Everything Counts (Frankenstein)

Author(s):  
Daniel M. Stout

The epilogue reads Mary Shelley’s Frankenstein as a novel centered around the paradoxical relationship between scientific or materialist accounts of causality and the causal calculations of justice. For if science—like justice—means nothing but understanding the chain of events that led to a given state of affairs, Victor Frankenstein’s understanding of the natural world as an essentially infinite set of interlinked causes makes the assignment of responsibility to any particular entity seem like a nonstarter. The novel, on this view, is not, as we’ve often said, a morality tale about science taken beyond prescribed limits but about the unlimited—and therefore meaningless—nature of scientific causality. The chapter argues that the novel thus operates as a prescient diagnosis of both the materialist science of its own moment and the currency of materialist perspectives (such as in posthumanism and a growing interest in systems-level change—e.g. climate change) in our own.

Author(s):  
C. Parker Krieg

      This essay examines the role of myth in and as cultural memory through a reading of the novel, Archipelago (2013), by the Trinidadian-British author Monique Roffey. Against conceptions of the Anthropocene as a break from the past—a break that repeats the myth of modernity—I argue that Roffey’s use of cultural memory offers a carnivalesque relation to the world in response to the narrative’s account of climate change trauma. Drawing on Bakhtin’s classic study of the carnival as an occasion for contestation and renewal, as well as Cheryl Lousely’s call for a “carnivalesque ecocriticism,” this essay expands on the recent ecocritical turn to the field of Memory Studies (Buell; Goodbody; Kennedy) to illustrate the way literature mediates between mythic and historical relations to the natural world. As literary expressions, the carnivalesque and the grotesque evoke myth and play in order to expose and transform the social myths which govern relations and administrate difference. Since literature acts as both a producer and reflector of cultural memory, this essay seeks to highlight the literary potential of myth for connecting past traumas to affirmational modes of political engagement. Resumen     Este ensayo examina el papel del mito en y como memoria cultural analizando la novela Archipelago (2013), escrita por la autora trinitense-británica Monique Roffey. Frente a la idea del Antropoceno como una ruptura con el pasado—una ruptura que repite el mito de la modernidad—este trabajo argumenta que el uso de la memoria cultural de Roffey ofrece una relación carnavalesca con el mundo en respuesta al trauma del cambio climático detallado en la novela. Basando mi argumento en la teoría clásica de Bakhtin sobre el carnaval como una ocasión para la contestación y la renovación, así como la llamada de Cheryl Lousely por una “ecocrítica carnavalesca,” este ensayo amplía el reciente giro de la ecocrítica hacia el campo de los estudios de memoria (Buell; Goodbody; Kennedy) para ilustrar cómo la literatura media entre las relaciones míticas e históricas con el mundo natural. Como expresiones literarias, lo carnavalesco y lo grotesco evocan el mito y el juego para revelar y transformar los mitos sociales que gobiernan las relaciones y gestionan la diferencia. Ya que la literatura actúa tanto como productora y como espejo de la memoria cultural, este ensayo busca destacar el potencial literario del mito para conectar traumas del pasado con modos de compromiso político más afirmativos.


2021 ◽  
Vol 8 (2) ◽  
pp. 28-46
Author(s):  
Clarisa Novello

Literature that engages with the theme of anthropogenic climate change carries the potential of awakening the reader’s curiosity by creating a dimension in which the effects and impacts of the crisis are tangible. The urgency and unpredictability of climate change are articulated through reflections that combine societal, cultural and political issues associated to the phenomenon, hence encouraging a deeper understanding of the environmental crisis in today’s society. The article examines the novel EistTau by Ilija Trojanow to navigate the political and economic aspects of anthropogenic climate change. I reflect on the employment of fiction in finding ways to develop attentiveness to nature, whilst exposing how EisTau questions the power relations between culture, politics and economy, in a bid to influence the current state of affairs.  I argue that the depiction of the effects of climate change and the melting of glaciers enable public agency, whilst encouraging the rethinking of the environmental crisis and the acknowledgment of its connection to capitalism and to the constant accumulation of goods.  I observe how the exposure of the interconnectedness of climate change and capitalism encourages behavioural changes that lead to the adoption of alternative lifestyles that can halt the disastrous effects of climate change and prompts readers to develop a sense of care for the non-human world.


