scholarly journals DIBUJAR EN IDIOMAS. VISUALIZAR LA COLONIZACIÓN LINGÜÍSTICA EN EL SUDESTE ASIÁTICO.

2022 ◽  
pp. 611-631
Author(s):  
Cristina NUALART
Keyword(s):  
Southeast Asia ◽  
Cultural Heritage ◽  
Spoken Word ◽  
Writing Systems ◽  
Aesthetic Form ◽  
The Subject ◽  
Literacy Performance ◽  
Word Writing

No faltan en las artes visuales creaciones que han integrado en su plástica el lenguaje oral, la escritura o la traducción, si bien no es tan frecuente que el lenguaje sea el sujeto de la obra. Ese es el caso de diversas obras realizadas en dos antiguas colonias del Sudeste Asiático durante la década de 1990, que ponen en cuestión la herencia cultural constituida por las palabras y los sistemas de escritura. Desde sus respectivos contextos, Vietnam y Singapur, dos artistas aportan un incisivo comentario sobre los usos politizados de la escritura, las lenguas vernáculas y la alfabetización. Piezas performativas del artista Truong Tan y de la artista Amanda Heng aportan nuevos modos de comprender el funcionamiento del lenguaje y de la violencia ejercida a través de la colonización lingüística. Abstract: There is no shortage of artworks that have integrated the spoken word, writing or translation into their aesthetic form, although it is rare for language to be the subject of the works. This is the case of several works made during the 1990s in former colonies of Southeast Asia. The works call into question the cultural heritage that words and writing systems constitute. From their respective contexts, Vietnam and Singapore, two artists offer an incisive commentary on the politicized uses of vernacular languages and literacy. Performance pieces by artists Truong Tan and Amanda Heng contribute new ways of understanding the functioning of language, and the violence that can be exerted through linguistic colonization.

Kulturerbe

2013 ◽  
Author(s):  
Markus Tauschek
Keyword(s):  
Cultural Heritage ◽  
Cultural Policy ◽  
The Subject

In these days cultural heritage is a much discussed topic. It is the subject of international cultural policy, it is used as an advertising argument for tourism and it serves as a political instrument for different actors. But how do things, spaces and traditions become cultural heritage?

Old Aleppo: Upgrading an Historic Residential Environment

2006 ◽  
Vol 31 (4) ◽  
pp. 90-94
Author(s):  
Adli Qudsi
Keyword(s):  
Cultural Heritage ◽  
Residential Environment ◽  
Heritage Site ◽  
Complex Process ◽  
Old City ◽  
History Of ◽  
World Cultural Heritage ◽  
The Subject

The Old City of Aleppo, a UNESCO World Cultural Heritage site, a living town of 110,000 inhabitants residing in thousands of historical courtyard houses and an important commercial centre is now the subject of an internationally recognized rehabilitation scheme. This paper describes the history of this project and identifies a series of lessons to be learnt about the complex process of rehabilitation in a living historic environment.

scholarly journals SPATIAL REGENERATION OF MUSLIM BURIAL PRACTICES IN THE METROPOLITAN AREAS OF KUALA LUMPUR AND JAKARTA

2018 ◽  
Vol 16 (8) ◽  
Author(s):  
Mohamad Reza Mohamed Afla
Keyword(s):  
Southeast Asia ◽  
Metropolitan Areas ◽  
Design Guidelines ◽  
Kuala Lumpur ◽  
Muslim Population ◽  
Burial Practices ◽  
Burial Practice ◽  
The Subject ◽  
Full Body

This article focuses on the subject of burial practices which are performed by the Muslim population and the management at public cemeteries within the metropolitan areas of Kuala Lumpur and Jakarta. This research examines specifically, the conventional way of burial practice by the majority of the Muslim population. Unlike other major religions in Southeast Asia which are more open and flexible in the disposal of corpses, full body burial is mandatory in Islam. In response to the escalating issue of lack of space and land shortage for Muslim cemetery, local authorities of the two metropolitan areas have identified alternatives and solutions in handling these alarming situations. This research has recognised factors that lead to these problems, as well as discussing available methods to overcome these issues. The finding exhibits Muslim cemetery’s layout to be problematic due to abundance of burial practices accumulated by patrons which led to disorganisation of space and claustrophobia. This article concludes by providing proposals and design guidelines at the terrain level, together with recommendations that emphasise the long-term usage of the grave plots.

scholarly journals GAGASAN CERITA PANJI SEBAGAI ASPEK KETELADANAN

2018 ◽  
Vol 1 (2) ◽  
pp. 117-130
Author(s):  
Henri Nurcahyo
Keyword(s):  
Southeast Asia ◽  
Cultural Heritage ◽  
Fairy Tales ◽  
Performing Arts ◽  
Role Model ◽  
Raw Material ◽  
The Creation

