Grandma Ruth's UP Truck Stop

2021 ◽  
Vol 2 (5) ◽  
pp. 71-97
Author(s):  
Viggy Hampton ◽  

Is a digital copy of a loved as socially valuable as the real person? Is there an advantage if being able to permanently lose the ones we love? In this work of philosophical short story fiction, Rachel receives a letter while at University informing her that her Uncle Stewart has passed away. She returns to the small town for the funeral and talks with Grandma Ruth, the local restaurant owner. Grandma Ruth sets Rachel up a date, but things don’t go quite as planned. Rachel confronts Grandma Ruth and finds out that she has slowly been replacing the town citizens with robot copies in order to keeping the dying town’s population from dwindling to zero. The story ends with Grandma Ruth asking Rachel to take over the responsibility of maintaining her families, and the towns, robot population.

2007 ◽  
Vol 60 (3) ◽  
pp. 165
Author(s):  
Fabian Tryl

The history of Jerusalem is long and unclear. There are many doubts considering the city’s history before it was conquered by the Israelites. The only written source of information about it is the set of famed letters from Tell el-Amarna, six of which were written by Abdi-Hepa, the prince of Jerusalem. There is no detailed information about Abdi-Hepa available. However, his letters present him as an energetic politician. His actions made Jerusalem powerful in middle Canaan, and the neighboring countries accused him of hostility and attempts to take control over them. Unfortunately, archeological research does not confirm this theory. The findings show a relatively small town and no remains which could suggest the real size of the town were found. It gave rise to much controversy over the issue.


2017 ◽  
Vol 3 (2) ◽  
pp. 184
Author(s):  
Sari Herleni

This article describes about the figure of children world in a short story “Anggrek Rara” written by Ina Inong, by connecting the social structure in the text and in the real life. After analyzing the social structure in the story, it is found that the plot of this story was the progressive plot, the background was from the social fact that came from inner house and outer house, otherwise the central character were Rara and Bunda. By analyzing social structure of text, it was found that a family (home) is the serious and formal environment while outer house is free and non formal. The result of the research showed that the children short story “ Anggrek Rara” was expected to give the figure outlines of the children world.AbstrakPenelitian ini membahas tentang gambaran dunia anak dalam cerita pendek anak “Anggrek Rara” karya Ina Inong dengan menghubungkan struktur sosial teks dalam karya dan struktur sosial teks dengan realitas. Melalui analisis struktur sosial dalam karya terungkap bahwa alur cerita ini merupakan alur lurus, latar terdiri dari fakta sosial yang bersumber dari rumah dan di luar rumah, sedangkan tokoh Rara dan Bunda adalah tokoh sentral. Melalui analisis struktur sosial teks dengan realitas terungkap bahwa keluarga (rumah) merupakan lingkungan yang sifatnya serius dan formal, sedangkan di luar rumah bahkan bersifat bebas dan non formal. Hasil yang diperoleh dari analisis ini menunjukkan bahwa cerita pendek anak “Anggrek Rara” dianggap mampu memberikan garis-garis besar gambaran kehidupan dunia anak.


2012 ◽  
Vol 11 (13) ◽  
pp. 1483
Author(s):  
Maria Cordente-Rodriguez ◽  
Juan-Antonio Mondejar-Jimenez ◽  
Agueda Esteba Talayan

The present environment is characterized for the uncertainty and crisis, and the existence of threats and dangers in the society and in the tourist sector for the survival of companies in the market. In addition, apart from changes in the economic situation, changes in demand occur in terms of new wants and needs, obliging suppliers to adapt to them in order to survive in times of a highly competitive environment and a difficult economic situation, when the key is not just attracting visitors, but also satisfying them in order to gain their loyalty. So the real threat is the lack of response to changing situations. The Spanish tourist sector is pressured by various threats such as the need to improve the competitiveness of destinations and products, make the industry more professional, encourage new forms of marketing and promotion, or change the sales model. Therefore, businesses must adapt to these changes and respond to them, strengthen the confidence of customers, who seek to obtain the optimum value for money. The objective of this paper is to evaluate the tourism activity in the town of Cuenca in the period 2005 to 2009, focusing the analysis on how supply changed to adapt to the requirements of demand. The aim being to evaluate their and correct errors, and design the actions of the future. That is to say, create an appropriate market strategy to promote the tourism product and ensure the idea of a consolidated tourist destination.


