Glose despre limbajul poetic

Transilvania ◽  
2021 ◽  
pp. 28-31
Author(s):  
Dumitru Chioaru
Keyword(s):  
Twentieth Century ◽  
Poetic Language

The author presents some of the modern poetic language theories from the twentieth century. He begins with the idea that poetry, as a particular art of discourse, was (and still is) described alongside prose, with a difference in the use of language, with several close-ups and departures, in relation to the double intention of communication of language: reflexive or transitive.

Towards a Minor Poetry: Reading Twentieth-Century French Poetry with Deleuze–Guattari and Bakhtin

Paragraph ◽  
2019 ◽  
Vol 42 (2) ◽  
pp. 135-153
Author(s):  
Daisy Sainsbury
Keyword(s):  
Twentieth Century ◽  
French Language ◽  
Poetic Language ◽  
Minor Literature ◽  
Language System ◽  
Poetic Discourse ◽  
Poetry Reading ◽  
Century Poetry ◽  
Definition Of ◽  
A Minor

Drawing on Deleuze and Guattari's analysis of minor literature, deterritorialization and agrammaticality, this article explores the possibility of a ‘minor poetry’, considering various interpretations of the term, and interrogating the value of the distinction between minor poetry and minor literature. The article considers Bakhtin's work, which offers several parallels to Deleuze and Guattari's in its consideration of the language system and the place of literature within it, but which also addresses questions of genre. It pursues Christian Prigent's hypothesis, in contrast to Bakhtin's account of poetic discourse, that Deleuze and Guattari's notion of deterritorialization might offer a definition of poetic language. Considering the work of two French-language poets, Ghérasim Luca and Olivier Cadiot, the article argues that the term ‘minor poetry’ gains an additional relevance for experimental twentieth-century poetry which grapples with its own generic identity, deterritorializing established conceptions of poetry, and making ‘minor’ the major poetic discourses on which it is contingent.

scholarly journals 'Salimu': from Memory to Literary Narrative in Twentieth-Century manding Culture

Afrika Focus ◽  
2019 ◽  
Vol 32 (1) ◽  
Author(s):  
Tai Tamari
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Literary Genre ◽  
Late Nineteenth Century ◽  
Poetic Language ◽  
Language Alternation ◽  
Late Nineteenth ◽  
Instrumental Accompaniment ◽  
The Village ◽  
Literary Narrative

This essay explores the creation of new literary narratives, many inspired by true incidents, from the late nineteenth century to the present, among Manding- (specifically Maninka-) speakers in Mali and Guinea. It simultaneously queries the relationships between Manding and Western literary categories, showing that the traits typically associated with African ‘epics’ – including poetic language, alternation of sung and recited passages to continuous instrumental accompaniment, and multi-generic qualities – characterise some (but not all) examples of several distinct Manding literary categories (fasa, tariku and maana); furthermore, these traits appear in narratives of various lengths, centred on sentimental as well as heroic themes. It then focuses on the stories and songs inspired by the apparently contradictory personality of Salimou Haidara (ca. 1930-1991), an eccentric who claimed sharifian descent. A performance by Amadou Kouyaté and Jekoriya Doumbia, a bard couple based in the village of Dabadou near Kankan (Guinea), is transcribed, translated, and analysed1. KEYWORDS: EPIC, LITERARY GENRE, GRIOTS, MANINKA, KANKAN (GUINEA), CHEIKH MOUHAMMAD CHÉRIF

The neglect of desire

2020 ◽  
pp. 25-61
Author(s):  
Sam Hole
Keyword(s):  
Twentieth Century ◽  
Cultural Context ◽  
Theological Anthropology ◽  
Mystical Experience ◽  
Spiritual Life ◽  
Literary Studies ◽  
Poetic Language ◽  
Disciplinary Boundaries ◽  
Early Twentieth Century

Chapter 1 examines the intellectual, ecclesial, and wider cultural context underpinning the diverse modern interpretations of John’s thought. Twentieth-century studies of John, for all their methodological variety, have been dominated by three traditions of interpretation that have only grasped partial elements in his teaching, important though these elements are. These traditions have emphasized the importance of ‘affectivity’ in the spiritual life, the meanings of ‘mysticism’ or ‘mystical experience’, and the theological significance of John’s poetic language. Each strand of thought, however, originates from particular early twentieth-century theological and philosophical commitments whose legacy continues to inform present-day reading of John. Recognition of the extent to which previous works have been shaped by disciplinary boundaries that took their shape in the last century enables a renewed appreciation of John’s theology on its own terms. Through this insight aspects of his work that have all too often been split between spirituality, mysticism, literary studies, and theological anthropology—in particular, his creative reworking of the notion of desire—may be better appreciated.

