Donatoni, Franco (1927–2000)

2018 ◽  
Author(s):  
Mitch Renaud
Keyword(s):  
String Quartet ◽  
Work Of Art ◽  
Karlheinz Stockhausen ◽  
Pierre Boulez ◽  
Music Program ◽  
Rite Of Spring ◽  
Multiple Levels ◽  
The Creation ◽  
Mature Work ◽  
And Control

Composer and poet Franco Donatoni studied in Vienna before attending the Darmstadt summer music program, where he encountered Pierre Boulez and Karlheinz Stockhausen, among others. Donatoni took to the serial practices of Darmstadt but attempted to join them with John Cage’s project of separating the composer’s ego from the work of art. These encounters eventually led him to apply what he referred to as codes to found or borrowed material. In any given mature work, codes operate on multiple levels and control all musical parameters. His early experiments with codes, such as EtwasRuhigerimAusdruck (1967), aim for the creation of a work completely autonomous from its maker; however, Donatoni’s thinking gradually changed to acknowledge his role in the deployment of codes. Works like La souris sans sourire (1988) for string quartet demonstrate his self-defined joyous period, where he employed a wider range of materials. One of the clearest examples of his use of codes is his final piece Esa (In Cauda V) (2000), written for his student Esa-Pekka Salonen, which uses the musical spelling of Esa’s name and material from The Rite of Spring.

scholarly journals THE ISSUE OF HISTORICAL WORKS IN AMERICAN LITERATURE

2021 ◽  
Vol 58 (1) ◽  
pp. 4581-4589
Author(s):  
Ikromkhonova Firuza Ikromovna Et al.
Keyword(s):  
American Literature ◽  
Folk Art ◽  
Cultural Development ◽  
Scientific Study ◽  
Literature Information ◽  
Work Of Art ◽  
Historical Reality ◽  
The Creation ◽  
Historical Truth ◽  
Mature Work

This article discusses the issue of literary perception of historical reality and the creation of a mature work as one of the constant problems of literature, it is about paying special attention to comparative-typological analysis of the unity of form and content, composition and plot, system of characters, historical truth and to the fiction in the study of historical works in today's globalization.The article provides an analysis of advanced examples of American literature, information on folk art thinking and cultural development. The poetics of the work of art, in particular, the approach of how the composition of historical works is solved, the typology of characters, the scientific study of the problem of the genre together form the basis of the article.

Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni

2014 ◽  
Author(s):  
Dira Herawati
Keyword(s):  
Social Situation ◽  
Work Of Art ◽  
Social Phenomena ◽  
Aesthetic Object ◽  
Human Foot ◽  
Works Of Art ◽  
The Social ◽  
The Creation ◽  
Art Photography ◽  
Artistic Images

Accountability report is a written description of creative experiences as an artist or a photographer of aesthetic exploration efforts on the image and the idea of a human as a basic stimulant for the creation of works of art photography. Human foot as an aesthetic object is a problem that relates to various phenomena that occur in the social sphere, culture and politics in Indonesia today. Based on these linkages, human feet would be formulated as an image that has a value, and the impression of eating alone in the creation of a work of art photography. Hence the creation of this art photography entitled The Human Foots as Aesthetic Object  Creation of Art Photography. Starting from this background, then the legs as an option object art photography, will be managed creatively and systematically through a phases of creation. The creation phases consist of: (1) the exploration of discourse, (2) artistic exploration, (3) the stage of elaboration photographic, (4) the synthesis phase, and (5) the stage of completion. Methodically, through the phases of the creative process  through which this can then be formulated in various forms of artistic image of a human foot. The various forms of artistic images generated from the foots of its creation process, can be summed up as an object of aesthetic order 160 Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni in the photographic works of art. It is specifically characterized by the formation of ‘imaging the other’ behind the image seen with legs visible, as well as of the various forms of ‘new image’ as a result of an artistic exploration of the common image of legs visible. In general, the whole image of the foot in a photographic work of art has a reflective relationship with the social situation, cultures, and politics that developed in Indonesian society, by value, meaning and impression that it contains.Keywords: human foots, aestheti,; social phenomena, art photography, images

Regulating Religious Broadcasting

1992 ◽  
Vol 2 (10) ◽  
pp. 287-304
Author(s):  
Ian Leigh
Keyword(s):  
New Technologies ◽  
Technological Advance ◽  
Regulatory Framework ◽  
Religious Expression ◽  
Satellite Broadcasting ◽  
Religious Broadcasting ◽  
The Creation ◽  
The Uk ◽  
A Minor ◽  
And Control

