scholarly journals Intersubjectivity in Artistic Translation

enadakultura ◽  
2021 ◽  
Author(s):  
Tamar Mardaleishvili
Keyword(s):  
Present Article ◽  
Research Process ◽  
The Other ◽  
Discourse Theory ◽  
Modern Theory ◽  
Creative Style ◽  
Interdisciplinary Methodology ◽  
Theory Of Discourse ◽  
Individual Style

The present article deals with the problem of defining the essence of artistic translation as the specific type of discourse and conducting such interpretation of intersubjectivity as the principle of discourse theory refers to the translator’s role and importance (‘translator icon’) within the scope of artistic translation. As the object of this study, artistic translation differs from the other types of translation by its creativeness. Creativeness of artistic translation should be considered as the interrelation of the concepts of ‘translator icon’ as well as translation style. ‘Translator icon’ is believed to be precisely revealed in translation style. According to the fact, that the research is being conducted on the basis of interdisciplinary methodology, it is very important to determine more precisely the research aspects related to the artistic translation as discourse phenomenon. ‘Translator icon’ and translation style concepts are implied here, of course. While determining translation as well as artistic translation, the modern theory of discourse should be taken into account. Correspondingly, translation should be considered as the type of discourse and artistic translation as the sub-type of this latter one. Thus, in the research process, it is very necessary to highlight the discourse principle such as intersubjectivity that implies the communicative relation between the addresser (the sender of information) and the addressee (the recipient of the information). In conclusion, it is possible to be said, that a) artistic translation differs from the other types of translation with its creativeness, b) according to the fact, that creative act implies the creator’s individual style, artistic translation is characterized with its individual creative style as well, c) it was essential to connect the concept of translation style to the concept of ‘translator icon’; d) artistic translation differs from the other types of discourse with its very peculiarity of specific realisation of the principle of intersubjectivity: within its frame the translator is at the same time the adressser and the addressee as well.

scholarly journals Hacia un modelo sociocultural explicativo del alto rendimiento y de la alta capacidad I: Ámbito familiar

2014 ◽  
Vol 18 (1) ◽  
pp. 31 ◽  
Author(s):  
Carmen Jiménez Fernánde ◽  
Beatriz Álvarez González ◽  
Juan Antonio Gil Pascual ◽  
Mª Ángeles Murga Menoyo ◽  
José A Téllez Muñoz ◽  
...  
Keyword(s):  
Present Article ◽  
Research Process ◽  
Explanatory Model ◽  
The Other ◽  
High Ability ◽  
Evolution And Development ◽  
Other Hand ◽  
The Family ◽  
Related Science ◽  
And Performance

RESUMENEn este artículo proponemos un Modelo sociocultural explicativo del alto rendimiento y de la alta capacidad. El modelo es consecuencia, por un lado, de la propia evolución que la psicología, y ciencias afines, como la pedagogía y la orientación educativa, han sufrido a lo largo de las últimas décadas, tendiéndose cada vez más a integrar variables de tipo cognitivas, afectivas y socioculturales; y por otro, de la propia evolución y desarrollo de las investigaciones realizadas por el equipo, especialmente de la información emergente y no prevista surgida durante el proceso de investigación. Contar con un modelo amplio y comprensivo resulta esencial para garantizar los procesos de orientación e intervención psicopedagógica que favorezcan un alto desarrollo y rendimiento y una atención adecuada a los estudiantes con altas capacidades. En el modelo se concretan seis dimensiones, en este artículo nos centraremos en una de ellas: el ámbito familiar.ABSTRACTIn this article we propose a Sociocultural explanatory model of high perfomance and high ability. This model is the result of, o one hand, the evolution of Psychology and related science, like pedagogy and education al guidance, during the last decades, towards the integration of cognitive, emotional and sociocultural variables, and, on the other hand, the result of the evolution and development of the research carried out by our own group, especially regarding the unexpected information come up during the research process. To have a wide and understanding model is essential to guarantee the psychopedagogical intervention and guidance processes which favour a high development and performance, as well as, an appropriate attention to the students with high abilities. This model includes six aspects, in the present article we focus on one of them: the family field.