Антитези і парадокси у поезії. До 110 роковин з дня народження Б. І. Антонича

2019 ◽  
Vol 7 ◽  
pp. 137-147
Author(s):  
Lidia Stefanowska
Keyword(s):  
Twentieth Century ◽  
Personal Experience ◽  
Meaning Of Life ◽  
Premature Death ◽  
Literary Canon ◽  
Poetic Language ◽  
Literary Critic ◽  
National Interests ◽  
Human Need

Bohdan Ihor Antonych was one of the most remarkable modernist Ukrainian poets of the twentieth century. He left an extraordinary lite rary legacy with just a handful of books of published poetry despite his premature death at the age of twenty-eight in 1937. He was a poet, literary critic, translator, and journalist. From the outset of his literary career, in the context of western Ukrainian literature, his poetry had a diff erent sound and texture to it. Antonych’s literary interests were unconventional for his milieu: he concerned himself with the metaphysical, philosophical, and metapoetic issues. The power of his accomplishment is that he restored the human need, suppressed by centuries of colonization, for metaphysical, non-political meditation on the meaning of life, eternity and art, rather than -- as it was in a previous Ukrainian literary canon -- in the name of national interests, where literature had to play a didactic role designed to amplify the patriotic feelings of a reader. Antonych mastered the poetic language of antithesis and paradoxes, and by using it he rises from the level of personal experience to that of a universal archetype.

scholarly journals Riding's poetry in the Theory of Gynocriticism

2017 ◽  
Vol 8 (2) ◽  
pp. 627-632
Author(s):  
Tahmineh Kord Gharachorlou ◽  
Javad Yaghobi Derabi
Keyword(s):  
Twentieth Century ◽  
The Other ◽  
Poetic Language ◽  
Early Twentieth Century ◽  
Female Phase

Laura Riding Jackson is one of the influential poets of the early twentieth century in America. As a matter of fact, it is for her poetry, however, that Riding is best known, and her poems reflect her commitment to write with truth. In the other words, she knows poetry a process of a degree of awareness to recognize the capacity to know selfhood. Further, her accuracy as a writer lies in her extreme seriousness about the act of writing poems, with no attention to the outside. Nevertheless, the critics know her poems as a game, not something valuable to consider. Therefore, in the heart of traditional poetic language of masculinity, she continues her way of 'female phase' of Showalter, toward poetic history. Showalter's gynocritism is a framework for women in which a woman can judge a woman's literature womanly. Present research is looking at Laura Riding Jackson's some poems through Showalter's cultural view of 'female phase' of her gynocriticism.

scholarly journals Poetic Language and the Computer: A Corpus Stylistic Study of The Waste Land

2021 ◽  
Vol 3 (1) ◽  
pp. 230-239
Author(s):  
Eman Adil Jaafar
Keyword(s):  
Twentieth Century ◽  
Qualitative Method ◽  
Poetic Language ◽  
The Waste Land ◽  
Qualitative And Quantitative ◽  
Waste Land ◽  
Corpus Stylistics ◽  
Semantic Domains ◽  
Corpus Tools

This study aims at proposing a methodology in analyzing one of the significant poems of the twentieth century, The Waste Land by T.S. Eliot. By means of applying the tools of the computer, namely; Wmatrix (Rayson 2003, 2008) and WebCorp Live (Birmingham City University). This paper seeks to examine whether corpus stylistics can be helpful in analyzing a single poem 2. Verifying the importance of corpus tools in interpreting poetic language. Moreover, this study attempts to examine key semantic domains, keywords, and concordances in the poem. This study proves that corpus tools are crucial in matters of saving time, reaching to accurate results and achieving much more objectivity than applying only the qualitative method in analyzing the data. Thus, it is recommended to integrate both methodologies (qualitative and quantitative) in the study of poetic language.

scholarly journals Quote in a Poetic Text

2019 ◽  
pp. 130-137
Author(s):  
Anatolii Moisiienko
Keyword(s):  
Twentieth Century ◽  
Poetic Language ◽  
Poetic Text

The book review: Suta G. M. The Quote Thesaurus of Ukrainian Poetic Language of the Twentieth Century (Kyiv : KMM, 2017. 328 p.)