The Panji story is a popular cultural heritage during the Majapahit period, spreading to various regions andcountries of Southeast Asia. Panji's story is not just a romantic story of Panji Asmarabangun with Dewi Sekartajibut has many interesting aspects that can be studied from various sides. There are many fairy tales that tell the story ofPanji, as well as the performing arts of tradition, art, the art of chanting, and even the Panji Story enshrined in reliefsof dozens of temples in East Java and hundreds of manuscripts of Panji scattered in various countries. From thevarious stories of Panji is contained noble values that can be a role model in the life of society and state. In the story ofPanji there is a load of courage, heroism, unyielding spirit, creativity in running tactics, caring for others, love animalsand flora, not vengeance, do not apply cruelly, love to study, devoted to mother, love and master various art and so on. The Panji is an ideal figure so much is personified by many Kings throughout history. The story of the Panji becomesintertwined between fairy tales and facts. The Panji story becomes a myth that eventually becomes a reference in life. Infact, the example of the Panji Story is not only reflected in its traits as a person but the moral of the story contained init, as well as the inspiration that can be picked as a raw material for the creation of artwork and also the creativeeconomy.

scholarly journals Kulturarv – et begreb til forhandling

1970 ◽  
pp. 4
Author(s):  
Beate Knuth Federspiel
Keyword(s):  
Cultural Heritage ◽  
Heritage Preservation ◽  
National Unity ◽  
Individual Level ◽  
Normative System ◽  
Intangible Heritage ◽  
Conservation Effort ◽  
The Subject ◽  
Cultural Conservation ◽  
Cultural Heritage Preservation

The international organisations active in the field of cultural conservation represent the normative framework for the protection of culture and heritage. Within this administrative and legal system, ideas about the overall meaning of the cultural heritage preservation concept are created and disseminated, and these have implications for museums’ obligations (collection, recording, conservation, research and communication), which collectively can be seen as society’s overall effort to preserve cultural heritage. The subject of this article is to examine how cultural conservation efforts shift focus in step with changes in society’s overall understanding of the concept of cultural heritage – which by nature is the object of these conservation efforts. The most recent UNESCO conventions on culture (The Convention for the Safeguarding of Intangible Cultural Heritage and The Convention for the Protection and Promotion of the Diversity of Cultural Expressions) testify to a growing appreciation of the value of this overall concept, focusing on people, right down to individual level – whereas focus was previously on national unity and a shared ”story” as the identification markers. The situation may seem especially justified by the distinction between tangible and intangible heritage, in which the intangible is increasingly taken into account. This article highlights key concepts and the continuing debate about their importance in the normative system. The emphasis is on the increasing value attributed to the concept of heritage, and the distinction between tangible and intangible heritage. Against this background, possible consequences for the basic conservation effort are discussed, because this is the foundation of the fundamental idea of what a museum is, as well as justifying the normative system in the field of culture. 

scholarly journals Methods of historicization of estate landscapes of Moscow

2020 ◽  
pp. 53-74
Author(s):  
Elena Nikolaevna Chernyavskaya
Keyword(s):  
Cultural Heritage ◽  
Moscow Region ◽  
Primary Sources ◽  
Public Parks ◽  
The Past ◽  
Soviet Time ◽  
New Construction ◽  
The Subject ◽  
Modern Vision ◽  
The Government

The object of this research is the methods used in design practices of post-Soviet time to give historical appearance to landscapes of former estates of Moscow region, which faded away, i.e. the methods of historicization. The landscapes under review are being protected by the government as the objects of Moscow cultural heritage, and designated as museums (reserve museums) and public parks. The subject of this research is disclosure of the essence of these methods and their assessment from the perspective of alignment with historical primary sources, implementation, proliferation, and attractiveness. The author conducts systematization of methods in accordance to the degree of conformance to the historical realities, and divides them into the following groups: 1) that provide accurate reproduction of historical forms, 2) that create similarities, 3) that create new forms. Each group is divided into subgroups. By frequency of application, the leading place belongs to the methods of first group, which are aimed at reproduction of the shapes of buildings and structures. The rest two methods focus on reviving the memory of the past. The application is attributed to new construction, which can be assessed as landscape evolution and a modern artistic phenomenon. The methods of second group lead to landscape development in spirit of historicism, while the methods of third group – to the development of territory based on modern vision of the past. The conducted analysis is valued for the general outlook upon the process of preservation of one of the most complex types of cultural heritage of Moscow.

scholarly journals Modelisation Hydraulique Mono Dimensionnel Par HEC RAS, Application Sur L’oued Aggay (Ville De Sefrou)

2018 ◽  
Vol 14 (18) ◽  
pp. 110 ◽  
Author(s):  
Meriam Lahsaini ◽  
Hassan Tabyaoui
Keyword(s):  
Urban Planning ◽  
Cultural Heritage ◽  
Statistical Methods ◽  
Flood Risk ◽  
Water Levels ◽  
Hydrological Study ◽  
Geographical Position ◽  
The Subject ◽  
Flooded Area ◽  
The City

