scholarly journals A Case Study on Auto Socialization in Online Platforms

2017 ◽  
Vol 09 (01) ◽  
pp. 01-10 ◽  
Author(s):  
Lars Aagaard-Kirkeby
Keyword(s):  
2021 ◽  
pp. 016344372199453
Author(s):  
Antonios Vlassis

The article proposes to consider the COVID-19 global pandemic as new major development for cultural industries and policies and to highlight timely and crucial trends due to the lockdown measures. Thus, it attempts to stimulate the scholarship debate regarding the consequences of the pandemic to the action of global online platforms, as well as to policy and economic aspects of cultural sectors. Taking as case study the audio-visual sector, the article explores whether the US global streaming platforms are the winning players of the lockdown measures and emphasizes the multifaceted strategies developed by US-based platforms in order to strengthen their soft power. Focusing on China and the European Union, the article also argues that the overwhelming action of US-based online platforms triggers the potential emergence of media platform regionalization in the context of COVID-19 pandemic. Finally, it highlights the regulatory challenges and how the new empirical trends are expected to shape the current audio-visual policy framework. The analysis focuses on the period between the beginning of global pandemic in Asia-Pacific in January 2020 and the progressive easing of lockdown measures in North America, Europe and Asia-Pacific in July 2020.


2020 ◽  
Vol 32 (1) ◽  
pp. 20-41
Author(s):  
Jose Orlando Montes ◽  
F. Xavier Olleros

PurposeThis article explores a particular on-demand fabrication unit, the microfactory (MF). It identifies and contrasts several MFs and proposes a taxonomy. This research also explores online manufacturing platforms (OMP) that complement certain MFs.Design/methodology/approachThis research implements a multiple case study (71 cases in 21 countries), triangulating data available on the web with interviews, virtual/physical tours and experiential research.FindingsThe results suggest that automation and openness are the main dimensions that differentiate the MFs. Using these dimensions, a taxonomy of MFs is created. MFs with relatively low automation and high openness tend to be innovation-driven microfactories (IDMFs). MFs with high automation and low openness levels tend to be customization-driven microfactories (CDMFs). And MFs with relatively low automation and low openness tend to be classic machine shops (MSs). There are two types of OMP: closed (COMPs) and multisided (MOMPs). MOMPs can be low-end or high-end.Practical implicationsIn a world where online platforms are becoming central to the reinvention of manufacturing, multisided online platforms and small fabricators will become strongly symbiotic.Originality/valueThis paper offers a clearer conceptualization of MFs and OMPs, which may help to better understand the reality of local on-demand fabrication. Moreover, it explores a new type of experiential research, which tries to describe and interpret firms through transactional activities. Many details of a firm that are difficult to capture via interviews and netnography can be revealed this way.


2015 ◽  
Vol 73 (2) ◽  
Author(s):  
Nabil Hasan ◽  
Azizah Abdul Rahman ◽  
Faisal Saeed

The involvement of stakeholders in value creation is one of the successful marketing techniques. It helps to introduce a very clear view of understanding the stakeholder’s needs, thought and suggestions. Stakeholder engagement in value creation will highlight the fact that new ideas for developing services or products will help to meet customer’s needs and expectations. Ideation is one of the most important strategies that lead to development of such services, enhancing service quality and innovation. Motivation for generating ideas from stakeholders in Higher Educational Institutions (HEIs) through online interaction platforms is one of the challenges that needs further exploration, because of  human differences in the nature of motivation and mindset. Universiti Teknologi Malaysia (UTM) idea bank online platform is adopted as a case study in this research paper. The main aim of this study is to identify the factors that encourage stakeholders in HEIs to be continuously involved in value co-creation through available online platforms. Interviews with sample of active stakeholders have been conducted using open end questions. In addition, observation on idea bank website and analyzing the archive and website history is considered. The initial results identify three areas of motivations for value co-creation in HEIs: organizational motives, online platform characteristics, individual motives. Results and implications for this case study will help HEIs such as universities achieve better global market positioning, to differentiate themselves among others, and to develop stakeholder’s competencies.  


2016 ◽  
Vol 72 (6) ◽  
pp. 1027-1051 ◽  
Author(s):  
Nadine Desrochers ◽  
Audrey Laplante ◽  
Kim Martin ◽  
Anabel Quan-Haase ◽  
Louise Spiteri

Purpose Most studies pertaining to social tagging focus on one platform or platform type, thus limiting the scope of their findings. The purpose of this paper is to explore social tagging practices across four platforms in relation to cultural products associated with the book Casino Royale, by Ian Fleming. Design/methodology/approach A layered and nested case study approach was used to analyse data from four online platforms: Goodreads, Last.fm, WordPress, and public library social discovery platforms. The top-level case study focuses on the book Casino Royale, by Ian Fleming and its derivative products. The analysis of tagging practices in each of the four online platforms is nested within the top-level case study. Casino Royale was conceptualized as a cultural product (the book), its derived products (e.g. movies, theme songs), as well as a keyword in blogs. A qualitative, inductive, and context-specific approach was chosen to identify commonalities in tagging practices across platforms whilst taking into account the uniqueness of each platform. Findings The four platforms comprise different communities of users, each platform with its own cultural norms and tagging practices. Traditional access points in the library catalogues focused on the subject, location, and fictitious characters of the book. User-generated content across the four platforms emphasized historical events and periods related to the book, and highlighted more subjective access points, such as recommendations, tone, mood, reaction, and reading experience. Revealing shifts occur in the tags between the original book and its cultural derivatives: Goodreads and library catalogues focus almost exclusively on the book, while Last.fm and WordPress make in addition cross-references to a wider range of different cultural products, including books, movies, and music. The analyses also yield apparent similarities in certain platforms, such as recurring terms, phrasing and composite or multifaceted tags, as well as a strong presence of genre-related terms for the book and music. Originality/value The layered and nested case study approach presents a more comprehensive theoretical viewpoint and methodological framework by which to explore the study of user-generated metadata pertaining to a range of related cultural products across a variety of online platforms.


