scholarly journals Intercultural Political Models in Egils Saga and Other Literary Sources. A Philological Study

2019 ◽  
Vol 11 (2) ◽  
pp. 35-48
Author(s):  
Costel Coroban
Keyword(s):  
Political Ideology ◽  
The Political ◽  
13Th Century ◽  
Early Medieval ◽  
Literary Sources ◽  
The Way

This article examines the way rulers are depicted in Icelandic literary sources such as Egils saga and some other literary sources belonging to medieval Scandinavia. We may presume that the construction and description of the image of Norwegian kings in that age, when Christianity had not totally replaced the Old beliefs in Iceland, are conclusive when attempting to better understand and analyse the mixed ideology of power in 12th and 13th century Norway and Iceland. Our aim is to explore the foundations of the political ideology of Early Medieval Norway, which were consolidated in the 12th and 13th centuries, when the authors and sources constructed an intercultural model of kingship based on the recently Christianised culture over which the influences of the old faith was overlapping.

scholarly journals Representations of political power in medieval Iceland: Íslendingabók

2016 ◽  
Vol 8 (2) ◽  
pp. 7-24
Author(s):  
Costel Coroban
Keyword(s):  
Middle Ages ◽  
Political Ideology ◽  
Point Of View ◽  
Political Organization ◽  
The Political ◽  
13Th Century ◽  
Literary Sources ◽  
Strong Position ◽  
The Subject ◽  
Political Milieu

This paper aims to analyse emblematic sources from the Golden Age of literature in High Medieval Iceland, such as Íslendingabók, from the point of view of the ideology of power, in order to compare the findings to those from other sources of the time. If in Norway towards the 13th century all power gravitated around the person of the King and the institution of the court, in Iceland the political situation from the assembly of the Alþingi in 930 up to the country’s annexation (1262) was wholly different, owing to the different political organization of the Old Icelandic Commonwealth (Þjóðveldið). The Icelandic political milieu has not been researched very extensively from the point of view of political ideology, as one of the pioneers of this approach, Jón Viðar Sigurðsson noted. There is much to be said on the subject of the worthiness of the Icelandic Family sagas as useful in describing the political ideology of power due to their role as both historical and literary sources. These skaldic texts were sponsored with specific purposes by rulers who understood how songs and stories could improve a leader’s position and prestige. As a similarity to the literature sponsored by the kings of Norway, the texts created in Iceland during the literary miracle of the Middle Ages had a greater importance for those chieftains who did not enjoy a strong position, who were either attempting to legitimate themselves as rulers of newly usurped positions, or who were threatened by stronger neighbouring rulers.

scholarly journals Challenging Parties and Anti-Fascism in the Name of Democracy: The Fronte dell'Uomo Qualunque and its Impact on Italy's Republic

2016 ◽  
Vol 26 (1) ◽  
pp. 69-84 ◽  
Author(s):  
PEPIJN CORDUWENER
Keyword(s):  
Political Ideology ◽  
Democratic Legitimacy ◽  
Political Crisis ◽  
The Political ◽  
Political Movement ◽  
Post War ◽  
The Impact ◽  
The Relationship ◽  
Second World ◽  
The Way

AbstractThis article studies the political ideology of the Italian political movement Fronte dell'Uomo Qualunque in the light of the problems of party democracy in Italy. The movement existed only for a few years in the aftermath of the Second World War, but the impact of its ideology on post-war Italy was large. The article argues that the party's ideology should be studied beyond the anti-fascist–fascist divide and that it provides a window onto the contestation of party politics in republican Italy. It contextualises the movement in the political transition from fascism to republic and highlights key elements of the Front's ideology. The article then proceeds to demonstrate how the movement distinguished itself from the parties of the Italian resistance and advocated a radical break with the way in which the relationship between the Italian state and citizens had been practiced through subsequent regimes. The way in which the movement aimed to highlight the alleged similarities between the fascist and republican political order, and its own claim to democratic legitimacy, constitute a distinct political tradition which resurfaced in the political crisis of the 1990s.

