Marjorie Prime
This article aims to analyze the relationship between human beings and artificial intelligence through the movie “Marjorie Prime,” released in 2017 during Sundance Film Festival. Martin Heidegger's thoughts on Dasein and human nature and derived studies from Alan Turing's perspective on Artificial Intelligence and Humanity, as well as perspectives on posthumanism and transhumanism and their social implications, will be contrasted in order to discuss alterity and its presence in artificial intelligence. Hence, in this article we ask how it is possible to understand the alterity found between Marjorie, the protagonist of the film, and a holographic artificial intelligence created with the purpose of replacing her deceased husband, Walter. This study will begin with assumptions about the question of technology in the Heideggerian conception of Dasein and Being, as well as the view of technology as a current mode of being in postmodernity. Our methodology combines a bibliographical review and also an analysis of the audiovisual content previously quoted.