scholarly journals UMANESIMO MODERNO E CULTURA PRODUTTIVA

Author(s):  
Vittorio Spinazzola

Thanks to its wealth and to its proactive role in the modernization of book culture, Milan has been the main hub in processes of cultural integration as well as the undisputed capital of the Italian publishing industry. In fact, it was in the metropolis of Lombardy that major transformations in consumption and production of literary works took place, which led to the predominance of the prose fiction over poetry within the Italian literary system. A key event in this perspective was the 1827 publication of the very bourgeois novel I promessi sposi. In recent times, Milan has been reasserting its hegemonic role as the main site for the production of literary and audio-visual entertainment.

Author(s):  
Lies Wesseling

This article probes the extent to which literary history and cultural history may mutuallyilluminate each other, without neglecting the poetic dimension of literary works. Thispoetic dimension is embedded within the genre repertoires that shape the production andreception of literary works. One should therefore take into close account that the literaryrepresentation of social conflict is always deflected by the prism of genre conventions.Focusing on the case study of the Dutch Gothic novel, I argue that Gothic tales provide aspecific take on the post-war modernization of the Netherlands. As such, they make avaluable contribution to historical debates about the periodization of the sixties andseventies, not in spite of, but because of their specific poetic properties. Thus, it is verywell possible to bring literary works to bear upon the discussion of historical issueswithout either infringing upon the relative autonomy of the literary system or neglectingthe specific expertise of literary studies as a discipline in its own rights.


2020 ◽  
Vol 6 (3) ◽  
pp. 14-20
Author(s):  
Feruza Atamurodova ◽  

The article reveals the features of works by well-known English writers James Joyce and John Galsworthy , the steps of their creative career and their contribution to the English literature. The article discusses the talent of describing human character of these writers in their works. Ethical position of John Galsworthy in literary system is different from James Joyce’s. His соnception of humanity and life is also variable, as Galsworthy approached in another position for character notion. Thus the similarity can be observed in the main heroes of novels of Joyce and Galsworthy.


Author(s):  
Aušra Navickienė ◽  
Alma Braziūnienė ◽  
Rima Cicėnienė ◽  
Domas Kaunas ◽  
Remigijus Misiūnas ◽  
...  

The history of publishing in Lithuania begins with the early formation of the Lithuanian state in the 13th century. As the state was taking shape over many centuries, its name, government, and territory kept changing along with its culture and the prevailing language of writing and printing. Geographically spread across Central and Eastern Europe, the state was multinational, its multilayered culture shaped by the synthesis of the Latin and Greek civilizations. Furthermore, the state was multiconfessional: both Latin and Orthodox Christianity were evolving in its territory. These historical circumstances led to the emergence of a unique book culture at the end of the manuscript book period (the late 15th and the early 16th century). In the Grand Duchy of Lithuania (GDL), writing centers were formed that later frequently became printing houses; books were written in Latin, Church Slavonic, and Ruthenian, with two writing systems (Latin and Cyrillic) coexisting, and their texts and artistic design reflected the interaction of Western and Eastern Christianity in the GDL. During the period of the printed book, the GDL, though remote from the most important Western European publishing centers, was affected by the general tendencies of the Renaissance, Reformation, Baroque, and Enlightenment culture through the Roman Catholic Church and integration processes. During the 16th–18th centuries, publications in Latin, Ruthenian, and Polish prevailed in the GDL. In the 16th–17th centuries, about half of the press production were Latin books that spread along with Renaissance ideas and the Europeanization of the state, while the Ruthenian written language (one of the official state languages) was developed. After the Union of Lublin was signed in 1569, the Polish–Lithuanian Commonwealth promoted the integration processes in public life, manifested by the emergence of the Polish language and the spread of Polish books as well as the growth of publishing in the 18th century. In the 16th century, several Lithuanian writers emerged in Prussian Lithuania (or Lithuania Minor), the region of the Prussian state populated by Lithuanians. A unique tradition of writing and publishing had flourished there until the start of World War II. In 1795, the Polish–Lithuanian Commonwealth disappeared from the map of Europe and a larger part of the GDL lands was annexed to the Russian Empire. However, Vilnius, a seat of old printing and book culture traditions, managed to survive as an important publishing center of the eastern periphery of Central Europe, and as a city fostering publishing in the Polish, Hebrew, and Yiddish languages. In the early 19th century, the main forces of authors, publishers, book producers, and distributors of Lithuanian books began to concentrate in Lithuania. In 1918, after the restoration of an independent state of Lithuania, new conditions arose to benefit the development of book publishing. The Lithuanian tradition of publishing, owing to a renewed printing industry and the expansion of a publishing house and bookstore network, significantly strengthened. Between 1940 and 1990, the country suffered a half-century occupation (the occupation of the Nazi Germans in 1941–1945; the rest was the Soviet occupation) during which the Jewish national minority was destroyed, the Poles were evicted from the Vilnius region, the Germans were expelled from the Klaipėda region, and Sovietization and Russification were enforced in the sphere of civic thought. In Soviet Lithuania, although all the publishing houses belonged to the state and were ideologically controlled, a core of publishing professionals emerged who, after Lithuania regained its independence in 1990, readily joined the publishing industry developing under free market conditions.