Philosophies ◽  
2018 ◽  
Vol 3 (4) ◽  
pp. 30 ◽  
Author(s):  
Abir Igamberdiev

Relational ideas for our description of the natural world can be traced to the concept of Anaxagoras on the multiplicity of basic particles, later called “homoiomeroi” by Aristotle, that constitute the Universe and have the same nature as the whole world. Leibniz viewed the Universe as an infinite set of embodied logical essences called monads, which possess inner view, compute their own programs and perform mathematical transformations of their qualities, independently of all other monads. In this paradigm, space appears as a relational order of co-existences and time as a relational order of sequences. The relational paradigm was recognized in physics as a dependence of the spatiotemporal structure and its actualization on the observer. In the foundations of mathematics, the basic logical principles are united with the basic geometrical principles that are generic to the unfolding of internal logic. These principles appear as universal topological structures (“geometric atoms”) shaping the world. The decision-making system performs internal quantum reduction which is described by external observers via the probability function. In biology, individual systems operate as separate relational domains. The wave function superposition is restricted within a single domain and does not expand outside it, which corresponds to the statement of Leibniz that “monads have no windows”.


Author(s):  
Evelyna Ekoko-Kay

In Ruth Ozeki’s novel All Over Creation, complex, nontraditional familial structures are depicted and explored in conjunction with the human impact on the natural world. The paper examines Ozeki’s novel through an ecocritical, anti-capitalist lens, in order to interrogate how the novel deals with, conforms to, and subverts notions of the heteropatriarchal nuclear family. While many narrative threads in the text seem to naturalize the nuclear family as an ecological norm and a biological imperative, as opposed to a capitalist construction, I argue that the novel’s underlying themes and motifs assert a need for broader, non-biological familial networks as a means of countering the individualism and isolation fostered by capitalism. By linking family to the ecological world, and positioning capitalism and its tenets as a direct threat to both, the novel calls for a redefining and restructuring of family and community as a necessary tactic for disrupting environmental and social devastation, and healing both people and the natural world.


2018 ◽  
Vol 100 (4) ◽  
pp. 745-766
Author(s):  
Lillian C. Woo

In the last fifty years, empirical evidence has shown that climate change and environmental degradation are largely the results of increased world population, economic development, and changes in cultural and social norms. Thus far we have been unable to slow or reverse the practices that continue to produce more air and water pollution, soil and ocean degradation, and ecosystem decline. This paper analyzes the negative anthropogenic impact on the ecosystem and proposes a new design solution: ecomimesis, which uses the natural ecosystem as its template to conserve, restore, and improve existing ecosystems. Through its nonintrusive strategies and designs, and its goal of preserving natural ecosystems and the earth, ecomimesis can become an integral part of stabilizing and rehabilitating our natural world at the same time that it addresses the needs of growing economies and populations around the world.


2020 ◽  
Vol 9 (S1-Dec2020) ◽  
pp. 63-66
Author(s):  
Saranya Lakshmanan ◽  
P Nagaraj

Nature and literature are interwoven. Without natural world, the beauty of words cannot be celebrated. So far in literature the exquisiteness of nature is being taken into deliberation. Trees play a crucial role in our planet but they are taken for granted by humans for their sophisticated life. It is easy to plant tree saplings but it is very difficult to protect a tree. Trees play an important role for human survival. Still people are not concerned to protect or conserve forest because they are connected with machines than with nature. Every individuals run behind the technical advancement that they will protest in virtual media to safeguard nature but not in reality. Trees do communicate but human fails to understand. This study unfurls the dark destroying side of nature through the Pulitzer Prize winning novel The Overstory by Robert Powers.


