scholarly journals Fragile Identities, Capable Selves

2014 ◽  
Vol 4 (2) ◽  
pp. 64-78 ◽  
Author(s):  
Roger W.H. Savage

The spotlight that Martha Nussbaum turns on the plight of women in developing nations brings the disproportion between human capabilities and the opportunities to exercise them sharply into focus. Social prejudices, economic discrimination, and deep-seated traditions and attitudes all harbor the seeds of systemic injustices within governing policies and institutions. The refusal on the part of a dominant class to recognize the rights and claims of subaltern individuals and groups has both symbolic and material consequences. The power that one group exercises over another brings the refusal to recognize the rights and claims of others to the fore. Thanks to the moral priority that Paul Ricoeur accords to the victim against such refusals, I tie the fragility of identity to the idea of justice’s federating force. This federating force, I therefore argue, accompanies the struggle for recognition among capable human beings.  

2002 ◽  
Vol 77 (1) ◽  
pp. 52-81 ◽  
Author(s):  
Geoffrey Galt Harpham

The immediate problem confronted by readers of Martha Nussbaum's early work is that, from a professional point of view, the quality of mind behind the arguments seems far superior to the arguments themselves. From the point of view of the academic philosopher, Nussbaum is far too heavily invested in literature; while, from the point of view of the professional literary critic, she is far too deeply committed to a principle of realism, even to an affective relationship with literary characters, that is incompatible with academic norms. The central idea in her early work is not in fact conceptual or critical at all, but rather moral: a fundamental transformation of life based on a relinquishing of mastery,a submission of the mind to emotion, especially erotic emotion. Nussbaum has commented on the formative impact of an adolescent reading of Plato's Phaedrus, in which she identified herself with the younger partner of the Platonic homosexual couple, the apprentice learner bound to the master by erotic and intellectual ties, and we can see in Nussbaum'searly work residues of this identification. In ''phase two'' of Nussbaum'swork, we can, however,trace a further conversion, in which Nussbaum positions herself not as the apprentice but as the master. In most of the work she has produced since the late 1980s, the values and orientations of her early work are precisely inverted: emotions are now checked or carefully contained, an emphasis on erotic passion is transformed into a zeal for social and educational reform, the personal gives way to the cosmopolitan and even the universal; Stoic or Kantian reason becomes the dominant emphasis as Nussbaum attempts to articulate a general account of ''the human.'' Nussbaum's public disputes over the past decade reveal, in addition to the differences that continue to separate her from her contemporaries, a complex attempt to negotiate the differences that divide her from herself. The most characteristic gesture of the work of the past ten years is an often-revised ''List of Human Capabilities'' that she proposes as a way of guiding quality-of-life assessments, especially in developing nations. The conception behind such a list may represent, as her critics charge, a grossly unprofessional failure of professionalism, as well as moral arrogance; but it may also, perhaps, actually be useful.


2019 ◽  
Vol 18 (2) ◽  
pp. 179-197
Author(s):  
Trio Kurniawan

The feast of Dalok is the highlight of the feast in the series of death-rites performed by Dayak Uud Danum’s tribe in Serawai, District of Sintang, West Borneo. It is the biggest feast celebrated by this tribe. There are plenty of Symbols found in the rites, and they are picturing the relationship among the human beings and also between the people and The Supreme Being, Tahala’. These Symbols are tied each other very closely like a knot. The author of this article is using Paul Ricoeur’s hermeneutics to reread and reveal the meaning of symbolical knots which are acceptable to the public.   Pesta Dalok adalah puncak dari rangkaian upacara kematian dalam suku Dayak Uud Danum di Serawai, Kab. Sintang, Kalimantan Barat. Pesta Dalok menjadi pesta terbesar yang dilaksanakan oleh suku ini. Ada begitu banyak simbol dalam ritus-ritus di pesta ini dan semuanya menggambarkan relasi antara sesama manusia maupun antar manusia dengan Realitas Tertinggi, Tahala’. Simbol-simbol ini saling berhubungan dengan sangat erat ibarat sebuah simpul. Penulis menggunakan hermeneutika Paul Ricoeur untuk membaca ulang dan membuka makna dari simpul-simpul simbolik yang dapat diterima oleh masyarakat.


2020 ◽  
Vol 12 (4) ◽  
pp. 161
Author(s):  
Marieke Maes

In his The Symbolism of Evil Ricœur explores the dynamics of human consciousness of evil in different cultures and times. Consciousness of evil is examined by looking at the different prevailing symbols wherein human beings confess their experience with evil. Although appeared in 1960, this study is still cited in recent publications in psychology, cultural anthropology and religion. In this article I describe the context of The Symbolism of Evil as the last part of Ricœur’s study of the will and give a summary of its relevant content.


2015 ◽  
Vol 42 (1-2) ◽  
pp. 125-142
Author(s):  
Morny Joy

Paul Ricoeur’s early appreciation of hermeneutics introduced a dynamic interaction between a reader and a text. Employing both explanation and understanding, aided by the catalyst of Kantian creative imagination, Ricoeur revitalized hermeneutics from being simply a method of interpreting the literal meaning of a text. Such an openness to the text, as a form of otherness, initiated new insights into human ways of being and acting. In time, however, Ricoeur became disheartened by the unmerited suffering that he witnessed human beings were inflicting on other beings. He qualified his hermeneutic foundations so as to introduce compassion and justice as modes of action towards rejected and mistreated others.


