Cultural and Aesthetic Expressions

2017 ◽  
Author(s):  
Christopher Robert Reed
Keyword(s):  
Choral Music ◽  
Instrumental Music ◽  
Performing Arts ◽  
Jazz Age ◽  
The North ◽  
North Side ◽  
Concert Halls ◽  
Private Homes ◽  
The City ◽  
The Voice

This chapter discusses the cultural undergirding that made the Jazz Age what it was. The performing arts—which included instrumental music, choral music, and individual vocal presentations—dominated creative performance in Chicago. Mastery of the voice heard in sopranos, tenors, baritones, and basses accompanied widespread mastery of the piano. As a result, highly skilled musicians abounded. In the second decade of the century, ragtime, blues, and jazz emerged. Black groups performed throughout the city in concert halls such as the downtown district's Orchestra Hall and Auditorium Theater, in South Side churches, and in the private homes of wealthy whites on the North Side.

scholarly journals X. Observations on a Grant of an Advowson of a Chantry to a Guild in 34 Henry VI., exhibited by Joseph Jackson Howard, Esq. F.S.A.

Archaeologia ◽  
1860 ◽  
Vol 38 (1) ◽  
pp. 135-148
Author(s):  
Weston Styleman Walford
Keyword(s):  
New Work ◽  
The North ◽  
North Side ◽  
The Gift ◽  
Henry Vi ◽  
City Of London ◽  
The City ◽  
Brothers And Sisters

The Deed exhibited this evening by Mr. Joseph Jackson Howard has appeared to me sufficiently interesting to justify a few remarks on its contents. It bears date the 7th of August 1456 (34 Hen. VI.). By it Richard Acreman granted to John Oudene, master of the fraternity or guild of St. George of the Men of the Mystery of Armourers of the city of London, to John Ruttour and William Terry, the wardens, and to the brothers and sisters of the same guild the advowson of or right of presenting a chaplain to the chantry which Joan, formerly the wife of Nicholas de Wokyndon, Knight, founded at the altar of St. Thomas the Martyr in the new work of the cathedral church of St. Paul, London, viz. on the north side of the same church; which altar was, at the time of this grant, placed in the chapel then commonly called the chapel of St. George within the said church, in which chapel the said guild was then lately founded and established by King Henry VI.: this advowson the said Richard Acreman had of the grant of Thomas Coburley and Thomas Burghille, who had it (inter alia) of the gift of Richard Bastard of Bedford and Isabella his wife, who was kinswoman and heiress of the said Nicholas de Wokyndon. The deed was witnessed by William Marwe, the Mayor of the city of London, and John Yonge and Thomas Ouldegreve, the Sheriffs.

scholarly journals ANALYSIS ON 3D RECONSTRUCTION OF THE MONUMENT TO HEROES AS A TOOL FOR A CONCEPTUAL AND METHODOLOGICAL APPROACH IN THE PATRIMONIZATION AND EVALUATION OF CULTURAL INTEREST GOODS

2019 ◽  
Vol XLII-2/W17 ◽  
pp. 279-286
Author(s):  
M. I. Rodriguez-Laiton ◽  
H. A. León-Vega ◽  
E. Upegui
Keyword(s):  
Public Space ◽  
Low Cost ◽  
Methodological Approach ◽  
The Public ◽  
Future Developments ◽  
The North ◽  
North Side ◽  
Starting Point ◽  
Simon Bolivar ◽  
The City

Abstract. The following article describes the implementation of a methodology for the structural reconstruction of the Heroes monument and the statue on the north side of Simon Bolivar Ecuestre located between the intersection of the north highway and 80th Street in Bogota (Colombia) from the acquisition of SFM photogrammetry methods and images, using low-cost sensors for this process and making use of drones from the obtaining of frames of a video to for areas with lower altimetric reach, and thereby creating an analysis in their accuracy, sizing and quality within the framework of appropriation and documentation of the cultural assets in the public space of the city Bogotá taking this data as a starting point for future developments in the process of 3D reconstructions Colombia.

