scholarly journals From historical cartography to historical mapping: digital edition of Gaul/Raczynski topographic map of Greater Poland (1807–1812)

2019 ◽  
Vol 1 ◽  
pp. 1-2
Author(s):  
Tomasz Panecki

<p><strong>Abstract.</strong> The aim of the author is to present and discuss methodological problems related to the development of old maps’ digital editions on the example of the so called Gaul/Raczyński topographic map – a perfect case providing the whole catalogue of problems related to archival maps’ representation in the digital form. Today, we can observe an increasing interest in spatial and digital humanities, as well as more frequent old and historical maps dissemination via web services. However, consistent methods of their depiction in the digital manner have not yet been developed. The aim of the project is not only to develop such a method, but also to indicate its perspectives and constraints in the context of its future application among the whole array of old maps. The development of map’s digital edition allows the full use of such data in historical and geographical studies.</p>

2019 ◽  
Vol 1 ◽  
pp. 1-2
Author(s):  
Kohei Otsuka

<p><strong>Abstract.</strong> Historical maps rich in historical information play an important role in fields such as tourism and history education. However, for ordinary people without knowledge of historical studies, it is difficult to understand inaccurate old maps that have not undergone surveying and to comprehend them in comparison with the current city townscape. Therefore, conventionally in GIS, a large number of corresponding points are prepared between an inaccurate historical map and an accurate map, the coordinates of the historical map are converted by forming a triangular mesh and conducting coordinate complement calculation, and the entire historical map image is re-represented by coordinate conversion. However, as shown in Figure 1, with this method there is a serious problem that causes distortion in the aesthetic appearance of the historical map, and remarkable impairment. It can be said that this problem has greatly damaged opportunities to use historical maps for tourism and historical education.</p><p>In this paper, we introduce our technology to solve this problem. Our technology has been implemented in the historical map viewer named Maplat, which is available at https://github.com/code4nara/Maplat as MIT-licensed open source.</p>


AI Magazine ◽  
2013 ◽  
Vol 34 (2) ◽  
pp. 8
Author(s):  
David Leake

As tablets and other mobile devices have become preva- lent, AI Magazine has been investigating methods for making the magazine available in digital form in addition to printed form, to serve varied reader preferences and provide new capabilities. I am delighted to announce that this project has come to fruition with the launch of the digital edition of AI Magazine.


2017 ◽  
Vol 35 (1) ◽  
pp. 120-143 ◽  
Author(s):  
Judith Wusteman

Purpose The purpose of this paper is to describe the process and implications of usability testing a prototype version of the Letters of 1916 Digital Edition. Design/methodology/approach The paper presents the testing, the lessons learned and how those lessons informed the subsequent redesign of the site. Findings Results imply that a majority of users, even digital humanists, were not looking for a unique and specialised interface, but assumed – and preferred – a user experience that reflects common search systems. Although the audience for digital humanities sites is becoming increasingly diverse, the needs of the different user groups may be more similar than had previously been assumed. Research limitations/implications The usability test employed 11 participants, five of whom were coded as “general public”. Four of these five had previously volunteered to transcribe and upload letters. This meant that they were already familiar with the project and with the Letters of 1916 Transcription Desk. However, their prior involvement was a result of their genuine interest in the site, thus ensuring that their interactions during testing were more realistic. Practical implications The lesson learned may be useful for the Digital Editions of future crowdsourced humanities projects. Originality/value Letters of 1916 is the first crowdsourced humanities project in Ireland. The theme of the project is topical, emotive and socially important in Ireland and among Irish diaspora today. The project’s content has been created by the “ordinary citizens of Ireland” and they are likely to be the major users of the Digital Edition. The study explores how the Digital Edition can support these users, while also facilitating the range of traditional scholars and digital humanities researchers.


2016 ◽  
Author(s):  
Amanda Visconti

A literature/digital humanities PhD digital dissertation, exploring the design, coding, and usertesting of the InfiniteUlysses.com participatory digital edition, participatory digital humanities and meaningful crowdsourcing more broadly, and meta-analysis of a unique digital humanities dissertation approach that consisted of design, code, usertesting, blogging, and a whitepaper written during the final month before the PhD defense. The dissertation *is* dr.amandavisconti.com; I've uploaded both the PDF of the whitepaper and a ZIP of the entire dr.amandavisconti.com website (which includes archived blog posts, WARCs of the InfiniteUlysses.com digital edition, and more).


