scholarly journals Dominikanie tarnobrzescy w czasach II wojny światowej w świetle kroniki zakonnej. Edycja krytyczna

2021 ◽  
Vol 1 (26) ◽  
pp. 429-457
Author(s):  
Katarzyna Matyja
Keyword(s):  
Critical Edition ◽  
Second World War ◽  
Entire Period ◽  
Displaced Persons ◽  
World War ◽  
Short Introduction ◽  
History Of ◽  
The City ◽  
Second World ◽  
The Needy

[The Dominicans in Tarnobrzeg during the Second World War in the light of a monastic chronicle. A critical edition] The aim of the article is to edit an unknown and unused source, i.e. the chronicle of the Tarnobrzeg monastery from 1939–1945. The edition was preceded by a short introduction to the history of the Dominican community in Tarnobrzeg. For the almost entire period of the occupation, Father Fabian Madura was the prior of the monastery in Tarnobrzeg, and in his activities – also for the benefit of the needy – he was characterized by great courage. He acted on many levels: among others he organized aid for the displaced persons from Wielkopolska, or a kitchen for the poorest. He was active in ministry: he founded a choir which performed numerous charity concerts. Other fathers and brothers who lived in the monastery helped him in all the activities. The source delivers a lot of information about the life of monks in Tarnobrzeg and the history of the city in the war period. The entries from September 1939, when the Nazis invaded the city, are particularly interesting, as well as from the turn of July and August 1944 – at that time Tarnobrzeg was „liberated” by the Soviet army. As a result of these activities, many buildings – including those belonging to the Dominicans – were seriously damaged, which is also mentioned in the presented source.

Bar-Dancing, Palm Wine, and Letters

2019 ◽  
Vol 3 (2) ◽  
pp. 123-154
Author(s):  
Danielle Porter Sanchez
Keyword(s):  
Alcohol Consumption ◽  
Social Life ◽  
Second World War ◽  
Sense Of Control ◽  
World War ◽  
Palm Wine ◽  
History Of ◽  
The Will ◽  
The City ◽  
Second World

Abstract This article focuses on the militarization of social life and leisure in Brazzaville during the Second World War and argues that efforts to instill a sense of control over the city could only suppress life so much, as many Congolese people were unwilling to completely succumb to the will of the administration in a war that seemed to offer very little to their communities or their city as a whole. Furthermore, drinking and dancing served as opportunities to engage with issues of class and race in the wartime capital of Afrique Française Libre. The history of alcohol consumption in Brazzaville is not simply the story of choosing whether or not to drink (or allow others to drink); rather, it is one of many stories of colonial control, exploitation, and racism that plagued Europe’s colonies in Africa during the Second World War.

De plaats van Robert Verbelen in de geschiedenis van de Vlaamse beweging

2012 ◽  
Vol 71 (3) ◽  
pp. 201-232
Author(s):  
Alexander Jocqu
Keyword(s):  
War Crimes ◽  
Second World War ◽  
Entire Period ◽  
Virtual Link ◽  
World War ◽  
National History ◽  
Self Image ◽  
History Of ◽  
Austrian Capital ◽  
Second World

