Եվրոպական մոդեռնիզմի արձագանքները XX դարի Իրանի նկարչության մեջ (1920-1980 թվականներ)

2020 ◽  
pp. 250-257
Author(s):  
Zahra Maleki
Keyword(s):  
Cultural Identity ◽  
Visual Arts ◽  
Art Criticism ◽  
Comparative Methods ◽  
Outward Appearance ◽  
The Impact ◽  
European Modernism

The paper studies the impact of various stylistic trends of the European innovative art of the XX century, 1920s-1980s in particular, on visual arts of Iran. The objective of the study is a) to examine the activity of masters Hossein Behzad, Andre Sevryugin and Hasanali Vaziri, who taught at the School of Painting and Sculpture, founded on the initiative of Kyamal al Molq in Tehran; b) to assess the contribution to Iranian visual arts of the pioneers of innovative movement in Iran Kalal Ziapuri, Ahmad Esfandiari, Markos Grigoryan and Sohrab Sepehri, as well as the pioneers of the Saggahane movement Hossein Zenderudi and Parviz Tanavoli. To conduct the investigation, the widely applied in art criticism descriptive, graphical and analytic-comparative methods were employed. As a result of the analysis, it has been established that the European influence on the art of Iranian artists is predominantly to be found in the outward appearance and technical execution. While adhering in their creation to this or that trend of European modernism, such as impressionism, post-impressionism, cubism, abstractionism and surrealism, they, however, in order to preserve their cultural identity, draw upon the centuries-old national traditions.

A Research on the Impact of Taiwan’s Cultural Colors on Cultural Identity

2019 ◽  
Vol 61 ◽  
pp. 73-84
Author(s):  
I-Ling Shih ◽  
◽  
Yu-Chiou Tchen ◽  
Chia-Hui Huang
Keyword(s):  
Cultural Identity ◽  
The Impact

ECP02-01 - Globalisation and the impact of economic factors on psychiatric disorders

2011 ◽  
Vol 26 (S2) ◽  
pp. 1795-1795
Author(s):  
D. Bhugra
Keyword(s):  
Mental Health ◽  
Cultural Identity ◽  
Economic Status ◽  
Psychiatric Morbidity ◽  
Economic Factors ◽  
Socio Economic Status ◽  
Level Of Economic Development ◽  
Migration Experiences ◽  
The Impact ◽  
The Relationship

IntroductionWith the process of globalisation in full flow, the movement of people and products across the globe has brought a series of difficulties. With migration the socio-economic status of the individuals may change with the likelihood that this status will be lower rather than higher, although depending upon the reasons for migration this may change too.ObjectivesLiterature shows that low socio-economic status is associated with a higher level of psychiatric morbidity.AimsWhether migration acts as a mediator needs to be investigated further.MethodsVarious studies have shown that rates of psychosis are elevated in migrants though these rates are differentially increased in different groups indicating that factors other than migration may be at play.ResultsIn this presentation the literature and link the acculturation and cultural identity with post-migration experiences will be reviewed.ConclusionA link exists between the perceptions within cultures and level of economic development of what constitutes mental health. The state of advancement of mental health services of a country will certainly have a large impact on prevalence rates. Further investigation should be carried out to examine in greater depth the relationship between social inequality and disorder prevalence, as distinct from income inequality.

The impact of copyright permissions culture on the US visual arts community: The consequences of fear of fair use

2016 ◽  
Vol 18 (9) ◽  
pp. 2012-2027 ◽  
Author(s):  
Patricia Aufderheide ◽  
Tijana Milosevic ◽  
Bryan Bello
Keyword(s):  
Visual Arts ◽  
Fair Use ◽  
The Us ◽  
The Impact ◽  
Arts Community

scholarly journals The Ancient Walls of Damascus and the Siege of Mouaddamiyya: A Historical and Spatial Analysis of Bounded Place and Cultural Identity

2017 ◽  
Vol 20 (4) ◽  
pp. 441-453 ◽  
Author(s):  
Nour Halabi
Keyword(s):  
Cultural Identity ◽  
Spatial Organization ◽  
The Political ◽  
Islamic State ◽  
Public Response ◽  
The Public ◽  
Syrian Crisis ◽  
Political Turmoil ◽  
The Impact ◽  
Vast Area

Throughout the Syrian crisis, the presence of material and symbolic boundaries to culture became a particularly salient element of the continuously unfolding political turmoil. As one terrorist group, Daesh, or the Islamic State of Iraq and Syria, seeks to unite the vast area of the Middle East under the political, religious, and cultural administration of a “Greater State of Syria,” or “al-Sham,” this article revisits the historical spatial organization of Damascus and the construction of city boundaries and walls as factors that contributed to the cultivation of spatially grounded cleavages within Syrian and Damascene identity. In the latter section of this article, I reflect on the impact of these cleavages on the Syrian crisis by focusing on the public response to the siege of the Mouaddamiyya neighborhood.