2017 ◽  
Vol 3 (2) ◽  
pp. 1 ◽  
Author(s):  
Kim Barbour ◽  
Katja Lee ◽  
Christopher Moore

<p>In the last issue’s editorial, “Five Dimensions of Online Persona” (Moore, Barbour and Lee 2017), we turned our attention to the proliferation of public identities through online platforms, and traced key nodes of research that inform how we think about and theorise online personas. We also proposed and outlined five primary dimensions to the online persona that we characterised as public, mediatised, performative, collective, and having intentional value. The scope of that work was deliberately broad and far-reaching—we envisioned that piece as neither tool nor template but, we hoped, a conceptual starting point for further thinking and research.</p><p>In this editorial we seek to continue that work by putting these theoretical foundations and concepts into practice through a study of the persona work of Instagram. This work constitutes, in many cases, significant labour: decisions are made and remade around sharing different types of images, along with the use of hashtags, framing, timing, filters, captions, or tags. Abidin (2016, p. 90) describes this as “visibility labour”, which is “the work individuals do when they self-posture and curate their self-presentations so as to be noticeable and positively prominent” to their audiences or micro-publics, and notes that the labour itself becomes invisible in the persona creation process. This distributed visibility labour forms the basis of persona work, where users and their micro-publics, in conjunction with the platform and the algorithms that drive it, are continually iterating on the persona that is produced. </p>


2015 ◽  
Vol 43 (120) ◽  
pp. 103-124
Author(s):  
Carsten Stage

The article investigates how new forms of illness communication online are challenging the famous ’sick role’ described by Talcott Parsons in favour of more activist, participatory and entrepreneurial illness voices. The article more specifically makes a case study of online platforms made by the English blogger Stephen Sutton and it discusses his extremely positive and spirited way of handling a life threatening cancer disease, which resulted in the crowdfunding of almost five million GBP for the Teenage Cancer Trust. The concepts of ’biological citizenship’ from Nikolas Rose and ’affective labor’ from Michael Hardt are used to establish an analytical framework able to grasp the dilemmas related to the case and to the rising tendency of intertwining intimate pathographies with social, economical or political projects. These concepts are chosen because they allow the researcher to affirm the positive discursive, affective and economical consequences of Sutton’s work, while also reflecting on the way the maintenance of vitality, happiness and hope, as key components of contemporary biopolitics, are possibly affecting and transforming current illness practices.


2021 ◽  
Vol 14 (3) ◽  
Author(s):  
Xiaowen Gao

To mitigate the problems of lack of preparedness and lack of a sense of learning community associated with online learning, this case study illustrates how a range of technologies including online platforms and educational tools may be integrated to assist purposeful engagement with learners for active learning to ensue. This case is based on an undergraduate module delivered virtually to three TNE partner institutions in China. Zoom, Mentimeter and WeChat were adopted to help with cognitive and affective engagement by the students. While this design is focused on online delivery, there is also an important implication for classroom-based teaching in achieving purposeful engagement with students.


2021 ◽  
Vol 58 (1) ◽  
pp. 3142-3148
Author(s):  
Sima Fareed Abed Al-Hadi Et al.

This paper documents several key contributions made to the field of psychology and education. The main aim of this paper is to investigate the psychological pressures resulting from the Israeli military checkpoints on Palestinian university students who are passing through Azzun area to their university. The study focused on the negative impact of Israeli checkpoints on their daily life routine at the university such as their academic plans, intended goals, and time organizations. The researchers adopt the qualitative approach for this study. The sample of the study included (5) students of both genders who were randomly selected for this study. For data collection, the researchers used semi-structured interviews to identify the opinion of the study sample regarding the questions of the study. The researchers developed four main questions to collect data comprehensively. The results of the study show that Israeli checkpoints are considered their main concern every single day they come to university. The stay sample agreed among themselves on the fact that checkpoints cause headache, tension, low-academic achievements, and frustration. The study recommended An-Najah National University to facilitate their needs in case they miss an exam or arrive late at the university. Furthermore, the study recommended using technology to support and assist those who face psychological pressure through online platforms.


2021 ◽  
pp. 167-181
Author(s):  
Timm Teubner ◽  
Marc T. P. Adam ◽  
Florian Hawlitschek

AbstractOnline user representation (UR) is a cornerstone of platform-mediated interactions within the sharing economy. While the general usefulness of UR artifacts for facilitating online and offline interactions is widely acknowledged and understood, the underlying mechanisms and operating principles often require a more detailed analysis. In this chapter, we thus introduce a systematic framework grounded in signaling and social presence theory for analyzing UR artifacts for online platforms in general—and the sharing economy in particular. We apply our framework as a structural lens in a case study on user profiles on Airbnb, unveiling structural similarities and differences between the opposing market sides. We discuss our findings against the backdrop of emerging information systems research directions and suggest paths for future work on the sharing economy.


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