2019 ◽  
Vol 9 (2) ◽  
pp. 149-159
Author(s):  
Alain Thomasset

For Paul Ricœur, human action was a central preoccupation already present in his early work and deepening over time, benefitting from a long engagement with hermeneutical and narrative analyses. It is the concern to locate, through obligatory moral norms, the ethical dimension of desire that guides and motivates action that first makes use of a hermeneutic of signs, symbols, and texts in which the desire of the subject has been expressed. But narratives become essential in order to describe action in such a way that the actor’s responsibility can be evaluated at the level of his narrative identity. To this responsibility, interpreted and taught by means of cultural narratives, the concepts of memory and promise add the dimension of the struggle for recognition and point to an ontology of the historical condition at the foundation of an ethic that rests open to a religious dimension of an original goodness.


2020 ◽  
Vol 41 (77) ◽  
pp. 546-559
Author(s):  
Susana Henao Montoya

Artículo de reflexión donde se indagará por la relación identidad-literatura a través de las nociones de imaginación ética e imaginación narrativa según Paul Ricoeur, así como la de imaginación pública en Martha Nussbaum. Al igual que en el trabajo previo «Ética narrativa en dos novelas latinoamericanas», se propone comprender el universo ético de los personajes para encontrar su referente en el universo cultural.


2016 ◽  
Vol 10 (3) ◽  
pp. 101-121
Author(s):  
Jean-Philippe Pierron

Dans leur réflexion sur le raisonnement moral, critique d’une approche rationaliste stricte, les théories du care et les philosophies travaillant à une compréhension enrichie de la raison pratique se sont attachées à mettre en valeur l’importance éthique qu’il y a à envisager la perspective de l’autre. Elles se sont concentrées à cette fin sur le travail de l’imagination. On montre ici que l’éthique du care de Gilligan, l’éthique de la narration de Nussbaum et l’éthique de la sollicitude ricoeurienne, quoique différentes, se renforcent mutuellement à partir d’une compréhension renouvelée du rôle de l’imagination dans la morale. Si l’enquête psychologique de Gilligan, la philosophie de la littérature chez Nussbaum et l’herméneutique du texte chez Ricoeur diffèrent, ces trois auteur.es ont en commun de ne pas se satisfaire des méfaits d’une rationalité instrumentale qui bride la créativité pratique des actrices morales et acteurs moraux. Il appartiendrait à l’imagination éthique de prendre la mesure de la complexité des situations morales et d’en suivre les variations subtiles, afin de prendre soin de formes de vies rendues invisibles ou d’existences vulnérables.


2019 ◽  
Vol 9 (2) ◽  
pp. 104-123
Author(s):  
Morny Joy

Although Paul Ricœur never wrote a book on acting and suffering, the essay focuses on Ricœur’s engagement with this topic. It was one of Ricœur’s abiding interests that consistently appeared over the years in a number of his works. Given his compassionate affirmation of life in this world, he was vitally concerned about human beings’ inhumanity, in the form of inflicting unmerited suffering on their fellow beings. His distress on this issue was clearly evident. This essay is an overview of Ricœur’s endeavors to try and alleviate such injustice by a commitment to an ethically grounded approach that aimed at “the good life with and for others, in just institutions.”


Renascence ◽  
2019 ◽  
Vol 71 (4) ◽  
pp. 247-267
Author(s):  
Elizabeth Burow-Flak ◽  

Orson Scott Card’s Ender Saga and Kazuo Ishiguro’s The Buried Giant explore the role of memory in aftermath of genocide; both authors employ fantasy and the metaphor of the buried giant to represent past slaughters. Although distinct in genre, the novels together demonstrate the tension between forgiving and forgetting in memory studies following the atrocities of the twentieth century. Forgiveness in the Ender saga falls short of the accountability embedded in “difficult forgiveness” as defined by Paul Ricoeur, as does the imposed forgetfulness between previously warring parties in The Buried Giant. Similarly, the fictions demonstrate, on a corporate scale, neither “unconditional forgiveness” as defined by Jacques Derrida nor “unconditional love” as defined by Martha Nussbaum. On an interpersonal level, however, The Buried Giant demonstrates the transformative powers of all of these practices, thus inviting reflection on how they might effect larger-scale reconciliations.


2012 ◽  
Vol 3 (1) ◽  
pp. 34-52 ◽  
Author(s):  
Marc Breviglieri

This article considers two sociological postures in relation to Paul Ricoeur’s anthropology of capable man. The first sociological approach scrutinizes the concept of human capacity from the perspective of Ricoeur’s hermeneutics. The second approach elaborated here aims to study the fundamental phenomena of the practical sphere exposed in Philosophie de la volonté. The question of capacities is raised to the upper level, where primitive sensitive experiences are carried out and human beings are still considered to be dependent on vital functions. A reflection will be carried out on the inner certainty of being able to be capable and consubstantial foundation of a practical space integrated by familiarity with the body schema. This study will allow for a critical illumination of social policies currently focused on the activation of individual capacities.


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