The broadcasting world is currently undergoing a revolution. The new technologies of cable and, more importantly, satellite broadcasting have brought within reach an enormous potential expansion and diversity in broadcasting. The Broadcasting Act 1990 is the government's response to the challenge, creating a mostly new regulatory framework. Alongside technological advance there has been a growing concern with regulating programme quality, as the creation of the Broadcasting Standards Commission (placed by Pt. V of the Act on a statutory footing) bears witness. A minor, but not insignificant, place in these cross-currents of ferment is occupied by religious broadcasting. This article seeks to place the controls and duties relating to religious broadcasting under the new regime within the context of its history in the UK and to consider the extent to which the new legal and administrative controls achieve an acceptable balance between religious expression and control of standards.

Intact Priming for Novel Perceptual Representations in Amnesia

1997 ◽  
Vol 9 (6) ◽  
pp. 699-713 ◽  
Author(s):  
Stephan B. Hamann ◽  
Larry R. Squire
Keyword(s):  
Recognition Memory ◽  
Declarative Memory ◽  
Brain Structures ◽  
Perceptual Identification ◽  
Single Exposure ◽  
Memory Representations ◽  
Perceptual Representations ◽  
The Creation ◽  
And Control ◽  
The Brain

Recent studies have challenged the notion that priming for ostensibly novel stimuli such as pseudowords (REAB) reflects the creation of new representations. Priming for such stimuli could instead reflect the activation of familiar memory representations that are orthographically similar (READ) and/or the activation of subparts of stimuli (RE, EX, AR), which are familar because they occur commonly in English. We addressed this issue in three experiments that assessed perceptual identification priming and recognition memory for novel and familiar letter strings in amnesic patients and control subjects. Priming for words, pseudowords, and orthographically illegal nonwords was fully intact in the amnesic patients following a single exposure, whereas recognition memory was impaired for the same items. Thus, priming can occur for stimuli that are unlikely to have preexisting representations. Words and pseudowords exhibited twice as much priming as illegal nonwords, suggesting that activation may contribute to priming for words and wordlike stimuli. Additional results showed that priming for illegal nonwords resulted from the formation of new perceptual associations among the component letters of each nonword rather than the activation of individual letter representations. In summary, the results demonstrate that priming following a single exposure can depend on the creation of new perceptual representations and that such priming is independent of the brain structures essential for declarative memory.

9/11 as Avant-Garde Art?

PMLA ◽  
2009 ◽  
Vol 124 (5) ◽  
pp. 1820-1829 ◽  
Author(s):  
Richard Schechner
Keyword(s):  
Performance Art ◽  
Small Extent ◽  
First Century ◽  
Political Systems ◽  
Work Of Art ◽  
Karlheinz Stockhausen ◽  
Social Morality ◽  
Avant Garde ◽  
Single Moment ◽  
History Of

[The attacks of 9/11 were] the greatest work of art imaginable for the whole cosmos. Minds achieving something in an act that we couldn't even dream of in music, people rehearsing like mad for 10 years, preparing fanatically for a concert, and then dying, just imagine what happened there. You have people who are that focused on a performance and then 5,000 [sic] people are dispatched to the afterlife, in a single moment. I couldn't do that. By comparison, we composers are nothing. Artists, too, sometimes try to go beyond the limits of what is feasible and conceivable, so that we wake up, so that we open ourselves to another world. … It's a crime because those involved didn't consent. They didn't come to the “concert.” That's obvious. And no one announced that they risked losing their lives. What happened in spiritual terms, the leap out of security, out of what is usually taken for granted, out of life, that sometimes happens to a small extent in art, too, otherwise art is nothing.—Karlheinz Stockhausen (“Documentation”)Stockhausen aside, how can anyone call the 9/11 attack on the Twin Towers a work of art? Of what value is such a designation? What does calling the destruction of the Twin Towers a work of art assert about (performance) art, the authenticity of “what really happened,” and social morality during and after the first decade of the twenty-first century? To even begin to address these questions, I need to refer to the history of the avant-garde—because it has been avant-garde artists who for more than a century have called for the violent destruction of existing aesthetic, social, and political systems.

scholarly journals A Modular Digital Twinning Framework for Safety Assurance of Collaborative Robotics

2021 ◽  
Vol 8 ◽  
Author(s):  
J.A. Douthwaite ◽  
B. Lesage ◽  
M. Gleirscher ◽  
R. Calinescu ◽  
J. M. Aitken ◽  
...  
Keyword(s):  
Testing Strategy ◽  
Modular Architecture ◽  
Industrial Case Study ◽  
Safety Assurance ◽  
Physical Environments ◽  
Digital Twins ◽  
The Creation ◽  
Hardware Platforms ◽  
And Control