Robert Verbelen is in België hoofdzakelijk bekend in de context van de radicale collaboratie tijdens de Tweede Wereldoorlog. Als leider van het zogenaamde Veiligheidskorps trad de toenmalige SS’er gewelddadig op tegen acties van het verzet. Desalniettemin beschouwde Verbelen zichzelf in eerste instantie als een Vlaamse idealist en voorman. Dit artikel onderzoekt waarop dit (zelf)beeld is gebaseerd en of het correct is.In zijn jeugd engageerde Verbelen zich inderdaad in Vlaamsgezinde organisaties, zoals de Vlaamsche Voetbalbond. Vanaf het uitbreken van de Tweede Wereldoorlog tot aan zijn dood heeft Verbelen echter geen enkele concrete bijdrage meer geleverd aan de Vlaamse ontvoogdingsstrijd. Nadat hij een tiental jaar actief was als spion in Amerikaanse loondienst, verwierf Verbelen in 1959 de Oostenrijkse nationaliteit en in 1965 werd hij te Wenen wegens oorlogsmisdaden berecht. Verbelen werd vrijgesproken en hij woonde tot zijn dood in 1990 in de Oostenrijkse hoofdstad.Verbelen handhaafde al die tijd wel een virtuele band met Vlaanderen: hij onderschreef een legitimerende en gemythologiseerde Vlaams-nationalistische geschiedenis, die hij via interviews, spreekbeurten en geschriften tevens vorm gaf en in stand hield. Omdat Verbelen daarin zo ver ging, terwijl hij zich tijdens de Tweede Wereldoorlog dermate had gecompromitteerd, distantieerde zelfs de meest extreem Vlaams-nationalistische strekking binnen de Vlaamse beweging zich van hem.________Robert Verbelen’s place in the history of the Flemish movement. Robert Verbelen is mainly known in Belgium in the context of his radical collaboration during the Second World War. As the head of the so-called Security Corps, the then SS member, engaged in violent repression of actions of resistance.   However, Verbelen considered himself foremost a Flemish idealist and leader. This article investigates what this (self)image is based on and whether it is correct. In fact, during his youth, Verbelen was involved in Pro Flemish organisations like the Flemish Football League. However, from the outbreak of the Second World War until his death, Verbelen made no more concrete contributions to the Flemish battle for emancipation. After serving for around ten years as a spy employed by the Americans, Verbelen acquired the Austrian nationality in 1959; and in 1965, he was court-martialed in Vienna for war crimes. Verbelen was acquitted and until his death in 1990, he lived in the Austrian capital. During this entire period, Verbelen did in fact maintain a virtual link with Flanders: he endorsed a legitimising and mythologized Flemish National history, which he both shaped and preserved by means of interviews, lectures and writing. Because of Verbelen’s extreme views in these writings and the fact that he had seriously incriminated himself during the Second World War, even the most extreme Flemish-Nationalist tendencies within the Flemish movement distantiated themselves from him.

scholarly journals From a history of war into a multicultural urban environment: A cultural impact assessment of the conservation of the Swedish-Russian Fortress of Lappeenranta, Finland

1970 ◽  
pp. 74
Author(s):  
Suvi Niinisalo
Keyword(s):  
18Th Century ◽  
Correctional Facility ◽  
Second World War ◽  
World War ◽  
Cultural Impact ◽  
Late 18Th Century ◽  
History Of ◽  
The Russian Empire ◽  
The City ◽  
Second World

Finland, under Swedish rule at the time, started constructing the Lappeenranta Fortress in the 1720s for defence against an eastern threat. A small town had been founded on the site as early as 1649. In 1741, the Russians invaded the fortress in a fierce battle. Russians, led by Aleksandr Suvorov, started to improve the fortress in the late 18th century. The oldest buildings in the fortress date back to this time. When Finland was annexed into the Russian Empire as an autonomous grand duchy, the fortress was employed as a correctional facility for prisoners. After the Second World War, the fortress was left to deteriorate, but in the 1970s a 30-year conservation project was launched. This article explores the effects of this conservation work on the city of Lappeenranta as well as on its inhabitants.