scholarly journals A Study on Urban Furniture: Nicosia Old City

2019 ◽  
Vol 8 (2) ◽  
pp. 1
Author(s):  
Mine Kuset Bolkaner ◽  
Selda İnançoğlu ◽  
Buket Asilsoy
Keyword(s):  
Urban Space ◽  
Urban Life ◽  
The South ◽  
Urban Identity ◽  
South Side ◽  
The North ◽  
North Side ◽  
Old City ◽  
Street Furniture ◽  
The City

Urban furniture can be defined as aesthetics and comfort elements that reflect the identity of a city and enable the urban space to become livable. Urban furniture is an important element of the city in order to improve the quality of urban life, to create a comfortable and reliable environment and to meet the needs of the users in the best way. For designing these elements, the social, economic, cultural and architectural structure of the city should be considered and evaluated. It is important to adapt the urban furniture to the urban texture and to the cultural structure achieving an urban identity, in order to ensure the survival and sustainability of the historical environments. In this study, a study was carried out in the context of urban furniture in Nicosia Walled City, which has many architectural cultures with its historical texture. In this context, firstly the concept of urban identity and urban furniture was explained and then, information about urban furniture was given in historical circles with urban furniture samples from different countries. As a field study, a main axis was determined and the streets and squares on this axis were discussed. These areas have been explored starting from Kyrenia Gate in North Nicosia; İnönü Square, Girne Street, Atatürk Square, Arasta Square, Lokmacı Barricade and on the south side Ledra Street and Eleftherias Square. In this context, the existing furniture in the North and South were determined and evaluated in terms of urban identity accordingly. As a result, it can be suggested that the existing street furniture equipments, especially on the north side, do not have any characteristic to emphasize the urban identity. According to the findings, it was determined that the urban furniture in the streets and squares on the north side is generally older and neglected, and does not provide a unity with the environment, whereas on the south side, these elements on the street and square are relatively new, functional and environmentally compatible.Key words: urban furniture, historical environment, urban identity, Nicosia Old City

New Evidence on the Origin of Breccias and Conglomerates in the Warwickshire Coalfield: The Mount Nod Boreholes, Coventry

1933 ◽  
Vol 70 (10) ◽  
pp. 466-476 ◽  
Author(s):  
F. W. Shotton
Keyword(s):  
Water Supply ◽  
The North ◽  
North Side ◽  
New Evidence ◽  
The City

During the last two years the Coventry City Corporation has put down three boreholes, for water supply purposes, near Mount Nod Farm, on the north side of Broad Lane, 2 miles 5 furlongs W. 6° N. of the centre of the city.

scholarly journals PRECIPITAÇÃO E PERDA DE SEDIMENTOS NA ENCOSTA ITAGIBA, ZONA NORTE DE SANTA MARIA - RS

2013 ◽  
Vol 35 (1) ◽  
pp. 1
Author(s):  
Rodrigo Diniz Marques ◽  
Mauro Kumpfer Werlang
Keyword(s):  
Clay Content ◽  
Space Management ◽  
The North ◽  
North Side ◽  
Social Segregation ◽  
Horizontal Flows ◽  
Risk Areas ◽  
The Relationship ◽  
The City ◽  
Santa Maria

Occupation in risk areas in the Brazilian cities happens, mainly, because of social segregation and space management. In the city of Santa Maria, occupation in risk areas also occurs. One of these areas is the Itagiba slope, located in the neighborhood of Chácara das Flores, nor- thern zone of the city. The route of the Santa Maria-Uruguaiana railroad, designed by the Belgium Consortium, in 1890, has lead to changes in the north side of Kennedy Town. By modifying the conformation of the landscape, the sectioning of the slope changed the topography. In this sense, this work aims to contribute to the understanding of the erosive process in the slope and establish the relationship between precipitation and total loss of sediment. Aiming at this goal, the volumes of total precipitation and the amount of sediment removed in each event of precipitation were monitored over a period of two years. For this evaluation, the pedological volumes in the Itagiba slope were analyzed in terms of texture and consistency limits. Along a toposequence was also evaluated the coefficient of infiltration. Results showed a positive correlation between the volume of precipitation and the loss of sediments. Higher volume of loss was observed in pedological volumes with higher silt content. The coefficient of infiltration decreased with increasing depth, clay content, and plasticity. The evaluation of the toposequence shows that the increase in depth causes the increase of horizontal flows, and that the conformation of the slope profile is controlled by this process.