Author(s):  
V. Baiocchi ◽  
M. Deligios ◽  
F. Giannone ◽  
G. Timar

<p><strong>Abstract.</strong> Historical cartography is an important source of geographic information for diachronic studies. The Italian geodetic datum from the second half of the 20th century are well known and used, while the reference systems used previously do not have a certain documentation also because they were developed by the military geographical institute, which at the time was a uniquely military body with the related problems of confidentiality.</p><p>The reconstruction of the datum of each single historical map is a fundamental process, in order to be able to correctly compare historical information with the current ones, but it is complex because of the scarce information available on the type of datum and cartographic projection used for the production of the map.</p><p>The reconstruction of the ancient morphology of an area, such as that of 1893 Forma urbis map or the pre-reclamation maps of Agro Pontino, is of fundamental importance for various studies on geomorphological changes of the territory, including, for example, the reconstruction of diverted and/or covered watercourses.</p><p>Many of the Italian historical maps have been referred to the ellipsoid of Bessel with different orientations that in many cases are the same used previously or simultaneously for public purposes including, in particular, the drafting of the cadastral cartography.</p>


2019 ◽  
Vol 6 (1) ◽  
pp. 32-58
Author(s):  
Dino Buzzetti

At its beginnings Humanities Computing was characterized by a primary interest in methodological issues and their epistemological background. Subsequently, Humanities Computing practice has been prevailingly driven by technological developments and the main concern has shifted from content processing to the representation in digital form of documentary sources. The Digital Humanities turn has brought more to the fore artistic and literary practice in direct digital form, as opposed to a supposedly commonplace application of computational methods to scholarly research. As an example of a way back to the original motivations of applied computation in the humanities, a formal model of the interpretive process is here proposed, whose implementation may be contrived through the application of data processing procedures typical of the so called artificial adaptive systems.


2019 ◽  
Vol 1 ◽  
pp. 1-2
Author(s):  
Keiji Yano ◽  
Satoshi Imamura ◽  
Ryo Kamata

<p><strong>Abstract.</strong> Since the middle of the 2000s, digital humanities (DH) involving the collaboration and uniting of research fields from both the humanities and sciences has begun developing rapidly. It involves investigation, analysis, synthesis and presentation of knowledge through the use of Information and Communication Technology (ICT). It is expected to create a new knowledge base within the humanities; history, linguistics, literature, art, files, and so on. By definition, a new field of digital humanities is technical driven given its elaborate use of computing, and is also distinctly interdisciplinary through the ICT (Kawashima et al., 2009). At the same time, “spatial turns” are referred to throughout the academic disciplines, often with reference to GIS and the neogeography revolution that puts mapping (Guldi, 2018).</p><p>As human geography would be a part of the humanities, so all research within human geography can be a part of digital humanities. Geo-spatial information that is dealt with in geography possesses geo-referenced data. GIS has also become popular in digital humanities. The application of GIS within history is facilitating the formation of a new area of research, historical GIS (Gregory and Healy, 2007). Historical geographers have been making use of GIS as a research tool, applying it to historical space within a geographical context. However now we see historians beginning to use GIS within their own research. So far, the relation between human geography and history has been compared to the difference between the dimensions of space and time. While geographers make extensive use of maps focusing on spatial patterns of their temporal changes (spatial process), historians make use of ancient documents as a resource focusing on the temporal relationship between phenomena (Knowles, 2008).</p><p>To ensure a leaping development in the new project-based research style through interdisciplinary and international collaboration within Historical GIS in Japan, and by extension traditional humanities in Japan, it is of great urgency to build portal sites that can provide comprehensive and lateral search of Japanese old maps which are fundamental materials, while making GIS analysis possible.</p><p>The aim of this paper is to introduce Japanese Map Warper (bilingual version), based on an online georeferenced tool developed by Mr Tim Waters in 2009, and to construct a portal site of Japanese old maps which can be embedded into GIS.</p>


2016 ◽  
Author(s):  
Amanda Visconti

This whitepaper offers an analytic discussion of the process and productfor Amanda Visconti's dissertation "How can you love a work, if you don'tknow it?": Critical Code and Design toward Participatory Digital Editions (dr.AmandaVisconti.com). The introductory section proposes a speculativeexperiment to test digital edition design theories: "What if we build adigital edition and invite everyone? What if millions of scholars,first-time readers, book clubs, teachers and their students show up andannotate a text with their infinite interpretations, questions, andcontextualizations?". Approaching digital editions as Morris Eaves'"problem-solving mechanism"s, the project designed, built, and user-testeda digital edition of James Joyce’s Ulysses with various experimentalinterface features: InfiniteUlysses.com. Three areas of research advancedthrough the project are presented: designing public and participatoryedition projects, and whether critical participation is necessary to suchprojects; designing digital edition functionalities and appearance to servea participatory audience, and what we learn about such an endeavor throughInfinite Ulysses' user experience data; and separating the values oftextual scholarship from their embodiments to imagine new types of edition.A review of theoretical and built precedents from textual scholarship,scholarly design and code projects, public and participatory humanitiesendeavors, and theories around a digital Ulysses grounds the report,followed by an overview of the features of the Infinite Ulyssesparticipatory digital edition. Section 2 discusses existing examples ofpublic participation in digital humanities (DH) projects, Section 3 focuseson digital editions and the design process, Section 4 reimagines thedigital edition by separating textual scholarship values from the commonembodiments of these values, and the conclusion sums up the interventionsof this project and lists next steps for continuing this research. Abibliography and appendices (full texts of user surveys, explanation ofproject's dissertational format, wireframes and screenshot from throughoutthe design process) conclude the report.


