scholarly journals "Heritage painting" in the painting of Kazakhstan. Cultural Memory and Meanings of History

Keruen ◽  
2021 ◽  
Vol 72 (3) ◽  
Author(s):  
D. S. Sharipova ◽  
◽  
Keyword(s):  
National Identity ◽  
Contemporary Art ◽  
Cultural Memory ◽  
Fine Arts ◽  
Value Orientations ◽  
National Symbols ◽  
Cultural Features

The article is devoted to the study of the works of the leading masters of contemporary art of Kazakhstan K. Azhibekuly and Zh. Musapir. On the basis of the analysis of easel and monumental works of these artists their creative method is designated by analogy with cinematography as «heritage painting». Considering a painting in the context of the study of the work of cultural memory, two significant concepts of the Kazakh fine arts can be identified – national identity and memory, which are inextricably linked, since the identification awareness is based on a shared system of values and memories. It was defined that one of the most important constants of the works of the selected masters is the desire to strengthen the national symbols, value orientations and identification strategies in the modern situation associated with globalization and the homogenization of ethno-cultural features.

scholarly journals NATIONAL SYMBOLS AS THE ELEMENT OF IDENTITY IN ARCHITECTURE OF DIPLOMATIC LEGATIONS

2021 ◽  
pp. 316-326
Author(s):  
Iryna Tymovchak
Keyword(s):  
National Identity ◽  
Social Order ◽  
Fine Arts ◽  
State Identity ◽  
National Symbols ◽  
International Image ◽  
Artistic Interpretation ◽  
Religion And State ◽  
The One ◽  
Local Traditions

The article determines the peculiarities of introducing national symbols into the architecture of modern diplomatic legations with the aim of reflecting identity and uniqueness of different states of the world. In the context of globalization, multiculturalism, development of supranational institutions, and terrorist threats, the problem related to the means of expressing national identity in the architecture of diplomatic legations, which are the representation platform for each state worldwide, has appeared. The interpretation conciseness and artistic rethinking of national symbols is the major tool applied by architects and building constructors of diplomatic legations of the XXI century. From this perspective, it is particularly important to understand that, on the one hand, the mentioned architectural objects should be treated as symbols of state and nation, but on the other hand, should go in line with local traditions of building construction and architecture, cooperation with local culture, and surrounding environment of host country. For the sake of self-identification, each state worldwide uses national symbols that become an integral part of their international image brand. During the course of research, the following types of national state symbols have been distinguished: The main: Secondary: -         flag; -         coat of arms.   -       fauna and flora; -       peculiarities of natural resources; -       national identity and social order; -       architectural style, fine arts, ornamentation; -         symbols of religion and state regalia; -         ideology and policy of the state. Official symbols (state symbols) are determined and enshrined at the constitutional and legal level. They are being created during the process of state establishment. Informal symbols are not always enshrined in law and are not mandatory to be used. However, namely these symbols are the full-fledged reflection of uniqueness of nature, culture, religion, history, traditions, politics, and ideology of nation and state. Embassy is the diplomatic legation of the highest rank by means of which any state conducts its official activity abroad. The analysis of architectural composition, dimensional and spatial structure, artistic and aesthetic decisions of exterior and interior elements of embassy buildings has enabled the possibility of demonstrating different methods and approaches to solving the problems of using and providing artistic interpretation of national symbols as the element of state identity representation.

Specificity of Value Orientations of Native Speakers of French and Russian and Their Representation in Proverbs (Based on Dictionaries)

2020 ◽  
pp. 79-88
Author(s):  
Nataliya Yu. Nelyubova ◽  
Keyword(s):  
National Identity ◽  
Ethnic Groups ◽  
Native Speakers ◽  
Mutual Influence ◽  
Value Orientations ◽  
Quantitative Composition ◽  
Russian Culture ◽  
Common Features ◽  
French Culture ◽  
Subjective Factor

This paper presents a linguo-axiological analysis of French and Russian proverbs based on identifying value orientations and creating their hierarchy by studying the names and quantitative dominance of various thematic groups in authentic paroemiological dictionaries. Identification of value orientations allows us to reveal both common features of ethnic groups, which are of interest in the era of globalization and mutual influence of languages and cultures, and specific ones, contributing to the preservation of national identity. The novelty of this research compared to the author’s previous studies lies in the use of two additional lexicographic sources (one French and one Russian). The examined material of the four dictionaries includes more than 30,000 proverbial units. The analysis revealed the presence of a large number of common topics (which can occupy different positions in the value hierarchy of the ethnic groups under study) not only in dictionaries of the same language, but in all four sources. The names of the categories and their quantitative composition allow us to define French culture as individualist, while Russian culture, as collectivist. When constructing a hierarchy, it is important to turn to a larger number of dictionaries and identify common proverbial units in them to avoid the influence of the subjective factor, which is the case when naming and forming categories, as well as of the researcher’s individual approach to the proportion of category names to their corresponding values. The expanding vocabulary and studies on evaluativity in proverbs aiming to identify value and anti-value components within various topics can be used for further research.

