Misconceptions of Metrology and Calibration

Author(s):  
Christopher Herrmann ◽  

In today’s world of manufacturing, R&D, and testing across diverse industries, the definition of Metrology and calibration has taken on new meanings, whether it is right or wrong. With the evolving requirements for defining traceability, which is impacted through ISO/IEC 17025: 2017 as well as the NIST’s definition of Metrological Traceability, we must step back and truly understand what the differences are between these 2 terms. In this paper, we will evaluate the definitions of Metrology and calibration. We will also look at the importance of each and how one affects the other. While both terms are important, as liaisons within the Science of Measurement, we need to be able to articulate the differences between both terms to assist in bringing the representatives working in various industries to a clear understanding of how calibration is an action within the world of Metrology.

2019 ◽  
pp. 1-10
Author(s):  
Samy Cohen

This introduction raises two fundamental questions: the first one tries to give a definition of what a peace camp is. What we call “the peace movement” in Israel is, in fact, an indistinct galaxy, a world that subdivides into a multitude of organizations and individuals, some highly prominent, and others completely unknown. It is a complex realm, crisscrossed by multiple currents that are often at variance with one another. It resembles no other peace movement in the world. Four main tendencies can be distinguished within this heterogeneous movement in Israel. The second question is that of the decline in the movement's capacity to organize mass demonstrations. Some argue that it is a result of a host of sociological changes that have come about in Israeli society. But the weight of sociological factors is secondary to emotional factors. The feeling of fear inspired by the Palestinians, the lack of confidence in the “other” that a great majority of Israelis refuse to consider a “partner for peace” weighs far more heavily than any sociological variable. This is one of the book's central arguments.


2017 ◽  
Vol 21 (2) ◽  
pp. 243-281 ◽  
Author(s):  
Agostino Cera ◽  

Abstract: While putting forward the proposal of a “philosophy of technology in the nominative case,” grounded on the concept of Neoenvironmentality, this paper intends to argue that the best definition of our current age is not “Anthropocene.” Rather, it is “Technocene,” since technology represents here and now the real “subject of history” and of (a de-natured) nature, i.e. the (neo)environment where man has to live.This proposal culminates in a new definition of man’s humanity and of technology. Switching from natura hominis to conditio humana, the peculiarity of man can be defined on the basis of an anthropic perimeter, the core of which consists of man’s worldhood: man is that being that has a world (Welt), while animal has a mere environment (Umwelt). Both man’s worldhood and animal’s environmentality are derived from a pathic premise, namely the fundamental moods (Grundstimmungen) that refer them to their respective findingness (Befindlichkeit).From this anthropological premise, technology emerges as the oikos of contemporary humanity. Technology becomes the current form of the world – and so gives birth to a Technocene – insofar as it introduces in any human context its ratio operandi and so assimilates man to an animal condition, i.e. an environmental one. Technocene corresponds on the one side to the emergence of technology as (Neo)environment and on the other to the feralization of man. The spirit of Technocene turns out to be the complete redefinition of the anthropic perimeter.While providing a non-ideological characterization of the current age, this paper proposes the strategy of an ‘anthropological conservatism,’ that is to say a pathic desertion understood as a possible (pre)condition for the beginning of an authentic Anthropocene, i.e. the age of an-at-last-entirely-human-man.


2020 ◽  
Vol 44 (2) ◽  
pp. 15
Author(s):  
Jarosław Hetman

<p>The article explores the ancient notion of ekphrasis in an attempt to redefine it and to adjust it to the requirements of the contemporary literary and artistic landscape. An overview of the transformations in the world of art in the 20<sup>th</sup> century allows us to adjust our understanding of what art is today and to examine its existence within the literary context. In light of the above, I postulate a broadening of the definition of ekphrasis so as to include not only painting and sculpture on the one side, and poetry on the other, but also to open it up to less conventional forms of artistic expression, and allow for its use in reference to prose. In order to illustrate its relevance to the novel, I have conducted a study of three contemporary novels – John Banville’s <em>Athena</em>, Kurt Vonnegut’s <em>Bluebeard</em> and Don DeLillo’s <em>Mao II </em>– in order to uncover the innovative ways in which novelists nowadays use ekphrasis to reinvigorate long prose.</p>