Irish Poets: Keepers of National Lore

2019 ◽  
Vol 58 (1) ◽  
pp. 43-54
Author(s):  
Asst. Prof. Dr. Amal Nasser Frag
Keyword(s):  
Twentieth Century ◽  
World Literature ◽  
Mother Tongue ◽  
Poetic Language ◽  
Irish People ◽  
Literary Renaissance ◽  
Language Literature

This paper discusses three noteable Irish poets: Augustine Joseph Clarke (1896-1974), Richard Murphy  (1927- ), and Patrick  Kavanagh  (1904–1967), who are considered as keepers of national lore of Irland. It explains these poets’ contribution to world literature through the renewal of Irish myths, history, and culture. Irish poets tackle the problems of Irish people in the present in a realistic way by criticising the restrictions imposed on the Irish people in their society.Augustine Joseph Clarke’s poems present a deep invocation of Irish past and landscape. While Richard Murphy offers recurring images of islands and the sea. He explores the personal and communal legacies of history, as many of his poems reveal his attempts to reconcile his Anglo-Irish background and education with his boyhood desire to be, in his words, “truly Irish”. Patrick  Kavanagh was not interested in the Irish Literary Renaissance Movement that appeared and continued to influence many Irish writers during the twentieth century which called for the revival of ancient Irish culture, language, literature, and art. He, unlike the Irish revivalists who tried to revive the Gaelic language as the mother tongue of the Irish people like Dillon Johnston and Guinn Batten, uses a poetic language based on the day-to-day speech of the poet and his community rather than on an ideal of compensation for the fractures in his country’s linguistic heritage. The paper conculdes with the importance of the role of the Irish poet as a keeper and a gurdian of his national lore and tradition

Ungaretti, Giuseppe (1888–1970)

2018 ◽  
Author(s):  
Elena Fabietti
Keyword(s):  
Twentieth Century ◽  
Bilingual Education ◽  
Henri Bergson ◽  
Pablo Picasso ◽  
Poetic Language ◽  
Blank Space ◽  
Avant Garde ◽  
Guillaume Apollinaire ◽  
Italian Author ◽  
Giuseppe Ungaretti

Giuseppe Ungaretti was a major Italian author of the first half of the twentieth century. In his poetry he achieves a massive reinvention of Italian poetic language, abolishing punctuation, dismembering syntax and fragmenting the verse into single verbal units. Words acquire a completely new relevance and density, which counterweigh the abundance of silence and blank space, in ways that resonate with the models of Symbolism and the avant-garde, without coinciding with these. Born in Alexandria in Egypt in 1888 as the son of an emigrant family, Ungaretti received a bilingual education in Italian and French. After moving to Paris in 1912, he became part of Parisian intellectual and poetic life, attended classes at the Sorbonne and came into contact with all major cultural personalities of the time, such as Henri Bergson, Guillaume Apollinaire, Pablo Picasso, and the Italian futurists, among others.

scholarly journals ‘Salimu’: From Memory to Literary Narrative in Twentieth-Century Manding Culture

Afrika Focus ◽  
2019 ◽  
Vol 32 (1) ◽  
pp. 89-124
Author(s):  
Tal Tamari
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Late Nineteenth Century ◽  
Poetic Language ◽  
Language Alternation ◽  
Late Nineteenth ◽  
The Creation ◽  
Instrumental Accompaniment ◽  
The Village ◽  
Literary Narrative

This essay explores the creation of new literary narratives, many inspired by true incidents, from the late nineteenth century to the present, among Manding- (specifically Maninka-) speakers in Mali and Guinea. It simultaneously queries the relationships between Manding and Western literary categories, showing that the traits typically associated with African ‘epics’ – including poetic language, alternation of sung and recited passages to continuous instrumental accompaniment, and multi-generic qualities – characterise some (but not all) examples of several distinct Manding literary categories (fasa, tariku and maana); furthermore, these traits appear in narratives of various lengths, centred on sentimental as well as heroic themes. It then focuses on the stories and songs inspired by the apparently contradictory personality of Salimou Haidara (ca. 1930-1991), an eccentric who claimed sharifian descent. A performance by Amadou Kouyaté and Jekoriya Doumbia, a bard couple based in the village of Dabadou near Kankan (Guinea), is transcribed, translated, and analysed.

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