THE IMPORTANCE OF NATIONAL IDENTITY AMONG YOUNG PEOPLE IN KAZAKHSTAN

2021 ◽  
pp. 64-74
Author(s):  
T ABDRASSİLOV ◽  
Zh NURMATOV ◽  
K KALDYBAY
Keyword(s):  
National Identity ◽  
Young People ◽  
Short Survey ◽  
The Subject ◽  
International University ◽  
Cultural Features

This study intends to explore the salience of national identity for young people from the perspective of ‘commitment and loyalty’ to their nation. The uniqueness of this study is that it provides the opportunity to observe the salience of civic, ethnic, and cultural features of national identity in Kazakhstan.This article has examined the importance of national identity theoretically and critically reviewed the literature on this theme. For the case study, a small survey was conducted in order to evaluate the role of inclusion in shaping national identity among young students.An academic implication of this research entails further research on the salience of belonging and sense of attachment to national identity among young people in other cosmopolitan cities of Kazakhstan, such as Almaty, Nur-Sultan and Atyrau, where the effect of globalisation is more prevalent and the Kazakh customs and traditions less noticeable in order to make a comparative evaluation.In this context, the authors consider the importance of national identity for young individuals by analysing the theories on nations and nationalism, specifically emphasising the relation between individuals and their nations. Analysis is complemented by a short survey on the subject of national identity, which was carried out among students of the Kazakh-Turkish International University in Turkistan, Kazakhstan.

scholarly journals A wider study of contemporary art based on Mikel Diez Alaba´s Mínimos series

2017 ◽  
Vol 11 ◽  
pp. 237-242
Author(s):  
Irene Cárdaba-López ◽  
Iraia Anthonisen Añabeitia
Keyword(s):  
Contemporary Art ◽  
Fine Arts ◽  
Natural Heritage ◽  
Acrylic Paint ◽  
Museum Of Fine Arts ◽  
Contemporary Artist ◽  
Working Method ◽  
New Strategies

This research is based on the work of the Basque contemporary artist Mikel Diez Alaba and his series called Mínimos, which gathers up to 144 small size pieces made out of acrylic paint applied on printed images. This collection was displayed on the Museum of Fine Arts of Bilbao during 2014. The main objective of this paper is to reach a more integral conception of conservation –based on the latest theories regarding heritage-, focusing on material aspects and the conceptual characteristics of the artwork, alike. Thereby, the working method in Mínimos series has been analyzed, as well as the presence of elements linked to the natural heritage. All this, taken together allows the establishment of new strategies towards the conservation of contemporary artworks.

scholarly journals National Identity Construction in Cultural and Creative Tourism: The Double Mediators of Implicit Cultural Memory and Explicit Cultural Learning

SAGE Open ◽  
2021 ◽  
Vol 11 (3) ◽  
pp. 215824402110407
Author(s):  
Shu-Ning Zhang ◽  
Wen-Qi Ruan ◽  
Ting-Ting Yang
Keyword(s):  
National Identity ◽  
Cultural Identity ◽  
Mixed Method ◽  
Cultural Memory ◽  
Interactive Effect ◽  
Cultural Learning ◽  
Structured Interviews ◽  
Factors Affecting ◽  
Mediating Role ◽  
Chinese Tourists

In light of the gap in the national identity research, this study proposes, constructs, and examines the path to national identity by using a mixed-method approach. Study 1 collected 502 questionnaires from Chinese tourists, and Study 2 conducted semi-structured interviews with 15 tourists. The findings confirm that cultural and creative tourism contributes to the construction of tourists’ national identity. Tourists’ long-term implicit cultural memory and short-term explicit cultural learning are the double guarantees for forming tourists’ cultural identity. Importantly, tourists’ cultural identity plays a critical mediating role in promoting national identity. Moreover, the interactive effect of cultural experience and creative performance accelerates the construction process of tourists’ national identity. This study consolidates the sociopolitical significance of cultural and creative tourism for national identity through a rare mixed method and identifies the specific role of the cultural factors affecting national identity, thereby providing great theoretical contributions and practical value.

scholarly journals Een pasgeboren staat, of een recentelijk ontwaakte natie?

1970 ◽  
Vol 59 ◽  
pp. 5-22
Author(s):  
Nele Bemong
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
Collective Memory ◽  
Cultural Memory ◽  
Crucial Role ◽  
Historical Novel ◽  
International Community ◽  
Historical Novels ◽  
The Creation

Between 1830 and 1850, practically out of nowhere there came into beinga truly 'Belgian' literature, written boch in Flemish and in French, but aimedat a single goal: the creation of a Belgian past and the conscruction of aBelgian national identity. The historical novel played a crucial role in thisconscruction and representation of a collective memory for the Belgian statejust out of the cradle. The prefaces to these historical novels are characterizedboth by the central role granted to the representacion of Flanders as the cradleof nineteenth-century Belgium, and by the organically and religiously inspiredimagery. Attempts were made to create an intimate genealogical relationshipwith the forefathers, in order to make the Belgian citizens feel closer to theirrich heritage. Through the activation of specific recollections from theimmense archive of the collective cultural memory, Belgian independencefound its legitimization both towards the international community andtowards the Belgian people.