Author(s):  
Carlos Carreto

Has the Middle Ages invented globalization or revealed a clear consciousness of globality? On the other hand, may this anachronistic notion prove to be an appropriate and productive operative and analytical concept for rethinking medieval literature beyond its territorial and linguistic boundaries and the epistemological view of the world imposed by a (neo)positivist conception of the history of literature? Mapping the medieval literature in a global perspective implies a methodological repositioning and a process of deterritorialization of the concepts themselves that leads us to reinvest motives, forms, structuring notions (from the chivalric queste to the concept of romance as translatio, passing through the status of the marvelous) with new meanings and, consequently, new cultural and poetic implications.


2019 ◽  
Vol 8 (1) ◽  
pp. 61-80
Author(s):  
Aishwarya Vatsa

We have been gifted with senses other than our eyes, which the non-conventional trademarks aim to employ and have thus gained popularity. These marks have gradually acquired acceptance and have been included under the ambit of trademarks in various countries of the world. Trademark law aims at facilitating profit and strengthening the identity of a business. Non-conventional marks too, perform the same function. The United States has taken a similar approach and has thus provided protection to various such non-conventional marks. India, on the other hand, is yet to take a similar approach. The present law in India disallows the registration of such marks, proving to be a hindrance in their registration, rather than a facilitator. This paper discusses the concept and definition of non-conventional marks, its subject matter and the prerequisites for its registration. By comparing the different approaches to non-conventional trademarks and the procedure for their registration across different countries, this paper aims at suggesting a model suitable for adoption in India.


Author(s):  
Milan Tripkovic ◽  
Gordana Tripkovic

The paper presents results of the latest authors' research on elitization criminalization and late transition of Serbian society. Those issues are considered to be the most important obstacle for modernization and for internal and external integration of Serbian society, in other words, they are treated as a key element of Serbia's isolation and its non-adjustment and conflicts with the rest of the world, as well as with itself. In that context, special attention is given to the definition of Serbian society's disintegrative characteristics, and also to recognizing its integrative potentials. Such orientation set the two directions of the research: on one hand, authors tried to define substantial elements of Serbian elites and to determine their crucial role and biggest responsibility in the processes of(dis)integration of Serbian society in the time of late and accelerated transition; and, on the other hand, authors tried to identify conditions under which the elites could become interested in democratization and stabilization of the society, as well as in the institutionalization of 'socially contrived market' (Mancur Olson), which can certainly be considered as the best and most lasting basis of regional association and in?clusion in the so called, 'wider European integrations'. SA U radu su predoceni nalazi najnovijih istrazivanja autora, koji su posveceni problemu elitizacije, kriminalizacije i zakasnele tranzicije srpskog drustva.1 Ti problemi se smatraju jednom od najvaznijih prepreka njegove modernizacije i unutrasnje i spoljasnje integracije, odnosno tretiraju se kao kljucni cinilac izolacije Srbije i njenih ne-prilagodjenosti i sukobljavanja, kako sa svetom, tako i sa samom sobom. U tom kontekstu posebna paznja posvecuje se preciziranju dezintegrativnih obelezja srpskog drustva, kao i prepoznavanju njegovih integrativnih potencijala. Takva orijentacija usmerila je istrazivanje u dva pravca: s jed-ne strane, autori nastoje da definisu sustinska obelezja srpskih elita i da odrede njihovu presudnu ulogu i najvecu odgovornost u procesima (dez)integracije srpskog drustva u doba zakasnele i ubrzane tranzicije; a, s druge strane, pokusavaju da identifikuju uslove pod kojima bi te elite same mogle postati zainteresovane za demokratizaciju i stabilizaciju drustva, kao i za institucionalizaciju 'drustveno ugovorenog trzista' (Mankur Olson), sto se svakako moze smatrati najboljom i najtrajnijom osnovom regionalnog povezivanja i ukljucivanja u tzv. sire evropske integracije.