1911 ◽  
Vol 43 (1) ◽  
pp. 109-126
Author(s):  
J. F. Fleet

SEVERAL systems of expressing numbers, used in India, have been explained by Professor Bühler in §§ 33 to 35 of his work on Indian palaeography. There is a system, a highly interesting one, which was not noticed by him, because it has not been found used in inscriptions or in the pagination of literary works; namely, that of the astronomer Āryabhaṭa. It has been mentioned briefly by various other writers. And it was considered in some detail by Mr. C. M. Whish in 1820, and at more length by M. Léon Rodet in 1880. Those two treatments of it, however, scarcely suffice to do justice to it; particularly from lacking any table to make its details clear. And it deserves a full exposition, because it is of special interest in connection with two topics which have been reopened lately by Mr. G. R. Kaye; namely, the early use of the abacus in India, and the development of the decimal notation, that is, of the system of the nine significant digits 1 to 9, with the zero, cipher, or naught, used with place-value so that any particular sign denotes units, tens, thousands, etc., or the absence of them, according to its position as written in a row of figures. I propose, therefore, to consider it exhaustively here, but without venturing at present to offer any opinion on the two topics which Mr. Kaye has reopened: I only seek to exhibit fully, with a few introductory remarks about Āryabhaṭa himself, a system of numeration which must certainly be regarded as an important factor in considering them.


2021 ◽  
Vol 59 (1) ◽  
pp. 3-24
Author(s):  
Rob van de Schoor

Abstract The travel guide series Was nicht im Baedeker steht, published during the interwar period, can be qualified as anti-tourist. The main feature of this critical attitude towards the established Baedekers, which promoted a bourgeois way of travelling, is irony. Zielverfehlung, a deliberate contrariness of what conventional travel guides recommended as the highlights of a journey, is a recurrent theme in the Was nicht im Baedeker steht travel guides. When applied to these guides, Sabine Boomers’ research on nomadic travelling (2004) led us to distinguish four anti-tourist topics: the natural, the futile, the unmentionable and the odd versus the familiar. These topics can also be found in the Dutch imitations of the German series, published as three volumes entitled Wat niet in Baedeker staat. These Dutch guides discuss Amsterdam, Rotterdam and The Hague. The transport of the German anti-tourist concept to the Dutch book-market entailed a transformation that somewhat spoiled the rebellious character of the German travel guides. To fit into the Dutch literary system, a revived version of the early nineteenth-century genre of the ‘physiology’ was adopted by the travel guides of the series Wat niet in Baedeker staat.SamenvattingDe serie reisgidsen die gedurende het Interbellum werd gepubliceerd met de titel Was nicht im Baedeker steht kan antitoeristisch genoemd worden. Het belangrijkste kenmerk van de kritische houding tegenover de alom bekende Baedekers, die een burgerlijke manier van reizen aanbevalen, is ironie. Zielverfehlung, reizen zonder bestemming, een opzettelijke ontkenning van wat in de conventionele reisgidsen werd aangeprezen als de hoogtepunten van een reis, is een terugkerend motief in de reisgidsjes uit de reeks Was nicht im Baedeker steht. Als we Sabine Boomers’ onderzoek naar het nomadische reizen (2004) toepassen op deze gidsen, kunnen we vier antitoeristische thema’s herkennen: het natuurlijke, het onaanzienlijke, het onbespreekbare en de verwevenheid van het vreemde en het vertrouwde. Deze thema’s kunnen ook worden aangetroffen in de Nederlandse navolgingen van de Duitse boekjes, drie delen die verschenen in de reeks Wat niet in Baedeker staat. Het zijn reisgidsjes van Amsterdam, Rotterdam en Den Haag. Het transport van het Duitse antitoeristische concept naar de Nederlandse boekenmarkt zorgde voor een transformatie die afbreuk deed aan het tegendraadse karakter van de Duitse reisgidsen. Om een plaats te verwerven in het Nederlandse literaire systeem grepen de reisgidsen uit de reeks Wat niet in Baedeker staat terug op het vroeg-negentiende-eeuwse genre van de fysiologieën.