Museum Practices and Migrating Modernity: A Perspective from the South

2014 ◽  
Vol 1 ◽  
Author(s):  
Celeste Ianniciello ◽  
Michaela Quadraro
Keyword(s):  
National Identity ◽  
Cultural Diversity ◽  
European Society ◽  
Cultural Memory ◽  
The South ◽  
Positive Role ◽  
Migratory Movements ◽  
The Impact ◽  
Fundamental Consideration

The research presented in this paper has been developed within the European project MeLa* (“European Museums in an age of migrations”), which focuses on how contemporary migratory movements come to reshape the role of museums and archives as the privileged places of national identity and cultural memory.[1] The fundamental consideration on which the research is built is that today, under the impact of globalization and an increasing awareness of the positive role played by cultural diversity, museums can no longer pretend to represent culture in exclusively national or local terms, because they are facing the challenge of an increasingly diverse, transcultural and multilingual European society.

Co-constituting Fijian identity: the role of constitutions in Fijian national identity

2018 ◽  
Author(s):  
Christopher Mudaliar
Keyword(s):  
National Identity ◽  
Electoral System ◽  
British Colonialism ◽  
Post Colonial ◽  
Colonial Legacy ◽  
Island States ◽  
National Symbols ◽  
Insight Into

This chapter focuses on the role that constitutions play in national identity, particularly in states that are recently independent and constrained by a colonial legacy. It uses Fiji as a case study, exploring how British colonialism influenced conceptions of Fijian national identity in the constitutional texts of 1970, 1990 and 1997. The chapter explores the indigenous ethno-nationalist ideals that underpinned these constitutions, which led to the privileging of indigenous Fijian identity within the wider national identity. However, in 2013, Prime Minister Frank Bainimarama introduced a new constitution which shifted away from previous ethno-nationalist underpinnings towards a more inclusive national identity through the promotion of a civic nationalist agenda. In doing so, Bainimarama’s goal of reducing ethnic conflict has seen a constitutional re-imagining of Fijian identity, which includes the introduction of new national symbols, and a new electoral system, alongside equal citizenry clauses within the Constitution. This study offers a unique insight into power and identity within post-colonial island states.

Collective Identity in National Anthems

2019 ◽  
pp. 45-64
Author(s):  
Hesham Mesbah
Keyword(s):  
National Identity ◽  
Thematic Analysis ◽  
Collective Identity ◽  
Political System ◽  
Arab Countries ◽  
The Other ◽  
The Political ◽  
Political Leaders ◽  
National Symbols ◽  
The Common

This chapter explores how national anthems of African and non-African Arab nations reflect a collective national identity. The national anthems of 22 Arab countries were analyzed using the textual thematic analysis to identify the common attributes of national identity in these anthems and the variance in referring to political entities, national symbols, and natural artifacts according to the political system (republic vs. monarchy) in the country. The analysis shows five thematic components of the national identity presented by those anthems, with an emphasis on the themes of religion and local political leaders in the anthems of monarchies. On the other hand, republics base their identity on religion, history, and nation-related natural and national artifacts. The anthems of the republics show a higher level of complexity (thematic richness) and more tendency to use emotionally charged, forceful language, in contrast to the anthems of the monarchies.

al-Attar, Suad (1942--)

2018 ◽  
Author(s):  
Tiffany Renee Floyd
Keyword(s):  
Contemporary Art ◽  
Formal Education ◽  
Graduate Training ◽  
Fine Arts ◽  
California State University ◽  
State University ◽  
Art And Design ◽  
Geographic Regions ◽  
The University

Born in Baghdad, Iraq, Suad al-Attar moved to London in 1976. She holds a prominent position within the narrative of Iraqi modern and contemporary art as one of the nation’s leading female artists. In 1965, al-Attar became the first woman to hold a solo exhibition in Baghdad. This exhibition was the beginning of a prolific career that spans several decades and geographic regions. Al-Attar began her formal education at the Academy of Fine Arts in Baghdad and at California State University. She then pursued graduate training in London at the Wimbledon School of Art, where she studied printmaking, and the Central School of Art and Design. After the completion of her studies, al-Attar taught at the University of Baghdad before moving to London. Working within a graphic aesthetic, al-Attar’s work is flat, linear, and oftentimes monochromatic. Her canvases are filled with mythical creatures set in phantasmagoric spaces. The artist’s work is characterized as a manifestation of memory, at both a personal and collective level. Her characters emerge from Iraq’s literary past, but al-Attar also creates a personalized set of symbols based on memories of her homeland. Many of her works also offer introspective laments on the destruction of Baghdad during the turbulent years of the 1990s and 2000s.

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