Memory as Rite de Passage. Towards a Postmoralistic Historiography of the Second World War

Itinerario ◽  
1996 ◽  
Vol 20 (2) ◽  
pp. 118-127 ◽  
Author(s):  
Madelon de Keizer
Keyword(s):  
The Netherlands ◽  
Second World War ◽  
Growing Up ◽  
World War ◽  
Japanese Occupation ◽  
East Indies ◽  
The Pacific ◽  
History Of ◽  
The City ◽  
Second World

As a native of the Netherlands, I have been imbued with an awareness of the history of the Second World War in both Europe and the Pacific ever since I was a child, though I must admit that the Japanese occupation of the Dutch colony in the Dutch East Indies from 1942 to 1945 plays a less important part in my imagination than thefiveyears of German occupation of the Netherlands. My parents and brothers can directly recollect the latter dark period, and I see it vividly in my mind's eye, born (in 1948) and bred as I was in Rotterdam, the city whose centre was razed to the ground by the German air raid in May 1940. The effects of the bombs were still clearly visible during the years in which I was growing up there. Given this double Dutch memory – memory of the hostilities in Europe, and memory of South-East Asia – it hardly seems fortuitous that the Dutch scholar Ian Buruma chose the German and Japanese memory of the Second World War and of the War in the Pacific as the theme for his 1994 publication The Wages of Guilt.

scholarly journals Wojenne i powojenne dzieje banków, ich skarbców i dokumentacji – przykład Komunalnej Kasy Oszczędności powiatu poznańskiego

2016 ◽  
Vol 3 ◽  
pp. 233-242
Author(s):  
Krzysztof Stryjkowski
Keyword(s):  
Banking System ◽  
Second World War ◽  
World War ◽  
Savings Bank ◽  
History Of ◽  
Post War ◽  
The City ◽  
Second World ◽  
German Mark

Dokumentacja bankowa jest dzisiaj przedmiotem wielostronnego zainteresowania. Najbardziej istotne było zawsze jej znaczenie praktyczne (dla banku oraz jego klientów). Z biegiem czasu stała się ona także przedmiotem studiów historyków, przede wszystkim gospodarczych. Okazuje się jednak, że materiały wytworzone przez banki i ich administracje posiadać mogą również wartość do innych badań. Badacze zainteresowani końcowym okresem II wojny światowej i walkami o Poznań odnajdą w prezentowanym dokumencie wiele informacji, które rzucą nowe światło na sytuację w mieście oraz pozwolą wczuć się w klimat tamtych dni. Dokument ukazuje ponadto problemy związane z odbudową systemu bankowego oraz wprowadzaniem w stolicy Wielkopolski nowego środka płatniczego – złotego polskiego, który zastąpił obowiązującą dotychczas markę niemiecką. War and post-war history of banks, their vaults and records as exemplified by the Communal Savings Bank of the Poznań county At present, banking documentation is a subject of interest for many parties. The practical value of this documentation has always been of prime importance, both for the bank and for its clients. With time, it also became a subject of interest for historians, particularly those specialized in economy. It turns out, though, that materials created by banks and their administrative bodies can also be of value for other researchers. Researchers interested in the final period of the Second World War and battles for Poznań will find this document informative, as it not only sheds new light on the situation in the city, but will also enable them to feel the atmosphere of those days. The document also shows the problems related to reconstructing the banking system and introducing the new currency, the Polish złoty (which replaced the German mark used until that point), in the capital of Greater Poland.

scholarly journals Citystats and the History of Community and Segregation in Post-Second World War Urban Canada

2009 ◽  
Vol 19 (2) ◽  
pp. 3-22
Author(s):  
Jordan Stanger-Ross
Keyword(s):  
Urban Space ◽  
Urban Areas ◽  
Aboriginal People ◽  
Second World War ◽  
World War ◽  
Residential Patterns ◽  
The Everyday ◽  
History Of ◽  
The City ◽  
Second World

Abstract This article introduces an open access website—citystats.uvic.ca —designed to facilitate historical scholarship on ethnicity in post-Second World War Canada. Citystats offers access to two sociological measures of urban residential patterns, D and P*, applying the measures to the ethnic origins variables in the Canadian census for all urban areas since 1961. D, the index of dissimilarity, is the most common gauge of urban residential patterns, describing the extent to which ethnic groups are evenly (or unevenly) distributed across the city. P*, a measurement of the exposure of groups to one another, provides historians with a summary of the everyday surroundings of urban residents. The article explains the measures and highlights some puzzling patterns in the history of urban Canada, especially the segregation of Jewish Canadians and the relative integration of Aboriginal people. Just as scholars might be expected to know (at least approximately) the number of people comprising the group that they intend to study, they should also, I argue, be aware of their distribution across urban space and their exposure to other urbanites.

