scholarly journals What Does “Education” Mean: Cultural Values in Educational Language

2020 ◽  
Vol 3 (2) ◽  
pp. 42-53
Author(s):  
Mark Honegger
Keyword(s):  
Cultural Values ◽  
Research Agenda ◽  
Social Constructs ◽  
Cultural Perspectives ◽  
The World ◽  
The Way

This article will advocate for the use of Natural Semantic Metalanguage (NSM) Theory to research cultural values in Education. It will demonstrate how NSM research can be conducted as it provides explications for the word education. NSM is a research agenda that has identified 65 semantic primes, words that are found in every language of the world and which cannot be defined in terms of any simpler words. If you try to break down a semantic prime like good, you might describe it in terms of words like “positive, pleasing, valued,” all of which turn out to be more complex than good itself. Because primes cannot be decomposed and are universal to every language and every culture, they provide a basis for carrying out cross-linguistic comparisons of meaning and for identifying the cultural perspectives that inform our language and its thought structures. More complicated words, the bulk of any language, are social constructs that are culturally laden, providing deep insights into the way a society thinks.

scholarly journals Haka and Hula Representations in Tourism

2021 ◽  
Author(s):  
◽  
Acushla Deanne O'Carroll
Keyword(s):  
Cultural Values ◽  
Tourism Industry ◽  
Cultural Representations ◽  
The World ◽  
Art Forms ◽  
Insight Into ◽  
The Way

<p>Haka and hula performances tell stories that represent histories, traditions, protocols and customs of the Maori and Hawai'ian people and give insight into their lives and the way that they see the world. The way that haka and hula performances are represented is being tested, as the dynamics of the tourism industry impact upon and influence the art forms. If allowed, these impacts and influences can affect the performances and thus manipulate or change the way that haka and hula are represented. Through an understanding of the impacts and influences of tourism on haka and hula performances, as well as an exploration of the cultures' values, cultural representations effective existence within the tourism industry can be investigated. This thesis will incorporate the perspectives of haka and hula practitioners and discuss the impacts and influences on haka and hula performances in tourism. The research will also explore and discuss the ways in which cultural values and representations can effectively co-exist within tourism.</p>

scholarly journals NILAI BUDAYA DALAM PERIBAHASA KEI TENTANG PENGELOLAAN WILAYAH PESISIR

2012 ◽  
Vol 6 (2) ◽  
Author(s):  
Wilma Akihary
Keyword(s):  
Cultural Values ◽  
Coastal Area ◽  
World View ◽  
Way Of Life ◽  
Mutual Assistance ◽  
The People ◽  
The World ◽  
Way Of Thinking ◽  
The Way

The cultural values that are covered in the way of life is manifested in men’s activities. The cultural values themselves are symbolized through the proverbs. As the expression, the proverb is basically the principle guideline of behavior. Within the proverb is contained a profound experience of the world view as well as the life wisdom that is tightly integrated to the society to which the language belongs. The proverb - known as misil-masal, liat daliat and sukat sarang - is still well recorded and used by Kei community as Kei language speaker.  The people who live in the coastal area especially at the Kei Besar Island are generally the fishermen and farmers.  However, in this research it will  focus on the Kei Besar people’s view in managing their coastal area through the proverbs they use. The uses of words as the expression is closely related to the sea and their way of life especially in connected with fish and boat.  The proverbs which are used by the people in Kei is the summary of their way of thinking about the values of life.  The cultural values in these proverbs are firmness, strength, simplicity, mutual assistance, respect for the elders and leaders, wisdom, thinking before doing, and obedience.<br /><br />Keywords: Nilai Budaya, Peribahasa, Wilayah Pesisir<br /><br />

Ontology of Art

2009 ◽  
Author(s):  
Stephen Davies
Keyword(s):  
Natural Kinds ◽  
Social Constructs ◽  
Music Drama ◽  
Works Of Art ◽  
The Arts ◽  
The World ◽  
Ontology Of Art ◽  
The Way

Ontology is the study of the kinds of things there are in the world. The ontology of art considers the matter, form, and mode in which art exists. Works of art are social constructs in the sense that they are not natural kinds but human creations. The way we categorize them depends on our interests, and to that extent ontology is not easily separated from sociology and ideology. Nevertheless, some classifications and interests are likely to be more revealing of why and how art is created and appreciated. There are a number of traditional classifications of the arts, for instance in terms of their media (stone, words, sounds, paint, etc.), their species (sculpture, literature, music, drama, ballet, etc.), or their styles or contents (tragedy, comedy, surrealism, impressionism, etc.). The ontology of works of art does not map neatly on to these classifications, however.