Digital twins offer a unique opportunity to design, test, deploy, monitor, and control real-world robotic processes. In this paper we present a novel, modular digital twinning framework developed for the investigation of safety within collaborative robotic manufacturing processes. The modular architecture supports scalable representations of user-defined cyber-physical environments, and tools for safety analysis and control. This versatile research tool facilitates the creation of mixed environments of Digital Models, Digital Shadows, and Digital Twins, whilst standardising communication and physical system representation across different hardware platforms. The framework is demonstrated as applied to an industrial case-study focused on the safety assurance of a collaborative robotic manufacturing process. We describe the creation of a digital twin scenario, consisting of individual digital twins of entities in the manufacturing case study, and the application of a synthesised safety controller from our wider work. We show how the framework is able to provide adequate evidence to virtually assess safety claims made against the safety controller using a supporting validation module and testing strategy. The implementation, evidence and safety investigation is presented and discussed, raising exciting possibilities for the use of digital twins in robotic safety assurance.

scholarly journals A light tunable differentiation system for the creation and control of consortia in yeast

2021 ◽  
Author(s):  
Chetan Aditya ◽  
François Bertaux ◽  
Gregory Batt ◽  
Jakob Ruess
Keyword(s):  
Dynamic Control ◽  
Division Of Labour ◽  
Microbial Consortia ◽  
Continuous Cultures ◽  
Straightforward Manner ◽  
Single Strain ◽  
Differentiation Strategy ◽  
The Creation ◽  
And Control ◽  
Immense Potential

Artificial microbial consortia seek to leverage division-of-labour to optimize function and possess immense potential for bioproduction. Co-culturing approaches, the preferred mode of generating a consortium, remain limited in their ability to give rise to stable consortia having finely tuned compositions. Here, we present an artificial differentiation system in budding yeast capable of generating stable microbial consortia with custom functionalities from a single strain at user-defined composition in space and in time based on optogenetically-driven genetic rewiring. Owing to fast, reproducible, and light-tunable dynamics, our system enables dynamic control of consortia composition in continuous cultures for extended periods. We further demonstrate that our system can be extended in a straightforward manner to give rise to consortia with multiple subpopulations. Our artificial differentiation strategy establishes a novel paradigm for the creation of complex microbial consortia that are simple to implement, precisely controllable, and versatile to use.

scholarly journals WAGNER - MITO E IMAGINAÇÃO NA ARTE TOTAL

2020 ◽  
Vol 13 (1) ◽  
pp. 101
Author(s):  
Paulo Alexandre Castro
Keyword(s):  
Essential Elements ◽  
Total Work ◽  
Work Of Art ◽  
The Creation

The purpose of this brief essay is to outline what can be considered the combination of two essential elements in the realization of Wagner's works: the strength of the myth's plot and the imaginative process in the creation of the artwork. However, it is not a simple presentation of these elements, but how Wagner, when wishing to create the total work of art, is guided by a phenomenological thought.

scholarly journals Epidemiology of Blackberry yellow vein associated virus

Plant Disease ◽  
2013 ◽  
Vol 97 (10) ◽  
pp. 1352-1357 ◽  
Author(s):  
Bindu Poudel ◽  
William M. Wintermantel ◽  
Arturo A. Cortez ◽  
Thien Ho ◽  
Archana Khadgi ◽  
...  
Keyword(s):  
The United States ◽  
Yellow Vein ◽  
Chain Reaction ◽  
Efficient Detection ◽  
Blackberry Yellow Vein Disease ◽  
Polymerase Chain ◽  
Multiple Levels ◽  
And Control ◽  
Trialeurodes Abutilonea ◽  
Vein Disease

Blackberry yellow vein disease is one of the most important diseases of blackberry in the United States. Several viruses are found associated with the symptomology but Blackberry yellow vein associated virus (BYVaV) appears to be the most prevalent of all, leading to the need for a better understanding of its epidemiology. Efficient detection protocols were developed using end-point and quantitative reverse-transcription polymerase chain reaction. A multi-state survey was performed on wild and cultivated blackberry to assess the geographical distribution of the virus. Two whitefly species, Trialeurodes abutilonea and T. vaporariorum, were identified as vectors and 25 plant species were tested as potential BYVaV hosts. The information obtained in this study can be used at multiple levels to better understand and control blackberry yellow vein disease.

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