Caring for fugitive imaginations
Abstract In this essay, Robin Vanbesien reflects on his artistic approach of ‘co-elaboration’ with regard to the social imagination of the former youth centre Rzoezie (1978-2006) in Mechelen. As he explains, he aims to preserve the ‘Rzoezie imagination’ in his film the wasp and the weather (2019, 19’) as a distinctly sensuous matter, so that its ‘poetics of care’ can remain insurgent and fugitive.
2020 ◽
Vol ahead-of-print
(ahead-of-print)
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2019 ◽
Vol 13
(4)
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pp. 524-530
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2015 ◽
Vol 19
(2)
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pp. 351-371
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2019 ◽
Vol 28
(4)
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pp. 434-445
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2019 ◽
Vol 11
(2)
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pp. 165-180
2014 ◽
Vol 5
(3)
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pp. 198-218
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2017 ◽
Vol 15
(3)
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pp. 213-231
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2017 ◽
Vol 11
(4)
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pp. 551-572
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