La transposition profane de l’Exode dans Moïse fiction de Gilles Rozier

2013 ◽  
pp. 174-183
Author(s):  
Piotr Sadkowski
Keyword(s):  
Present Article ◽  
Old Testament ◽  
The Other ◽  
Jewish Tradition ◽  
Human Being ◽  
The Novel ◽  
Jewish Origin ◽  
French Writer ◽  
The World ◽  
Jewish Writers

Throughout the centuries French and Francophone writers were relatively rarely inspired by the figure of Moses and the story of Exodus. However, since the second half of 20th c. the interest of the writers in this Old Testament story has been on the rise: by rewriting it they examine the question of identity dilemmas of contemporary men. One of the examples of this trend is Moïse Fiction, the 2001 novel by the French writer of Jewish origin, Gilles Rozier, analysed in the present article. The hypertextual techniques, which result in the proximisation of the figure of Moses to the reality of the contemporary reader, constitute literary profanation, but at the same time help place Rozier’s text in the Jewish tradition, in the spirit of talmudism understood as an exchange of views, commentaries, versions and additions related to the Torah. It is how the novel, a new “midrash”, avoids the simple antinomy of the concepts of the sacred and the profane. Rozier’s Moses, conscious of his complex identity, is simultaneously a Jew and an Egyptian, and faces, like many contemporary Jewish writers, language dilemmas, which constitute one of the major motifs analysed in the present article. Another key question is the ethics of the prophetism of the novelistic Moses, who seems to speak for contemporary people, doomed to in the world perceived as chaos unsupervised by an absolute being. Rozier’s agnostic Moses is a prophet not of God (who does not appear in the novel), but of humanism understood as the confrontation of a human being with the absurdity of his or her own finiteness, which produces compassion for the other, with whom the fate of a mortal is shared.

Termin kandaulos/kandylos (κανδαυλοσ/ κανδυλοσ) na podstawie λεχεων συναγωγη Focjusza oraz "Commentari ad Homeri Iliadem" Eustacjusza z Tessaloniki

Vox Patrum ◽  
2010 ◽  
Vol 55 ◽  
pp. 361-373
Author(s):  
Maciej Kokoszko ◽  
Katarzyna Gibel-Buszewska
Keyword(s):  
Social Status ◽  
Present Article ◽  
The Other ◽  
Other Hand ◽  
The Social ◽  
Cooked Meat

The present article focuses on one of the Greek delicacies mentioned by Photius and Eustathius, i.e. a Lydian import called kandaulos/kandylos. The dish was developed before the mid. VI th c. BC and named after a Lydian king, Kandaules, who ruled in the VII th c. BC. The delicacy was (via the Ionians) borrowed by the Helens and established itself in Greece sometime in the V th c. It became popular in Hellenistic times. The information we possess allow us to reconstruct two varieties of kandaulos/ kandylos. The first was savoury and consisted of cooked meat, stock, Phrygian cheese, breadcrumbs and dill (or fennel). The other included milk, lard, cheese and honey. The dish is reported to have been costly, prestigious and indicating the social status of those who would eat it. Though there is much evidence suggesting its popularity in antiquity, we lack solid evidence proving that kaunaudlos/kandylos was eaten in Byzantine times. On the other hand, Byzantine authors preserved the most detailed literary data on the delicacy. If it had not been for the Byzantine interest, our competence in the field of Greek cuisine would be even faultier.

