chinese characters are used to carry out simulation experiment in SCUT-IRAC-HCCLIB. The experiment results show that the algorithm exhibits a strong ability of cognizing handwritten Chinese characters.

Author(s):  
ZHEN YONG LIN ◽  
PING LIU

In this paper, a new structural representation and fuzzy matching scheme are proposed for multifont printed Chinese character recognition. A Chinese character is decomposed into eight stroke types. A complete structural attribute feature codes among different types of strokes are defined and extracted, which consist of weak and strong primary codes and secondary codes. Weak and strong primary feature codes depict the global and local spatial relationships among different types of strokes respectively, and they are used for a detailed match. A fuzzy matching scheme is used for detailed match between an input character and candidate characters. An experiment on 3755 Chinese characters used daily in multifonts and multisizes shows that our method is robust and can achieve high recognition accuracy.


2021 ◽  
Vol 5 (1) ◽  
pp. 43-51
Author(s):  
Jeong-A Jo

This study aims to examine the common features and differences in how the Chinese-character classifier ‘ ben 本’ is used in Chinese, Korean, and Japanese, and will explore the factors that have affected the categorization processes and patterns of the classifier ‘ ben 本.’ Consideration of the differences in the patterns of usage and categorization of the same Chinese classifier in different languages enables us to look into the perception of the world and the socio cultural differences inherent in each language, the differences in the perception of Chinese characters, and the relationship between classifiers.


2021 ◽  
Vol 5 (2) ◽  
pp. 145-153
Author(s):  
Jeong Yeon Sil ◽  
Jang Eun Young ◽  
Park Heung Soo

This study examines why and how Chinese characters spread into Korea. It subsequently conducts a comparative analysis of Korean and Chinese children’s textbooks with a focus on Yu Hap from the perspective of the acceptance and acculturation of Chinese characters. It also explores how commonly used the characters in Yu Hap are, and the text’s learning value as one of Korea’s children’s textbooks. Yu Hap is very significant as the first written language textbook published in Korea. A comparative analysis of the characters used in four children’s books published in Korea found that the characters in Yu Hap are very common, and the text has a high learning value. Approximately 50% of the characters in San Bai Qian and Yu Hap are the same, showing that both China and Korea had similar perceptions of the characters in common use. A very significant proportion of characters overlap in Basic Chinese Character for Educational Use, List of Common Words in Modern Chinese, and Yu Hap; this supports the idea that the same characters have continued to be used from ancient times to the present day.


2021 ◽  
Vol 11 (2) ◽  
pp. 624
Author(s):  
In-su Jo ◽  
Dong-bin Choi ◽  
Young B. Park

Chinese characters in ancient books have many corrupted characters, and there are cases in which objects are mixed in the process of extracting the characters into images. To use this incomplete image as accurate data, we use image completion technology, which removes unnecessary objects and restores corrupted images. In this paper, we propose a variational autoencoder with classification (VAE-C) model. This model is characterized by using classification areas and a class activation map (CAM). Through the classification area, the data distribution is disentangled, and then the node to be adjusted is tracked using CAM. Through the latent variable, with which the determined node value is reduced, an image from which unnecessary objects have been removed is created. The VAE-C model can be utilized not only to eliminate unnecessary objects but also to restore corrupted images. By comparing the performance of removing unnecessary objects with mask regions with convolutional neural networks (Mask R-CNN), one of the prevalent object detection technologies, and also comparing the image restoration performance with the partial convolution model (PConv) and the gated convolution model (GConv), which are image inpainting technologies, our model is proven to perform excellently in terms of removing objects and restoring corrupted areas.


2020 ◽  
Vol 4 (4) ◽  
pp. 271-279
Author(s):  
Rui Guo

The intelligent recognition tool for bronze inscriptions of the Shang and Zhou dynasties—the “Shang Zhou Bronze Inscriptions Intelligent Mirror”—was successfully invented in Shanghai. This mirror, based on the computer technology of artificial intelligence (AI) image recognition and image retrieval, succeeds in automagical recognition of bronze inscriptions, both single letters and full texts. This research leads the trend of the AI recognition of Ancient Chinese characters and accumulates valuable experience for the development of inter-disciplinary research on Chinese character recognition. This essay emphasizes the importance of the bronze inscriptions of the Shang and Zhou dynasty database in the AI recognition of bronze inscriptions, introduces the functional components of this tool, and shares the whole research process in order to offer experience for the related research on AI recognition of other types of Ancient Chinese characters as well as ideographs in the world scope. “Shang Zhou Bronze Inscriptions Intelligent Mirror” as a tool for bronze inscription recognition also has room for improvement and support, and guidance from experts in similar areas is greatly welcomed.


2021 ◽  
pp. 251385022098177
Author(s):  
Jeong-A Jo

This study aims to examine the common features and differences in how the Chinese-character classifier ‘ ben 本’ is used in Chinese, Korean, and Japanese, and will explore the factors that have affected the categorization processes and patterns of the classifier ‘ ben 本.’ Consideration of the differences in the patterns of usage and categorization of the same Chinese classifier in different languages enables us to look into the perception of the world and the socio cultural differences inherent in each language, the differences in the perception of Chinese characters, and the relationship between classifiers.


Author(s):  
Ju-Wei Chen ◽  
Suh-Yin Lee

Chinese characters are constructed by basic strokes based on structural rules. In handwritten characters, the shapes of the strokes may vary to some extent, but the spatial relations and geometric configurations of the strokes are usually maintained. Therefore these spatial relations and configurations could be regarded as invariant features and could be used in the recognition of handwritten Chinese characters. In this paper, we investigate the structural knowledge in Chinese characters and propose the stroke spatial relationship representation (SSRR) to describe Chinese characters. An On-Line Chinese Character Recognition (OLCCR) method using the SSRR is also presented. With SSRR, each character is processed and is represented by an attribute graph. The process of character recognition is thereby transformed into a graph matching problem. After careful analysis, the basic spatial relationship between strokes can be characterized into five classes. A bitwise representation is adopted in the design of the data structure to reduce storage requirements and to speed up character matching. The strategy of hierarchical search in the preclassification improves the recognition speed. Basically, the attribute graph model is a generalized character representation that provides a useful and convenient representation for newly added characters in an OLCCR system with automatic learning capability. The significance of the structural approach of character recognition using spatial relationships is analyzed and is proved by experiments. Realistic testing is provided to show the effectiveness of the proposed method.


2021 ◽  
Author(s):  
Zhaoqi Zhang ◽  
Qiming Yuan ◽  
Zeping Liu ◽  
Man Zhang ◽  
Junjie Wu ◽  
...  

Abstract Writing sequences play an important role in handwriting of Chinese characters. However, little is known regarding the integral brain patterns and network mechanisms of processing Chinese character writing sequences. The present study decoded brain patterns during observing Chinese characters in motion by using multi-voxel pattern analysis (MVPA), meta-analytic decoding analysis, and extended unified structural equation model (euSEM). We found that perception of Chinese character writing sequence recruited brain regions not only for general motor schema processing, i.e., the right inferior frontal gyrus, shifting and inhibition functions, i.e., the right postcentral gyrus and bilateral pre-SMA/dACC, but also for sensorimotor functions specific for writing sequences. More importantly, these brain regions formed a cooperatively top-down brain network where information was transmitted from brain regions for general motor schema processing to those specific for writing sequences. These findings not only shed light on the neural mechanisms of Chinese character writing sequences, but also extend the hierarchical control model on motor schema processing.


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