Translation in slang based on the translator of ideology: critical discourse analysis

Author(s):  
Mac Groce

This paper reveals the social and cultural context by using Critical Discourse Analysis on intertextuality relationships in translations that use slang as an equivalent even though the source text, English, is not slang, and analyzes the translation with an interpretive translation approach related to the recontextualization of the present meanings. Due to the use of slang in the target language. This is a qualitative descriptive study with a case study approach. Translation at the level of intertextuality allows the existence of equivalents that reflect the collective identity of certain social groups. This equivalent has the potential to become a new, unusual and different equivalent from the equivalent that has traditionally existed so far, although it still has an element of accuracy that represents the message from the source language. Translating text in terms of intertextuality requires careful interpretation because it refers to the recontextualization of the meaning in the target language which tends to be different from the source language. Translation using slang is a form of recontextualization because it contains elements of the context of different social and cultural realities.

2019 ◽  
Vol 9 (3) ◽  
pp. 213
Author(s):  
Atin Fitriana

<p>The Javanese culture has a specific perspective on the ideal figure of women. This perspective is generally manifested in the classical texts, for example, in Serat Wulang Putri Adisara. Written by Nyi Adisara. Serat Wulang Putri contains the teachings for royal daughters in living their life as Javanese women based on Javanese teachings. In this manuscript, the readers can see the women figure portrayed from the perspective of a woman writer. This paper discusses the ideal women’s discourse in Serat Wulang Putri using the approach of critical discourse analysis from van Dijk. The analysis is conducted by considering the text’s microstructure, macrostructure, and cultural context. Through the analysis, we can see the ideal discourse of Javanese women based on Serat Wulang Putri. Furthermore, the text discusses women as figures who must pay attention to their attitudes and behavior, and can control their hearts, minds, and feelings. In this case, the author uses the male point of view to describe the characteristics of ideal Javanese women. Javanese women are also described as a weak figure and must obey what men command or expect from them.</p>


2019 ◽  
Vol 9 (6) ◽  
pp. 320
Author(s):  
Waheed M. A. Altohami ◽  
Amir H. Y. Salama

This paper is a corpus critical discourse analysis of the journalistic representations of Saudi women as they appear in the Corpus of Contemporary American English (COCA) (Davies, 2008). It follows a sociocognitive approach (van Dijk, 2008) to explore the thematic foci discussing issues related to Saudi women and to discuss the discursive strategies implemented to propagate such issues. The study has reached four findings. First, the thematic foci related to Saudi women are textually and referentially coherent as they were meant to provide a grand narrative underlying a specific context model. Second, Saudi women are negatively represented as no social roles are ascribed to them throughout the corpus. Third, different social actors are also represented alongside Saudi women to put them in a wider socio-cultural context to aggravate their problems. Finally, the most effective discursive strategies which mediated the running context model included victimization, categorization, stereotyping, normalization, and exaggeration.


Author(s):  
Kamil Fleissner

ABSTRACTThis study aims to analyze the discoursive representation of andalusian collective identity and memory in the television series “La respuesta está en la historia”. I will reflect the theoretical approach of the social construction of identities and I will use the methodology of the critical discourse analysis to identify, classify and explore the basic discoursive strategies that are reproduced by the television series.RESUMENEl propósito general de este estudio es analizar la construcción discursiva de las representaciones de la identidad social y de la memoria colectiva de los andaluces en la serie “La respuesta está en la Historia”. Reflejando las explicaciones teóricas de la construcción de la identidad y los conceptos de la memoria colectiva, y usando la perspectiva teórico-metodológica del análisis crítico del discurso identifico, clasifico y exploro las principales estrategias discursivas usadas en el programa.


2020 ◽  
Vol 2 (3) ◽  
pp. 121
Author(s):  
Prayudha Prayudha ◽  
Ma’ruf Fawwaz

This paper analyzes the textual aspects in Critical Discourse Analysis (CDA) Norman Fairclough model of CNN news discourse about Uyghur issue. When this research is conducted, there are only at least five articles specifically discussing Uyghur issue that are 29th December 2011, 29th February 2012, 29th February 2012, 30th October 2013, and 5th September 2014 publications. The research focuses on analyzing the text representation and the relation between participants in the discourse. Objectives of the paper are: 1) to analyze the text representation of news in the news channel of CNN related to the Uyghur case, and 2) to analyze the relation between participants in the news channel of CNN related to the Uyghur case. The subject of this paper is Uyghur issue as reflected in the news articles of CNN International. The paper applies qualitative descriptive method. As a consequence: CNN often put formality features and a vague vocabulary to block and obscure the negative value from the readers to China. The relation here is presented by CNN to China rather than CNN to Uyghur. It is reflected by the power of the status of China.


1970 ◽  
Vol 5 (2) ◽  
pp. 199-220
Author(s):  
Ummy Hanifah

UMMI’s magazine is one of Islamic magazine which is segmented for women andhas positioned their self as da’wa media. The problems of this research are how UMMIconstruct the gender rules to their readers and how that rules are presented in this media.The approach that used in this research is the theory of content of media from Shoemakerand Reese. There are many factors that influence of content of media such as individualfactors, media’s rutinity, organizational factor, extra media and ideologi. Method beingused in this research was qualitative-descriptive along with critical discourse analysis fromNorman Fairclough. The result showed that UMMI successfully construct double rules totheir readers.


