Alexa, what was an archive?

Tábula ◽  
2021 ◽  
pp. 19-22
Author(s):  
Alejandro Delgado Gómez ◽  
Lluís-Esteve Casellas i Serra ◽  
Luis M. Hernández Olivera

The evolution of the Archival Science has often taken place in difficult times, because of the frequent social, economic, cultural and political crises which it has encountered and which as well, have helped to shape it, not allowing us however, to speak of a crisis typical of the Archival Science. After all, it must be difficult to begin a construction in the course of different revolutions, some world wars, the emergence of the contemporary avant-garde, the crisis of ‘29, the disappearance of the Big Science, the emergence of various countercultures, the expansion of democracy or sexual liberation: it might be regarded as an abrupt birth, but not because it would be involved in such crises, but because of its ability to be immersed in the richness of those around it.

2021 ◽  
Vol 12 (3) ◽  
pp. 94
Author(s):  
Bilal A. Al-Adaileh ◽  
Lana J. Kreishan

This study is aimed at investigating the illocutionary forces of car stickers in Jordan as an under-researched area of Arabic pragmatics. The study is based on authentic data collected over a year as found displayed on cars in the south, mid and north of Jordan. The data collected were found to display a wide range of social, romantic and economic functions including displaying vehicle size and brand, protection against envy, disappointment and betrayal, giving advice, displaying love and romantic challenges, crises and car stickers aimed at attracting others’ attention. Stickers used as a protective measure against evil eye were found to be the most frequently used stickers in our data (32.65%). Though car stickers are equated with amusement and humor, they are used nowadays as a tool to indirectly criticize social, economic and political crises, and this could reflect the social and economic challenges of life. The overwhelmingly rhythmic car stickers examined in the study were found to be instances of decodable expressions whose overall meanings could be recovered by sticker readers.


2017 ◽  
Vol 42 (3) ◽  
pp. 245-248
Author(s):  
PAUL RAE

One of the most forbidding and yet rewarding challenges in a substantive internationalization of arts scholarship is accounting for the experience and passage of time. The extent to which developments in theatre and performance over the past 150 years have been tied up with the larger social, economic and technological transformations reflexively understood as ‘modernity’ is a key reason an international journal readership is able to find interest and value in scholarship on performances they may not have seen, that are practised in places they have never been. At the same time, any such research – it is tempting to say ‘from outside the West’, but in fact the requirement holds everywhere – must register how the work under discussion complicates an otherwise oversimplified narrative of developmental modernity. This narrative treats a homogenized industrial and postindustrial ‘West’ as having led the way and established a model for how other parts of the world would modernize subsequently. The assumption is quickened in discussions of art because arguably one characteristic of those transformations as they happened in numerous centres of Euro-American power was the role that artists played in giving them aesthetic form and expressing their meanings. This is prominent in the emergence of modernism and the avant-garde, and it is logical that in recent times scholars of modernism have been particularly energetic in questioning the developmental narrative and demonstrating not only how such phenomena were constitutively reliant on processes elsewhere, but also how artistic developments everywhere both informed each other (often inequably) and manifested local and highly contingent characteristics.


Popular Music ◽  
2020 ◽  
Vol 39 (3-4) ◽  
pp. 401-419
Author(s):  
Marcus Collins

AbstractThe debate over the cultural value of the Beatles was as vehement as it was significant in 1960s and early 1970s Britain. Lennon and McCartney's early compositions received some early critical plaudits, Sgt. Pepper sought to blur distinctions between high and low culture and the band members’ side projects forged links with the avant garde. To accept the Beatles as artists, however, required critics to rethink how art was created, disseminated and evaluated and how it interacted with contemporary social, economic and technological change. This article makes extensive use of contemporary journalism, scholarship and fan literature, much of it unstudied, to demonstrate that the rethinking process was contested and protracted. No consensus emerged. Claims made for their artistry, which contributed to a wider discourse elevating ‘rock’ over ‘pop’, were countered by cultural conservatives who defended their own status as artists and intellectuals by exposing the Beatles as kitsch.