2020 ◽  
Vol 26 (1) ◽  
pp. 11-16
Author(s):  
Svitlana Borshch

The subject of the study is the “legendary style” of one of the most iconic hagiographic text of the IX century “The Comprehensive Life of Constantine (Cyril) the Philosopher”. This Pannonian legend belongs to the texts of Cyril-Methodius cycle and has the description of the re-finding and transportation Saint Clement’s relics by Constantine the Philosopher from Korsun (Chersonesus) to Rome. This episode is an important part of the process of legalizing the translation of the Divine Books to the so-called Church-Slavonic language. The phrase “legendary style” was borrowed from I. Franko’s work “Saint Clement in Korsun” (Lviv, 1902–1905) and has not been explained as a term yet. The purpose and the novelty of our research is to find out how “legendary style” was formed, which techniques were needed to create this concept. The relevance of this study is due to the analyzing sources for the legend as a genre (it was formed on the base of the hagiographical texts such as Jacobus da Varagine’s "The Golden Legend", XIII century). Ideological description of historical events ("tendentious historicity"), disclosure of holiness and using the category of the miraculous were clarified as the technique of “legendary style”, using the cultural-historical method, elements of comparative, structural and phenomenological analysis. Holiness, called by J. Le Goff “the most important value of Christian society”, is a predetermined aspect in “The Comprehensive Life of Constantine (Cyril) the Philosopher” and it connected the saint’s life with the events of the New Testament. The category of the miraculous is considered from the point of mythological view: miracles regulated the universe, restored harmony and established true rules and laws. According to A. Losev, the true Christian miracle occurred when the real person dialectically synthesized with his/her inner ideal at a certain moment. “Tendentious historicity” is observed in the episode about saint relics of Pope Clement I. There are variations in the very process of re-finding the holy remains: locations, heroes and time in some stories are not the same in different texts from the so-called Cyril-Methodius cycle. It gives reasons to consider these texts ideologically involved. It is advisable to include other hagiographic texts to confirm or refute, expand or narrow the “legendary style” as a term in further research.


2021 ◽  
Vol 20 (2) ◽  
pp. 128-135
Author(s):  
Guanqiong Lin

As a Russian mountain-forest policeman and writer of the Harbin diaspora, B. M. Yulsky combined in his prose the experience of the police service and ideas about the ethnoculture of the Chinese who inhabited the territory of the Far East. This article contains a hermeneutic and comparative historical analysis of the short story The Way of the Dragon (1939) by B. M. Yulsky. The artistic morphology of the dragon is built on the comparison of its image in Chinese, Amur, Slavic and European cultures. One of the key images in the Russian heroic epic, in the Christian legend of Saint George, in Western and Northern European mythology, the dragon is actualized in modern literature. The analysis involves a philosophical treatise and a Chinese classic novel. It is shown that in the Chinese mythopoetic consciousness the temper and morphology of the dragon is different from its interpretation in European and Russian texts. The content of the short story by B. M. Yulsky speaks about his acquaintance with the understanding of the dragon, which is more characteristic in Chinese culture. The writer integrated the archaic image of the werewolf dragon into the real situation and brought a legend to the history of Honghuzi. The facts set forth in the monograph by D. V. Ershov are the real confirmation of the story described by B. M. Yulsky. The Way of the Dragon is an example of the artistic ethnography and the authorial frontier mythology that have developed in Russian literature in Harbin.