2021 ◽  
Vol 12 (1) ◽  
Author(s):  
Dery Rovino ◽  
Theresia Arianti

<p align="center"> </p><p align="center"><em>ABSTRACT</em></p><p>Indonesian language has long been officially determined as the national language of Indonesia. However, numerous texts in mass media embed English in the text being delivered.  Previous studies have shown that English has long been used in Indonesia’s different media and platforms to, one of which, enhance the sense of prestige as well as class of the discourse presented. Though some researchers have conducted studies regarding the surface ideation of advertisements, little is known about the linguistic ideology behind the use of English in those texts, wherein the gap is fulfilled by the present study. This study aimed to analyze the linguistic ideology behind the English used on local billboards, with TACO framework. The findings showed that English is often used on local billboards in plenty of non-normative lexical positioning, unconventional spelling, and preferences in source language over the prescribed Bahasa Indonesia loan words. Study also found different modes of Bahasa Indonesia-English coinage as well as some evidence of disconnect between the Bahasa Indonesia-English use of expressions and the actual sold products. This study believes that these eccentric language pairings between Bahasa Indonesia and English lend themselves into the present ideology of prestige enhancement of the product and service advertised. This ideation is derived from a particular narrative that English is superior towards the national language, Indonesian language. Findings also exhibited that economic and education gaps are two main issues hidden behind the use of English on local billboards.</p>


2010 ◽  
Vol 84 (3-4) ◽  
pp. 253-268
Author(s):  
Renée Figuera

"Convention, Context and Critical Discourse Analysis: 'Jim The Boatman' and The Early Fiction of Trinidad" re-evaluates the claim of colored authorship which has been attributed to a short story published anonymously, in the Trinidad Spectator in 1846. This re-evaluation is significant since 'Jim the Boatman" has been cited as part of a collection of writing in the emerging literary tradition of nonwhite authors of nineteenth century Trinidad. A critical discourse approach to identifying the writer, in this essay, proposes an alternative paradigm to traditional "plantation power structures" which have been used for identifying writers of anonymous texts, as they may override the cultural context of literary discourse formation in complex Anglophone Caribbean societies like Trinidad. Critical Discourse Analysis focuses specifically on the ways in which writers’ discursive behavior is the result of external sociopolitical pressures, and the strategies they use for textualizing their worldview, in their cultural contexts. This alternative paradigm is based on the researcher’s critical observation of the social context, discourse conventions, and language use in relation to anonymous texts.


2019 ◽  
Author(s):  
◽  
Robyn Stacia Swink

[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This dissertation uses feminist critical discourse analysis of five popular "women's comedy" texts, interviews with eighty-nine viewers of those texts, and cultural content surrounding the texts in order to understand the cultural context of women's comedy including how it contributes to and reflects emerging discourses of race, gender, and feminisms. Specifically, I examine Tig Notaro's stand-up special Tig Notaro: Boyish Girl Interrupted (2015), Ali Wong's stand-up special Ali Wong: Baby Cobra (2016), Ghostbusters (2016), Trainwreck (2015), and a live stand-up performance by Leslie Jones. By using an intersectional lens to analyze the ambiguous characteristics of the current postfeminist media environment and the inherently ambiguous features of comedy, this project explores the complexity of discursive formations including the potentially contradictory ways that women's comedy engages with discourses of gender, race, and feminisms.


Author(s):  
Nick Caddick ◽  
Veronica Varela-Mato ◽  
Myra A Nimmo ◽  
Stacey Clemes ◽  
Tom Yates ◽  
...  

This article moves beyond previous attempts to understand health problems in the lives of professional lorry drivers by placing the study of drivers’ health in a wider social and cultural context. A combination of methods including focus groups, interviews and observations were used to collect data from a group of 24 lorry drivers working at a large transport company in the United Kingdom. Employing a critical discourse analysis, we identified the dominant discourses and subject positions shaping the formation of drivers’ health and lifestyle choices. This analysis was systematically combined with an exploration of the gendered ways in which an almost exclusively male workforce talked about health. Findings revealed that drivers were constituted within a neoliberal economic discourse, which is reflective of the broader social structure, and which partly restricted drivers’ opportunities for healthy living. Concurrently, drivers adopted the subject position of ‘average man’ as a way of defending their personal and masculine status in regards to health and to justify jettisoning approaches to healthy living that were deemed too extreme or irrational in the face of the constraints of their working lives. Suggestions for driver health promotion include refocusing on the social and cultural – rather than individual – underpinnings of driver health issues and a move away from moralistic approaches to health promotion.


2019 ◽  
Vol 10 (2) ◽  
pp. 107
Author(s):  
Shakila Nur

Political speeches are not mere linguistic texts encoded in verbal or written form. They also carry covert ideologies which are embedded in a country’s social, political and cultural context. Critical discourse analysis (CDA) can be used to investigate such interaction between discourse (speech/text), its covert ideology and the context. This paper sets out to analyse the historic 7th March, 1971 speech of Bangabandhu Sheikh Mujibur Rahman, which has lately been recognised by UNESCO as part of the world’s documentary heritage. Based on the work of Fairclough (1989, 1992, 2001) and Halliday (1978, 1994), a shared, discursive analytical framework within the CDA paradigm was employed to carry out the investigation. The analysis of 94 clauses identified a mutual existence of multiple linguistic and ideological patterns and strategies including the personal pronouns, mood blocks, modality and tense, the reference of the then-socio-political situation as well as the depiction of power relations between the speaker and the audiences. These strategies were intertwined in a wholesome way, thus revealing the ingenuity of Sheikh Mujibur Rahman’s leadership and his rhetoric skill. The study, by analysing the selected speech, attempts to fill the gap in CDA-based linguistic studies of political texts in the Bangladeshi context. The author believes that this attempt, in tandem, will act as a motivation and centre of attention for further scholarly endeavor in this field.


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