Women Causing Trouble

Author(s):  
Koenraad Donker van Heel

This chapter discusses the behavior of women in Deir al-Medina, focusing on those who caused trouble. It begins by wondering how the Deir al-Medina men viewed their own behavior as compared to female behavior. It then cites the Maxims of Ptahhotep, which offer some sound advice about the treatment of women. From a male point of view, Ptahhotep's teaching suggests that a woman could apparently cause much trouble, and women knew how to use this to their advantage. The chapter also considers the Wisdom of Any, which contains some maxims that could have been written with Naunakhte in mind, and instances in which wives committed adultery. Finally, it examines the Turin Indictment Papyrus, which describes the charges brought against the priest Penanuqet aka Sed of the temple of Khnum.

2008 ◽  
Vol 64 (1) ◽  
Author(s):  
Ernest Van Eck

Eschatology and kingdom in Mark This article investigates the concepts of eschatology and kingdom in Mark from a narratological point of view. Special attention is given to the narrator’s use of story time and plotted time, the narrative function of Mark 13, and the Son of man sayings in the Gospel. The two most important conclusions reached are that Mark uses the Son of man sayings in a non titular way, and that the coming of the son of man (parousia) refers to Jesus’ vindication by God at his resurrection. In Mark the kingdom is equated with Jesus’ new household, a household that replaces the temple. The concepts of kingdom (new household), eschatology and son of man are thus so closely linked in Mark’s narrative that eschatology is the kingdom and the kingdom is eschatology. A possible sociohistorical setting for Mark’s community, in which the above understanding of the concepts of kingdom, eschatology and Son of man sayings would have made sense, is also postulated.


2021 ◽  
Vol 778 (1) ◽  
pp. 012030
Author(s):  
Darsini ◽  
Y Winarto ◽  
K Sunoko

Abstract The large number of temples and various forms in Indonesia is a cultural and architectural heritage that is one of the identities of the archipelago. From an architectural point of view, the temple has special tectonic complexities, one of which is the Sukuh Temple. Sukuh Temple is a building with the ability of a perfect structural and construction system and has architectural metaphysical values. The building of Sukuh Temple has existed since the 15th century. This building was built to fulfill the function of worship rituals, therefore this building is sacred. This building is located in an earthquake prone area, namely on the island of Java. The resilience of Sukuh Temple over the years proves that Sukuh Temple can adapt to the environment, from this evidence the tectonics of Sukuh Temple are interesting to study. The research objective was to determine how the ancestors used tectonic science and technology to adapt to nature and the existing environment. This research uses descriptive method with a qualitative approach. data and information collection is done through field observations, in-depth interviews, and related documents. This study found that local wisdom is the main factor that makes Sukuh Temple responsive to the environment.


2020 ◽  
pp. 31-45
Author(s):  
John A. Jillions

This chapter looks at some of the archeological discoveries in Corinth that reflect popular attitudes toward the gods, religious experience, and divine guidance. The most prominent was the healing cult centered in the Temple of Asklepios, where interpretation of dreams was a key feature. Other sites and household shrines would have brought to mind Fortuna, family ancestors, the oracle of Delphi, and mythical stories of divine intervention with a Corinthian slant (Venus, Medea, Glauce, Bellerophon, Sisyphus, Dionysus). But for an alternative point of view, there was the tomb of Diogenes the Cynic (fourth century BCE), who settled in Corinth “to be where fools were thickest.” He was highly critical of superstitious piety and advised instead to follow the inscription at Delphi, “Know Thyself.” He concluded that oracles are deceptive not because the gods are deceitful but because human beings are incapable of properly understanding the gods.


2016 ◽  
Vol XXIV (1) ◽  
pp. 693-700
Author(s):  
Andrzej Ćwiek

In a recent article Teresa Dziedzic presented a theoretical reconstruction of the solar altar in the Temple of Hatshepsut at Deir el-Bahari, with two obelisks standing on the top of it. From both a technological/logistic and an ideological point of view this hypothesis seems untenable. An alternative reconstruction may be offered in agreement with the archaeological evidence and the ideological program of the temple. Statues of the king and of Amun-Ra placed on the altar served as focal points of an early version of the ritual of ‘joining the sun-disk’.