National Identity in France

2017 ◽  
Author(s):  
Sophie Duchesne
Keyword(s):  
National Identity ◽  
Personal Identity ◽  
Research Agenda ◽  
Blind Spot ◽  
The Political ◽  
Social Scientists ◽  
The World ◽  
Public Debates ◽  
The Way

This chapter deals with the way in which French social scientists study their fellow citizens’ national identity. Following Billig, national identity refers here to the way people feel “emotionally situated” within nations, whatever these emotions are; how and to what extent they believe that being French is part of their personal identity. Over recent decades, social scientists all over the world have investigated the complex feelings citizens have about their nations. In France, however, this issue has been somewhat overlooked. This disparity is a consequence of the political context and the role of social scientists in French public debates, as well as a legacy of Bourdieu’s work which has made them well aware of the power of categorization. As a conclusion, the chapter outlines a research agenda in order to overcome this sociological blind spot.

scholarly journals Colonialismo español: de la visibilidad a la invisibilidad de los guineo-ecuatorianos / Spanish colonialism: from the visibility to the invisibility of the Equatorial Guineans

2020 ◽  
pp. 89-99
Author(s):  
Prudence Kouame
Keyword(s):  
Cultural Values ◽  
Equatorial Guinea ◽  
Spanish Colonialism ◽  
The World ◽  
Common Thread ◽  
The Way

¿Cómo el colonialismo llegó a influir en los Guineo-ecuatorianos al punto de hacerlos invisibles? ¿Cuáles son los métodos a los cuales recurrieron estos últimos para reafirmar su visibilidad? Ante tales preguntas, el objetivo del presente estudio consiste en exponer tanto los elementos que caracterizan la visibilidad de los guineo-ecuatorianos como los que revelan su invisibilidad. La hipótesis que sirve de hilo conductor es que la cultura y las religiones, objetos de su visibilidad, formas de entender el mundo y su vida han sido influenciados por la presencia española. Se utilizan los métodos histórico, explicativo y descriptivo, para descifrar que, tras la conquista y colonización de Guinea Ecuatorial por España, los localestenían sus culturas con características propias, factor de su visibilidad. Pero el colonialismo va a arrinconar estas culturas dando rienda suelta a la cultura española y transformando a los colonizados en objetos de discriminación. Además de negar todas las pautas de vida y del pensamiento del indígena, el colonizador no quiso hacer del colonizado su semejante y portador de valores culturales de su país. Lo que engendró relaciones a veces conflictivas entre ellos. Esto nos conduce a analizar la manera cómo el colonialismo hace invisible al guineo-ecuatoriano y su cultura en su propio territorio, así como los métodos utilizados por las nuevas generaciones para hacerse visibles. How did colonialism come to influence the Equatorial Guineans to the point of making them invisible? What are the methods used by the latter to reaffirm their visibility? Faced with such questions, the objective of this study is to expose both the elements that characterize the visibility of the Equatorial Guineans and those that reveal their invisibility. The hypothesis that serves as a common thread is that culture and religions, objects of its visibility, ways of understanding the world and its life have been influenced by the Spanish presence. The historical, explanatory, and descriptive methods are used to decipher that, after the conquest and colonization of Equatorial Guinea by Spain, the locals had their cultures with their own characteristics, a factor of their visibility. But colonialism is going to corner these cultures giving free rein to Spanish culture and transforming the colonized into objects of discrimination. In addition to denying all the patterns of life and thought of the indigenous, the colonizer did not want to make the colonized his like and bearer of the cultural values of his country. What engendered sometimes conflicting relationships between them. This leads us to analyze the way in which colonialism makes the Ecuadorian-Guinean and their culture invisible in their own territory, as well as the methods used by the new generations to make themselves visible.

scholarly journals Haka and Hula Representations in Tourism

2021 ◽  
Author(s):  
◽  
Acushla Deanne O'Carroll
Keyword(s):  
Cultural Values ◽  
Tourism Industry ◽  
Cultural Representations ◽  
The World ◽  
Art Forms ◽  
Insight Into ◽  
The Way

<p>Haka and hula performances tell stories that represent histories, traditions, protocols and customs of the Maori and Hawai'ian people and give insight into their lives and the way that they see the world. The way that haka and hula performances are represented is being tested, as the dynamics of the tourism industry impact upon and influence the art forms. If allowed, these impacts and influences can affect the performances and thus manipulate or change the way that haka and hula are represented. Through an understanding of the impacts and influences of tourism on haka and hula performances, as well as an exploration of the cultures' values, cultural representations effective existence within the tourism industry can be investigated. This thesis will incorporate the perspectives of haka and hula practitioners and discuss the impacts and influences on haka and hula performances in tourism. The research will also explore and discuss the ways in which cultural values and representations can effectively co-exist within tourism.</p>