Excavations at Carthage, 1975: Second Interim Report

1976 ◽  
Vol 56 (2) ◽  
pp. 177-197 ◽  
Author(s):  
Henry Hurst
Keyword(s):  
Fourth Century ◽  
Radical Change ◽  
Seventh Century ◽  
City Wall ◽  
The North ◽  
North Side ◽  
New Information ◽  
Quay Wall ◽  
North Edge ◽  
The City

SummaryIn the second season of excavation by a British team participating in the UNESCO Save Carthage project it was found that the topography of the island in the circular harbour underwent a radical change in the fourth century B.C., after which there appear to have been first timber and then stone ship-sheds and other installations associated with the Punic naval harbour. The Roman quaysides were found both on the island and on the mainland and much new information obtained, partly from underwater survey, about the bridge or causeway which linked the island with the mainland. A reconstruction was attempted of the presumed Roman pharos. Apart from modern features, the latest stage in the archaeological sequence on the island was a series of burials in stone cists at the centre and another, of apparently uncoffined inhumations, at the north edge, both groups dating not earlier than the sixth century A.D. On the Circular Harbour, North Side an 18 m.-wide strip was cleared across the insula between kardines XV and XVI and north of the quay wall, but excavation of the stratigraphical sequence is still in its early stages. At the Avenue Habib Bourguiba, Salammbo, immediately north of the city wall a sequence of a building, probably of the sixth–early seventh century A.D., followed by a period of burials, followed by another building, may span the change from the Byzantine to the Arab occupation of Carthage. South of the city wall there are signs of a metalled berm and defensive ditch, which could belong to the time of Belisarius, the presumed ditch being at least partly filled in before the construction of a building aligned on the so-called Gracchan centuriation.

A Letter of Gordian III from Aphrodisias in Caria

1969 ◽  
Vol 59 ◽  
pp. 56-58 ◽  
Author(s):  
Kenan T. Erim ◽  
Joyce Reynolds
Keyword(s):  
New York ◽  
Coarse Grained ◽  
New York University ◽  
Southeastern Part ◽  
Left Hand ◽  
The North ◽  
North Side ◽  
The Face ◽  
The City

During the 1965 and 1966 campaigns of excavation at Aphrodisias in Caria, conducted under the aegis of New York University, investigations of the large Theatre of the city were initiated. The Theatre lies mostly buried along the eastern slope of the ‘acropolis’, a conical hillock in the southeastern part of the site. Dr. Elisabeth Alföldi-Rosenbaum supervised four initial trenches and soundings (Theatre I to IV) excavated on the north side of the building, which revealed the proscenium, the adjacent lowest tiers of seats, the north parodos and the analemma. In August, 1966, two adjoining pieces of a large block of coarse-grained local marble inscribed with a letter from Gordian III were discovered. The lower piece of the inscription was found built into the analemma, facing the north parodos at a height slightly above eye-level. The upper fragment came to light on the parodos floor and was removed to the surface and photographed by Dr. E. Alföldi. Progress in the excavation of the parodos in 1967 and 1968 allowed careful inspection of the lower portion which remains in situ. The two fragments (inv. nos. 66–608 A and B) are well-preserved and constitute virtually the whole block, although some damage is evident on the upper left-hand corner of the face and along the break. The total measurements are 1·53 m. × 0·72 m. × 0·72 m. It cannot be entirely excluded that the block may have been reused in the analemma wall since there is some evidence of repairs in this area. The letters average 0·025 m. in height and are cut in a style typical of the later second and third centuries A.D. at Aphrodisias; particularly characteristic is the form of B, see Pl. I.

scholarly journals The chain tower in Kyrenia’s harbour, Cyprus

X ◽  
2020 ◽  
Author(s):  
Alessandro Camiz ◽  
Marika Griffo ◽  
Seda Baydur ◽  
Emilia Valletta
Keyword(s):  
Middle Ages ◽  
Structure From Motion ◽  
Eastern Mediterranean ◽  
Historical Research ◽  
The Other ◽  
The North ◽  
Golden Horn ◽  
North Side ◽  
A Chain ◽  
The City