2019 ◽  
Vol 28 (4) ◽  
pp. 44-59
Author(s):  
S. A. Smirnov

The article considers the city from the point of view of its educational potential and in the categories of educational space, approaching the main cultural and historical forms of the city as educational institutions. With this review, at least three focus points are retained: 1) Consideration of the city space and its infrastructure as an educational space and educational infrastructure that are not reducible to usual school and university (the latter should also be culturally and historically distributed, showing their basic etymons and missions); 2) Consideration of education as an institution of educational and, more broadly, anthropological practices of the development and formation of a person, and not as a disciplinary institution and matrix; 3) Consideration of the repertoire of anthropological practices development as a practice unfolding in urban space. It is shown that these three foci act as mirrors directed at each other, mirroring and showing each other mutual potential and mutual scarcity, the need for each other. The actual wealth (thesaurus) of the urban space depends on the density, frequency and variety of connections between these areas. Next, we look at specific cultural and historical forms, such as the Temple, School, Museum, University, etc., which constitute the basic infrastructure nodes of the city space itself. These cultural institutions are considered not so much from the point of view of their internal tasks, but from the position of their place in the city, in the urban space, with regard to their place and role as special educational nodes-institutions in this space. Further, the urban space is considered in the categories of the campus city, in which this space is linked by different anthropological practices repertoires.


2021 ◽  
Vol 11 (4) ◽  
pp. 571-588
Author(s):  
Irina V. Gerasimova ◽  
◽  
Nina B. Zakharina ◽  
Nadezhda A. Shchepkina ◽  
◽  
...  

Direct speech in liturgical hymns is one of the essential features of Byzantine and Slavic hymnography, which interprets the subjects of the Old and New Testaments. The hymns in honor of the twelve feasts of the Mother of God contain the direct speech of the Archangel Gabriel, King David, the Apostle Peter, and the worshipers in the temple. A standard, but not the only, way of correlation between text and music in these fragments is melismatic formulas, so called fita. The main objective of the article is to identify ways of musical interpretation of direct speech in the Greek-Slavic traditions of Church singing and musical writing by analysing the location of the fitas in the composition. Copies of 9 stichera from Greek, Old Russian and Kiev manuscripts of the 10–17th centuries were compared. Neumatic shape and five-line deciphering were taken into account. As a result of the analysis, techniques of musical decoration of direct speech and Gospel / Psalter quotation are shown. In hymnographical composition, direct speech demonstrates a changing of the point of view. The beginning of direct speech and / or the previous line with the words “to say”, “to cry”, “to sing”, etc., have fita in the tune. Fita is a cantilena tune put into recitative musical line; therefore, it changes the point of view from a narrative to emotional type of music utterance. Fita accompanying direct speech is an adequate musical tool. Fitas are often used with additional techniques such as modal changing or mutation. The use of fitas underscores text structure; it is the oldest technique of Byzantine origin that was adopted by Slavs. In the 15–16th centuries, a new type of composition appeared musical formulas highlight the theological meaning of a hymnographic text. This new technique was combined with the ancient type, and sometimes replaced it.


2019 ◽  
pp. 136-168
Author(s):  
Peter Mack

This chapter illustrates Elizabeth Gaskell's originality and success, and shows how she used her understanding of literary tradition to articulate and develop her new female point of view on the new urban poverty caused by industrialization. Her consciousness of isolation in her task led her to draw on both earlier and contemporary writers for support and motivated her to provide her successors and contemporaries with models and encouragement. As the chapter shows, Mary Barton emerged from Gaskell's wide reading, her habit of regular writing, with a Unitarian sense of duty and the obligation to tell the truth. It was also motivated by the hope of distracting herself from the personal tragedy of her baby son Willie's death in 1845. At the same time, Gaskell made tradition part of the subject matter of her novel when she showed Mary Barton throwing off the expectations about female behavior which had constrained her and when she dramatized John Carson's religious obligation to forgive John Barton.