scholarly journals EPIPHANIES OF SOVEREIGNTY AND THE RITE OF JADE DISC IMMERSION IN WEFT NARRATIVES

Early China ◽  
2014 ◽  
Vol 37 ◽  
pp. 393-443 ◽  
Author(s):  
Grégoire Espesset
Keyword(s):  
Political Ideology ◽  
Final Section ◽  
Political Action ◽  
The Political ◽  
Early Medieval ◽  
Hierarchical Order ◽  
Political Sphere ◽  
Transcendent Experience ◽  
Imperial China ◽  
The Universe

AbstractThis article deals with facets of the political ideology of late pre-imperial and early imperial China as documented by remnants of a dozen texts belonging to an under-explored genre known in English as weft (wei 緯) writings or the “Confucian Apocrypha.” Its focus is on the transcendence of hierarchy and sovereignty, the transfer of dynastic legitimacy, and the pragmatic vehicle of “tangible” revelation. After a terminological introduction, the study turns to weft concepts of society and sovereignty as being consubstantial with the intrinsic hierarchical order of the universe, then moves on to explore how these concepts are dealt with in a cluster of weft narrative materials. Focused on a rite of jade disc immersion, the final section bridges the gap between the “mythical” sphere of weft narrative and conventional history, showing how some weft ideas actually determined political action. Weft theories contributed to the formation of the early imperial ideas of sovereignty and legitimacy and remained active throughout the early medieval era, having a lasting impact on the political sphere as well as liturgical practices intended to reenact the transcendent experience of epiphany.

Leone de' Sommi and Jewish Theatre in Renaissance Mantua

2009 ◽  
Vol 29 (2) ◽  
pp. 5-19
Author(s):  
Donald Beecher
Keyword(s):  
Sixteenth Century ◽  
The Political ◽  
Complex Relationship ◽  
Social Negotiations ◽  
Renaissance Artist ◽  
The Way

This is a study of a Renaissance artist and his patrons, but with an added complication, insofar as Leone de' Sommi, the gifted academician and playwright in the employ of the dukes of Mantua in the second half of the sixteenth century, was Jewish and a lifelong promoter and protector of his community. The article deals with the complex relationship between the court and the Jewish "università" concerning the drama and the way in which dramatic performances also became part of the political, judicial and social negotiations between the two parties, as well as a study of Leone's role as playwright and negotiator during a period that was arguably one of the best of times for the Jews of Mantua.

“I'd make thee eat the mischief thou hast vented”: Discourse of Law in Ben Jonson's Catiline His Conspiracy

2017 ◽  
Vol 24 (1) ◽  
pp. 22-45
Author(s):  
Akihiko Shimizu
Keyword(s):  
Early Modern ◽  
Political Discourse ◽  
Legal Discourse ◽  
The State ◽  
The Political ◽  
State Of Emergency ◽  
Gunpowder Plot ◽  
Effective Use ◽  
Legal Procedures ◽  
The Way

This essay explores the discourse of law that constitutes the controversial apprehension of Cicero's issuing of the ultimate decree of the Senate (senatus consultum ultimum) in Catiline. The play juxtaposes the struggle of Cicero, whose moral character and legitimacy are at stake in regards to the extra-legal uses of espionage, with the supposedly mischievous Catilinarians who appear to observe legal procedures more carefully throughout their plot. To mitigate this ambivalence, the play defends Cicero's actions by depicting the way in which Cicero establishes the rhetoric of public counsel to convince the citizens of his legitimacy in his unprecedented dealing with Catiline. To understand the contemporaneousness of Catiline, I will explore the way the play integrates the early modern discourses of counsel and the legal maxim of ‘better to suffer an inconvenience than mischief,’ suggesting Jonson's subtle sensibility towards King James's legal reformation which aimed to establish and deploy monarchical authority in the state of emergency (such as the Gunpowder Plot of 1605). The play's climactic trial scene highlights the display of the collected evidence, such as hand-written letters and the testimonies obtained through Cicero's spies, the Allbroges, as proof of Catiline's mischievous character. I argue that the tactical negotiating skills of the virtuous and vicious characters rely heavily on the effective use of rhetoric exemplified by both the political discourse of classical Rome and the legal discourse of Tudor and Jacobean England.