The city of Sefrou, because of its geographical position, its cultural heritage and urban planning, than economically, is classified as one of the sites with a vulnerability particular to floods. Oued Aggay, the subject of this study, constitutes a danger potential because of the violence of its floods. In this perspective that comes this study that part of the creation and management of a spatial database on flood risk in the Sebou basin. It aims to spatialize the extent of the floods of Oued Aggay and propose solutions to protection the city of Sefrou against floods. The chosen approach goes through a hydrological study, the choice of profiles and the construction of onedimensional model from HEC RAS hydrology software. This study allowed us to simulate floods by statistical methods, identify flood zones and determine the different water levels in the flooded area for the Oued Aggay watershed.

scholarly journals Glocal Participatory System for the Recording, Documentation and Promotion of Cultural Heritage: A Greek Case-Study

Heritage ◽  
2018 ◽  
Vol 1 (1) ◽  
pp. 88-99 ◽  
Author(s):  
Dimitris Psychogyios ◽  
Nick Poulakis
Keyword(s):  
Cultural Heritage ◽  
Interdisciplinary Approach ◽  
Urban Landscapes ◽  
Collective Memories ◽  
Sustainable Living ◽  
Significant Research ◽  
Catalytic Role ◽  
The Subject ◽  
And Diffusion

The recording, documentation and promotion of local cultural heritage has been the subject of significant research from scientists from various fields such as architecture, anthropology, history, folklore, ethnomusicology, and museology. This paper argues that digital technologies could have a catalytic role concerning the operational part of a holistic–interdisciplinary approach to the maintenance of cultural heritage. Simultaneous and bidirectional recording, documentation and promotion of human histories, material elements of space, personal and collective memories, music, dance, singing and other performances, customs, traditions etc. has the effect of improving the understanding of each place and, therefore, contributing to the establishment of sustainable living conditions and environmental balance. At the same time, it facilitates the process of presenting the place’s local identity as well as its tangible and intangible cultural heritage. The paper proposes the design, the creation and the pilot operation of a glocal hybrid (physical and digital) participatory system for monitoring cultural heritage, which consists of (a) spatial recording and projection constructions (open micro-labs); (b) research and documentation centers; and (c) digital databases and mobile applications for interconnection and diffusion of digital content. The system’s implementation domain is considered to be “historic urban landscapes”, i.e., geographical areas with particular cultural features such as traditional settlements, monuments and historical centers, regarded as exceptional universal heritage. In particular, the project’s prime exemplary pilot setup is considered to be operated in specific Greek areas of cultural importance.

West–East–Russia 2020. Yearbook

2021 ◽  
Keyword(s):  
Latin America ◽  
Southeast Asia ◽  
Main Theme ◽  
Significant Events ◽  
East Russia ◽  
East And Southeast Asia ◽  
The Subject ◽  
Soviet Space ◽  
Scientific Life ◽  
Post Soviet Space

The yearbook "West-East-Russia" 2020 presents the most significant events, processes and trends of the past year in the relations of the countries of the Center, Periphery and Semi-Periphery, including the positions and interests of Russia in this interaction. The main theme of the panorama of 2020 was the COVID-19 pandemic, the analysis of its damage to the world economy, the study of the experience of countering it in various countries and regions (China, India, Southeast Asia, Africa, Latin America). On this background, the problems of the BRICS and the post-Soviet space are considered. Attention is paid to the situation in Syria, Libya and other hot spots. These and other topics are presented in both global and regional dimensions (Middle East, East and Southeast Asia, Latin America, etc.). There are sections on ecology and scientific life, as well as reviews of new books on the subject of the yearbook.

Which is The Main Concept of Old-Banten Area Development, to be A Cultural Heritage or Not?

2020 ◽  
Vol 1 (1) ◽  
pp. 36-49
Author(s):  
Rahmi Elsa Diana
Keyword(s):  
Southeast Asia ◽  
Cultural Heritage ◽  
Development Process ◽  
Cultural Tourism ◽  
Main Concept ◽  
Historical Method ◽  
Implementation Progress ◽  
Cultural Sector ◽  
Area Development ◽  
Initial Framework

Old Banten Area is historical tourism in Indonesia with tangible cultural heritage. It was the Banten Sultanate center that ever has the largest settlement and monopolized the trade in Southeast Asia. In 2017 Old-Banten set as a strategic provincial tourism area that excelled in the cultural sector. The program has taken the implementation progress then even get criticized by several parties which one of them written by the Chairman of IAI Banten. The development process has shown the characteristics transformation as opposite with the revitalization term. Based on those critics, the research overviews the characteristics of Old-Banten Area as a cultural heritage and the current cultural tourism development process through interpretive-historical method. The results might be used as an initial framework to understand the importance of place identities preserved in the concept of Old-Banten Area development.

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