Becoming Politicized

2017 ◽  
Vol 225 (4) ◽  
pp. 324-335 ◽  
Author(s):  
Dimitrios Barkas ◽  
Xenia Chryssochoou
Keyword(s):  
Collective Identity ◽  
Political Socialization ◽  
Greek Society ◽  
Economic Vulnerability ◽  
The World ◽  
The Future ◽  
Identity Model ◽  
Beliefs About The Future ◽  
Of Greece ◽  
The Way

Abstract. This research took place just after the end of the protests following the killing of a 16-year-old boy by a policeman in Greece in December 2008. Participants (N = 224) were 16-year-olds in different schools in Attiki. Informed by the Politicized Collective Identity Model ( Simon & Klandermans, 2001 ), a questionnaire measuring grievances, adversarial attributions, emotions, vulnerability, identifications with students and activists, and questions about justice and Greek society in the future, as well as about youngsters’ participation in different actions, was completed. Four profiles of the participants emerged from a cluster analysis using representations of the conflict, emotions, and identifications with activists and students. These profiles differed on beliefs about the future of Greece, participants’ economic vulnerability, and forms of participation. Importantly, the clusters corresponded to students from schools of different socioeconomic areas. The results indicate that the way young people interpret the events and the context, their levels of identification, and the way they represent society are important factors of their political socialization that impacts on their forms of participation. Political socialization seems to be related to youngsters’ position in society which probably constitutes an important anchoring point of their interpretation of the world.

Restrained Airs: The Diegetic Surface and Nondiegetic Depth of British Film Music

2019 ◽  
Vol 16 (4) ◽  
pp. 429-443
Author(s):  
Paul Mazey
Keyword(s):  
Film Music ◽  
The World ◽  
British Cinema ◽  
Film Making ◽  
The Way

This article considers how pre-existing music has been employed in British cinema, paying particular attention to the diegetic/nondiegetic boundary and notions of restraint. It explores the significance of the distinction between diegetic music, which exists in the world of the narrative, and nondiegetic music, which does not. It analyses the use of pre-existing operatic music in two British films of the same era and genre: Kind Hearts and Coronets (1949) and The Importance of Being Earnest (1952), and demonstrates how seemingly subtle variations in the way music is used in these films produce markedly different effects. Specifically, it investigates the meaning of the music in its original context and finds that only when this bears a narrative relevance to the film does it cross from the diegetic to the nondiegetic plane. This reveals that whereas music restricted to the diegetic plane may express the outward projection of the characters' emotions, music also heard on the nondiegetic track may reveal a deeper truth about their feelings. In this way, the meaning of the music varies depending upon how it is used. While these two films may differ in whether or not their pre-existing music occupies a nondiegetic or diegetic position in relation to the narrative, both are characteristic of this era of British film-making in using music in an understated manner which expresses a sense of emotional restraint and which marks the films with a particularly British inflection.

Profilometry. Using Corneo-scleral topography for scleral lens fitting

The Eye ◽  
2019 ◽  
Vol 21 (128) ◽  
pp. 19-22
Author(s):  
Gregory DeNaeyer
Keyword(s):  
Ocular Surface ◽  
World Wide ◽  
Contact Lenses ◽  
The Past ◽  
The World ◽  
The Future ◽  
The Way

The world-wide use of scleral contact lenses has dramatically increased over the past 10 year and has changed the way that we manage patients with corneal irregularity. Successfully fitting them can be challenging especially for eyes that have significant asymmetries of the cornea or sclera. The future of scleral lens fitting is utilizing corneo-scleral topography to accurately measure the anterior ocular surface and then using software to design lenses that identically match the scleral surface and evenly vault the cornea. This process allows the practitioner to efficiently fit a customized scleral lens that successfully provides the patient with comfortable wear and improved vision.

Impact of Social Media on English Language: A Review

2015 ◽  
Vol 3 (3) ◽  
pp. 5
Author(s):  
Dr. Neha Sharma
Keyword(s):  
Social Media ◽  
Cultural Values ◽  
English Language ◽  
Major Influence ◽  
International Level ◽  
Class Society ◽  
The World ◽  
The Status ◽  
The Media ◽  
Subsequent Rise

Language being a potent vehicle of transmitting cultural values, norms and beliefs remains a central factor in determining the status of any nation. India is a multilingual country which tends to encourage people to use English at national and international level. Basically English in India owes its presence to the British but its subsequent rise is not fully attributable to the British. It has now become the language of wider communication which is now spoken by large number of people all over the world. It is influenced by many factors such as class, society, developments in science and technology etc. However the major influence on English language is and has been the media.

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