2017 ◽  
Vol 13 ◽  
pp. 97 ◽  
Author(s):  
Ugo Fusco

The object of this study is the analysis of the sanctuary with a double cella or double temple (ἱερὸν διπλοῦν) dedicated to Aphrodite and Ares in the periur­ban area north-west of Argos. Within the context of studies on Greek architec­ture, a specific analysis of the typology of cult structures with a double cella is still lacking, since the attestations have hitherto been considered too limited. The present study, still ongoing, has uncovered a complex situation and the archaeological attestations recovered are not as limited as thought in the past. Hitherto, around twenty examples have been collected, without considering uncertain cases, for which the limited data available have rendered a precise interpretation impossible. The only direct source on the Argive sanctuary of Aphrodite and Ares is the short description provided by Pausanias (2.25.1), whilst its location, ground plan, elevation, chronology and architectural and sculptural decoration remain essentially unknown. New observations may help clarify some of the issues that remain unresolved. The closest archae­ological parallel, at least from the point of view of the ground plan, in the absence of information on the dimensions of the monument, is without doubt the temple of Venus and Roma in Rome, built by the emperor Hadrian (AD 117-138), with which the Argive temple also shares the same east-facing ori­entation of the cella dedicated to the goddess Aphrodite-Venus.


2021 ◽  
Vol 3 (26) ◽  
pp. 158-164
Author(s):  
Nataliya S. Basalova ◽  

The article analyzes social and economic relations between the priesthood and the Ptolemaic kings. The author examines the peculiarities of this issue coverage in Russian and foreign scientific literature, concluding that the problem was viewed more from a materialistic, religious, or artistic perspective, but not from the point of view of socio-economic analysis. The author considers the well-known fact of the Ptolemies' tolerance to the existence of the priesthood caste and their specific status in Egyptian society and studies the specificity of economic relations between power and the priesthood. The author makes a conclusion about the existence of a complex financial scheme which was beneficial both for the Ptolemies and the priesthood, as it was aimed at increasing the amount of temple lands: on the one hand, the policy raised the prosperity and the social status of priests, but, on the other hand, it led to the increase of lands which belonged to the Ptolemies by right of supreme rulers. However, basing on documents, the author states that under the Ptolemies private property of the priests became symbolic and was subjected to forced sale in case the priests had any debts to the royal treasury. The author emphasizes the fact that under the Ptolemies the priesthood became legal holders of the temple posts, while under the pharaohs priests’ positions were hereditary. Thus, royal power could influence social policy of the church, while the pharaohs were not allowed to interfere in it. The author concludes that the introduction of the sale of temple posts affected not only the material position of the priests, but also their status, as it influenced the requirements set for the candidates to priests. The author also examines the methods of economic pressure on the part of the Ptolemies (asilia, apomoira), which led to both economic subjection of temples to royal power and to the loss of the priests' right of autonomy in financial matters.


1962 ◽  
Vol 30 ◽  
pp. 1-30 ◽  
Author(s):  
D. E. Strong ◽  
J. B. Ward Perkins

It is one of the paradoxes of the study of Roman architecture that what, in terms of the written record, is probably the most thoroughly and reliably documented phase of its whole development, the Augustan age, is from the point of view of the architectural historian still one of the most obscure and controversial. That it was a vital turning point in the history of Roman architecture one cannot doubt; and yet the number of monuments in the capital that can be accepted without hesitation and without reservation as representative of the age is very limited. No doubt the full and critical publication of the excavations of the last few decades will increase the number and provide a firm basis for further studies. But in the meantime we are still dependent—all too dependent—upon those few buildings which are securely and unequivocally Augustan, and which may be used therefore as a safe standard of comparison for some at any rate of the architectural practices current in Augustan Rome.


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