Literature Philosophied. Witkacy – Gombrowicz
– Schulz
Readers of Witkacy, Gombrowicz, and Schulz are bound to notice philosophical inspirations present in numerous intertextual references and contextual indicators. Their texts contain almost all possible literary signs suggesting the possibility of at analysing works by Witkacy, Gombrowicz, and Schulz on at least two hermeneutic levels: literary and philosophical. In the case of Witkacy, Schulz, and Gombrowicz, the choice of literary form was essentially philosophical. In works by Stanisław Ignacy Witkiewicz, it seemed to advocate replacing philosophical monographs with individualised language as one of conditions of innovation in the fi eld. Witold Gombrowicz, in turn, manifested his objection towards a speculative, “non-physical” philosophy deprived of experience. Bruno Schulz’s decision to mix philosophy and literature stemmed from a conviction that the arts (and literature as one of them) cannot mindlessly recreate existing philosophical theses. On the contrary, it should be the one to challenge philosophy with complex questions. If we were to look for examples of an illustrative character in the works of the three authors, we might only refer to their individual stands. In this sense, the presence of references to philosophical tradition was naturally signifi cant, but should not overshadow their own points of view.