1981 ◽  
Vol 17 (3) ◽  
pp. 85-89
Author(s):  
Stephanie Heatwole Cooney

spontaneously invented a name for the creature derived from the most prominent features of its anatomy: kamdopardalis [the normal Greek word for ‘giraffe*]. (10.27.1-4) It is worth spending a little time analysing what is going on in this passage. The first point to note is that an essential piece of information, the creature’s name, is not divulged until the last possible moment, after the description is completed. The information contained in the description itself is not imparted directly by the narrator to the reader. Instead it is chan­ nelled through the perceptions of the onlooking crowd. They have never seen a giraffe before, and the withholding of its name from the reader re-enacts their inability to put a word to what they see. From their point of view the creature is novel and alien: this is conveyed partly by the naive wonderment of the description, and partly by their attempts to control the new phenomenon by fitting it into familiar categories. Hence the comparisons with leopards, camels, lions, swans, ostriches, eyeliner and ships. Eventually they assert conceptual mastery over visual experience by coining a new word to name the animal, derived from the naively observed fea­ tures of its anatomy. However, their neologism is given in Greek (kamdopardalis), although elsewhere Heliodoros is scrupulously naturalistic in observing that Ethiopians speak Ethiopian. The reader is thus made to watch the giraffe from, as it were, inside the skull of a member of the Ethiopian crowd. The narration does not objectively describe what they saw but subjectively re­ enacts their ignorance, their perceptions and processes of thought. This mode of presentation, involving the suppression of an omniscient narrator in direct communication with the reader, has the effect that the reader is made to engage with the material with the same immediacy as the fictional audience within the frame of the story: it becomes, in imagination, as real for him as it is for them. But there is a double game going on, since the reader, as a real person in the real world, differs from the fictional audience inside the novel precisely in that he does know what a giraffe is. This assumption is implicit in the way the description is structured. If Heliodoros* primary aim had been to describe a giraffe for the benefit of an ignorant reader, he would surely have begun with the animal’s name, not withheld it. So for the reader the encounter


Author(s):  
Sarunas Liekis ◽  
Lidia Miliakova ◽  
Antony Polonsky

This chapter presents three documents describing the anti-Jewish violence in Lida and in Vilna in April 1919. The documents on Lida come from the collection of the supreme command of the Polish army in the holdings of the Tsentr khraneniia istoriko-dokumentalnykh kollektsii (Moscow Centre for the Preservation of Historical and Document Collections). Lida was a small town about 60 miles south of Vilna, with which it was linked by rail. In 1919, its population was about 5,500, of whom the majority were Jews (67.7 per cent according to the census of 1897). Disputes arose almost immediately after the town was recaptured by Polish forces in April 1919, on the scale and reasons for the anti-Jewish violence which followed the establishment of Polish control. On 18 April 1919, the report of the Polish central headquarters covering the military developments in Lida claimed that ‘the Jewish population assisted the Bolsheviks by shooting Polish troops’.


2021 ◽  
pp. 441-462
Author(s):  
Curtis G. Murphy

This chapter highlights the civil–military commission of Lublin voivodeship that adjudicated a contract dispute between the town magistracy and the Jewish community of Lublin over the quartering of soldiers for the Polish–Lithuanian Commonwealth's rapidly growing army. It analyzes the quarrels between Jews and their Christian neighbours that punctuated small-town life in pre-modern eastern Europe. It also points out how disputes serve as a reminder that the confrontations between Jews and Christians did not arise from ethno-religious hostility. The chapter mentions historians of Poland–Lithuania that often viewed the dynamics of Jewish–Christian interaction through dramatic details, such as the escalation of ritual murder trials in the eighteenth century. It describes contacts between urban Christians and Jews that revolved around concrete and prosaic concerns that were connected with the ambiguous powers and duties of both groups.


Sign in / Sign up

Export Citation Format

Share Document