scholarly journals The Collaborative Folktale Project of a Family: The Synoptic Critical Edition of a 19th-Century Hungarian Folktale and Riddle Collection

2021 ◽  
Author(s):  
Judit Gulyás
Keyword(s):  
19Th Century ◽  
Critical Edition ◽  
Hungarian Academy ◽  
Second World War ◽  
World War ◽  
The Family ◽  
History Of ◽  
The 1960S ◽  
Academy Of Sciences ◽  
Second World

AbstractIn 1862, a volume of tales was published under the title Eredeti népmesék (‘Original Folktales’) by László Arany, the then 18-year-old son of János Arany, the national poet of the period. Eredeti népmesék has been classified by folkloristics as the first canonical folktale collection in Hungary. Besides scholarly recognition, it has also become one of the most popular folktale collections of the past one and a half century, as selected tales from this collection have been continuously republished in schoolbooks and anthologies and have become a regular element in children's literature. After the Second World War, in the basement of the main building of the Hungarian Academy of Sciences in Budapest, a huge pile of manuscripts had been found in very poor condition, consisting of, among others, various 19th-century folklore collections. In the 1960s, it was discovered that a part of these manuscripts was identical to the texts published in Eredeti népmesék. The vast majority of the manuscript tales had been recorded by the family members of János Arany, namely, his young daughter (Julianna Arany) and his wife (Julianna Ercsey), in the period between 1850 and 1862, presumably for family use. A comparison of the manuscript texts with their published versions revealed that in the editing process, László Arany significantly reworked the texts of the manuscript tales, implementing significant stylistic modifications. This article reports on the research project underlying the synoptic critical edition of the manuscript and published tales of the Arany family (2018). In the first part, the author presents the manuscript and published tales and their place in the history of Hungarian folkloristics, followed by an introduction of the members of the Arany family with an emphasis on their socio-cultural background, and concluding with a discussion of the roles they played in this collaborative folktale project as collectors, editors, copy editors, and theoreticians. The second part is a summary of the textological concept and techniques applied in the course of the development of the synoptic critical edition.

scholarly journals Stan badań dziejów młyna papierniczego w Dusznikach-Zdroju

2021 ◽  
Vol 64 ◽  
pp. 201-226
Author(s):  
Maciej Szymczyk
Keyword(s):  
Recent Decade ◽  
Paper Mill ◽  
Second World War ◽  
World War ◽  
World Heritage List ◽  
The World ◽  
The Status ◽  
History Of ◽  
The City ◽  
Second World

The article is devoted to the evolution of interest in the paper mill in Duszniki-Zdrój for over two centuries. The paper mill was established before 1562, when the Kłodzko region was part of the Kingdom of Bohemia. The mill played an important economic and cultural role for nearly three centuries. It stopped its operations during the great economic crisis and in 1939 was sold to the city of Duszniki. After the Second World War and incorporation of Silesia with the Kłodzko region into Poland, the mill was o fficially recognised as a historic building (listed in 1956) and in 1968 it was turned into the Museum of Papermaking. It 2011 the paper mill was granted the status of a Monument of History, which paved the way for it to be included in the UNESCO list.Interest in the history of the mill dates back to at least the second half of the eighteenth century. In 1789 a detailed history of the mill was published in Beyträge zur Beschreibung von Schlesien by F.A. Zimmermann and a lot of the information included in it at the time still remains relevant. During the following century interest in the history of the mill was shown by J. Kögler and W. Hohaus, and in the early twentieth century — by F. Hössle or B. Maiwald. After the Second World War the history of the mill was studied by many Polish historians, including K. Maleczyńska, M. Kutzner, M. Przyłecki, K. Sarnecki and W. Tomaszewska. The interest in the paper mill and its history has been boosted on an unprecedented scale over the recent decade, after eff orts were launched to have the mill entered in the UNESCO list. The paper mill has been studied by e.g. R. Eysymontt, A. Fortuna-Marek, G. Grajewski, A. Kozieł, R. Sachs, A. Szeląg, B. Szmygin, as well as J. Bałchan and M. Szymczyk, both of whom were associated with the museum. In 2018 the Museum of Papermaking published a Monograph of the Duszniki-Zdrój Paper Mill, which contains the latest fi ndings about the history of the paper mill and which will be used in the nomination for the mill to be included in the World Heritage List.