The Political Theology of Schelling

2016 ◽  
Author(s):  
Saitya Brata Das
Keyword(s):  
Martin Heidegger ◽  
Jacques Derrida ◽  
Political Theology ◽  
The Political ◽  
Franz Rosenzweig ◽  
Political Works ◽  
The Way

This book rigorously examines the theologico-political works of Friedrich Wilhelm Joseph von Schelling, setting his thought against Hegel's and showing how he prepared the way for the post-metaphysical philosophy of Martin Heidegger, Franz Rosenzweig and Jacques Derrida.

Menelaah Lebih Dekat “Post Factual/Post Truth Politics, Studi Kasus Brexit” (Analsis Resensi Media)

2017 ◽  
Vol 1 (1) ◽  
Author(s):  
Eko Wahyono ◽  
Rizka Amalia ◽  
Ikma Citra Ranteallo
Keyword(s):  
United States ◽  
Mass Media ◽  
New Media ◽  
The United States ◽  
The Political ◽  
Political Struggle ◽  
The Real ◽  
The Mass Media ◽  
The Uk ◽  
The Way

This research further examines the video entitled “what is the truth about post-factual politics?” about the case in the United States related to Trump and in the UK related to Brexit. The phenomenon of Post truth/post factual also occurs in Indonesia as seen in the political struggle experienced by Ahok in the governor election (DKI Jakarta). Through Michel Foucault's approach to post truth with assertive logic, the mass media is constructed for the interested parties and ignores the real reality. The conclusion of this study indicates that new media was able to spread various discourses ranging from influencing the way of thoughts, behavior of society to the ideology adopted by a society.Keywords: Post factual, post truth, new media

Something Gleaming

Theoria ◽  
2020 ◽  
Vol 67 (165) ◽  
pp. 92-117
Author(s):  
Bronwyn Leebaw
Keyword(s):  
The Political ◽  
Political Role ◽  
Common Concern ◽  
The Way

What kinds of lessons can be learned from stories of those who resisted past abuses and injustices? How should such stories be recovered, and what do they have to teach us about present day struggles for justice and accountability? This paper investigates how Levi, Broz, and Arendt formulate the political role of storytelling as response to distinctive challenges associated with efforts to resist systematic forms of abuse and injustice. It focuses on how these thinkers reflected on such themes as witnesses, who were personally affected, to varying degrees, by atrocities under investigation. Despite their differences, these thinkers share a common concern with the way that organised atrocities are associated with systemic logics and grey zones that make people feel that it would be meaningless or futile to resist. To confront such challenges, Levi, Arendt and Broz all suggest, it is important to recover stories of resistance that are not usually heard or told in ways that defy the expectations of public audiences. Their distinctive storytelling strategies are not rooted in clashing theories of resistance, but rather reflect different perspectives on what is needed to make resistance meaningful in contexts where the failure of resistance is intolerable.

John Adams, Klinghoffer and The Transmigration of Souls: Musical Responses to Terrorism

Public Voices ◽  
2017 ◽  
Vol 9 (1) ◽  
pp. 58
Author(s):  
John Anderson
Keyword(s):  
Modern World ◽  
The Political ◽  
John Adams ◽  
Political Dialogue ◽  
The Way

This paper explores the way in which the music of John Adams responds to terrorism and looks at some of the controversies surrounding his work. It represents a reflection on how the musical and the political can interact in the modern world, engaging his work on the level of political dialogue.

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