In the Middle Ages a chain suspended between two towers defended the entrance of Kyrenia’s little harbour, like the chain across the Golden Horn in Constantinople. William de Oldenburg, who visited Cyprus in 1211 during the reign of King Hugh I, referred to Kyrenia as “a small town well-fortified, which has a castle with walls and towers”. He perceived the chain tower as part of Kyrenia’s fortification system in that time. The Byzantines had already fortified the city, but in the thirteenth century, during the Longobard war, before the siege of the city, Frederick II’s party, under the direction of Captain Philippo Genardo, improved the defences of the city. The chain tower is still visible today in the north side of the old Kyrenia harbour. It consists of an 8,15 m diameter cylindrical tower and a 1,5 m diameter pillar on top of it. The tower was supporting a chain attached on the other side to another structure. The fortifications on the north side terminated against the harbour in a square tower or bastion holding the chain to be raised and lowered by means of a windlass. The paper includes the digital photogrammetric survey of the chain tower using a structure from motion software, the historical research and the comparison with other coeval harbour defence constructions of the eastern Mediterranean.

London in the Roman World

2021 ◽  
Author(s):  
Dominic Perring
Keyword(s):  
Late Antiquity ◽  
Urban Infrastructure ◽  
Archaeological Sites ◽  
The North ◽  
North Side ◽  
New Information ◽  
History Of ◽  
Military Campaigns ◽  
The City ◽  
Narrative Account

This original study draws on the results of latest discoveries to describe London’s Roman origins. It presents a wealth of new information from one of the world’s most intensively studied archaeological sites, introducing many original ideas concerning London’s economic and political history. The archaeological discoveries are used to build a narrative account that explains how recent investigations in London challenge our understanding of the ancient world. The Roman city was probably converted from a fort built on the north side of London Bridge at the time of the Roman conquest, and is the place where the emperor Claudius arrived en route to claim his victory in AD 43. It was rebuilt as the commanding site for Rome’s rule of Britain. A history of social, architectural, and economic development is reconstructed from precise tree-ring dating, and used to show that investment in the urban infrastructure was provoked by the needs of military campaigns and political strategies. The story also shows how the city suffered violent destruction in resistance to Roman rule, and was brought to the verge of collapse by pandemics and political insecurity in the second and third centuries. These events had a critical bearing on the reforms of late antiquity, from which London emerged as a defended administrative enclave. Always a creature of the centralized Roman administration, and largely dependent on colonial immigration, the city was subsequently deserted when Rome failed to maintain political control. This ground-breaking study brings new information and arguments drawn from urban archaeology to our study of the way in which Rome ruled, and how empire failed.

Venetian Walls of Nicosia: Between Kyrenia Gate - Barbaro Bastion

X ◽  
2020 ◽  
Author(s):  
Zehra Öngül
Keyword(s):  
Inner City ◽  
Capital City ◽  
Buffer Zones ◽  
Historic Period ◽  
The North ◽  
British Occupation ◽  
North Side ◽  
Peace Operation ◽  
City Walls ◽  
The City

Nicosia today has the characteristics of being the only divided city in Europe. By examining the inside of the walls, one observes that the structure of the city is determined by the circular plan of the walls that were constructed during the Venetian period. There are 11 bastions on the walls and three Venetian gates, namely Kyrenia Gate, Famagusta Gate and Paphos Gate, were originally designed to allow entrance to the city that is encircled by the walls. Nicosia continued to be the islands capital which has fallen under Ottoman rule in between 1571-1878. In the period of British occupation 1878-1960, as a result of the increasing population, the city of Nicosia overflew the walls and developed by spreading beyond the city walls and 8 new passages were opened. The organic fabric of the walled city, with the establishment of buffer zones after the peace operation of 1974, resulted in the division of the island that divided the capital city into two. In 1931, because of the increased vehicle needs through the north side, the walls around the Kyrenia Gate (Porta del Proveditore) were trimmed and designed as a single monumental building. Between Kyrenia Gate and Barbaro bastion wall height is lower than the existing. Public lavatory and 9 small shops were inserted. Sitting steps were designed on the walls and two stairs were constructed to reach these area. To give an access from the moat to the inner city there is a passage. In this context, identifying changes of the Kyrenia Gate-Barbaro bastion site, during this historic period, is the main goal of this study. Decisions with regard to these walls and observations to be made on right places to determine the changes are main focuses of the study.

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