2017 ◽  
Vol 4 (1) ◽  
pp. 36-43
Author(s):  
Tatiane De Oliveira Elias

ABSTRACTThe Brazilian dictatorship (1964-1984) directly influenced Brazilian arts. Various artists addressed death, torture, and riot scenes in their works. This era of upheaval and oppression played an important role in Brazilian visual art, films, music, theater, literature and politics and is very important to understand avant-garde art of the time and the pronounced changes of the arts in general. In this paper I will examine the ways in which Brazilian artists have expressed and responded to the social, economic and political crisis of dictatorship. Moreover they resisted American cultural imperialism and displayed culture and social realities of Brazil.RESUMOHélio Oiticica (1937-1980) foi um artista brasileiro contemporâneo. Ele fez obras abstratas, performance, instalação, fotografia e filmes. Sua obra se insere em uma época em que o Brasil estava se modernizando com acontecimentos como, por exemplo, a construção de Brasília; a primeira Bienal de Artes de São Paulo; a presença de Max Bill (artista suíço) no Brasil.Oiticica esteve em Sussex em 1969 e em Nova Iorque no decorrer dos anos 70 e retornou ao Brasil (1978). O artista pôs sua obra - contextualizada entre os anos 50 a 80 - em contato com o meio social das favelas do Rio de Janeiro, com a escola de samba da Mangueira e com a criminalidade do Rio. Todos estes fatores apresentaram uma relação com sua obra.


2020 ◽  
Vol 8 (3) ◽  
Author(s):  
Maria A. Erofeeva ◽  
Evgeniya O. Rueva ◽  
Andrey A. Aryamov ◽  
Viktor P. Bodaevsky ◽  
Tatyana Y. Novikova ◽  
...  

In conditions of the current development of society which is characterized by mounting social, economic and political crises, the problem of destructive behavior of an individual acquires special significance and topicality. The paper presents the results of a theoretical and methodological analysis of this problem in foreign and domestic literature in several areas: analysis of the attitude of society towards destructive behavior in its historical aspect; philosophical and theological approach; sociological and demographic areas in the study of destructive behavior, biological and biochemical; genetic approaches; psychological and socio-psychological aspects in the study of destructive behavior of a person. In view of the analysis of various approaches and areas in the study of destructive behavior, the conclusions have been drawn that destructive behavior is represented as a complex phenomenon, caused by biological factors (genetic predisposition, constitutional features of the body structure, the use of psychoactive substances, etc.), social (economic and social crises ), psychopathological (connection with mental disorders), psychological (especially the system of needs and motives of activity), socio-psychological (the impact of socio-psychological maladaptation and characteristics of the values and meaning sphere of an individual) plans. These factors are interconnected and each of them has its own specific role in the complex of destructive behavior, and therefore it is impossible to obtain a holistic view of the phenomenon under consideration taken separately from the entire system of interconnected components.


Author(s):  
Boris Bursać

At the very end of colonial rule, UK established Islam and Christianity in Nigeria as the two dominant religions with the middle belt region of Nigeria as the battle ground. Before their final departure, they secured and formed several ethnic and religious lines, which in the postcolonial era were used by political elites as a way to fight for state power. As such, on the basis of the abuse of political and religious elites, and on the basis of ethnic, religious and regional divisions, a deeply fragmented Nigeria as we know it today emerged. With colonial domination, sudden transitions, the power of society was destroyed to such an extent that it became incapable of regulating human passion. The situation is further heated by leading elites who manipulate religious identity, where as a result appears that the north of Nigeria, mostly Muslim, tends to Islamize the whole Nigeria, and the south, mostly Christian, strives to defend Christianity and the constitutional secularism of the state. In such a situation, religion, instead of calming passions and tensions, thanks to its leaders, opens the way to conflict, violence, extremism, and, finally, terrorism. The central understanding of the formation of the identity of religion and its transformation from conflict to violence is the rise of religious extremism throughout the country. Extremist groups show significant intolerance towards members of their own and other religions, react to social, economic and political crises of Nigerian politics, of course in religious terms, which later leads to conflicts. The integration of religion into Nigerian politics, which we can thank the colonial rulers, is one of the leading problems and it is precisely this that stands behind religious violence and political instability in the country.