2018 ◽  
Vol 6 ◽  
pp. 62-78
Author(s):  
Emiliano Minerba

This paper discusses the character of King Juha, the protagonist of the comedy Mfalme Juha by Farouk Topan, using an approach that considers the humoristic dimension of this character. The definition of humorism employed here is that given by Pirandello: the result of an aesthetic process in which the comic effect deriving from an object of laughter is tempered and contrasted by a “sentiment of the contrary” that observes and builds empathy with the inner contradictions of the object itself. After a short outline of Mfalme Juha’s critical history which shows that the humoristic dimension of King Juha has never been considered in critiques, this paper focuses on an analysis of this character, in which the core feature of egocentricity is identified. Juha’s egocentricity and its humoristic nature are analysed in the character’s relationship with his subjects as their king and in his idea of art and culture; in both cases it is shown that what is important is not the wickedness or egoism of Juha, but his lack of comprehension of the world. Juha is incapable of understanding his environment and other people, since he can not doubt his own superiority: this puts him in several comic situations, but on the other hand makes him a victim of his smart subjects, so that he arouses a feeling of sympathy in which Pirandello’s sentiment of the contrary can be traced.


2019 ◽  
Vol 6 (2) ◽  
pp. 250-263
Author(s):  
Agnieszka Janiszewska-Szczepanik

AbstractIs it possible to speak of the compulsion to create? And if so, what underlies it? In this article, I set out to offer a comprehensive explanation of what may cause the strong desire for creative activity observable in many artistically-inclined individuals. To describe this desire, I use the term compulsion to create, and drawing upon examples from both pop-culture and the lives of famous artists on the one hand, and philosophical and scholarly writings on the other, I seek its sources in the individual’s psyche. I discuss how the compulsion to create depends, among other factors, on an individual’s personality and mental state (in the sense of Sigmund Freud’s and Elaine N. Aron’s theories), transcendental circumstances (in the sense of Carl Jung’s theory) and character traits (as defined by Jordan Peterson). Then, I frame the phenomenon studied within the 4Ps Model of Creativity. I point to a significant correlation between the compulsion to create and high levels of an individual’s creativity. Additionally, I discriminate between the notions of the drive to create and the compulsion to create. The article proposes a definition of the compulsion to create which allows for a clear understanding of this notion and its popular application in the field of creatology.


2004 ◽  
Vol 37 (1) ◽  
pp. 85-96 ◽  
Author(s):  
Eduard G. Solovyev

The author describes the development of geopolitical studies in Russia after the Soviet breakup. He identifies two main schools of geopolitical analysis, Traditionalist and Revisionist. Traditionalism is inspired by old European and Russian geopolitical theories and views the world through the lenses of confrontation over power and resources. The revisionist school, on the other hand, adopts a considerably broader definition of what constitutes geopolitics by proposing to study various forms of organizing space on a global scale. According to the paper’s central argument, the Russian geopolitics, while having emerged as a vocation, it is yet to turn into a full-fledged academic discipline. It continues to lack coherent and scientifically testable theoretical propositions and needs a broad discussion of its issues with the participation of both traditionalists and revisionists.


1997 ◽  
Vol 2 (1) ◽  
pp. 73-88
Author(s):  
Joseph Prabhu

There is a crisis of work in contemporary technological society. Afunctional definition of work feeds, and is fed by, an economico-technological ideology that valorizes the cult of productivity and of "total work". This in turn reflects a utilitarian conception of the human being, whose worth is now measured in terms of his or her contribution to total "output". Gandhi was one of the sharpest critics of this notion of man and society; he sees it as materialistic, soulless and fundamentally violent. In its place he proposes a moral conception of work that reflects his spiritual view of the human person. E.F. Schumacher takes Gandhi's ideas further in terms of an organization of economic life that promotes simplicity, beauty, social responsibility and ecological sustainability. The phenomenon of globalization heightens the stark contrast between the world-views of Gandhi and Schumacher on the one hand, and that of global capitalism on the other.


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