The Impact of Regulatory Competition on Measures to Promote Pluralism and Cultural Diversity in the Audiovisual Sector

2007 ◽  
Vol 9 ◽  
pp. 239-259
Author(s):  
Thomas Gibbons
Keyword(s):  
New Media ◽  
Cultural Identity ◽  
Digital Technology ◽  
Cultural Policy ◽  
Global Market ◽  
Regulatory Competition ◽  
Market Place ◽  
Global Media ◽  
Satellite Broadcasting ◽  
The Impact

Communications are being transformed by the combination of digital technology and a global media economy. There is increased convergence between traditional broadcasting, cable distribution, satellite broadcasting, telecommunications and the Internet, which has boosted the sheer volume of programming and information that can be conveyed, and extended its reach at both domestic and international levels. Many will see these developments as an opportunity to promote new media products and to rationalise their operations in a global market place. Others may be concerned that the need to compete successfully in that market place will threaten the survival of local and national cultural identity. In terms of policy and regulation, states may be tempted to emphasise trade and industrial policy, intended to improve transnational competitiveness, at the expense of media and cultural policy, aimed at protecting pluralism and diversity.

scholarly journals Impact of Social Media in Adoption of New Trends of Visual Arts: A Case Study of Established Visual Artists in Twins Cities

2020 ◽  
Vol V (II) ◽  
pp. 20-33
Author(s):  
Muhammad Ayub Wali ◽  
Salman Amin ◽  
Muhammad Rehman
Keyword(s):  
Social Media ◽  
Visual Arts ◽  
Art Teachers ◽  
Twin Cities ◽  
Visual Artists ◽  
Significant Relation ◽  
Art Educators ◽  
Innovation Model ◽  
Use Of Social Media ◽  
The Impact

This study has investigated the problem of finding the impact of social media in adoption of new trends of visual arts on established visual artists of twin cities and also how social media facilitates in disseminating new techniques of visual arts among the art practitioners. The aims of the research were to investigate the impact of social media in adoption of new trends of visual arts among established visual artists, and also to evaluate the existing techniques of visual arts through diffusion innovation model among the established visual artists. The researcher has conducted interviews of established visual artists, questionnaires were also furnished. The stakeholders were practicing field visual artists (studio based) and visual art educators (art teachers). The result concluded from the present study was that adoption of social media has a positive significant relation with adoption of new trends of arts and impact on the skills of artists whereas adoption of social media has a negative but significant relation with use of social media.

scholarly journals «The Great Neurosis» of Jacques Loysel and Alfred Kubin

2020 ◽  
pp. 144-149
Author(s):  
D. O. Martynova ◽  
Keyword(s):  
Mental Illness ◽  
Contemporary Art ◽  
Visual Arts ◽  
Visual Image ◽  
Lost Generation ◽  
Disciplinary Power ◽  
Graphic Artist ◽  
Art Practices ◽  
The Impact ◽  
Pathological Image

On the example of the work «The Great Neurosis» by the French sculptor Jacques Loysel and «Europe» by the Austrian graphic artist Alfred Kubin, it is described and analyzed how artists gave characteristics of changes in their eras, using the same visual image associated with a mental illness. It is proved that while Loysel’s artwork was associated with the latest discoveries in medicine, then Kubin’s artwork was reinterpreted in a new way, reflecting the problems and experiences of the «lost generation». From this it follows that the example of the works «The Great Neurosis» and «Europe» by Loysel and Kubin can be traced not only to evolution, but also to the introduction of the pathological image of the “hysterical body” both in the art of the XXth century and in contemporary art practices. Such a study demonstrates the relevance and signifi cance of studying the links between, as well as the analysis of the impact of mechanisms of institutions of disciplinary power on the visual arts of various eras.

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