Review of Malahara Kalpana of Rasa Tarangani

2019 ◽  
Vol 4 (02) ◽  
Author(s):  
Dubey Somil
Keyword(s):  
Present Article ◽  
20Th Century ◽  
The Other ◽  
Mineral Contents ◽  
Basic Constituent

The word Malahara or Malhama is derived from unani system of medicine. Yogaratnakara mentioned this first by the name of Malahara Kalpana. It derives its name as it removes Mala (residue etc.) from Vrana (wounds), Vidradhi (abscess) etc. This is similar to ointments in modern pharmaceutics. Malahara Kalpana is the ointment preparation which has Siktha Taila (bees wax and oil mixture) or Ghrita, as the basic constituent. The other ingredients may include herbal, metal, or mineral contents depending upon the usage. Malahara has a property like Snehana (oelation), cleansing, Ropana (healing), Lekhana (scaraping), and Varnya (beautifying), depending on the drugs used in the preparation. Rasa Tarangani a Rasa Shastra treatise of 20th century by Acharya Sadananda Sharma has enumerated various types of Malahara Kalpana taking mainly Siktha Taila as a base. Though this Kalpana holds firm roots in treating diseases the mention and explanation of this particular topic is scattered in this treatise. Hence the present article is an attempt to elucidate and unfold the Malahara Kalpana of Rasatarangani.

Informed Consent for Online Research—Is Anybody Reading?: Assessing Comprehension and Individual Differences in Readings of Digital Consent Forms

2021 ◽  
pp. 155626462110201
Author(s):  
Caitlin Geier ◽  
Robyn B. Adams ◽  
Katharine M. Mitchell ◽  
Bree E. Holtz
Keyword(s):  
Individual Differences ◽  
Informed Consent ◽  
Research Process ◽  
The Other ◽  
Consent Form ◽  
Online Research ◽  
Consent Forms ◽  
Potential Benefits

Informed consent is an important part of the research process; however, some participants either do not read or skim the consent form. When participants do not read or comprehend informed consent, then they may not understand the potential benefits, risks, or details of the study before participating. This study used previous research to develop experimentally manipulated online consent forms utilizing various presentations of the consent form and interactive elements. Participants ( n = 576) were randomly exposed to one of six form variations. Results found that the highly interactive condition was significantly better for comprehension than any of the other conditions. The highly interactive condition also performed better for readability, though not significantly. Further research should explore the effects of interactive elements to combat habituation and to engage participants with the parts of the consent form unique to the study.

Hindko in Kohat and Peshawar

1980 ◽  
Vol 43 (3) ◽  
pp. 482-510
Author(s):  
C. Shackle
Keyword(s):  
Present Article ◽  
Wide Distribution ◽  
The Other ◽  
Main Body ◽  
Historical Importance ◽  
Adequate Coverage ◽  
Extreme North ◽  
Language Areas ◽  
North Western ◽  
Scholarly Attention

The Indo-Iranian linguistic frontier constitutes one of the most complex and interesting language-areas of the sub-continent. Given the nature of the area, it is perhaps inevitable that scholarly attention should have been directed particularly to its remoter corners, where so much that is of historical importance has been preserved, and we certainly have every reason to be grateful for the fascination which such out of the way survivals have held for the minds of several outstanding linguists. It is, on the other hand, a matter for regret that so little has been done by comparison on the languages which flourish in less inaccessible parts of the frontier, particularly on the Indo-Aryan side. The wide distribution of such languages alone, quite apart from their intrinsic interest, demands that they too be accorded adequate coverage if the peculiarly complex language-patterns of the area are ever to be properly understood as a whole. The present article, based largely on material collected during a recent field-trip to Pakistan,1 represents an attempt to fill one such gap in contemporary coverage, by providing descriptions of the extreme north-western extensions of the main body of Indo-Aryan.

Reality in History

Philosophy ◽  
1931 ◽  
Vol 6 (24) ◽  
pp. 472-484
Author(s):  
Hilda D. Oakeley
Keyword(s):  
Present Article ◽  
Practical Experience ◽  
The Other ◽  
Philosophical Interpretation ◽  
The One ◽  
New Phase ◽  
Speculative Thought

The treatment of history by philosophers seems to have entered upon a new phase, as regards the questions both what kind of knowledge we are dealing with and what is the relation of the historic experience to reality. As Professor Guido de Ruggiero pointed out in the April number of the Journal, this interest in the problems of history has not received much recognition in English thought at present. It is the purpose of the argument of the present article to maintain that whilst there are two methods of approach to reality, the one through knowledge and speculative thought, the other through history and practical experience, a philosophical interpretation is necessary to the understanding of history, though philosophies of history as usually conceived are not possible. The dualism of experience to which reference is here made is not identical with the dualism with which Professor de Ruggiero is concerned.