Author(s):  
Viktoriya Bondarenko ◽  
Kateryna Drypka ◽  
Lyudmyla Chobal

Nowadays Ukraine faces the difficult times under the influence of economic and political crises. Therefore, the only perspective way of products’ competitiveness is innovations, in the first place in the areas where there are many resources and opportunities. Agriculture is one of such most important strategic directions of Ukrainian economy. At the same time agriculture is the supporting foundation for the development of many other types of activity and it can substantially influence the development of Ukrainian economy on an international scale. The paper dwells on the nature, features and problems of implementation of innovations in the agriculture of Ukraine. The features of AIS innovation processes in current conditions are defined. Main problems and obstacles to agriculture innovative development in Ukraine are outlined. The authors emphasize the following factors of low innovation activity of agricultural entities: direct attitude of contemporary entrepreneur to innovation processes and understanding of their role in achieving success; lack of state assistance; insufficiency of legislative basis of its provision in Ukraine. Currently Ukrainian agricultural enterprises have a huge capacity for operation at competitive markets as equal partners of global agricultural leaders. Available resources and natural-climate conditions are among their factors of success. However, fast development of technologies dictates new activity conditions to strengthen and improve their positions through innovations. Despite the range of advantages, Ukrainian agro-industrial producers lag significantly behind the advanced innovations and developments in the world. However, there are some examples of successful innovative agri-food companies. Major deterrent factors that cause the low innovativeness of agricultural entities are direct attitude of contemporary entrepreneur to innovation processes and understanding of their role in achieving success, lack of state assistance and insufficiency of legislative basis of its provision in Ukraine.


2020 ◽  
Vol 3 (2) ◽  
pp. 119-124
Author(s):  
JACEK SZWEDO

Living under severe confinement and global state of war imposed by the emergence and worldwide very rapid spreading of the viral epidemic of zoonotic origin—coronavirus SARS-CoV-2, the world is yet again experiencing a weird period. The coronavirus disease 2019 (COVID-19) pandemic is the defining global health crisis of our time and the greatest challenge we have faced since World War II, stressing every one of the countries it touches; it is creating devastating social, economic and political crises that will leave deep scars and will undoubtedly change the way we live and interact with each other. The number of known disease-causing viruses have been increasing in the last few decades and this trend is likely to continue. Therefore, it is legitimate to think about the evolutionary effect of viruses and their influence on the processes of organisms.


1984 ◽  
Vol 44 (1) ◽  
pp. 43-64 ◽  
Author(s):  
Germaine A. Hoston

Takabatake Motoyuki was one of several prewar Japanese socialists who combined the Marxian ideal of proletarian socialism with nationalism. The first to produce a full Japanese translation of Karl Marx's Capital in 1919, Takabatake formulated a doctrine of national or state socialism that same year and dedicated the rest of his life to the promotion of that ideal. While Takabatake continued to call himself a Marxist, he criticized Marx's understanding of the state and drew on the work of Western political theorists such as Thomas Hobbes to construct his own functionalist interpretation of the state. Takabatake's work not only exposes some important lacunae in Marxist-Leninism, but his continued appeal to Marxism while embracing an ideology usually associated with the political Right defies analysis on the basis of conventional Left-Right distinctions. As his treatment of contemporary domestic and international problems demonstrates, both socialist and nationalist movements of this era constituted impassioned responses to social, economic, and political crises that were already apparent in the Taishō years.


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