The term proportion, a variant of analogy, occurs repeatedly in Donne’s two Anniversaries, epic commemorations of a young woman’s death. In The First Anniversarie, this word-concept extends to the loss of cosmic coherence, form, harmony, correspondence, and even comprehension. Donne’s dramatized speaker stages a performance that shows him to be stuck in the past, the Old Testament, the body, and this ruined world. In The Second Anniversarie, Donne’s speaker has a new lease on life, and he offers a dynamic renewal of vision that is fundamentally analogous. In this Anniversarie, unlike The First, the very physicality of death, captured in analogy, enables redemption. At its end, desire returns as the erotic, Christian-Neoplatonic connector between heaven and earth, between the soul’s longing for God and God’s for the soul. Desire has become the affective realization of analogical construction.