Il filosofo e il cineasta. Una discussione sull'immagine cinematografica

PARADIGMI ◽  
2009 ◽  
pp. 45-51
Author(s):  
Mauro Carbone
Keyword(s):  
Key Words ◽  
Present Article ◽  
Gestalt Psychology ◽  
The Other ◽  
Significant Feature ◽  
Christian Metz ◽  
Negative Judgement

- Image The present article focuses on two topics underlying the lecture given by Maurice Merleau-Ponty in 1945 at the Institut des Hautes Études Cinématographiques, in Paris. One is the reflection on the peculiarities of filmic expression and cinematic image; the other, the convergence between the inspiration of cinema and that of philosophy, which Merleau-Ponty sees as a significant feature of his time: a convergence which the cinema of the nouvelle vague was also to acknowledge and which Christian Metz was to confirm retrospectively. Moreover, in developing both topics, the author finds a way to interpret Merleau-Ponty's lecture as an undeclared polemical response to Henri Bergson's famous negative judgement on cinema.Key words: Cinematic Image, Gestalt Psychology, Melody, Montage, Perception, Rhythm.Parole chiave: Dinamica di legittimazione, Immagine, Identitŕ, Narrazione, Soggetto, Tempo.

Een beetje onsterfelijk

Lampas ◽  
2019 ◽  
Vol 52 (4) ◽  
pp. 437-452
Author(s):  
Gerard Boter
Keyword(s):  
Present Article ◽  
The Other ◽  
Relationship Of ◽  
The Relationship ◽  
Immortality Of The Soul

Summary The present article discusses three hotly debated interpretational issues in Diotima´s speech in Plato´s Symposium. The first of these is the relationship of Diotima´s speech to other dialogues, such as the Phaedo and the Republic, with regard to the immortality of the soul. It is argued that there is no discrepancy at all, because the immortality of the soul does not play any role in the Symposium. The second issue is the nature of the three classes of posterity: biological, spiritual and philosophical. Whereas the posterity of the first two classes can be relatively easily defined, the character of the philosopher´s posterity, ‘true virtue’, remains rather vague. It may consist in dialectical teaching of the Idea of Beauty by Socrates. Thirdly, it is argued that the philosopher´s immortality differs only gradually from the immortality of the other two classes, that is, the philosopher as a man only survives by means of his posterity.

Non-syndromic double upper lip with triple frena: cosmetic cheiloplasty

2021 ◽  
Vol 14 (9) ◽  
pp. e243156
Author(s):  
Monika Gupta ◽  
Harshita Vig ◽  
Yajas Kumar ◽  
Aliza Rizvi
Keyword(s):  
Psychological Distress ◽  
Present Article ◽  
Surgical Management ◽  
Surgical Intervention ◽  
The Other ◽  
Upper Lip ◽  
Lower Lip ◽  
Facial Anomaly ◽  
The Aesthetic ◽  
Functional Problems

Double lip or macrocheilitis is a rare facial anomaly, mostly congenital in origin. It commonly involves the upper lip than the lower lip. It may occur in isolation or as part of the Ascher’s syndrome. It results due to deposition of excessive areolar tissue and non-inflammatory hyperplasia of labial mucosa gland of pars villosa. It may be acquired as a result of injury to the lips or lip-biting habit. The double lip becomes conspicuous when the lips are retracted during smiling resulting in the characteristic ‘cupid’s bow’ appearance. This disfigurement can pose aesthetic and functional problems and may result in psychological distress. A surgical intervention is must for restoration of functions and to address the aesthetic concerns. The present article reports a case of non-syndromic double upper lip with triple labial frena and its surgical management with laser on one side and with scalpel on the other side.

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