Author(s):  
Antonios E. Platsas

The Israeli legal system is unique in that it straddles the two otherwise opposing worlds of tradition and innovation. This creates an enigma for the comparatist, making the exploration of this system an onerous and challenging task. The author wishes to maintain that the system in question is highly innovative and ascribes this quality to the proactive character of the Israeli Supreme Court, whose activism has had a major impact on the character of the domestic system as a whole. While the author explores the reasons why this has been the case, one of his main concerns in this paper will be to examine the innovative character of the Israeli Supreme Court per se, in comparison with equivalent courts in other parts of the world. In addition the author will seek to establish inter alia the character of the Israeli legal system by focusing on the three different elements that co-exist in the Israeli socio-legal structure (the Jewish element vis-à-vis the Arab element; the Liberal element vis-à-vis the Orthodox element within the Jewish community; and the Civilian element vis-à-vis the Common law element). The author wishes to posit that the amalgamation of different legal and cultural traditions in Israel created a sui generis state of affairs for the legal system as a whole. This results in an overall systemic-methodological amalgamation which does not occur elsewhere in the world. The article concludes that the enigmatic and innovative characteristics of the Israeli legal system derive from the novel way in which the legal mix has occurred in this system (as opposed to the ingredients of the elements in the mix). In this respect, Israel may have contributed much to the reinvigoration of the modern comparative law agenda, and it may continue to do so in the future, as the system is not one of legal stasis (a mixed system) but one of legal kinesis (a mixing system).


2018 ◽  
pp. 61-72
Author(s):  
Karl Emil Rosenbæk

Oil as a misfitting relation. A new-material analysis of the black gold’s sticky character in Inferno (2014)The article examines Ida Marie Hede’s novel Inferno (2014) through the lens of new materialism’s theoretical interest in matter and materiality. By focussing on the actions of oil in the novel the article shows how seemingly ‘dead’ and finite non-human objects express liveliness. Oil influences, affects, creates, and disrupts, in a word acts, on its surroundings. And due to the global-political relations oil is entangled in, oil seems particularly inclined to produce a certain effect – a disabling misfit between ecosystems. Therefore, although the article pivots around Inferno, it also tries to connect this idea of non-humane liveliness to the socio-political reality of climate change. Perhaps the realisation of a global “planetan misfit” is a necessary first step towards an ontological reconceptualization: A move from substances to relations as the ontological base. Philosopher Rosi Braidotti proposes the term process-ontology. This article uses that concept as a guiding principle when it reads Inferno. What does oil do and what is done to oil – in and outside the novel?


Author(s):  
Nicola Pilia

In this essay, I will analyse the crucial issues of dwelling and dispossession concerning refugees in the novel The Hungry Tide by Amitav Ghosh. Political and environmental displacement is addressed within the framework of ‘slow violence’ as proposed by the landmark work of Rob Nixon, Slow Violence and the Environmentalism of the Poor (2011). With the intention to define the Morichjhãpi refugees as a foreshadowing of the climate migrations involving the lives of the subalterns in South Asia, as argued by Brandon Jones (2018), the essay provides a historical background of the Morichjhãpi Massacre and studies the forced eviction narrated in the novel through the pages of Nirmal’s diary. Together with Kusum, the Marxist professor experiences the tragedy of the subalterns in the ever-changing ecosystem of the Sundarbans, bridging the gap between environmental and postcolonial categories while providing fruitful insights within the notions of human history and ecological deep time.


2018 ◽  
Vol 48 (6) ◽  
pp. 821-845 ◽  
Author(s):  
Meritxell Ramírez-i-Ollé

Early Science and Technology Studies (STS) scholars recognized that the social construction of knowledge depends on skepticism’s parasitic relationship to background expectations and trust. Subsequent generations have paid less empirical attention to skepticism in science and its relationship with trust. I seek to rehabilitate skepticism in STS – particularly, Merton’s view of skepticism as a scientific norm sustained by trust among status peers – with a study of what I call ‘civil skepticism’. The empirical grounding is a case in contemporary dendroclimatology and the development of a method (‘Blue Intensity’) for generating knowledge about climate change from trees. I present a sequence of four instances of civil skepticism involved in making Blue Intensity more resistant to critique, and hence credible (in laboratory experiments, workshops, conferences, and peer-review of articles). These skeptical interactions depended upon maintaining communal notions of civility among an increasingly extended network of mutually trusted peers through a variety of means: by making Blue Intensity complementary to existing methods used to study a diverse natural world (tree-ring patterns) and by contributing to a shared professional goal (the study of global climate change). I conclude with a sociological theory about the role of civil skepticism in constituting knowledge-claims of greater generality and relevance.


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