Turning Aliens into Socialists

2010 ◽  
Vol 1 (1) ◽  
pp. 75-93
Author(s):  
Jessica Moberg
Keyword(s):  
Outer Space ◽  
The United States ◽  
Second World War ◽  
World War ◽  
History Of ◽  
Swedish History ◽  
Second World ◽  
The Universe ◽  
Highly Evolved

Immediately after the Second World War Sweden was struck by a wave of sightings of strange flying objects. In some cases these mass sightings resulted in panic, particularly after authorities failed to identify them. Decades later, these phenomena were interpreted by two members of the Swedish UFO movement, Erland Sandqvist and Gösta Rehn, as alien spaceships, or UFOs. Rehn argued that ‘[t]here is nothing so dramatic in the Swedish history of UFOs as this invasion of alien fly-things’ (Rehn 1969: 50). In this article the interpretation of such sightings proposed by these authors, namely that we are visited by extraterrestrials from outer space, is approached from the perspective of myth theory. According to this mythical theme, not only are we are not alone in the universe, but also the history of humankind has been shaped by encounters with more highly-evolved alien beings. In their modern day form, these kinds of ideas about aliens and UFOs originated in the United States. The reasoning of Sandqvist and Rehn exemplifies the localization process that took place as members of the Swedish UFO movement began to produce their own narratives about aliens and UFOs. The question I will address is: in what ways do these stories change in new contexts? Texts produced by the Swedish UFO movement are analyzed as a case study of this process.

ABCs of the Revolution

2020 ◽  
Vol 17 (3) ◽  
pp. 278-291
Author(s):  
Egor A. Yesyunin
Keyword(s):  
Civil War ◽  
Second World War ◽  
World War ◽  
Special Significance ◽  
Development History ◽  
The People ◽  
Red Army ◽  
History Of ◽  
Second World ◽  
The Revolution

The article is devoted to the satirical agitation ABCs that appeared during the Civil War, which have never previously been identified by researchers as a separate type of agitation art. The ABCs, which used to have the narrow purpose of teaching children to read and write before, became a form of agitation art in the hands of artists and writers. This was facilitated by the fact that ABCs, in contrast to primers, are less loaded with educational material and, accordingly, they have more space for illustrations. The article presents the development history of the agitation ABCs, focusing in detail on four of them: V.V. Mayakovsky’s “Soviet ABC”, D.S. Moor’s “Red Army Soldier’s ABC”, A.I. Strakhov’s “ABC of the Revolution”, and M.M. Cheremnykh’s “Anti-Religious ABC”. There is also briefly considered “Our ABC”: the “TASS Posters” created by various artists during the Second World War. The article highlights the special significance of V.V. Mayakovsky’s first agitation ABC, which later became a reference point for many artists. The authors of the first satirical ABCs of the Civil War period consciously used the traditional form of popular prints, as well as ditties and sayings, in order to create images close to the people. The article focuses on the iconographic connections between the ABCs and posters in the works of D.S. Moor and M.M. Cheremnykh, who transferred their solutions from the posters to the ABCs.

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