2016 ◽  
Vol 6 (2) ◽  
pp. 49
Author(s):  
Dhanu Priyo Prabowo

Dunia kepengarangan sastra Jawa periode 1980—1997 ditopang oleh media berbahasa Jawa (koran dan majalah). Kehadiran institusi itu ternyata mampu memberikan kontribusi yang sangat luas terhadap sistem kesastraan Jawa. Kenyataan ini menunjukkan bahwa institusi-institusi itu telah mampu menggeser peranan penerbit buku. Di tengah situasi seperti itu, pengarang Jawa menggunakan nama samaran perempuan untuk memertahankan eksistensinya (ekonomis dan popularitas). Usaha tersebut ternyata dapat memperteguh sikap para pengarang sastra Jawa dalam memertahankan sastra Jawa, walaupun keadaan ekonomi para pengarang sastra Jawa sangat kecil jumlahnya jika dibandingkan dengan pengarang sastra Indonesia. Sastra Jawa sebagai sastra daerah di Indonesia tetap dapat dipertahankan ekistensi oleh para para pengarang baru dan pengarang lama. Penelitian ini menggunakan teori makro sastra dari Ronald Tanaka. Dengan teori itu, penelitian ini dapat mengungkapkan dunia kepengarangan sastra Jawa pada periode 1980—1997. Adapun metode sosiologis dalam penelitian dipergunakan untuk memahami secara komprehensif persoalan di dalam dunia sastra Jawa periode 1980—1997.Abstract:Javanese literary authorship world in the period of 1980-1997  supported by Javanese media (newspaper and magazine). The presence of the instituation was able to give a broader contribution to Javanese literary system. The fact showed that the institutions had been able to shift the role of book’s publisher. In the midst of such a situation, the Javanese authors wrote under pseudonyms to maintain their existence (economic and popularity). The effort  was able to rein- force the literary Javanese  authors’ attitude in preserving the Javanese literature despite the economic condition in this period that made their payment for their works very small when com- pared to Indonesian literary authors’ payment. The existence of Javanese literature as regional literary works  in Indonesia can still be maintained by new  and  old authors. The present study applies the  Ronald Tanaka’s literary macro theory. By using the theory, the research tries to  reveal the world of Javanese literary authorship  in the period of 1980—1997.  The sociological method of the research is used to understand problems comprehensively in Javanese literary world in the period of 1980—1997.


Author(s):  
Aleksandra V. Eliseeva

The paper focuses on the phenomenon of “women’s writing”, a discussion about which began in the 1970s. Based on Elaine Showalter’s concept of “doubled-voiced discourse” as well as on Franco Moretti’s theory of literary forms development from the center to the periphery, which generates unstable compromises in the structure, its “cracks” and gaps, the article offers an interpretation of “women’s writing” as an area of increased conflict. The case study of three literary works of the late XIX – early XX century written in German language – Elsa Asenijeff’ essay “Women’s Riot and the Third Sex” (1898), Lou Andreas-Salomé’s novella “Fenitchka” (1898) and Minna Wettstein-Adelt’s novel “Are These Women? A Novel about the Third Sex” (1901) – demonstrates conflicts of discourses, genres and narrative strategies unfolding in these texts. The paper suggests the idea that such structural “cracks” and contradictions mark the departure from the boundaries and limits of contemporary patriarchal discourses and the dominant literary system.


Sederi ◽  
2015 ◽  
pp. 55-76
Author(s):  
Andrew Hadfield

This essay examines the representation of Ireland and Celtic culture within the British Isles in Shakespeare’s works. It argues that Shakespeare was interested in ideas of colonisation and savagery and based his perceptions on contemporary events, the history of the British Isles and important literary works such as William Baldwin’s prose fiction, Beware the Cat. His plays, notably The Comedy of Errors and Macbeth, represent Protestant England as an isolated culture surrounded by hostile Celtic forces which form a threatening shadowy state. The second part of the essay explores Shakespeare’s influence on Irish culture after his death, arguing that he was absorbed into Anglo-Irish culture and played a major role in establishing Ireland’s Anglophone literary identity. Shakespeare imported the culture of the British Isles into his works – and then, as his fame spread, his plays exported what he had understood back again, an important feature of Anglo-Irish literary identity, as many subsequent writers have understood.


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