2019 ◽  
Vol 34 (Supplement_1) ◽  
pp. i100-i109
Author(s):  
Martin Holmes ◽  
Joseph Takeda

Abstract Digital humanities projects have long relied on various schema languages—chiefly, RELAX NG and Schematron—for validating the XML documents in their data collections; however, these languages are limited in their ability to check for consistency, coherence, and completeness across the entire project. In our work as part of “Endings”, an umbrella project that comprises four diverse digital edition projects from different fields, we have developed a methodology for checking and enforcing correctness, completeness, and coherence across the entire document set. The following article describes the various stages (what we term “levels”) of our diagnostics process, all of which are driven by XSLT (Extensible Stylesheet Language Transformations) stylesheets, and produce a human readable report. These levels include checks for referential integrity, correct entity tagging, and potential duplicates in the data set. Using examples from the Endings projects, we show how diagnostic processes not only ensure correctness in the data set, but can also aid in determining project milestones and completion dates. Diagnostics, we argue, are thus a crucial extension to schema-based validation for complex digital projects and can provide concrete ways for digital humanities projects to enforce coherence and consistency and track their progress toward completion.


2019 ◽  
Vol 1 ◽  
pp. 1-2
Author(s):  
Aileen R. Buckley

<p><strong>Abstract.</strong> Today’s expectations for historical maps are widely different from what they were ten or even five years ago. Today, maps are expected to be freely available online and viewed in easy-to-use, interactive web apps. Collections of maps, such as maps in atlases or in a map series, are no different. While there have been great strides in developing methods for scanning and sharing smaller collections of maps online, less effort has been directed toward sharing larger and more varied collections of historical maps. Even less energy has been focused on the development of common workflows and off-the-shelf resources that could be used by many who want to digitize and share their own collections.</p><p>These deficiencies are complicated by the fact that different types of map collections require different solutions. There is wide variety in the types of map collections, including those with many maps of the same extent and map scale but varying themes (as in a thematic atlas), those with maps of varying scales and extents but a single theme (as in a topographic map series), and those with combinations of both. The workflows to convert the maps in these collections to digital format that can then be shred online must assure expediency and accuracy in the processing of the maps, despite their variations. For example, the workflow in figure 1 could be used for collections of maps with varying scales, extents, and themes.</p><p>Another requirement for sharing historical map collections online is the ability to add new images or replace faulty images in the collection. The workflow in figure 1 allows for this by first updating the metadata, then adding new images to the mosaic dataset, and finally updating the image service. The view of the collection in the web app is updated automatically so no edits need be made to the app code.</p><p>The web apps used to display the map collections must also vary in order to provide an optimal experience for viewers to interact with the collection. The app in figure 2 was developed to allow viewers to explore a very large set (over 186,000) of historical topographic maps of the United States. This collection includes maps of varying scales, dates, and sizes. The app allows viewers to find maps, compare maps using transparency sliders, download maps images that can be used in software applications such as ArcGIS, and share the current map view with others via social media or a hyperlink.</p><p>Variations of this app could be used for other types of collections. We have explored modifications to support viewing more than 500 maps compiled by the U.S. Department of Defence during the Vietnam conflict (figure 3). The Vietnam map collection requires a slightly different app solution because there is no significant variation in the dates of the maps, although there are two map scales (1:50,000 and 1:250,000). Additionally, the marginalia on the maps contains information critical to reading the maps, such as the legend and a glossary of Vietnamese names.</p><p>Our work to date provides solutions to sharing large collections of maps in a series or from atlases, even if the maps have different scales, dates, sizes, and themes. These collections can be shared via web apps that provide viewers with useful interactivity and functionality. We have also developed the means to update collections on a regular basis &amp;ndash; for example, the USGS topographic map collection is now being updated quarterly. To support developers of these collections, we provide documentation on the workflow, share example datasets to allow them to test the methodology, and allow access to the web app which can be configured to conform to users’ requirements. In this presentation, we detail the workflows and resources we have developed, and we demonstrate solutions for map collections of different types.</p>


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